Similar authors to follow
Manage your follows
About Adam Cesare
Adam Cesare is a New Yorker who lives in Philadelphia.
His books include Mercy House, Video Night, The Summer Job, and Tribesmen. His work has been praised by Fangoria, Rue Morgue, Publishers Weekly, Bloody Disgusting, and more. His titles have appeared on "Year's Best" lists from outlets like Complex and FearNet. He writes a monthly column for Cemetery Dance Online.
He also has a YouTube review show called Project: Black T-Shirt where he discusses horror films and pairs them with reading suggestions.
Customers Also Bought Items By
Bram Stoker Award Winner for Superior Achievement in a Young Adult Novel
In Adam Cesare’s terrifying young adult debut, Quinn Maybrook finds herself caught in a battle between old and new, tradition and progress—that just may cost her life.
Quinn Maybrook and her father have moved to tiny, boring Kettle Springs, to find a fresh start. But what they don’t know is that ever since the Baypen Corn Syrup Factory shut down, Kettle Springs has cracked in half.
On one side are the adults, who are desperate to make Kettle Springs great again, and on the other are the kids, who want to have fun, make prank videos, and get out of Kettle Springs as quick as they can.
Kettle Springs is caught in a battle between old and new, tradition and progress. It’s a fight that looks like it will destroy the town. Until Frendo, the Baypen mascot, a creepy clown in a pork-pie hat, goes homicidal and decides that the only way for Kettle Springs to grow back is to cull the rotten crop of kids who live there now.
YALSA’s Best Fiction for Young Adults Nominee
Billy and Tom are best friends, but each knows that at the end of the school year they'll be moving in different directions. But why not go out with a bang and throw one last video night? They can invite some girls over, order a pizza, then maybe try and fight the alien infection that's taken hold over their suburban town.
It's The Breakfast Club meets The Night of the Creeps in this slime-drenched '80s horror romp.
"Hit that first chapter. It’ll hook you, and the next time you look up, you’ll have swallowed the book. It’ll be nesting inside you like a seed, like an egg, like an invasion." -Stephen Graham Jones, author of Mongrels
"The momentum keeps building. The stakes keep escalating. The monsters just keep getting worse and worse, the catastrophic mayhem more juicy and hopeless. Best of all, the writing moves like a greased torpedo, compulsively readable as it rockets through your brain." -Fangoria
"If you put together the gore, action, monsters, and sense of excitement that made '80s horror movies so great, you'll only have about half of what makes Video Night a must-read tome for horror fans." -Horrortalk
Harriet Laurel notices the odor at Mercy House as soon as she sets foot inside, brought there against her will by her son, Don, and his wife, Nikki. In the early stages of dementia, Harriet has grown resentful of Nikki, blaming her daughter-in-law for failing to supply grandchildren. Yet even Harriet must admit that her mind becomes clearer as soon as she crosses the threshold. If it wasn’t for that annoying smell.
Arnold Piper is an eighty-five-year-old ex-Marine, a proud man who has cared for himself his whole life. But no longer. Betrayed by his aging body, Arnold is learning that the trials he survived long ago in war-torn Korea pale beside the daily indignities of growing old. Little does he know that his greatest nightmares are still ahead of him.
Sarah Campbell is an idealistic nurse whose compassion has been stretched to the breaking point at the chronically understaffed facility that is Mercy House. But now Sarah’s list of unpleasant duties is about to take a terrifying turn. For something wicked is brewing in Mercy House. Something dark and rotten . . . and deadly.
Praise for Mercy House
“Mercy House is the kind of novel you sprint through, eating up the pages as fast as you can turn them, and yet it lingers in the mind like a haunting memory, or the ghost of a smell. Cesare is poised to take the reins of the new generation. Looking for the new face of horror? This is it right here.”—Joe McKinney, Bram Stoker Award–winning author of The Dead Won’t Die and Dead City
“Mercy House is 100% distilled nightmare juice. Adam Cesare notches up the horror to nigh-unbearable levels. Even my skin was screaming by the end of this book.”—Nick Cutter, author of The Troop
“Adam Cesare makes his presence felt with Mercy House. A no-holds-barred combo of survival horror and the occult.”—Laird Barron, author of The Beautiful Thing That Awaits Us All
“This is extreme horror at its best, so don’t step into this book with an uneasy stomach. You must wait sixty minutes after eating before opening up Mercy House.”—LitReactor
“Mercy House is the kind of no-holds-barred thrill ride that horror junkies like us love to find.”—The October Country
“What would happen if you took Bubba Ho-Tep with its old folks home backdrop, then replaced the oddball comedy with the most hair-raising, blood-curdling moments of The Evil Dead? Well, you might wind up with Mercy House. . . . If visceral, unvarnished horror is your preferred reading experience, you’ve got a good one here.”—Wag the Fox
“[Cesare] has implemented a style that is highly cinematic, merciless in its execution and leaves you hanging on for dear life wondering what he'll do next.
