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Beneath the Sugar Sky (Wayward Children, 3) Audio CD – Unabridged, January 16, 2018
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Another fantasy audiobook from Seanan McGuire's Wayward Children series, which began with the Alex, Hugo, Nebula, and Locus Award-winning, World Fantasy Award finalist, Every Heart a Doorway.
Beneath the Sugar Sky, the third audiobook in McGuire's Wayward Children series, returns listeners to Eleanor West's Home for Wayward Children in a contemporary fantasy for fans of all ages. At this magical boarding school, children who have experienced fantasy adventures are reintroduced to the "real" world.
When Rini lands with a literal splash in the pond behind Eleanor West's Home for Wayward Children, the last thing she expects to find is that her mother, Sumi, died years before Rini was even conceived. But Rini can’t let Reality get in the way of her quest – not when she has an entire world to save! (Much more common than one would suppose.)
If she can't find a way to restore her mother, Rini will have more than a world to save: she will never have been born in the first place. And in a world without magic, she doesn’t have long before Reality notices her existence and washes her away. Good thing the student body is well-acquainted with quests...
A tale of friendship, baking, and derring-do.
Warning: May contain nuts.
- LanguageEnglish
- PublisherMacmillan Audio
- Publication dateJanuary 16, 2018
- Dimensions1 x 1 x 1 inches
- ISBN-101427293791
- ISBN-13978-1427293794
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Editorial Reviews
Review
2019 YALSA Amazing Audiobook
"Every Heart a Doorway by Seanan McGuire is one of the most extraordinary stories I've ever read." ― V. E. Schwab, New York Times bestselling author of A Gathering of Shadows
"With Every Heart a Doorway, McGuire has created her own mini-masterpiece of portal fantasy ― a jewel of a book that deserves to be shelved with Lewis Carroll's and C. S. Lewis' classics, even as it carves its own precocious space between them." ― NPR
"McGuire's lyrical prose makes this novella a rich experience." ―Library Journal starred review
"This gothic charmer is a love letter to anyone who's ever felt out of place." ― Publishers Weekly
"Seanan McGuire once again demonstrates her intimate knowledge of the human heart in a powerful fable of loss, yearning and damaged children." ― Paul Cornell, author of London Falling and Witches of Lychford
"This gothic novel is ideal for fantasy fans who have longed for a world of their own, as well as readers looking for books with diverse casts." ―Bookish
“Girl Interrupted meets Grimm's Fairy Tales. Let it in and it will touch your heart and open your mind.” ―Geek Syndicate
About the Author
Product details
- Publisher : Macmillan Audio; Unabridged edition (January 16, 2018)
- Language : English
- ISBN-10 : 1427293791
- ISBN-13 : 978-1427293794
- Item Weight : 3.84 ounces
- Dimensions : 1 x 1 x 1 inches
- Best Sellers Rank: #5,505,537 in Books (See Top 100 in Books)
- #30,136 in Dark Fantasy
- #41,359 in Folklore (Books)
- #94,763 in Paranormal & Urban Fantasy (Books)
- Customer Reviews:
About the author

