Internationally bestselling author Anthony Horowitz’s third James Bond novel, after Forever and a Day.

It is M's funeral. One man is missing from the graveside: the traitor who pulled the trigger and who is now in custody, accused of M's murder - James Bond.

Behind the Iron Curtain, a group of former Smersh agents want to use the British spy in an operation that will change the balance of world power. Bond is smuggled into the lion's den - but whose orders is he following, and will he obey them when the moment of truth arrives?

In a mission where treachery is all around and one false move means death, Bond must grapple with the darkest questions about himself. But not even he knows what has happened to the man he used to be.

The New York Times bestselling author of the brilliantly inventive The Word Is Murder and The Sentence Is Death returns with his third literary whodunit featuring intrepid detectives Hawthorne and Horowitz.

"Horowitz is a master of misdirection, and his brilliant self-portrayal, wittily self-deprecating, carries the reader through a jolly satire on the publishing world." —Booklist

When Ex-Detective Inspector Daniel Hawthorne and his sidekick, author Anthony Horowitz, are invited to an exclusive literary festival on Alderney, an idyllic island off the south coast of England, they don’t expect to find themselves in the middle of murder investigation—or to be trapped with a cold-blooded killer in a remote place with a murky, haunted past.

Arriving on Alderney, Hawthorne and Horowitz soon meet the festival’s other guests—an eccentric gathering that includes a bestselling children’s author, a French poet, a TV chef turned cookbook author, a blind psychic, and a war historian—along with a group of ornery locals embroiled in an escalating feud over a disruptive power line. 

When a local grandee is found dead under mysterious circumstances, Hawthorne and Horowitz become embroiled in the case. The island is locked down, no one is allowed on or off, and it soon becomes horribly clear that a murderer lurks in their midst. But who?

Both a brilliant satire on the world of books and writers and an immensely enjoyable locked-room mystery, A Line to Kill is a triumph—a riddle of a story full of brilliant misdirection, beautifully set-out clues, and diabolically clever denouements.

Soon to be a series on PBS MASTERPIECE!

"A double puzzle for puzzle fans, who don’t often get the classicism they want from contemporary thrillers." —Janet Maslin, The New York Times

New York Times bestseller | Winner of the Macavity Award for Best Novel | #1 Indie Next Pick | NPR best book of the Year | Washington Post best book of the Year | Esquire best book of the Year

From the New York Times bestselling author of Moriarty and Trigger Mortis, this fiendishly brilliant, riveting thriller weaves a classic whodunit worthy of Agatha Christie into a chilling, ingeniously original modern-day mystery.

When editor Susan Ryeland is given the manuscript of Alan Conway’s latest novel, she has no reason to think it will be much different from any of his others. After working with the bestselling crime writer for years, she’s intimately familiar with his detective, Atticus Pünd, who solves mysteries disturbing sleepy English villages. An homage to queens of classic British crime such as Agatha Christie and Dorothy Sayers, Alan’s traditional formula has proved hugely successful. So successful that Susan must continue to put up with his troubling behavior if she wants to keep her job.

Conway’s latest tale has Atticus Pünd investigating a murder at Pye Hall, a local manor house. Yes, there are dead bodies and a host of intriguing suspects, but the more Susan reads, the more she’s convinced that there is another story hidden in the pages of the manuscript: one of real-life jealousy, greed, ruthless ambition, and murder.

Masterful, clever, and relentlessly suspenseful, Magpie Murders is a deviously dark take on vintage English crime fiction in which the reader becomes the detective.

Featuring his famous literary detective Atticus Pund and Susan Ryeland, hero of the worldwide bestseller Magpie Murders, a brilliantly complex literary thriller with echoes of Agatha Christie from New York Times bestselling author Anthony Horowitz.

Retired publisher Susan Ryeland is living the good life. She is running a small hotel on a Greek island with her long-term boyfriend Andreas. It should be everything she's always wanted. But is it? She's exhausted with the responsibilities of making everything work on an island where nothing ever does, and truth be told she's beginning to miss London.

And then the Trehearnes come to stay. The strange and mysterious story they tell, about an unfortunate murder that took place on the same day and in the same hotel in which their daughter was married—a picturesque inn on the Suffolk coast named Farlingaye Hall—fascinates Susan and piques her editor’s instincts. 

One of her former writers, the late Alan Conway, author of the fictional Magpie Murders, knew the murder victim—an advertising executive named Frank Parris—and once visited Farlingaye Hall. Conway based the third book in his detective series, Atticus Pund Takes the Cake, on that very crime. 

The Trehearne’s, daughter, Cecily, read Conway’s mystery and believed the book proves that the man convicted of Parris’s murder—a Romanian immigrant who was the hotel’s handyman—is innocent. When the Trehearnes reveal that Cecily is now missing, Susan knows that she must return to England and find out what really happened.

Brilliantly clever, relentlessly suspenseful, full of twists that will keep readers guessing with each revelation and clue, Moonflower Murders is a deviously dark take on vintage English crime fiction from one of its greatest masterminds, Anthony Horowitz.  

SHE PLANNED HER OWN FUNERAL. BUT DID SHE ARRANGE HER OWN MURDER?

New York Times bestselling author of Magpie Murders and Moriarty, Anthony Horowitz has yet again brilliantly reinvented the classic crime novel, this time writing a fictional version of himself as the Watson to a modern-day Holmes.

One bright spring morning in London, Diana Cowper – the wealthy mother of a famous actor - enters a funeral parlor. She is there to plan her own service.

