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About Amanda Gowin
Amanda Gowin lives in the foothills of Appalachia with her husband and son. She has always written and always will.
MORE INFO: http://lookatmissohio.wordpress.com/
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Murderers. Children. Castles. Zombies. Pomeranians. Silver limbs. Mental institutions. Trailer parks. Time travel. Appalachia. Conversations. Memories. Lies.
From Bram Stoker Award-nominated publisher, Crystal Lake Publishing, and the editing duo who brought you the best-selling and critically acclaimed small-town Lovecraftian horror anthology Shadows Over Main Street, comes Gutted: Beautiful Horror Stories—a disturbing journey into the beauty that rests inside the very heart of darkness.
Awe meets ache.
Terror becomes transcendence.
Regret gives way to rebirth.
Fifteen short stories and one poem span nearly every twisted corner of the horror and dark fiction genres:
- A woman experiences an emotional reckoning inside a haunted house.
- A father sees his daughter rescued after a cold case is solved, only to learn the tragic limits of his love.
- A man awakens a vengeful spirit and learns the terrible price of settling scores.
- A boy comes of age into awareness of a secret universe of Lovecraftian scale.
- A young woman confronts the deathly price of existence inside a German concentration camp during the Holocaust.
- And much, much more…
Gutted: Beautiful Horror Stories features the most celebrated voices in dark fiction, as well as a number of exciting new talents:
Clive Barker, Neil Gaiman, Ramsey Campbell, Paul Tremblay, John F.D. Taff, Lisa Mannetti, Damien Angelica Walters, Josh Malerman, Christopher Coake, Mercedes M. Yardley, Brian Kirk, Stephanie M. Wytovich, Amanda Gowin, Richard Thomas, Maria Alexander and Kevin Lucia. Edited by Doug Murano and D. Alexander Ward.
With a foreword from Cemetery Dance magazine founder Richard Chizmar.
Proudly brought to you by Crystal Lake Publishing – Tales from the Darkest Depths
Interview with the Authors:
So what makes Gutted: Beautiful Horror Stories so special?
John F.D. Taff: Usually, horror stories tell us the dark side of dark stories, the bad stuff that happens during bad times. It's expected that there will be horrors in the kinds of stories horror generally tells. But Gutted explores the other side of things, the darkness that's there in moments you might not otherwise expect; those moments that touch our hearts or resonate more strongly with our other emotions. It's that beauty—that unexpected emotional resonance that can reside comfortably, side by side with fear, in a good horror story—that separates the stories in Gutted and makes them quite unique.
Tell us more about your story.
Ramsey Campbell: Occasionally I try to repay my debt to specific writers. Midnight Sun was my attempt to scale the awesome peak of Algernon Blackwood’s achievement, while The Darkest Part of the Woods clambered the Lovecraftian. “The Place of Revelation” goes for another giant of the field. If anybody guesses which one, I’ll count the tale some kind of a success. The naïve voice can be a highly effective way to tell a tale of terror, creating a tension between what’s told and how.
John F.D. Taff: My story is a distillation of my childhood. I grew up in the '70s, and I wanted to capture that time period as much as anything else. I also wanted to explore one moment during my childhood, when I got my first 10-speed bike—the freedom that bought a kid like me.
From the book:
Booked. They've traveled the country tirelessly for two years, with stops in Chicago, St. Louis, Boston, Milwaukee, L.A., North Korea, The Dark Side of the Moon, and damn near every Waffle House along the way, all in order to bring you, the listener, over 150 episodes, over 75 authors. They've won awards, covered scoops, scandals, archived hours of authors acting badly. They've broken a few hearts on this journey - their voices can be like Russian Roulette in the headphones of the unsuspecting - but now they've called in their markers to leave their own stain on the literary landscape. And you're holding it in your hands, or your hook, which would probably tear the hell out of lesser books. But not this one. All original stories, multiple genres, never been seen, never been read. It's their way of giving back. Although these authors probably consider it more like theft. The Booked. Anthology. There's a period in the middle because it's that serious to say it out loud.
