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Acceptance: A Novel (The Southern Reach Trilogy Book 3) Kindle Edition
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The New York Timesbestselling final installment of Jeff VanderMeer’s wildy popular Southern Reach Trilogy
It is winter in Area X, the mysterious wilderness that has defied explanation for thirty years, rebuffing expedition after expedition, refusing to reveal its secrets. As Area X expands, the agency tasked with investigating and overseeing it--the Southern Reach--has collapsed on itself in confusion. Now one last, desperate team crosses the border, determined to reach a remote island that may hold the answers they've been seeking. If they fail, the outer world is in peril.
Meanwhile, Acceptance tunnels ever deeper into the circumstances surrounding the creation of Area X--what initiated this unnatural upheaval? Among the many who have tried, who has gotten close to understanding Area X--and who may have been corrupted by it?
In this last installment of Jeff VanderMeer's Southern Reach trilogy, the mysteries of Area X may be solved, but their consequences and implications are no less profound--or terrifying.
Excerpt. © Reprinted by permission. All rights reserved.
0001: THE LIGHTHOUSE KEEPER
Overhauled the lens machinery and cleaned the lens. Fixed the water pipe in the garden. Small repair to the gate. Organized the tools and shovels etc. in the shed. S&SB visit. Need to requisition paint for daymark—black eroded on seaward side. Also need nails and to check the western siren again. Sighted: pelicans, moorhens, some kind of warbler, blackbirds beyond number, sanderlings, a royal tern, an osprey, flickers, cormorants, bluebirds, pigmy rattlesnake (at the fence—remember), rabbit or two, white-tailed deer, and near dawn, on the trail, many an armadillo.
That winter morning, the wind was cold against the collar of Saul Evans’s coat as he trudged down the trail toward the lighthouse. There had been a storm the night before, and down and to his left, the ocean lay gray and roiling against the dull blue of the sky, seen through the rustle and sway of the sea oats. Driftwood and bottles and faded white buoys and a dead hammerhead shark had washed up in the aftermath, tangled among snarls of seaweed, but no real damage either here or in the village.
At his feet lay bramble and the thick gray of thistles that would bloom purple in the spring and summer. To his right, the ponds were dark with the muttering complaints of grebes and buffleheads. Blackbirds plunged the thin branches of trees down, exploded upward in panic at his passage, settled back into garrulous communities. The brisk, fresh salt smell to the air had an edge of flame: a burning smell from some nearby house or still-smoldering bonfire.
Saul had lived in the lighthouse for four years before he’d met Charlie, and he lived there still, but last night he’d stayed in the village a half mile away, in Charlie’s cottage. A new thing this, not agreed to with words, but with Charlie pulling him back to bed when he’d been about to put on his clothes and leave. A welcome thing that put an awkward half smile on Saul’s face.
Charlie’d barely stirred as Saul had gotten up, dressed, made eggs for breakfast. He’d served Charlie a generous portion with a slice of orange, kept hot under a bowl, and left a little note beside the toaster, bread at the ready. As he’d left, he’d turned to look at the man sprawled on his back half in and half out of the sheets. Even into his late thirties, Charlie had the lean, muscular torso, strong shoulders, and stout legs of a man who had spent much of his adult life on boats, hauling in nets, and the flat belly of someone who didn’t spend too many nights out drinking.
A quiet click of the door, then whistling into the wind like an idiot as soon as he’d taken a few steps—thanking the God who’d made him, in the end, so lucky, even if in such a delayed and unexpected way. Some things came to you late, but late was better than never.
Soon the lighthouse rose solid and tall above him. It served as a daymark so boats could navigate the shallows, but also was lit at night half the week, corresponding to the schedules of commercial traffic farther out to sea. He knew every step of its stairs, every room inside its stone-and-brick walls, every crack and bit of spackle. The spectacular four-ton lens, or beacon, at the top had its own unique signature, and he had hundreds of ways to adjust its light. A first-order lens, over a century old.
As a preacher he thought he had known a kind of peace, a kind of calling, but only after his self-exile, giving all of that up, had Saul truly found what he was looking for. It had taken more than a year for him to understand why: Preaching had been projecting out, imposing himself on the world, with the world then projecting onto him. But tending to the lighthouse—that was a way of looking inward and it felt less arrogant. Here, he knew nothing but the practical, learned from his predecessor: how to maintain the lens, the precise workings of the ventilator and the lens-access panel, how to maintain the grounds, how to fix all the things that broke—scores of daily tasks. He welcomed each part of the routine, relished how it gave him no time to think about the past, and didn’t mind sometimes working long hours—especially now, in the afterglow of Charlie’s embrace.