"Not for the faint of heart or weak of stomach, the 19 stories in this new best-of annual anthology feature episodes of graphic gore and violence—including torture, dismemberment, self-mutilation, and home abortion—that are designed to push buttons as well as boundaries...strictly for hardcore horror fans."—Publishers Weekly
”...glutted with graphic scenes of torture, dismemberment, evisceration...” — Publishers Weekly (Volume 2)
Editors Randy Chandler and Cheryl Mullenax put the call out to horror writers and editors of extreme stories, the hardcore stuff that breaks boundaries and trashes taboos, the transgressive tales you can't "unread" (as Chuck Palahniuk says). We staked out our territory and nailed this to the wall to guide us:
YEAR'S BEST HARDEST HORROR
Not your mama's best-of horror annual. This stuff comes from the edge of the abyss, stories you read at your own risk because you feel the abyss looking right back into you through the tainted lens of each twisted tale. Some of the stories you'll find here are loaded with very graphic descriptions of violence, sex and depravities, while others may contain only one shocking moment of brutality. In others, the hardcore aspect may be less graphic and subtler than you might expect. Some of these quieter tales offer the reader some time to recover from the more disturbing ones preceding. Most of the stories collected here are from small and specialty press anthologies, with a few from periodicals, like the prestigious Splatterpunk Zine in the UK and Thuglit here in the US. Bizarro is also represented with a couple of tales from the unlikely anthology Blood For You: A Literary Tribute To GG Allin from Weirdpunk Books. (If you're not familiar with the late GG Allin, you can find snippets from some of his outrageous and obscene punk shows online, which will increase your appreciation of those two tales.) So for now, forget about that neighbor you suspect is a serial killer, don't worry about the drunk driver that could take you out on your next trip to the store, push those troubling news stories to the back of your mind and immerse yourself in the imaginary horrors at hand. But don't be surprised if you sense something dark staring back at you from between the lines. That is to be expected when you enter these forbidding realms. With any luck, you may find something useful to help you survive the approaching Apocalypse.
TABLE OF CONTENTS
Introduction: The Year That Was
"Worth the Having" by Michael Paul Gonzalez
"Awakening" by Jeff Strand
"Readings Off The Charts" by Adam Cesare
"Reborn" by The Behrg
"What's Worst" by David James Keaton
"Dead End" by Kristopher Triana
"What You Wish For" by Lilith Morgan
"King Shits" by Charles Austin Muir
"Cleanup On Aisle 3" by Adam Howe
"Bath Salt Fetus" by Jorge Palacios
"Bored With Brutality" by MP Johnson
"Exposed" by Monica J. O'Rourke
"Eleanor" by Jason Parent
"The Scavengers" by Tony Knighton
"The Most Important Miracle" by Scott Emerson
"Hungry For Control" by Clare de Lune
"Clarissa" by Robert Essig & Jack Bantry
"Where The Sun Don't Shine" by Pete Kahle
"Blackbird Lullaby" by George Cotronis
"Sometimes everything goes wrong, in the best possible way. Think Snuff and Cannibal Holocaust meeting at a midnight movie. And then give one of them a camera, the other a knife." - Stephen Graham Jones, author of MONGRELS and THE LAST FINAL GIRL
Thirty years ago, cynical sleazeball director Tito Bronze took a tiny cast and crew to a desolate island. His goal: to exploit the local tribes, spray some guts around, cash in on the '80s Italian cannibal cinema craze.
But the vengeful spirits of the island had other ideas. And before long, guts were squirting behind the scenes, as well. While the camera kept rolling...
TRIBESMEN is Adam Cesare's blistering tribute to Eurohorror, Ruggero Deodato, and Lucio Fulci: an irreverent glimpse into grindhouse filmmaking, stuffed inside a rocket of non-stop tropical mayhem.
To cap off years of questionable financial and personal decisions, Clarissa accepts an invitation to participate in a “fully immersive” fan convention. She arrives at an off-season summer camp and finds what was supposed to be a quick buck has become a real-life slasher movie.
Deep in the woods of Kentucky with a supporting cast of B-level celebrities, Clarissa must fight to survive the deadly game that the con’s organizers have rigged against her.
A demented, funny, bloody, and strangely-poignant horror novel from the acclaimed author of Tribesmen, Zero Lives Remaining, and Mercy House.
“Cesare is poised to take the reins of the new generation. Looking for the new face of horror? This is it right here.”—Joe McKinney, Bram Stoker Award–winning author of The Dead Won’t Die and Dead City
“[Cesare] has implemented a style that is highly cinematic, merciless in its execution and leaves you hanging on for dear life wondering what he'll do next.”— Horror Talk on Mercy House
It's only once she's in too deep that Claire discovers the real tourist trade that keeps the town afloat, it's then that her soul-searching in Mission becomes a fight for her life.
