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Anthills of the Savannah Paperback – February 4, 1998
Chinua Achebe (Author) Find all the books, read about the author, and more. See search results for this author |
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A searing satire of political corruption and social injustice from the celebrated author of Things Fall Apart
"Achebe has written a story that sidesteps both ideologies of the African experience and political agendas, in order to lead us to a deeply human universal wisdom." —Washington Post Book World
In the fictional West African nation of Kangan, newly independent of British rule, the hopes and dreams of democracy have been quashed by a fierce military dictatorship. Chris Oriko is a member of the president's cabinet for life, and one of the leader's oldest friends. When the president is charged with censoring the opportunistic editor of the state-run newspaper--another childhood friend--Chris's loyalty and ideology are put to the test. The fate of Kangan hangs in the balance as tensions rise and a devious plot is set in motion to silence a firebrand critic.
From Chinua Achebe, the legendary author of Things Fall Apart, Anthills of the Savannah is "A vision of social change that strikes us with the force of prophecy." (USA Today)
- Print length216 pages
- LanguageEnglish
- PublisherAnchor Books
- Publication dateFebruary 4, 1998
- Dimensions5.2 x 0.6 x 7.9 inches
- ISBN-100385260458
- ISBN-13978-0385260459
- Lexile measure1030L
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Editorial Reviews
From Publishers Weekly
Copyright 1988 Reed Business Information, Inc.
Review
"[Anthills Of The Savannah] has wonderful satiric moments and resounds with big African laughter." —The New York Review Of Books
"Achebe moves effortlessly . . . creating a flurry of perspectives from which his story's dramatic and disturbing events are scrutinized. Anthills Of The Savannah . . . will prove hard to forget. It's a vision of social change that strikes us with the force of prophecy" —USA Today
From the Back Cover
"[Anthills Of The Savannah] has wonderful satiric moments and resounds with big African laughter." -- The New York Review Of Books.
"Achebe moves effortlessly... creating a flurry of perspectives from which his story's dramatic and disturbing events are scrutinized. Anthills Of The Savannah... will prove hard to forget. It's a vision of social change that strikes us with the force of prophecy" -- USA Today.
About the Author
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Product details
- Publisher : Anchor Books; 1st edition (February 4, 1998)
- Language : English
- Paperback : 216 pages
- ISBN-10 : 0385260458
- ISBN-13 : 978-0385260459
- Lexile measure : 1030L
- Item Weight : 6.6 ounces
- Dimensions : 5.2 x 0.6 x 7.9 inches
- Best Sellers Rank: #443,598 in Books (See Top 100 in Books)
- #188 in African Literature (Books)
- #2,028 in Political Fiction (Books)
- #4,383 in Fiction Satire
- Customer Reviews:
About the author