But that afterglow faded when he saw what awaited him in the gravel parking lot, inside the crisp white fence that surrounded the lighthouse and the grounds. A familiar beat-up station wagon stood there, and beside it the usual two Séance & Science Brigade recruits. They’d snuck up on him again, crept in to ruin his good mood, and even piled their equipment beside the car already—no doubt in a hurry to start. He waved to them from afar in a halfhearted way.
They were always present now, taking measurements and photographs, dictating statements into their bulky tape recorders, making their amateur movies. Intent on finding … what? He knew the history of the coast here, the way that distance and silence magnified the mundane. How into those spaces and the fog and the empty line of the beach thoughts could turn to the uncanny and begin to create a story out of nothing.
Saul took his time because he found them tiresome and increasingly predictable. They traveled in pairs, so they could have their séance and their science both, and he sometimes wondered about their conversations—how full of contradictions they must be, like the arguments going on inside his head toward the end of his ministry. Lately the same two had come by: a man and a woman, both in their twenties, although sometimes they seemed more like teenagers, a boy and girl who’d run away from home dragging a store-bought chemistry set and a Ouija board behind them.
Henry and Suzanne. Although Saul had assumed the woman was the superstitious one, it turned out she was the scientist—of what?—and the man was the investigator of the uncanny. Henry spoke with a slight accent, one Saul couldn’t place, that put an emphatic stamp of authority on everything he said. He was plump, as clean-shaven as Saul was bearded, with shadows under his pale blue eyes, black hair in a modified bowl cut with bangs that obscured a pale, unusually long forehead. Henry didn’t seem to care about worldly things, like the winter weather, because he always wore some variation on a delicate blue button-down silk shirt with dress slacks. The shiny black boots with zippers down the side weren’t for trails but for city streets.
Suzanne seemed more like what people today called a hippie but would’ve called a communist or bohemian when Saul was growing up. She had blond hair and wore a white embroidered peasant blouse and a brown suede skirt down below the knee, to meet the calf-high tan boots that completed her uniform. A few like her had wandered into his ministry from time to time—lost, living in their own heads, waiting for something to ignite them. The frailty of her form made her somehow more Henry’s twin, not less.
The two had never given him their last names, although one or the other had said something that sounded like “Serum-list” once, which made no sense. Saul didn’t really want to know them better, if he was honest, had taken to calling them “the Light Brigade” behind their backs, as in “lightweights.”
When he finally stood in front of them, Saul greeted them with a nod and a gruff hello, and they acted, as they often did, like he was a clerk in the village grocery store and the lighthouse a business that offered some service to the public. Without the twins’ permit from the parks service, he would have shut the door in their faces.
“Saul, you don’t look very happy even though it is a beautiful day,” Henry said.
“Saul, it’s a beautiful day,” Suzanne added.
He managed a nod and a sour smile, which set them both off into paroxysms of laughter. He ignored that.
But they continued to talk as Saul unlocked the door. They always wanted to talk, even though he’d have preferred that they just got on with their business. This time it was about something called “necromantic doubling,” which had to do with building a room of mirrors and darkness as far as he could tell. It was a strange term and he ignored their explanations, saw no way in which it had any relationship to the beacon or his life at the lighthouse.
People weren’t ignorant here, but they were superstitious, and given that the sea could claim lives, who could blame them. What was the harm of a good-luck charm worn on a necklace, or saying a few words in prayer to keep a loved one safe? Interlopers trying to make sense of things, trying to “analyze and survey” as Suzanne had put it, turned people off because it trivialized the tragedies to come. But like those annoying rats of the sky, the seagulls, you got used to the Light Brigade after a while. On dreary days he had almost learned not to begrudge the company. Why do you see the speck in your neighbor’s eye but not notice the log in your own eye?
“Henry thinks the beacon could operate much like such a room,” Suzanne said, as if this was some major and astounding discovery. Her enthusiasm struck him as serious and authentic and yet also frivolous and amateurish. Sometimes they reminded him of the traveling preachers who set up tents at the edges of small towns and had the fervor of their convictions but not much else. Sometimes he even believed they were charlatans. The first time he’d met them, Saul thought Henry had said they were studying the refraction of light in a prison.