Crazed parties, dark rituals, and unexpected betrayals abound in this modern folk horror novel from the author of The Con Season and Video Night.
"The prologue of The Summer Job is one the best and scariest openings to a horror novel I've ever read...The rest of the novel is equally great." -LitReactor
"Cesare's latest is a knockout...There's a potent retro vibe running through Cesare's work, in general--he's the closest thing literary horror has to its own Jim Mickle or Ti West." -Complex
"The textbook definition of a nail-biter. The Summer Job is a kissing cousin to inbred classics from masters like Ketchum and Kilborn. Cesare's best novel yet." -Bloody Disgusting
17 horror Stories. One legendary music venue.
We all know the old cliché: Sex, drugs and rock and roll. Now, add demons, other dimensions, monsters, revenge, human sacrifice, and a dash of the truly inexplicable. This is the story of the (fictional) San Francisco music venue, The Shantyman.
In Welcome to the Show, seventeen of today's hottest writers of horror and dark fiction come together in devilish harmony to trace The Shantyman's history from its disturbing birth through its apocalyptic encore.
Featuring stories by Brian Keene, John Skipp, Mary SanGiovanni, Robert Ford, Max Booth III, Glenn Rolfe, Matt Hayward, Bryan Smith, Matt Serafini, Kelli Owen, Jonathan Janz, Patrick Lacey, Adam Cesare, Alan M Clark, Somer Canon, Rachel Autumn Deering and Jeff Strand.
Compiled by Matt Hayward. Edited by Doug Murano.
Bring your curiosity, but leave your inhibitions at the door. The show is about to begin…
- Alan M Clark – What Sort of Rube
- Jonathan Janz – Night and Day and in Between
- John Skipp – In the Winter of No Love
- Patrick Lacey – Wolf with Diamond Eyes
- Bryan Smith – Pilgrimage
- Rachel Autumn Deering – A Tongue like Fire
- Glenn Rolfe – Master of Beyond
- Matt Hayward – Dark Stage
- Kelli Owen – Open Mic Night
- Matt Serafini – Beat on the Past
- Max Booth III – True Starmen
- Somer Canon – Just to be Seen
- Jeff Strand – Parody
- Robert Ford – Ascending
- Adam Cesare – The Southern Thing
- Brian Keene – Running Free
- Mary SanGiovanni – We Sang in Darkness
Proudly represented by Crystal Lake Publishing—Tales from the Darkest Depths.
Interview with compiler Matt Hayward:
What makes this horror anthology so special?
A: The book is as much an anthology as it is a collaborative novel. Each story explores the history of the Shantyman, a haunted music venue located in San Francisco with a long and bloody past. With the likes of John Skipp, Brian Keene, and Rachel Autumn Deering involved, we not only see the venue change throughout the decades, but also from changing perspectives, everything from psychological horror to extreme horror, and even a splash of comedy.
Q: Tell us more about the venue and the history of the building?
The Shantyman's history is the product of author/illustrator Alan M Clark. Alan usually tackles historical horror, and I wouldn't have chosen anyone else to take on the task. What Alan delivered was a seven-thousand-word horror juggernaut set in San Francisco’s gold rush era, involving a traveling singer who gets shanghaied. I won't ruin any surprises, but there are cannibals. Alan sets the gruesome scene from which every other story stems.
Q: What made you think of this theme for the anthology?
A: About a year ago, I attended a comedy show at a famous music venue here in Dublin. The main room was seated, and the audience rather docile.
”...glutted with graphic scenes of torture, dismemberment, evisceration...” — PUBLISHERS WEEKLY YEAR'S BEST HARDCORE HORROR VOLUME 2.
Red Room Press is extremely proud to present its second annual anthology featuring this year's hardcore corps of authors with the best extreme horror fiction of 2016 that breaks boundaries and trashes taboos. Selected from indie publishers and magazines such as Weirdpunk Books, Necro Publications, Splatterpunk Zine, Corner Bar Magazine, Carrion Blue and Raw Dog Screaming Press, these stories represent the state of the art of extreme horror fiction. Whether extreme in theme or with gore galore, these disturbing tales will be hard to forget even though you may wish you could. Yes, there will be blood. Lots of it. Gore galore and plenty of the gushy stuff. But you'll also find tales less graphic but with hardcore attitudes, transgressive stories you're not sure you should be reading, stories showing you things you shouldn't see. Visceral fiction.
This year's best hardcore fiction features work by Michael A. Arnzen, Jasper Bark, Christa Carmen, Marvin Brown, Adam Cesare, Matthew Chabin, Jose Cruz, Andrew Darlington, Paolo Di Orazio, Stefanie Elrick, William Grabowski, Sarah L. Johnson, Eric LaRocca, Alessandro Manzetti, Tim Miller, Alexandra Renwick, Bryan Smith, Jeremy Thompson, Tim Waggoner, Wrath James White, and Stephanie M. Wytovich.