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Captain America Masterworks Vol. 9 (Captain America (1968-1996)) Kindle & comiXology
Steve Englehart (Author, Contributor) Find all the books, read about the author, and more. See search results for this author |
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Englehart, Buscema and Robbins bring you one of the most influential Captain America sagas of all time in the latest Marvel Masterworks. Disillusioned by government corruption and the revelations behind the Secret Empire, Steve Rogers renounces his role as Captain America. The Falcon fights on while Rogers wrestles with his place in the world, becoming Nomad, a man without a country. In his new identity, he must overcome the power of Madame Hydra and the mystical Serpent Crown. Then, the return of the Red Skull forces our hero to make a choice, with the Falcon's life hanging in the balance.
- Reading age9 years and up
- LanguageEnglish
- Grade level4 and up
- PublisherMarvel
- Publication dateApril 12, 2017
- ISBN-13978-1302903459
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Product details
- ASIN : B06XDHLYDC
- Publisher : Marvel (April 12, 2017)
- Publication date : April 12, 2017
- Language : English
- File size : 1306769 KB
- Text-to-Speech : Not enabled
- Enhanced typesetting : Not Enabled
- X-Ray : Not Enabled
- Word Wise : Not Enabled
- Print length : 343 pages
- Lending : Not Enabled
- Best Sellers Rank: #879,910 in Kindle Store (See Top 100 in Kindle Store)
- #3,206 in Media Tie-In & Adaptation Graphic Novels
- #5,892 in Media Tie-In Graphic Novels
- #6,072 in Marvel Comics & Graphic Novels
- Customer Reviews:
About the author

Born in Indianapolis, he went to Wesleyan University in Middletown, Connecticut. He studied Psychology because people fascinated him, but in getting his B.A. he learned that psychology didn't describe real people, so he became a writer.
Living the Young Creator's life in New York, he got to be drinking buddies with an editorial assistant at Marvel Comics. One night the e.a. called to say he was going on vacation for six weeks; would Steve like to fill in for him on staff? Steve would, and once in the door at what was then a very small operation, he got a shot at writing a comic. It was a failing series called Captain America -- but six months later it had become Marvel's leading seller, and Steve had all the work he could handle. He became Marvel's lead writer, adding The Hulk, The Avengers, Thor, Dr. Strange, and half a dozen other series. Then he was hired away by DC Comics to be their lead writer and revamp their core characters (Superman, Batman, Wonder Woman, Flash, and Green Lantern). He did, but also wrote a solo Batman series that readers dubbed the "definitive" version and broke the long-standing barrier between comics readers and the mass market. All comics films since Batman in 1989 stem from that.
After Batman he traveled around Europe for a year and wrote his first novel, The Point Man. Since then he's designed video games for Atari, Activision, Electronic Arts, and others. He's written animation for Street Fighter and G.I. Joe. He's written mid-grade books for Avon, including the DNAgers series, and Countdown to Flight, a biography of the Wright brothers selected by NASA as the basis for their school programs on the invention of the aeroplane. And he's written more comics, like Fantastic Four and Silver Surfer, which led to the San Diego Comic-Con calling him "comics' most successful writer, having had more hits with more characters at more companies than anyone else in comics history." He created The Night Man, which became a live-action television series.
Most recently, The Point Man has engendered a series of novels from Tor, beginning with The Long Man.
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The book picks up where the last masterwork ended with Cap victorious over the Secret Empire but disillusioned with America and uncomfortable as a symbol of it. He gives up his Captain America identity for a while, dons a new one (Nomad) for a few issues, and then returns to being Captain America, but on his own terms, for his own reasons. All these changes are handled brilliantly. Englehart gives us the grand tour of what makes Steve Rogers/Captain America tick. This is great stuff. He also deftly handles the effects of all these changes on the Falcon, Peggy and Sharon Carter, the Avengers, and the Marvel universe as a whole. A nice touch, starting as farce but ultimately ending in tragedy, are the attempts of others to step into the role of Captain America. Sal Buscema and some fill-ins do some great art during this period with Vince Colletta (with again some fill-ins) doing excellent inking.
Then the wheels start coming off when Englehart and Buscema leave and are replaced by John Warner as writer and Frank Robbins as penciller. Robbins, in my opinion, is not the right choice for a modern superhero. His artwork is too stylized (cartoonish) for my tastes. His pencils worked well enough on the WWII era Invaders book but not here. The writing turned into a "writer of the month" collaboration with Warner quickly followed by Tony Isabella, Bill Mantlo, and Marv Wolfman. It's not really bad; it just has a tough act to follow.
The extras are rather generous. They include the relevant text pieces from FOOM 8, a reprint Giant-Size cover, 5 pages of original artwork, and the Captain America month of the 1978 Marvel calendar. There is also a 4 page introduction by Englehart.
Highly recommended. I thought Englehart was pouring too much of his own politics into the previous masterworks but once he gets Cap where he wants him he followed through with some great soul searching stories that did not descend into personal politics. It is a shame that his successors could not maintain his momentum but this was a very enjoyable collection nevertheless.