“Are you familiar with these theories?” Suzanne asked as they started to climb; she was lightly adorned with a camera strapped around her neck and a suitcase in one hand. Henry was trying not to seem winded, and said nothing. He was wrestling with heavy equipment, some of it in a box: mics, headphones, UV light readers, 8mm film, and a couple of machines featuring dials, knobs, and other indicators.
“No,” Saul said, mostly to be contrary, because Suzanne often treated him like someone without culture, mistook his brusqueness for ignorance, his casual clothes as belonging to a simple man. Besides, the less he said, the more relaxed they were around him. It’d been the same with potential donors as a preacher. And the truth was, he didn’t know what she was talking about, just as he hadn’t known what Henry meant when he’d said they were studying the “taywah” or “terror” of the region, even when he’d spelled it out as t-e-r-r-o-i-r.
“Prebiotic particles,” Henry managed in a jovial if wheezy tone. “Ghost energy.”
As Suzanne backed that up with a longish lecture about mirrors and things that could peer out of mirrors and how you might look at something sideways and know more about its true nature than head-on, he wondered if Henry and Suzanne were lovers; her sudden enthusiasm for the séance part of the brigade might have a fairly prosaic origin. That would also explain their hysterical laughter down below. An ungenerous thought, but he’d wanted to bask in the afterglow of the night with Charlie.
“Meet you up there,” he said finally, having had enough, and leaped up the stairs, taking them two at a time while Henry and Suzanne labored below, soon out of sight. He wanted as much time at the top without them as possible. The government would retire him at fifty, mandatory, but he planned to be as in shape then as now. Despite the twinge in his joints.
At the top, hardly even breathing heavy, Saul was happy to find the lantern room as he’d left it, with the lens bag placed over the beacon, to avoid both scratching and discoloration from the sun. All he had to do was open the lens curtains around the parapet to let in light. His concession to Henry, for just a few hours a day.
Once, from this vantage, he’d seen something vast rippling through the water beyond the sandbars, a kind of shadow, the grayness so dark and deep it had formed a thick, smooth shape against the blue. Even with his binoculars he could not tell what creature it was, or what it might become if he stared at it long enough. Didn’t know if eventually it had scattered into a thousand shapes, revealed as a school of fish, or if the color of the water, the sharpness of the light, changed and made it disappear, revealed as an illusion. In that tension between what he could and couldn’t know about even the mundane world, he felt at home in a way he would not have five years ago. He needed no greater mysteries now than those moments when the world seemed as miraculous as in his old sermons. And it was a good story for down at the village bar, the kind of story they expected from the lighthouse keeper, if anyone expected anything from him at all.
“So that’s why it’s of interest to us, what with the way the lens wound up here, and how that relates to the whole history of both lighthouses,” Suzanne said from behind him. She had been having a conversation with Saul in his absence, apparently, and seemed to believe he had been responding. Behind her, Henry was about ready to collapse, although the trek had become a regular routine.
When he’d dropped the equipment and regained his breath, Henry said, “You have a marvelous view from up here.” He always said this, and Saul had stopped giving a polite response, or any response.
“How long are you here for this time?” Saul asked. This particular stint had already lasted two weeks, and he’d put off asking, fearing the answer.
Henry’s shadow-circled gaze narrowed. “This time our permit allows us access through the end of the year.” Some old injury or accident of birth meant his head was bent to the right, especially when he spoke, right ear almost touching the upward slope of his shoulder. It gave him a mechanical aspect.
“Just a reminder: You can touch the beacon, but you can’t in any way interfere with its function.” Saul had repeated this warning every day since they’d come back. Sometimes in the past they’d had strange ideas about what they could and could not do.
“Relax, Saul,” Suzanne said, and he gritted his teeth at her use of his first name. At the beginning, they’d called him Mr. Evans, which he preferred.
He took more than the usual juvenile pleasure in positioning them on the rug, beneath which lay a trapdoor and a converted watch room that had once held the supplies needed to maintain the light before the advent of automation. Keeping the room from them felt like keeping a compartment of his mind hidden from their experiments. Besides, if these two were as observant as they seemed to think they were, they would have realized what the sudden cramping of the stairs near the top meant.
