As should hopefully now be general knowledge, this new film 'The Aeronauts' is presented as a historical biography of James Glaisher, an early balloonist, as he breaks the world record for altitude in the 1860s, yet the filmmakers have completely removed his solitary flight companion, Henry Coxwell, the man who ensured the success of the mission and saved both of their lives, and instead inserted a completely fictional female character, "Amelia Rennes", who takes over the proceedings and even narrates the film.
At the conclusion, Glaisher stands before the Royal Society and thanks his (fictional) Indian friend and (fictional) Rennes, saying he couldn't have done it without them, even though neither of them existed, and it ends with an implied romantic relationship between him and Rennes, even though the real life Glaisher had been married for over 20 years by this point, to Cecilia Belville, an interesting woman here edited out of history altogether.
All the disastrous changes mentioned above were made for purely ideological reasons, to meet some 'diversity' agenda, and with the no doubt loudly stated aim of inspiring young girls to go out and... I don't know, do the vital work of ballooning or something.
I get why some "woke" people might want to leap on board this virtue-signaling express and go woo-woo, but I need it explained to me: how is changing history and lying to little girls supposed to spur them on to greatness?
A shameful blot on not only aeronautical but cinematic history, this is a new low for the ideologues hell-bent on making the world in the image of their own fantasies, no matter how many untruths they have to tell to get us there.