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Bryant & May Off the Rails Paperback – January 1, 2011
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Enhance your purchase
- Print length384 pages
- LanguageEnglish
- PublisherBantam
- Publication dateJanuary 1, 2011
- Dimensions5 x 0.91 x 7.8 inches
- ISBN-100553819704
- ISBN-13978-0553819700
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Product details
- Publisher : Bantam (January 1, 2011)
- Language : English
- Paperback : 384 pages
- ISBN-10 : 0553819704
- ISBN-13 : 978-0553819700
- Item Weight : 9.1 ounces
- Dimensions : 5 x 0.91 x 7.8 inches
- Best Sellers Rank: #517,383 in Books (See Top 100 in Books)
- Customer Reviews:
About the author

Christopher Fowler was born in Greenwich, London. He is the multi award-winning author of 45 novels and short story collections, and the author of the Bryant & May mysteries. His novels include ‘Roofworld’, 'Spanky', 'Psychoville', 'Calabash' and two volumes of memoirs, the award-winning 'Paperboy' and 'Film Freak'. In 2015 he won the CWA Dagger In The Library. His latest books are 'England's Finest' and 'Oranges & Lemons'. Among his recent collections are 'Red Gloves', 25 stories of unease, marked his first 25 years of writing, and the e-book 'Frightening', a new set of short stories. Other later novels include the comedy-thriller 'Plastic', the Hammer-style monster adventure 'Hell Train', the haunted house chiller 'Nyctophobia' and the JG Ballard-esque 'The Sand Men'. Coming up in 2021 is the 20th Bryant & May book, 'London Bridge Is Falling Down'.
He has written comedy and drama for BBC radio, script, features and columns for national press, graphic novels, the play ‘Celebrity’ and the ‘War Of The Worlds’ videogame for Paramount, starring Sir Patrick Stewart. His short story 'The Master Builder' became a feature film entitled 'Through The Eyes Of A Killer', starring Tippi Hedren. Among his awards are the Edge Hill prize 2008 for 'Old Devil Moon', the Last Laugh prize 2009 for 'The Victoria Vanishes' and again in 2015 for 'The Burning Man'.
Christopher has achieved several ridiculous schoolboy fantasies, releasing a terrible Christmas pop single, becoming a male model, writing a stage show, posing as the villain in a Batman graphic novel, running a night club, appearing in the Pan Books of Horror and standing in for James Bond. After living in the USA and France he is now married and lives in London's King's Cross and Barcelona.
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The most interesting part of the novel - other than the interplay between the characters - is Fowler's writing about the London Tube system. There's a lot going on underground and Fowler brings the tunnels to life in his novel.
This novel is the first of the series I've read, though I do have Fowler's latest in hardback in my TBR pile. His writing reminds me of Joseph Wambaugh's Los Angeles cop series. Terribly politically incorrect, Wambaugh's eccentric characters - who continue from book to book - are far more interesting than the plots, which are basically "vignettes" about police and civilians in Los Angeles (or in the latest book, San Pedro).
Fowler's plot in "Bryant and May" is definitely secondary to his characters. I don't know if that's true in all his books, but it was in this book. I enjoyed the book and am looking forward to reading both his new book and his back list. If you're a Wambaugh fan, you'll like Fowler.
Overall, a good fun read and not a bad introduction to the series.
I’m not giving anything away but there are 2 killers.
The story revolves around a group of university house mates who hang out a particular pub.
It gets very involved with the PCU following them and as usual the deciphering of their connection to the mystery.
The real bad guy is discovered eventually but we are left hanging with his disposition. (Is he really caught?)
In this book, Arthur Bryant and John May and the other members of the Peculiar Crimes Unit have been saved as a department but they have only one week to recapture a murderer that they had caught and lost. Its a funny, intriguing case surrounding the London underground; I had a hard time putting it down and yet didn't want the story to end. Bryant and May may be older than the hills but nothing much gets past them in these witty case stories. Long may they live in Fowler's imagination and creative writing.
Alex Mathieson
The book suffered a bit from the author’s desire to make it look too much like a sitcom by installing set-piece pratfalls, but I can forgive that.
Four stars.
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Normally the books are free-standing, with characters developing across the different novels but the crimes in the books isolated from each other. This time, the plot picks up where the predecessor, Bryant and May on the Loose , ended with the police chasing the same criminal, Mr. Fox. Moreover, although the book is once again very firmly set in London, the slice of London history which nominally provides the backdrop this time, the London Underground, is not really that important. Sure, plenty of the action happens in stations and tunnels. But the particular history of these parts of London doesn't influence the story very much. It provides a scenic backdrop but not one that influences the plot in ways that would be different from one set on a train network in another city. What is more, one of the few Tube details on which a part of the plot hinges, about disused passenger tunnels in stations being open to the public, is not accurate.
That, however, does not take away from a once again entertaining and at times very funny detective story. The set-up of suspects all in a room being questioned by detectives is saved from being a clichéd Agatha Christie cast-off by Fowler instead using it to play homage to her, and having his characters acknowledge the reference.
The story is really two different plots woven into one, which makes for more tension and intrigue, though you have to turn a blind eye to the improbable convergence of them at the end, with both plots ending up culminating on the same few square metres of the same platform at the same Underground station.
As is common in the series, there is a rich cast of characters, with long-running regular minor figures getting their moments of character development and description, making it feel like there is a large and rounded cast of characters which we readers are just happening to get to see a slice of. Fowler repeats his neat trick from earlier volumes of using memos and a staff roster at the start of the book to quickly bring new readers up to speed on some of the basics of the cast and setting (enough for the book to work even if you have not read its predecessor), and to remind longer-term readers of salient points they may have forgotten.
All very enjoyable.




Intelligently researched with mind blowing information about so many aspects of London.
The main characters are delightful in their eccentricity.
The stories are thrilling.
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