When he was satisfied they had settled in and were unlikely to disturb anything, he gave them a nod and left. Halfway down, he thought he heard a breaking sound from above. It did not repeat. He hesitated, then shrugged it off, continued to the bottom of the spiral stairs.
* * *
Below, Saul busied himself with the grounds and organizing the toolshed, which had become a mess. More than one hiker wandering through had seemed surprised to find a lighthouse keeper walking the grounds around the tower as if he were a hermit crab without its shell, but in fact there was a lot of maintenance required due to the way storms and the salt air could wear down everything if he wasn’t vigilant. In the summer, it was harder, with the heat and the biting flies.
The girl, Gloria, snuck up on him while he was inspecting the boat he kept behind the shed. The shed abutted a ridge of soil and coquina parallel to the beach and a line of rocks stretching out to sea. At high tide, the sea flowed up to reinvigorate tidal pools full of sea anemones, starfish, blue crabs, snails, and sea cucumbers.
She was a solid, tall presence for her age, big for nine—“Nine and a half!”—and although Gloria sometimes wobbled on those rocks there was rarely any wobble in her young mind, which Saul admired. His own middle-aged brain sometimes slipped a gear or two.
So there she was again, a sturdy figure on the rocks, in her winter-weather gear—jeans, hooded jacket and sweater underneath, thick boots for wide feet—as he finished with the boat and brought compost around back in the wheelbarrow. She was talking to him. She was always talking to him, ever since she’d started coming by about a year ago.
“You know my ancestors lived here,” she said. “Mama says they lived right here, where the lighthouse is.” She had a deep and level voice for one so young, which sometimes startled him.
“So did mine, child,” Saul told her, upturning the wheelbarrow load into the compost pile. Although truth was, the other side of his family had been an odd combination of rumrunners and fanatics who he liked to say, down at the bar, “had come to this land fleeing religious freedom.”
After considering Saul’s assertion for a moment, Gloria said, “Not before mine.”
“Does it matter?” He noticed he’d missed some caulking on the boat.
The child frowned; he could feel her frown at his back, it was that powerful. “I don’t know.” He looked over at her, saw she’d stopped hopping between rocks, had decided that teetering on a dangerously sharp one made more sense. The sight made his stomach lurch, but he knew she never slipped, even though she seemed in danger of it many times, and as many times as he’d talked to her about it, she’d always ignored him.
“I think so,” she said, picking up the conversation. “I think it does.”
“I’m one-eighth Indian,” he said. “I was here, too. Part of me.” For what that was worth. A distant relative had told him about the lighthouse keeper’s job, it was true, but no one else had wanted it.
“So what,” she said, jumping to another sharp rock, balancing atop it, arms for a moment flailing and Saul taking a couple of steps closer to her out of fear.
She annoyed him much of the time, but he hadn’t yet been able to shake her loose. Her father lived in the middle of the country somewhere, and her mother worked two jobs from a bungalow up the coast. The mother had to drive to far-off Bleakersville at least once a week, and probably figured her kid could manage on her own every now and again. Especially if the lighthouse keeper was looking after her. And the lighthouse held a kind of fascination for Gloria that he hadn’t been able to break with his boring shed maintenance and wheelbarrow runs to the compost pile.
In the winter, too, she would be by herself a lot anyway—out on the mudflats just to the west, poking at fiddler crab holes with a stick or chasing after a half-domesticated doe, or peering at coyote or bear scat as if it held some secret. Whatever was on offer.
“Who’re those strange people, coming around here?” she asked.
That almost made him laugh. There were a lot of strange people hidden away on the forgotten coast, himself included. Some were hiding from the government, some from themselves, some from spouses. A few believed that they were creating their own sovereign states. A couple probably weren’t in the country legally. People asked questions out here, but they didn’t expect an honest answer. Just an inventive one.
“Who exactly do you mean?”
“The ones with the pipes?”
It took Saul a moment, during which he imagined Henry and Suzanne skipping along the beach, pipes in their mouths, smoking away furiously.
“Pipes. Oh, they weren’t pipes. They were something else.” More like huge translucent mosquito coils. He’d let the Light Brigade leave the coils in the back room on the ground floor for a few months last summer. How in the heck had she seen that, anyway?
“Who are they?” she persisted, as she balanced now on two rocks, which at least meant Saul could breathe again.