Seanan McGuire is a native Californian, which has resulted in her being exceedingly laid-back about venomous wildlife, and terrified of weather. When not writing urban fantasy (as herself) and science fiction thrillers (as Mira Grant), she likes to watch way too many horror movies, wander around in swamps, record albums of original music, and harass her cats.
Seanan is the author of the October Daye, InCryptid, and Indexing series of urban fantasies; the Newsflesh trilogy; the Parasitology duology; and the "Velveteen vs." superhero shorts. Her cats, Lilly, Alice, and Thomas, are plotting world domination even as we speak, but are easily distracted by feathers on sticks, so mankind is probably safe. For now.
Seanan's favorite things include the X-Men, folklore, and the Black Death. No, seriously. She writes all biographies in the third person, because it's easier that way.
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McGUIRE, Seanan. Down Among the Sticks and Bones (Wayward Children). Tor. 2017. 192p.
McGUIRE, Seanan. Beneath the Sugar Sky (Wayward Children). Tor. Jan. 9, 2018. 176p. $17.99.
"Children have always tumbled down rabbit holes, fallen through mirrors, been swept away by unseasonal floods or carried off by tornadoes. Children have always traveled, and because they are young and bright and full of contradictions, they haven't always restricted their travel to the possible."
(from Beneath the Sugar Sky)
Crack the pages of any of these three books and you'll quickly understand and why the first of the three, Every Heart a Doorway, was nominated for the 2017 World Fantasy Award and swept all four other major awards: Hugo, Alex, Locus and Nebula. Nor are these the first of McGuire's kudos: in 2010, she won the John W. Campbell Award for Best New Writer and in 2013, was the first person ever nominated in five different categories on the Hugo ballot. She is outstanding, both as writer and imaginer. In a genre that practically calls for Purple Prose, she eschews it. Poetic? Yes, her prose is, startlingly so. But it isn't overwritten. It's brutally ironic at places, sometimes lush in description, but she is above all an economical writer. When she puts down a phrase or sentence, there's a reason for it. There is no excess verbiage or extraneous narration in these short, deadly works of adult fantasy.
The premise is simple. Some children are unhappy in the world they live in or perhaps in their own bodies, so they find doors. They go through the doors and they're in different worlds. The worlds range from severely Logical to outright Fantasy and can be cruelly harsh or lovingly supportive. If then somehow, something goes wrong and these same children tumble back through doors into our world, they are unhappy and dislocated, because our world isn't sorted out by people's needs. They find that their parents want them back exactly the same as they were before they disappeared, but they're not the same anymore. They have new needs and desires. The children want to return to the worlds they left but they can't find the doors now. There is a place for them though, and it's Eleanor West's Home for Wayward Children. Miss West is a Wayward Child herself. But even if somehow she found her door again, she's too old now to return: she hopes against hope that when she gets older yet, nature will make her a child again -inside her head. Then maybe her world will readmit her.
In Every Heart a Doorway, Nancy comes back from the World of the Dead. She makes friends of sorts at the Home but all she really wants is to return to the world that matches her and spend eternity teaching herself not to move or breath, to live as a human statue in the court of the King and Queen of the Dead once more. Her earthside friends start to die: one's eyes missing, another losing her hands… Someone is killing them off. The denouement is abrupt and chilling but in the context of the book's logic, it makes sense. Brr!
Down Among the Sticks and Bones continues the story of the first book. It narrates the back story of Jack and Jill, who are two of the characters in the previous book. They're twins whose parents forced them to be different, one a boy, one a girl, even though they're both girls, neither given a choice as to what they can be or how they should behave. They pass through a door that leads to a world that is a mixture of the scariest parts of Frankenstein and Dracula. It's a windswept moor, dark and gloomy, and it's populated by vampires, werewolves, a mad scientist and perpetually scared peasants. Jill ends up in thrall to a vampire, Jack apprentices to the scientist, and from that point on, their paths, even personalities, diverge. This is by far the most jolting and bleakest of these three tales. The ending sets you up for the previous book, where the story of Jack and Jill is continued.
In the third of these books, Beneath the Sugar Sky, young woman, Rini, falls out of the sky into a pond near the Home. She's looking for her mother, Sumi, one of the murdered girls in book 1. Time is out of whack between the world she came from, one made of candy and confectionery (only the humans aren't candy), and our world. Her mother has been murdered here before she could return to the candy cane world and give birth to her daughter. Now Rini is fading away. There are gaps in her body -a finger here, a shoulder, half a face-- just gone, replaced by … nothing. Her world is rewriting its story to match Sumi's death and there's no place in the new story of Rini. Aided by three other children, Rini embarks on a quest: they journey through worlds in a race against time to find and resurrect Sumi and thus save Rini from extinction.
While this novel does return to the setting of the first, the story is structured in a much different way. We are taken from Eleanor West’s School for Wayward Children and travel through a variety of portal worlds that we have only heard of thus far. It is an adventure unlike any other with a beautiful and diverse cast of characters—both old and new. It is a wholly unique tale that combines fantasy with reality and celebrates our differences and the qualities that make us human. And, above all, it is about love, belonging, and the camaraderie that can form between an unlikely group of young heroes.
In this novel, we follow four kids from the School for Wayward Children—Cora, Nadya, Christopher, and Kade—and their unexpected guest, Rini. Every single character in this novel is absolutely brilliant and the friendship that binds them together, even more so. They fully accept each other for who they are and treat each other with equal amounts of respect. McGuire’s characters are always so lovable and I adore every second I get to spend with them. Time and time again, she is able to create fully fleshed out characters very quickly and fluidly, as these stories are quite short.
All of the novels in this series feature a huge amount of diversity and this one, in particular, demonstrates this extremely well. McGuire takes things such as sexuality, race, disabilities, gender identity, and size and folds them into the story. She does not highlight these qualities in a way where they clearly stand out compared to the rest of the plot. Instead, she treats them as pure, natural facts about her characters—it is just a part of who they are and that is all that matters. She does not make a big deal out of it, instead, showing how important it is to see people for who they are. We are all exactly who we were meant to be and nothing that makes us who we are is abnormal or should be a cause for discrimination. We are all equal. That is how she treats her characters and this is one of the many reasons why I love this series.
Through all the magic and nonsense and impossibilities, the humanity radiates from behind it all. It ties us so closely to the characters—the struggles and environments—despite the fantastical nature of the storyline. Adding in issues that run rampant in our society and take a toll on people—particularly younger people—allows readers to relate to each character and the obstacles they face. This also provides insight into the many problems that plague us and how everyone’s story is different. Every moment, this novel reminds us how important it is to be open-minded and, above all, that even though life carries each and everyone one of us through a unique journey, we all share one similarity that links us. We are still human.
The worlds that McGuire creates are utterly enchanting and easy to become a part of. They are so vividly described and I could always form a clear picture in my mind. For the first time, we are taken into multiple worlds, which was absolutely fascinating. In such a short period of time, she meticulously constructs them and seamlessly fits them into the adventure of the characters. These glimpses have left me dying to see more of each character’s individual world and hear their full backstories.
As always, McGuire’s writing is skillful and beautiful. The emotions that she evokes throughout the novel are palpable and her worlds are painstakingly created to the point of absolute solidity. She has the perfect voice for telling these types of narratives that are styled very much like modern fairytales. This voice of hers breathes life into every page, every element of the narrative itself.
The novel is imaginative—sugary sweet as the cover of the book with an undercurrent of sadness and longing. She fills it with adventure and magic while also weaving in the struggles people face in reality. Insecurities, fears, desire for acceptance—these and many more topics can be seen as the base for this story. This is what makes her stories feel so real—like we as readers could simply step through a door and instantly find ourselves exploring these breathtakingly beautiful worlds. They are each built up around us in such a detailed, multi-dimensional way that it is almost impossible for them and the characters to not take up residence in one’s mind. McGuire truly is an artist. If you have not begun this series yet, I highly urge you to give it a try.
Top reviews from other countries

