
After the People Lights Have Gone Off
Audible Audiobook
– Unabridged
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Winner, Best Collection of the Year, This Is Horror
Nominated, Best Collection of the Year, Bram Stoker Awards
Nominated, Best Collection of the Year, Shirley Jackson Awards
The 15 stories in After the People Lights Have Gone Off, by Stephen Graham Jones, explore the horrors and fears of the supernatural and the everyday. Included are two original stories, several rarities and out-of-print narratives, as well as a few "best of the year" inclusions.
In "Thirteen", horrors lurk behind the flickering images on the big screen. "Welcome to the Reptile House" reveals the secrets that hide in our flesh. In "The Black Sleeve of Destiny", a single sweatshirt leads to unexpectedly dark adventures. And the title story, "After the People Lights Have Gone Off", is anything but your typical haunted-house story.
With an introduction by Edgar Award-winner Joe R. Lansdale, After the People Lights Have Gone Off gets under your skin and stays there.
Table of contents:
- Introduction by Joe R. Lansdale
- "Thirteen"
- "Brushdogs"
- "Welcome to the Reptile House"
- "This Is Love"
- "The Spindly Man"
- "The Black Sleeve of Destiny"
- "The Spider Box"
- "Snow Monsters"
- "Doc’s Story"
- "The Dead Are Not"
- "Xebico"
- "Second Chances"
- "After the People Lights Have Gone Off"
- "Uncle"
- "Solve for X"
- Listening Length6 hours and 48 minutes
- Audible release dateDecember 4, 2018
- LanguageEnglish
- ASINB07KZ2H5RX
- VersionUnabridged
- Program TypeAudiobook
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Product details
Listening Length | 6 hours and 48 minutes |
---|---|
Author | Stephen Graham Jones |
Narrator | Eric G. Dove |
Whispersync for Voice | Ready |
Audible.com Release Date | December 04, 2018 |
Publisher | Journalstone |
Program Type | Audiobook |
Version | Unabridged |
Language | English |
ASIN | B07KZ2H5RX |
Best Sellers Rank | #108,294 in Audible Books & Originals (See Top 100 in Audible Books & Originals) #164 in Horror Anthologies & Short Stories #390 in Ghost Horror Fiction #612 in Occult Horror Fiction |
Customer reviews
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The strength in this collection is the fresh take on stories.Vampires and tattos, misaligned boxes and spiders, sleeves and punks. Its an interesting batch that never fits any previous genre or story structure. Its unusual and makes the stories compelling.
Overall quality was middling, the stories could have been great, but the style sacrificed a great deal. The strongest stories were the spindly man, welcome to the reptile house, and thirteen. These compiled a coherent writing style that didnt sacrifice clarity or story.
Spindly man recalls occult stories about meeting the devil at abook club of all places. Spooky, and chilling. The characterization works, that ending really got me. Welcome to the reptile house is about a wannabe tattoo artist that tattoos the wrong corpse. Another surprise ending, that is remarkably uplifting for an overall pessimistic ending. Thirteen is a good introduction. Its a haunted house story, only its a theater. Still cool, really captures what it means to be a teenager.
Coolstories that deliver the creeps more than anything. Part way through, i stopped to read one of his novels, thinking he might be stronger over there. I was wrong. His short stories are his best work.
Intriguing, haunting, subtle, ambiguous, often dark and occasionally funny, this is a collection worth reading more than once. The stories are beautifully constructed, and there's a lot of craft in the writing itself - as well as a lot of great storytelling.
SGJ delivers the goods with horror that lurks in the margins, in those little spaces between lines, between pages, in the unsaid. And isn't that what good horror does? It creeps up on you, and never shows its face, leaving your mind to do the real dirty work.
Like King, he finds terror in the mundane--a cardboard box, an IR thermometer, the sound of a wheelchair's wheel. Like King, his stories set up final passages that always linger and sometimes stun.
Unlike King, the prose is far more poetic, and the stories are less straightforward and on-the-nose as some of my old favorites like "The Jaunt" and "I Am the Doorway."
But I'm a more mature reader now, and harder to scare, and as my tastes have developed for higher-level horror, the kind that engages the mammalian brain, distracting it so that the lizard brain is more vulnerable, I keep finding myself looking forward to every new SGJ story and collection.
There's plenty to love here, and knowing how prolific he is as an author, thankfully I can comfortably predict that there will be more to love in the pipeline, always.
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