“They’re from the island up the coast.” Which was true—their base was still out on Failure Island, home to dozens of them, a regular warren. “Doing tests,” as the rumors went down at the village bar, where they did indeed like a good story. Private researchers with government approval to take readings. But the rumors also insinuated that the S&SB had some more sinister agenda. Was it the orderliness, the precision, of some of them or the disorganization of the others that led to this rumor? Or just a couple of bored, drunk retirees emerging from their mobile homes to spin stories?
The truth was he didn’t know what they were doing out on the island, or what they had planned to do with the equipment on the ground floor, or even what Henry and Suzanne were doing at the top of the lighthouse right now.
“They don’t like me,” she said. “And I don’t like them.”
That did make him chuckle, especially the brazen, arms-folded way she said it, like she’d decided they were her eternal enemy.
“Are you laughing at me?”
“No,” he said. “No, I’m not. You’re a curious person. You ask questions. That’s why they don’t like you. That’s all.” People who asked questions didn’t necessarily like being asked questions.
“What’s wrong with asking questions?”
“Nothing.” Everything. Once the questions snuck in, whatever had been certain became uncertain. Questions opened the way for doubt. His father had told him that. “Don’t let them ask questions. You’re already giving them the answers, even if they don’t know it.”
“But you’re curious, too,” she said.
“Why do you say that?”
“You guard the light. And light sees everything.”
* * *
The light might see everything, but he’d forgotten a few last tasks, a few last things that would keep him out of the lighthouse for longer than he liked. He moved the wheelbarrow onto the gravel next to the station wagon. He felt a vague urgency, as if he should check on Henry and Suzanne. What if they had found the trapdoor and done something stupid, like fallen in and broken their strange little necks? Staring up just then, he saw Henry staring down from the railing far above, and that made him feel foolish. Like he was being paranoid. Henry waved, or was it some other gesture? Dizzy, Saul looked away as he made a kind of wheeling turn, disoriented by the sun’s glare.
Only to see something glittering from the lawn—half hidden by a plant rising from a tuft of weeds near where he’d found a dead squirrel a couple of days ago. Glass? A key? The dark green leaves formed a rough circle, obscuring whatever lay at its base. He knelt, shielded his gaze, but the glinting thing was still hidden by the leaves of the plant, or was it part of a leaf? Whatever it was, it was delicate beyond measure, yet perversely reminded him of the four-ton lens far above his head.
The sun was a whispering corona at his back. The heat had risen, but there was a breeze that lifted the leaves of the palmettos in a rattling stir. The girl was somewhere behind him singing a nonsense song, having come back off the rocks earlier than he’d expected.
Nothing existed in that moment except for the plant and the gleam he could not identify.
He had gloves on still, so he knelt beside the plant and reached for the glittering thing, brushing up against the leaves. Was it a tiny shifting spiral of light? It reminded him of what you might see staring into a kaleidoscope, except an intense white. But whatever it was swirled and glinted and eluded his rough grasp, and he began to feel faint.
Alarmed, he started to pull back.
But it was too late. He felt a sliver enter his thumb. There was no pain, only a pressure and then numbness, but he still jumped up in surprise, yowling and waving his hand back and forth. He frantically tore off the glove, examined his thumb. Aware that Gloria was watching him, not sure what to make of him.
Nothing now glittered on the ground in front of him. No light at the base of the plant. No pain in his thumb.
Slowly, Saul relaxed. Nothing throbbed in his thumb. There was no entry point, no puncture. He picked up the glove, checked it, couldn’t find a tear.
“What’s wrong?” Gloria asked. “Did you get stung?”
“I don’t know,” he said.
He felt other eyes upon him then, turned, and there stood Henry. How had he gotten down the stairs so fast? Had more time passed than he’d imagined?
“Yes—is something wrong, Saul?” Henry asked, but Saul could find no way to reconcile the concern expressed with any concern in the tone of his voice. Because there was none. Only a peculiar eagerness.
“Nothing is wrong,” he said, uneasy but not knowing why he should be. “Just pricked my thumb.”
“Through your gloves? That must have been quite the thorn.” Henry was scanning the ground like someone who had lost a favorite watch or a wallet full of money.
“I’m fine, Henry. Don’t worry about me.” Angry more at looking silly over nothing, but also wanting Henry to believe him. “Maybe it was an electric shock.”