Chinua Achebe (/ˈtʃɪnwɑː əˈtʃɛbɛ/, born Albert Chinualumogu Achebe; 16 November 1930 – 21 March 2013) was a Nigerian novelist, poet, professor, and critic. His first novel Things Fall Apart (1958) was considered his magnum opus, and is the most widely read book in modern African literature.
Raised by his parents in the Igbo town of Ogidi in South-Eastern Nigeria, Achebe excelled at school and won a scholarship for undergraduate studies. He became fascinated with world religions and traditional African cultures, and began writing stories as a university student. After graduation, he worked for the Nigerian Broadcasting Service (NBS) and soon moved to the metropolis of Lagos. He gained worldwide attention for Things Fall Apart in the late 1950s; his later novels include No Longer at Ease (1960), Arrow of God (1964), A Man of the People (1966), and Anthills of the Savannah (1987). Achebe wrote his novels in English and defended the use of English, a "language of colonisers", in African literature. In 1975, his lecture An Image of Africa: Racism in Conrad's "Heart of Darkness" featured a famous criticism of Joseph Conrad as "a thoroughgoing racist"; it was later published in The Massachusetts Review amid some controversy.
When the region of Biafra broke away from Nigeria in 1967, Achebe became a supporter of Biafran independence and acted as ambassador for the people of the new nation. The war ravaged the populace, and as starvation and violence took its toll, he appealed to the people of Europe and the Americas for aid. When the Nigerian government retook the region in 1970, he involved himself in political parties but soon resigned due to frustration over the corruption and elitism he witnessed. He lived in the United States for several years in the 1970s, and returned to the U.S. in 1990 after a car accident left him partially disabled.
A titled Igbo chieftain himself, Achebe's novels focus on the traditions of Igbo society, the effect of Christian influences, and the clash of Western and traditional African values during and after the colonial era. His style relies heavily on the Igbo oral tradition, and combines straightforward narration with representations of folk stories, proverbs, and oratory. He also published a number of short stories, children's books, and essay collections. From 2009 until his death, he served as David and Marianna Fisher University Professor and Professor of Africana Studies at Brown.
Bio from Wikipedia, the free encyclopedia. Photo by Stuart C. Shapiro [GFDL (http://www.gnu.org/copyleft/fdl.html), CC-BY-SA-3.0 (http://creativecommons.org/licenses/by-sa/3.0/) or CC BY 3.0-2.5-2.0-1.0 (http://creativecommons.org/licenses/by/3.0-2.5-2.0-1.0)], via Wikimedia Commons.
Customer reviews
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What was also interesting was the divergent paths of three friends who now had different views of life and how they should interact with it. As in reality, power ultimately corrupted one and lead to his downfall sadly taking the other two along with him. The analogy to 3 green bottles from the ditty was profound. Another great novel by Chinua Achebe.
The narrowly focused military leader of Kangan and his boyhood friends, one an advisor unsure of his loyalties, the other a journalist sure of his commitment to a more democratic nation, give the reader a glimpse into the political dis-ease of modern west African nations. The two female characters contrast one another and invite the reader to consider a less stereotypical vision of African women.
Mr. Achebe's use of language is dense and is sprinkled with words and phrases unknown to most American readers making slow going through this short novel. His writing, however, does present a nuanced tone that gives more than a cursory glimpse of West African cultures and sensibilities.
aka Elizabeth Evans, author, Sanakhou
The ending of the book is dramatic and hopeful but all along Achebe demonstrates how the British, the former colonial masters, left little for the people to hang on to after they left. The cabinet and the leader are satirical objects almost making the return of the English almost desirable. The one recurrent criticism of the book I would offer is Achebe's use of Pidgin English in the speech of the less educated characters. I had trouble understanding what they were saying, although I do understand his use of the language as a tool. Even when he is not totally on top of his game, Achebe is still worth reading carefully. He is a fine writer.
Stanley C. Diamond, author of "What's an American Doing Here? Reflections on Travel in the Third World."
Top reviews from other countries

The story revolves around Chris (commissioner for information), Ikem (editor of the most prominent newspaper in the country), Beatrice (Chris' girlfriend and an employee at the ministry of finance) and finally Sam (His Excellency) - all UK educated, all friends at some point in time - and their deteriorating relationship. The inexorable changes result from Sam slowly but surely losing his grip on reality and spiralling into self delusion. At the same time the country is rapidly approaching truly disruptive change in a development that is as terrible, as it is inexorable.
Modelled on oil boom Nigeria, it is probably one of the more prominent of Achebe's works. Written much later than his early fiction (1987), it loses none of the vitality of works such as Things Fall Apart (Penguin Classics) or No Longer at Ease (Penguin Modern Classics) but adds perhaps a richer, more nuanced understanding of politics into the mix.
If you are interested in a fictional yet insightful view of the development of dictatorship, you can hardly do better than Anthills. Updike's The Coup (Penguin Modern Classics) does not have the easy flow or the first hand insight, and books such as Naipaul's A Bend in the River are just not quite in the same league quality wise in my opinion.




Their struggle is of exploring humanity which is simple but is shrouded beneath all the layers and complexities of our societies. And it's a hard struggle but a beautiful one.