Six hours later she is found dead, strangled with a curtain cord in her own home.

Enter disgraced police detective Daniel Hawthorne, a brilliant, eccentric investigator who’s as quick with an insult as he is to crack a case. Hawthorne needs a ghost writer to document his life; a Watson to his Holmes. He chooses Anthony Horowitz.

Drawn in against his will, Horowitz soon finds himself a the center of a story he cannot control. Hawthorne is brusque, temperamental and annoying but even so his latest case with its many twists and turns proves irresistible. The writer and the detective form an unusual partnership. At the same time, it soon becomes clear that Hawthorne is hiding some dark secrets of his own.

A masterful and tricky mystery that springs many surprises, The Word is Murder is Anthony Horowitz at his very best.

Death, deception, and a detective with quite a lot to hide stalk the pages of Anthony Horowitz’s brilliant murder mystery, the second in the bestselling series starring Private Investigator Daniel Hawthorne.

“You shouldn’t be here. It’s too late . . . “

These, heard over the phone, were the last recorded words of successful celebrity-divorce lawyer Richard Pryce, found bludgeoned to death in his bachelor pad with a bottle of wine—a 1982 Chateau Lafite worth £3,000, to be precise.

Odd, considering he didn’t drink. Why this bottle? And why those words? And why was a three-digit number painted on the wall by the killer? And, most importantly, which of the man’s many, many enemies did the deed?

Baffled, the police are forced to bring in Private Investigator Daniel Hawthorne and his sidekick, the author Anthony, who’s really getting rather good at this murder investigation business.

But as Hawthorne takes on the case with characteristic relish, it becomes clear that he, too, has secrets to hide. As our reluctant narrator becomes ever more embroiled in the case, he realizes that these secrets must be exposed—even at the risk of death . . .

A spy is dead. A legend is born. This is how it all began. 

The explosive prequel to Casino Royale, from bestselling author Anthony Horowitz, Forever and a Day is the story of the birth of a legend in the brutal underworld of the French Riviera that takes the reader to the very beginning of James Bond’s illustrious career and the formation of his identity.

M laid down his pipe and stared at it tetchily. “We have no choice. We’re just going to bring forward this other chap you’ve been preparing. But you didn’t tell me his name.”

“It’s Bond, sir,” the Chief of Staff replied. “James Bond.”

The sea keeps its secrets. But not this time. 

One body. Three bullets. 007 floats in the waters of Marseille, killed by an unknown hand. 

It’s time for a new agent to step up. Time for a new weapon in the war against organized crime. 

It’s time for James Bond to earn his license to kill.

"Anything but elementary, this clever thriller is sure to please Sherlock fans.”
   — People Magazine, Book of the Week Review

“Anthony Horowitz throws down the gauntlet in his infernally clever Sherlock Holmes pastiche.” 

— Marilyn Stasio, New York Times Book Review

Internationally bestselling author Anthony Horowitz’s nail-biting new novel plunges us back into the dark and complex world of detective Sherlock Holmes and Moriarty—dubbed the Napoleon of crime” by Holmes—in the aftermath of their fateful struggle at the Reichenbach Falls.

Days after the encounter at the Swiss waterfall, Pinkerton detective agent Frederick Chase arrives in Europe from New York. Moriarty’s death has left an immediate, poisonous vacuum in the criminal underworld, and there is no shortage of candidates to take his place—including one particularly fiendish criminal mastermind.

Chase and Scotland Yard Inspector Athelney Jones, a devoted student of Holmes’s methods of investigation and deduction originally introduced by Conan Doyle in “The Sign of Four”, must forge a path through the darkest corners of England’s capital—from the elegant squares of Mayfair to the shadowy wharfs and alleyways of the London Docks—in pursuit of this sinister figure, a man much feared but seldom seen, who is determined to stake his claim as Moriarty’s successor.

A riveting, deeply atmospheric tale of murder and menace from one of the only writers to earn the seal of approval from Conan Doyle’s estate, Moriarty breathes life into Holmes’s dark and fascinating world.

"Horowitz delivers an entertainment sure to please James Bond fans.”
   — Publishers Weekly (starred review)

"The heart of any good thriller is the plot, and…Horowitz doesn’t disappoint.”
   — New York Times Book Review

Blockbuster author Anthony Horowitz delivers a riveting and stylish take on literary legend James Bond (authorized by the Ian Fleming Estate) with a story that unfolds in the 1950s—and is the first new Bond novel to feature recently discovered original material by Ian Fleming.

It’s 1957 and James Bond (agent 007) has only just survived his showdown with Auric Goldfinger at Fort Knox. By his side is Pussy Galore, who was with him at the end. Unknown to either of them, the USSR and the West are in a deadly struggle for technological superiority. And SMERSH is back.

The Soviet counter-intelligence agency plans to sabotage a Grand Prix race at the most dangerous track in Europe. But it’s Bond who finds himself in the driving seat and events take an unexpected turn when he observes a suspicious meeting between SMERSH’s driver and a sinister Korean millionaire, Jai Seong Sin.

Soon Bond is pitched into an entirely different race uncovering a plan that could bring the West to its knees.

Welcoming back familiar faces, including M and Miss Moneypenny, international bestselling author Anthony Horowitz ticks all the boxes: speed, danger, strong women and fiendish villains, to reinvent the golden age of Bond in this brilliantly gripping adventure. Trigger Mortis is also the first James Bond novel to feature previously unseen Ian Fleming material.

This is James Bond as Fleming imagined him.