“Maybe…” The gleam of the man’s eyes was the light of a cold beacon coming to Saul from far off, as if Henry were broadcasting some other message entirely.
“Nothing is wrong,” Saul said again.
Nothing was wrong.
Copyright © 2014 by VanderMeer Creative, Inc.--This text refers to an alternate kindle_edition edition.
[A] wonderfully creepy blend of horror and science fiction...Speculative fiction at its most transfixing.-- "Kirkus Reviews (starred review) on the Southern Reach trilogy"
As the Southern Reach trilogy concludes, another exploratory team is sent into Area X--that raw, almost biologically primal region that revealed its secrets in Annihilation and Authority...A satisfying conclusion to this captivating trilogy.-- "Booklist"
The concluding installment of the Southern Reach trilogy ends where the story began: in a cloud of hallucinatory mystery...This trilogy represents an interesting pivot for VanderMeer: Although sharing many of the same motifs--metamorphosis, unusual fungi, and other organic material, a pull toward the sea--it's actually more restrained (if no less vivid) than the lush baroquerie of his earlier works. We leave knowing more about Area X than we started; we may not understand it any better, but we leave transformed, as do all travelers to that uncanny place.-- "Kirkus Reviews (starred review)"
The concluding volume of VanderMeer's Southern Reach trilogy brings each of the series's narrative threads together for an enigmatic but satisfying conclusion...In many ways, this is the most mysterious and puzzling book of the three: VanderMeer employs multiple flashbacks and POVs, which contribute to a multifaceted, mutating portrait of Area X. The pacing of the narrative is slower, but the reader will want to move slowly so as not to miss any of the more subtle occurrences or psychological insights. By the time the book is finished, the reader knows that this trilogy is that rare thing--a set in which the whole is as great as the parts.-- "Publishers Weekly"
The third volume in the Southern Reach trilogy takes us back to the region known as Area X...Easy answers are not on offer from VanderMeer, but he does give a sense of closure, and the three books together stand as a remarkable imaginative achievement. Displaying the dizzying skill with imagery and language that have been seen throughout the series, the author leaves readers with some answers, more questions, and an appreciation of the journey.-- "Library Journal"
VanderMeer weaves together otherworldly tales of the supernatural and the half-human.-- "Booklist (starred review) on the Southern Reach trilogy" --This text refers to the mp3_cd edition.
- ASIN : B00ILWNU2E
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Now, I saw some of what I liked from the first two books here, and I did finish it in three days (despite not having much time to read), so I just can't justify a one- or two-star rating. But neither did I like this as much as either of the first two books in the series.
Look, when you start reading a trilogy, you expect there to be some set-up in book one, some mysteries introduced in the first and even second books, but you want resolution by the end of book three, not new questions. Overall, I don't really feel like I got that. (I am, perhaps, most satisfied with the hints of what created the anomaly known as Area X, oddly enough. This is never spelled out for you, but there is an incident with the lighthouse keeper, Saul, and some speculation later on, and if you put those pieces together with some of the discussion of traveling to Area X, you can come up with something at least plausible. I think this part was done pretty well, actually, although you have to pay a lot of attention towards the end of the book and think about it for a bit afterwards, as well. Too much explanation would have made me roll my eyes because there's just no explaining something so alien.)
But, the first two books were character studies, first of the biologist from the twelfth expedition into Area X, and second of Control, the newly-installed director of Southern Reach, the agency that investigates and guards against Area X. And you kind of expect the book to continue in that vein, but the characters just aren't nearly as compelling in this book. Part of my issue here may stem from the multiple viewpoints -- Control, Ghost Bird (a double of the biologist created by Area X), the psychologist from book one who was also the director of Southern Reach before Control, and Saul Evans, keeper of the lighthouse that is discussed often in all three books. We also read a document written by the biologist from book one, who is sort of a fifth viewpoint character. (And if you wonder what happened to her at the end of book one, you will at least get an answer for that. It is weird, but it is resolution, and it doesn't come out of nowhere.)