ABOUT THE BOOK: Los Angeles is whatever you want it to be, and nothing like you think. I gave these photos to a group of authors and asked them for precisely 1,000 words about what they saw. They didn't disappoint. Dreams, drugs, drama. Fame, famine, and fading glory. Few of the authors in this book have stepped foot in L.A., yet the soul of this city is so invasive and pervasive that the collection embodies everything that makes up this sprawling metropolitan mess. There’s everyday life in Los Angeles, from the shiny dreams of the Hills to the hard realities of life in the Valley and out to the Inland Empire, and even more stories that are purely the stuff of dreams and fantasies, the kinds of worlds that exist only behind giant creaking doors on backlots scattered throughout the Southland. Whether you live here or just want to visit for a few moments, you’re in for one hell of a ride.
Foreword by Chuck Wendig
Cover art by Daniele Serra
Interior illustrations by Luke Spooner
TABLE OF CONTENTS:
Wilderness by Letitia Trent
Monster Season by Joshua Blair
Cat Calls by Rebecca Jones-Howe
Ceremony of the White Dog by Kevin Catalano
The Armadillo by Heather Foster
The Manuscript by Usman T. Malik
Single Lens Reflection by Jason Metz
The Mother by Nathan Beauchamp
Everything in Its Place by Adam Peterson
When We Taste of Death by Damien Angelica Walters
Figure Eight by Brendan Detzner
My Mother’s Condition by Faith Gardner
Fragile Magic by Alex Kane
The Eye Liars by Sarah Read
Searching for Gloria by W. P. Johnson
And All Night Long We Have Not Stirred by Barbara Duffey
Dull Boy by David James Keaton
Brujeria for Beginners by Marytza Rubio
Heirloom by Kenneth Cain
The Owl and the Cigarette by Amanda Gowin
Desert Ghosts by Mark Jaskowski
Blood Price by Axel Taiari
No foul play.
Who are they?
Who were they?
Inspired by a true story, Cipher Sisters focuses on the lives of twin sisters Lucy and Darcy, piecing together their lives from family stories, legends, and pure conjecture. We can only learn about them from stories of people who met them in passing, knew them well, crossed them, loved them.
This is a collection of tales about two lives in abstract, filled with love, dedication, anger, hatred, fighting, success, failure, and perseverance.
Through seemingly opposed conventions, beautiful prose makes a hard impression on the short story form. From a scary love story to a nostalgic thriller, a hardboiled pursuit of salvation to the black humor that is existentialism, WARMED AND BOUND is rogue humility and lovesick noir, where humanity is a dirty puzzle.
It’s Velvet Noir. Welcome.
Stories by: Matt Bell, Tim Beverstock, Blake Butler, Vincent Louis Carrella, Craig Clevenger, Craig Davidson, Chris Deal, DeLeon DeMicoli, Christopher J Dwyer, Brian Evenson, Sean P Ferguson, Amanda Gowin, JR Harlan, Gordon Highland, Anthony David Jacques, Mark Jaskowski, Jeremy Robert Johnson, Stephen Graham Jones, Nik Korpon, Gary Paul Libero, Kyle Minor, Doc O’Donnell, J David Osborne, Rob Parker, Bob Pastorella, Gavin Pate, Cameron Pierce, Edward J Rathke, Caleb J Ross, Bradley Sands, Axel Taiari, Richard Thomas, Brandon Tietz, Gayle Towell, Paul Tremblay, Pela Via, Craig Wallwork and Nic Young , with an Introduction by Logan Rapp.
Exclusive to the eBook:
Afterword by Jesse Lawrence
Final Thoughts by Livius Nedin and Robb Olson
Warmed and Bound: Up Close by Phil Jourdan
Interview with Pela Via by Phil Jourdan
The Multiple Voices Inside Your Book by Jay Slayton-Joslin
Booked Podcast: Warmed and Bound Sessions
Transcripts of Booked Interviews with: Craig Clevenger, Brian Evenson, Stephen Graham Jones and Pela Via
Photography by Charles King
“The writers of The Velvet are contemporary fiction’s most effective and least self-conscious aesthetic guerrillas . . . The result is fiction at once conceived from high artistic intent and executed with depraved populist energy.” —Steve Erickson, author of Zeroville and The Sea Came in at Midnight