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Admission Hardcover – April 13, 2009
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For years, 38-year-old Portia Nathan has avoided the past, hiding behind her busy (and sometimes punishing) career as a Princeton University admissions officer and her dependable domestic life. Her reluctance to confront the truth is suddenly overwhelmed by the resurfacing of a life-altering decision, and Portia is faced with an extraordinary test. Just as thousands of the nation's brightest students await her decision regarding their academic admission, so too must Portia decide whether to make her own ultimate admission.
Admission is at once a fascinating look at the complex college admissions process and an emotional examination of what happens when the secrets of the past return and shake a woman's life to its core.
- Print length464 pages
- LanguageEnglish
- PublisherGrand Central Publishing
- Publication dateApril 13, 2009
- Dimensions6.5 x 1.38 x 9.25 inches
- ISBN-100446540706
- ISBN-13978-0446540704
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About the Author
Product details
- Publisher : Grand Central Publishing; First Edition (April 13, 2009)
- Language : English
- Hardcover : 464 pages
- ISBN-10 : 0446540706
- ISBN-13 : 978-0446540704
- Item Weight : 1.5 pounds
- Dimensions : 6.5 x 1.38 x 9.25 inches
- Best Sellers Rank: #1,168,584 in Books (See Top 100 in Books)
- #14,569 in Contemporary Literature & Fiction
- #53,108 in Literary Fiction (Books)
- Customer Reviews:
About the author

Jean Hanff Korelitz is the New York Times bestselling author of the novels THE PLOT (The 2021 Tonight Show Summer Reads pick), YOU SHOULD HAVE KNOWN (adapted for HBO as "The Undoing" by David E. Kelley, and starring Nicole Kidman, Hugh Grant and Donald Sutherland), ADMISSION (adapted as the 2013 film starring Tina Fey), THE DEVIL AND WEBSTER, THE WHITE ROSE, THE SABBATHDAY RIVER and A JURY OF HER PEERS. A new novel, THE LATECOMER, will be published on May 31st, 2022. Her company BOOKTHEWRITER hosts "Pop-Up Book Groups" in person in NYC and online, where small groups of readers can discuss new books with their authors. www.bookthewriter.com
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But the plot itself dragged a bit, and when I had a hunch of how the story would wrap up, poof, it just ended.
That all said, with Tina Fey in the lead role, the upcoming film version will be on my “must see” list
I found very little about living in Princeton and I am not sure that the author ever lived there for a longer period.
I have mixed feelings about the other parts of the book. The author is certainly very intelligent and the book is very well written. At the center of the book is a female protagonist who goes through life in an unfeeling, detached kind of way. Things are happening to her instead of her taking action, knowing what she wants, and creating her own life. The female protagonist, Portia doesn't seem to have any close relationships to other human beings she interacts with: co-workers, romantic partners, relatives, etc. Instead she seems to have intense attachments to the teenage applicants that she only gets to know through the materials in the application folders. This rather rare emotional state of the protagonist -not knowing her feelings, detachment, an absence of emotions and a great reluctance to communicate emotions- takes up most of the book. This condition seems to be very rare in diagnostic terms: isolated from human contact and human relationships, an absence of feelings, passivity, a great amount of emptiness combined with the detailed accounting of the smells, colors, textures of the circumstances of her life.
The question became for me why the author takes up great lengths to put the reader through this experience of her protagonist. Why is the author doing this to us, her readers? Does the author enjoy torturing the reader with the inner world of a female protagonist that is not aware of her feelings, hates the expression of feelings, and floats passively through life in a state of great inner emptiness? Does the author enjoy confronting thousands of readers with a psychological state that is rather rare and unusual? Does the author find it gratifying to confront the readers with the unemotional suffering of her protagonist in order to make them feel how she feels?
I felt the author makes me suffer because I suffered from this feeling that the protagonist led a miserable, empty life but couldn't be helped (and wasn't interest in being helped or didn't have a sense of something being wrong with her that might need help).
Why did the author write this book and what does the author think the text would do for her readers?
I mention this because the main character of "Admissions," Portia Nathan, feels similarly, and we are reminded of it again and again. That's one of the main things that I disliked about this book: the repetition. Other than that, I didn't really care for the main character or agree with her final decision. But at least she had the courage to do something; too many chick lit heroines are way too passive.
Portia is described as an "atheist Jew," and daughter of a feminist hippie mom who lives in Northampton with her partner. Her mom has taken in a pregnant teen and hopes to adopt the child. Portia's relationship with her own partner is breaking up, too; due to infidelity on both sides. Compounding the stress, is her job at Princeton traveling to secondary schools and processing the students' applications. Each chapter opens with a snippet from a sample essay, and I found these to be the wittiest part of the book. Reading the applications now reminds Portia of the child she had but gave away, who would be eighteen by now. There's also a character, who reminded me of Marcus Flutie in the Jessica Darling books (who also considers Princeton), whose unconventional background makes his possibility of a Princeton admission a problem.
The book is preachy. Characters treat each other to diatribes about the pros and cons of applying to a select school. This was amusing the first couple of times - after all, why wouldn't an admissions officer need to vent? After all, she's human. But after that, it grated. I got the impression that the author had bottled up a lot of resentment and was (perhaps unintentionally) pouring it out.
I did like many of the younger characters and less major ones. I thought the book made some valid points about helicopter parenting and the "Imposter Syndrome," many accomplished and gifted teens fall victim to. However, it would have been better with a tighter plot and less digression.
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Would recommend it for an entertaining read and good story generally