This is really too many people to do the same type of character study we saw in book. But, I feel like the author is attempting to do so anyway. We get a lot of information on the backgrounds of the psychologist and of Saul. Both had experience in Area X before the change, and we read a lot about that time. Some of Saul's parts do help explain (or at least, I think they do) the formation of Area X. But there is a lot of extraneous stuff, as well. Like his relationship with a fisherman. I swear they go to bed together about 10 times in less than 25% of the book. (There is no graphic detail so don't worry about that.) I do like Saul's journal entries about the lighthouse. They don't seem relevant at first, but the changes in them accurately reflect his underlying mental state.
Anyway, I can buy Saul as a viewpoint character. I am not feeling the psychologist at all. I find her hard to sympathize with as she seems to have shunned personal relationships for most of her life, and the attempts to describe her personal life involve her hanging out at a bowling alley bar with people she doesn't know well (not even their names, apparently, or she doesn't care about their names). I think a lot of what she offered to the story could've been handled in Saul's sections, with Control finding a few of her documents to complete the picture.
And then, the other issues.
(1) Everyone is always trying to go to "the island." The biologist's husband. The biologist. Control and Ghost Bird. Even Grace (the Southern Reach assistant director from the past book). But why? What is so special about the island? It's not where resolution happens. I just don't get its prominent place in the story.
(2) Lowry. This guy survived the first expedition into Area X. He is the only person who did. I understand that this gives him some kind of personal knowledge and authority. But he has a couple of screws loose and I absolutely don't understand why he has so much influence over everyone else or how he is able to maintain a position in what I assume is some kind of intelligence agency. He does have some dirt on some other characters, but those are his subordinates, essentially, not his superiors (who would actually have a say in whether he keeps his job).
(3) The Seance and Science Brigade. These folks showed up in Saul's sections. It is implied that some of Control's family members may have had a connection. Mostly they just seemed annoying. Their role in everything is not explained. It seems they exist to annoy Saul, to trespass and vandalize, etc.
(4) Control. I don't understand at all what happened to him. Or why he was driven to do what he did, at the end.
(5) I guess I understand that missions were sent into Area X to understand what was going on. Because it was clearly harmful to people who had been there when it was created/formed/whatever. But it sounds like potentially hundreds of missions were sent, with hundreds of people lost. It seems like, at some point, you would cut your losses. Especially since, when people do come back (if they do at all), they rarely have any useful information. They leave all their journals in the lighthouse. No one has brought physical samples back for a long time. What is it that people are hoping to accomplish by going in here? It seems like Area X might've stayed stable but for human interference. Granted, I guess the characters couldn't know that.
(6) We keep being told that the biologist is the psychologist's secret weapon against Area X. I'm not convinced the reason for this was established. Yes, she's socially awkward and interested in nature and yes, her husband was on a previous expedition. But given the biologist's ultimate fate, I guess the psychologist was just wrong?
(7) We find out at some point in the previous book, or early in this one, that the psychologist went on an unauthorized mission into Area X and brought back a plant (the plant is definitely in book 2). Why was she able to do this when none of the official expeditions were all that successful (her companion was clearly damaged by the experience, but she didn't really change)?
Anyway, there were enough dropped threads and missed connections that I was not terribly satisfied with the conclusion of this trilogy. (I pretty much only read speculative fiction these days so it's not like I'm new to the genre, so my issue is not lack of familiarity with the types of stories that are told.) I like Mr. Vandermeer's writing style and would definitely consider buying other books of his. I'm just a little disappointed with this book. The series started out so strongly!
VanderMeer is a master of describing the atmosphere of place. In both Annihilation (the first book of the trilogy) and Acceptance VanderMeer writes about a version of Northern Florida's "Forgotten Coast" that has become Area X. His description of the pristine wilderness of Area X, combined with the lurking menace is compelling and unforgettable. I found VanderMeer's description of the Forgotten Coast so strong and compelling that I looked it up on the web and would like to visit someday.
In the second book of the trilogy, Authority , the setting is the Southern Reach, an organization that was created to research Area X. Instead of the description of wilderness, there is a description of a claustrophobic institution and bureaucracy, with, again, Area X the lurking menace in the background. I found the warping of the Southern Reach and of the people who work there uncomfortable reading. Authority was the bridge novel between the start and end of the trilogy and I didn't like it as much as Annihilation and Acceptance.
The characters in Acceptance are Control (the Southern Reach Director John Rodriguez from Authority), Ghost Bird, an avatar of the Biologist from Authority, the Psychologist, and Southern Reach Director, who lead the expedition in Annihilation and Grace, the Southern Reach second in command under Control and the Psychologist.
