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About Brendan Kiely
Brendan Kiely is The New York Times bestselling author of All American Boys (with Jason Reynolds), Tradition, The Last True Love Story, and The Gospel of Winter. His most recent book is The Other Talk: Reckoning with Our White Privilege. His work has been published in over a dozen languages, and has received the Coretta Scott King Author Honor Award, the Walter Dean Meyers Award, and ALA’s Top Ten Best Fiction for Young Adults. A former high school teacher, he is now on the faculty of the Solstice MFA Program. He watches too much basketball and reads too many books at the same time, but most importantly, he lives for and loves his wife and son.
Find out more at www.brendankiely.com.
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In this New York Times bestselling novel, two teens—one black, one white—grapple with the repercussions of a single violent act that leaves their school, their community, and, ultimately, the country bitterly divided by racial tension.
A bag of chips. That’s all sixteen-year-old Rashad is looking for at the corner bodega. What he finds instead is a fist-happy cop, Paul Galluzzo, who mistakes Rashad for a shoplifter, mistakes Rashad’s pleadings that he’s stolen nothing for belligerence, mistakes Rashad’s resistance to leave the bodega as resisting arrest, mistakes Rashad’s every flinch at every punch the cop throws as further resistance and refusal to STAY STILL as ordered. But how can you stay still when someone is pounding your face into the concrete pavement?
There were witnesses: Quinn Collins—a varsity basketball player and Rashad’s classmate who has been raised by Paul since his own father died in Afghanistan—and a video camera. Soon the beating is all over the news and Paul is getting threatened with accusations of prejudice and racial brutality. Quinn refuses to believe that the man who has basically been his savior could possibly be guilty. But then Rashad is absent. And absent again. And again. And the basketball team—half of whom are Rashad’s best friends—start to take sides. As does the school. And the town. Simmering tensions threaten to explode as Rashad and Quinn are forced to face decisions and consequences they had never considered before.
Written in tandem by two award-winning authors, this four-starred reviewed tour de force shares the alternating perspectives of Rashad and Quinn as the complications from that single violent moment, the type taken directly from today’s headlines, unfold and reverberate to highlight an unwelcome truth.
Talking about racism can be hard, but...
Most kids of color grow up talking about racism. They have “The Talk” with their families—the honest talk about survival in a racist world.
But white kids don’t. They’re barely spoken to about race at all—and that needs to change. Because not talking about racism doesn’t make it go away. Not talking about white privilege doesn’t mean it doesn’t exist.
The Other Talk begins this much-needed conversation for white kids. In an instantly relatable and deeply honest account of his own life, Brendan Kiely offers young readers a way to understand one’s own white privilege and why allyship is so vital, so that we can all start doing our part—today.
“Powerful and necessary…an important, timely book.” —Amber Smith, New York Times bestselling author of The Way I Used to Be
“A story that belongs in every library.” —School Library Journal (starred review)
“A thoughtfully crafted argument for feminism and allyship.” —Kirkus Reviews
From New York Times bestselling and award-winning author Brendan Kiely, a stunning novel that explores the insidious nature of tradition at a prestigious boarding school.
Prestigious. Powerful. Privileged. This is Fullbrook Academy.
Jules Devereux just wants to keep her head down, avoid distractions, and get into the right college, so she can leave Fullbrook and its old-boy social codes behind.
Jamie Baxter feels like an imposter at Fullbrook, but the hockey scholarship that got him in has given him a chance to escape his past and fulfill the dreams of his parents and coaches, whose mantra rings in his ears: Don’t disappoint us.
As Jules and Jamie’s lives intertwine, and the pressures to play by the rules and to keep the school’s toxic secrets, they are faced with a powerful choice: remain silent while others get hurt, or stand together against the ugly, sexist traditions of an institution that believes it can do no wrong.
As sixteen-year-old Aidan Donovan’s fractured family disintegrates around him, he searches for solace in a few bumps of Adderall, his father’s wet bar, and the attentions of his local priest, Father Greg—the only adult who actually listens to him.
When Christmas hits, Aidan’s world collapses in a crisis of trust when he recognizes the darkness of Father Greg’s affections. He turns to a crew of new friends to help make sense of his life: Josie, the girl he just might love; Sophie, who’s a little wild; and Mark, the charismatic swim team captain whose own secret agonies converge with Aidan’s.
The Gospel of Winter maps the ways love can be used as a weapon against the innocent—but can also, in the right hands, restore hope and even faith. Brendan Kiely’s unflinching and courageous debut novel exposes the damage from the secrets we keep and proves that in truth, there is power. And real love.
Hendrix es un joven de diecisiete años solitario e interesado en la poesía. Su madre viaja mucho por trabajo y su abuelo reside en un complejo de apartamentos adaptados para enfermos de alzhéimer. Siente que su familia se está desmoronando. Entonces conoce a Corrina, una joven de su clase de poesía que canta en la calle. Corrina quiere huir a Nueva York y Hendrix decide ayudarla. El camino es largo, está lleno de aventuras, imprevistos y sorpresas…Un viaje en el que no hay vuelta atrás y que les cambiará para siempre…
The point of living is learning how to love.
That’s what Gpa says. To Hendrix and Corrina, both seventeen but otherwise alike only in their loneliness, that sounds like another line from a pop song that tries to promise kids that life doesn’t actually suck. Okay, so: love. Sure.
The thing about Corrina—her adoptive parents are suffocating, trying to mold her into someone acceptable, predictable, like them. She’s a musician, itching for any chance to escape, become the person she really wants to be. Whoever that is.
And Hendrix, he’s cool. Kind of a poet. But also kind of lost. His dad is dead and his mom is married to her job. Gpa is his only real family, but he’s fading fast from Alzheimer’s. Looking for any way to help the man who raised him, Hendrix has made Gpa an impossible promise—that he’ll get him back east to the hill where he first kissed his wife, before his illness wipes away all memory of her.
One hot July night, Hendrix and Corrina decide to risk everything. They steal a car, spring Gpa from his assisted living facility, stuff Old Humper the dog into the back seat, and take off on a cross-country odyssey from LA to NY. With their parents, Gpa’s doctors, and the police all hot on their heels, Hendrix and Corrina set off to discover for themselves if what Gpa says is true—that the only stories that last are love stories.
Zwei Stimmen, zwei Autoren, schwarz und weiß..
Eigentlich wollte Rashad nur eine Tüte Chips kaufen, doch kaum hat er den Laden betreten, wird er von einem Polizisten brutal niedergeschlagen. Beobachtet hat den Vorfall ein anderer Junge: Quinn, der ausgerechnet mit der Familie des Angreifers befreundet ist. Rashad ist schwarz, der Polizist weiß. Ein weiterer rassistischer Übergriff? Wie so viele? Rashad landet im Krankenhaus, und Quinn steht zwischen den Fronten. Er muss sich entscheiden: Tritt er als Zeuge auf und wird zum Verräter? Oder hält er den Mund und schweigt zu Diskriminierung und Gewalt. Derweil organisieren Rashads Freunde eine Demonstration gegen Rassismus und Polizeiwillkür. Eine Stadt gerät in Ausnahmezustand. Und zwei Jugendliche mittendrin.