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#1 NEW YORK TIMES BESTSELLER
ONE OF BARACK OBAMA'S FAVORITE BOOKS OF THE YEAR
NAMED A BEST BOOK OF 2020 BY THE NEW YORK TIMES * THE WASHINGTON POST * NPR * PEOPLE * TIME MAGAZINE* VANITY FAIR * GLAMOUR
“Bennett’s tone and style recalls James Baldwin and Jacqueline Woodson, but it’s especially reminiscent of Toni Morrison’s 1970 debut novel, The Bluest Eye.” —Kiley Reid, Wall Street Journal
“A story of absolute, universal timelessness …For any era, it's an accomplished, affecting novel. For this moment, it's piercing, subtly wending its way toward questions about who we are and who we want to be….” – Entertainment Weekly
From The New York Times-bestselling author of The Mothers, a stunning new novel about twin sisters, inseparable as children, who ultimately choose to live in two very different worlds, one black and one white.
The Vignes twin sisters will always be identical. But after growing up together in a small, southern black community and running away at age sixteen, it's not just the shape of their daily lives that is different as adults, it's everything: their families, their communities, their racial identities. Many years later, one sister lives with her black daughter in the same southern town she once tried to escape. The other secretly passes for white, and her white husband knows nothing of her past. Still, even separated by so many miles and just as many lies, the fates of the twins remain intertwined. What will happen to the next generation, when their own daughters' storylines intersect?Weaving together multiple strands and generations of this family, from the Deep South to California, from the 1950s to the 1990s, Brit Bennett produces a story that is at once a riveting, emotional family story and a brilliant exploration of the American history of passing. Looking well beyond issues of race, The Vanishing Half considers the lasting influence of the past as it shapes a person's decisions, desires, and expectations, and explores some of the multiple reasons and realms in which people sometimes feel pulled to live as something other than their origins.
As with her New York Times-bestselling debut The Mothers, Brit Bennett offers an engrossing page-turner about family and relationships that is immersive and provocative, compassionate and wise.
“Bittersweet, sexy, morally fraught.” –The New York Times Book Review
"Fantastic… a book that feels alive on the page." –The Washington Post
From the New York-Times bestselling author of The Vanishing Half, the beloved novel about young love and a big secret in a small community.
Set within a contemporary black community in Southern California, Brit Bennett's mesmerizing first novel is an emotionally perceptive story about community, love, and ambition. It begins with a secret.
"All good secrets have a taste before you tell them, and if we'd taken a moment to swish this one around our mouths, we might have noticed the sourness of an unripe secret, plucked too soon, stolen and passed around before its season."
It is the last season of high school life for Nadia Turner, a rebellious, grief-stricken, seventeen-year-old beauty. Mourning her own mother's recent suicide, she takes up with the local pastor's son. Luke Sheppard is twenty-one, a former football star whose injury has reduced him to waiting tables at a diner. They are young; it's not serious. But the pregnancy that results from this teen romance—and the subsequent cover-up—will have an impact that goes far beyond their youth. As Nadia hides her secret from everyone, including Aubrey, her God-fearing best friend, the years move quickly. Soon, Nadia, Luke, and Aubrey are full-fledged adults and still living in debt to the choices they made that one seaside summer, caught in a love triangle they must carefully maneuver, and dogged by the constant, nagging question: What if they had chosen differently? The possibilities of the road not taken are a relentless haunt.
In entrancing, lyrical prose, The Mothers asks whether a "what if" can be more powerful than an experience itself. If, as time passes, we must always live in servitude to the decisions of our younger selves, to the communities that have parented us, and to the decisions we make that shape our lives forever.
Nº1 THE NEW YORK TIMES BESTSELLER LIST
Nominada al National Book Award 2020 y al Women’s Prize for Fiction 2021
Nº1 de la Indie Next List
Entre los mejores libros del 2020 según The New York Times, The Washington Post, NPR, People, Time Magazine y Vanity Fair
«Una reflexión AMBICIOSA sobre la RAZA y la IDENTIDAD.»
The New York Times
Generación tras generación, la comunidad negra del pueblo de Mallard, en Luisiana, ha intentado aclarar el tono de su piel favoreciendo los matrimonios mixtos. Las inseparables gemelas Desirée y Stella Vignes, con su color níveo, sus ojos castaños y su cabello ondulado, son un buen ejemplo de ello. Tan distintas y tan iguales, decidieron huir juntas del diminuto pueblo creyendo que también podrían escapar de su sangre. Años después y ante la mirada atónita de todos, Desireé regresa acompañada de una niña negra como el carbón. Hace tiempo que no sabe nada de Stella, después de que decidiera desaparecer y renunciar definitivamente a sus orígenes para vivir otra vida como mujer de raza blanca.
Aclamada como la digna heredera de Toni Morrison y James Baldwin, Brit Bennett es una de las grandes revelaciones de la literatura afroamericana de los últimos tiempos.
La crítica ha dicho...