A minor digression: Normally I have an almost allergic reaction to writing in the second person ("You find yourself in a large automobile. And you ask yourself...") VanderMeer is the first writer that I've read where I felt that the second person perspective worked well. In Acceptance VanderMeer uses the second person in the sections on the Psychologist. The narrative was easier to follow since the second person signaled a switch to the Psychologist's world.
The setting in Acceptance moves between the Psychologist when she was director at the Southern Reach and Area X. Acceptance provides background on Area X before it was walled off by "The Border". We learn about the lighthouse keeper and others who lived in Area X. We also see the growth of Area X and the arrival of The Border. But there are no clear answers as to what precisely Area X is and the mechanism of its formation. There are suggestions and sketches of what it might be and who created it. But Area X is never completely fathomed.
Humans create stories to explain what they can't understand. Modern science has allowed much of our common world to be explained by a rational structure. What we know and can understand is still limited. The universe remains a strange and unexplained place. In the Southern Reach trilogy Area X is beyond human understanding and exists via forces that humans can only glimpse.
What stands out in these books are the characters and the spaces they inhabit: the Southern Reach, Area X and Central (the parent organization of the Southern Reach). We see some of the inner lives of the characters, how their environment warps them and how they evolve and change. The plot of the Southern Reach trilogy is ambiguous, but what is unforgettable is the characters and the pristine menace of Area X's Forgotten Coast.
Top reviews from other countries
This does have some mature things in it so is only for grown ups.
It runs for 338 pages. Has a prologue. Epilogue. Twenty eight chapters and three parts in between.
It picks up from where book two left off, with one last expedition on the way to area X. Might they get answers? Are there any to find?
I cannot begin to describe how disappointing this was. The prologue is all stream of consciousness present tense, which is the kind of prose you can easily skim. We then get three narrative strands. But two take place before the first book. They should be interesting, as they fill in the story of what happened before, but the prose is so uninteresting, they are so very easy to skim.
And thus I found myself doing so.
It being the end of the trilogy you are waiting for something big to happen that will really move the plot on nicely. But don't hold your breath. There is one interesting reveal. But nothing much comes of it. Nor does the fact that one character may or may not really be human anymore. As they might as well be, since they don't really do anything alien.
Some reveals are minor and did show how things tie together. But not to reveal much else.
And although at the end I could see the point of it and what it was trying to say, and you should expect this ending given the main theme of it all, it was a complete let down. I just said 'is that it?' when the book ended.
Stop with book two. Or just read book one. This is just pointless and not worth your time.
Structurally, 'Acceptance' is probably the most conventional of the three books. It interleaves a sequence of straightforward narratives, featuring the stories of Saul Evans in the days immediately prior to Area X's emergence, the Director between the eleventh and twelfth expeditions, Ghost Bird and Control's exploration of Area X, and the biologist's expedition notebook. These stories intertwine elegantly, and gradually lead us to grasp the full magnitude of what's been afoot inside Area X. 'Acceptance' still retains the mystery and ambiguity of the trilogy's previous books, but successive revelations do rebound across the book's multiple timeframes with satisfying regularity. However, VanderMeer rather deftly avoids spelling anything out too explicitly - probably wisely, as the underlying premise of the whole trilogy is pretty bonkers, really.
Overall then, a really strong narrative, a pleasingly ambiguous solution to the central mysteries but, after 850 pages of the Southern Reach trilogy, there was one nagging thought in this reader's mind: what the hell have I just read??
Authority, what a strange journey, I stuck with it and I'm proud I did. Clearly very different in every way to the first. Had you run out of ideas or were you saving everything for the end. Yes, yes you were. This book was a metaphor for the state of humanity in general to comprehend the ideas presented in the first book as we wade blind and completely overwhelmed with the inexplicable yet mundane. A metaphor indeed.
And by book three I'm afraid I just ran out of steam.
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Reviewed in the United Kingdom 🇬🇧 on March 1, 2020
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The story is from the perspective of several characters each trying to comprehend what is happening in a place that is beyond comprehension. Some theories get thrown around about what is going on and you may find answers in there, but nothing is certain and you will also find many more questions.
Personally i loved it. If you like everything in a novel to be tied up and explained then you will hate this book, but if you like to think about it yourself and come up with your own explanations then you will find plenty to work with.