So, naturally, this is a quest. We meet characters we have seen before, all broken in their own ways by their past experiences, who band together to help Rini in her quest. Given this is a novella, the plot is fairly linear, but we get to see a couple of strange worlds, the characters grow and learn about themselves, and there is a satisfying resolution to the main issue.
Another good addition to the series. Even if it did make my teeth ache in places.

This book was just as beautifully written as the first two. The way the narrative flowed like a traditional fairytale whilst breaking into more modern elements was refreshing to go back to.
I loved each and every character of this book, and I especially loved the return to older characters that I thought were long gone.
This is a very fun series and I would very much like to have more books about each of these characters.

Beneath The Sugar Sky is the third book in the Wayward Children series of novellas. A sequel to Every Heart A Doorway.
This book has stolen my heart (and 3 hours of sleep because I stayed up until 5am tp finish it in one sitting) and is wrapping itself around my soul, keeping me warm and cosy.
The writing in this series is breathtaking. The story is tight and flowing.
Oh, and the characters! So many familiar faces. So many new lost Wayward Children. We get to see so many worlds.
You can read this book on its own with no prior knowledge of the series - or read them in any order. The beauty of these books is that so far they can be read AND make sense in any order.
This book will win awards, all of them. I am certain.

On the character front we get to meet up with some old favourites and are introduced to some soon be favourites, each with their own story to tell and reason to root for them. All of this is wrapped up in a perfect package of witty and smart prose, filled with observations and heartfelt messages about this world, and others.
Sorry if I'm gushing, but I really, really like this series if you couldn't tell. It's crammed full of so many brilliant ideas I just have to marvel at it. My only minor complaint with this book (and the series) is that I wish they were longer so that I could spend more time travelling through these doors with these characters.
On a last note if you are thinking of picking up this book, and you should, read 'Every Heart A Doorway' first as this book does build off of events in that book rather heavily.