«Una novela de una inmensa, brillante y poderosa inteligencia.»
Deborah Levy
«Una historia atemporal sobre lo que significa simplemente crecer, definirse y reinventarse, para negociar un lugar en el mundo. También es una profunda historia norteamericana, comprometida con el pasado y el presente racista de un país de una manera rigurosa. Es una lograda y conmovedora novela válida en cualquier época. En el momento actual, es punzante, dirigiendo sutilmente el relato hacia cuestiones sobre quiénes somos y quiénes queremos ser.»
Entertainment Weekly
«El tono y el estilo de Bennett recuerdan a James Baldwin y a Jacqueline Woodson, pero especialmente tiene reminiscencias del debut de Toni Morrison en 1970, Ojos azules.»
The Wall Street Journal
«Una saga familiar intergeneracional que aborda temas peliagudos sobre la identidad por raza y la intolerancia, y expresa los efectos corrosivos que provocan el secretismo y las imposturas. [...] al igual que Las madres, esta novela te mantendrá atado a sus páginas queriendo averiguar cómo sigue.»
NPR
«La magnífica segunda novela de Bennett -una reflexión ambiciosa sobre la raza y la identidad-indaga en las suertes divergentes de dos gemelas, nacidas en el Sur de Jim Crow, después de que una de ellas decida hacerse pasar por blanca.
This story was originally published in Day One, a weekly literary journal dedicated to short fiction and poetry from emerging writers.
Syd Davis learned how to roast a perfect turkey when she was a girl. Now on her own and with bills to pay, she works at the Butterball Turkey Emergency Squad, fielding phone calls from folks in desperate need of turkey-prep advice. As she faces another Thanksgiving, estranged from her family and pining after her married best friend, she receives a series of calls that force her to confront the reality of her deepening loneliness.
With turns both humorous and heartbreaking, Butterball explores one woman’s hopeful attempts to connect during the holidays.
Nadia a 17 ans et la vie devant elle. Mais quand elle perd sa mère et avorte en cachette, tout change. Elle choisit alors de quitter la communauté noire et religieuse qui l’a vue grandir. Boursière dans une grande université, Nadia fréquente l’élite. Elle a laissé derrière elle Luke, son ancien amant aux rêves brisés, et Aubrey, sa meilleure amie. Durant une décennie marquée des affres de la vie, les trajectoires des trois jeunes gens vont se croiser puis diverger, tendues à l’extrême par le poids du secret.
Dans la lignée d’Elena Ferrante et de Chimamanda Ngozi Adichie, Brit Bennett donne voix à des héros en quête d’accomplissement et nous offre un roman lumineux, inoubliable.
Dans ce roman magistral sur l’identité, l’auteure interroge les mailles fragiles dont sont tissés les individus, entre la filiation, le rêve de devenir une autre personne et le besoin dévorant de trouver sa place.
Tudo começa com um segredo. As ramificações que se seguem vão acompanhar três personagens desde o fim da adolescência até o início da vida adulta, exercendo um impacto capaz de influenciar suas trajetórias por muito tempo depois de seus anos de juventude. Em uma comunidade negra e cristã no sul da Califórnia, Nadia Turner, uma garota bonita, obstinada e ainda marcada pelo recente suicídio da mãe, será a primeira da família a cursar uma universidade, mas, antes de deixar sua cidade natal, ela se envolve com o filho do pastor da igreja, Luke Sheppard. Aos vinte e um anos, Luke é um ex-atleta que trabalha como garçom depois que uma grave lesão o afastou dos campos. Os dois são jovens e não oficializam o relacionamento, mas o segredo que resulta desse romance terá consequências maiores do que eles imaginam.
Anos depois, eles ainda vivem à sombra das escolhas da juventude e da insistente dúvida: e se tivessem feito diferente? As possibilidades do caminho não tomado se tornam uma sombra implacável.
Romance de estreia de Brit Bennett, As Mães chamou atenção dos críticos antes mesmo de ser lançado nos Estados Unidos. Com um estilo sofisticado e atual, a autora demonstra uma ampla compreensão da alma humana e de como as traições e perdas podem moldar comunidades inteiras. Uma obra necessária, que questiona até que ponto devemos servidão às decisões da juventude e às comunidades que nos criaram.
Ces neuf essais pétris d’une rage calme exposent l’omniprésence du racisme aux États-Unis, qu’il soit diffus, tapi dans des détails qui n’en sont pas, ou sidérant, énorme, invraisemblable. Du marketing des poupées d’enfants à l’absence de plaque commémorant les victimes de l’esclavage, Brit Bennett désigne de façon saisissante les manifestations de ce racisme qui n’en finit pas de tuer, et qui prospère aussi sur la bonne conscience des « gentils Blancs ». Portée par le désir d’aller de l’avant, elle rend hommage aux auteurs qui, de Toni Morrison à Ta-Nehisi Coates en passant par Jesmyn Ward, ouvrent la voie au changement en donnant à voir une expérience à nulle autre pareille.