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Carrion Comfort Paperback – January 1, 2010
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- LanguageEnglish
- PublisherQuercus Publishing
- Publication dateJanuary 1, 2010
- Dimensions5.12 x 2.05 x 7.8 inches
- ISBN-101849162212
- ISBN-13978-1849162210
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Product details
- Publisher : Quercus Publishing; Revised 20th anniver edition (January 1, 2010)
- Language : English
- ISBN-10 : 1849162212
- ISBN-13 : 978-1849162210
- Item Weight : 1.37 pounds
- Dimensions : 5.12 x 2.05 x 7.8 inches
- Best Sellers Rank: #758,563 in Books (See Top 100 in Books)
- #24,813 in Horror Literature & Fiction
- Customer Reviews:
About the author

Dan Simmons was born in Peoria, Illinois, in 1948, and grew up in various cities and small towns in the Midwest, including Brimfield, Illinois, which was the source of his fictional "Elm Haven" in 1991's SUMMER OF NIGHT and 2002's A WINTER HAUNTING. Dan received a B.A. in English from Wabash College in 1970, winning a national Phi Beta Kappa Award during his senior year for excellence in fiction, journalism and art.
Dan received his Masters in Education from Washington University in St. Louis in 1971. He then worked in elementary education for 18 years -- 2 years in Missouri, 2 years in Buffalo, New York -- one year as a specially trained BOCES "resource teacher" and another as a sixth-grade teacher -- and 14 years in Colorado.
His last four years in teaching were spent creating, coordinating, and teaching in APEX, an extensive gifted/talented program serving 19 elementary schools and some 15,000 potential students. During his years of teaching, he won awards from the Colorado Education Association and was a finalist for the Colorado Teacher of the Year. He also worked as a national language-arts consultant, sharing his own "Writing Well" curriculum which he had created for his own classroom. Eleven and twelve-year-old students in Simmons' regular 6th-grade class averaged junior-year in high school writing ability according to annual standardized and holistic writing assessments. Whenever someone says "writing can't be taught," Dan begs to differ and has the track record to prove it. Since becoming a full-time writer, Dan likes to visit college writing classes, has taught in New Hampshire's Odyssey writing program for adults, and is considering hosting his own Windwalker Writers' Workshop.
Dan's first published story appeared on Feb. 15, 1982, the day his daughter, Jane Kathryn, was born. He's always attributed that coincidence to "helping in keeping things in perspective when it comes to the relative importance of writing and life."
Dan has been a full-time writer since 1987 and lives along the Front Range of Colorado -- in the same town where he taught for 14 years -- with his wife, Karen. He sometimes writes at Windwalker -- their mountain property and cabin at 8,400 feet of altitude at the base of the Continental Divide, just south of Rocky Mountain National Park. An 8-ft.-tall sculpture of the Shrike -- a thorned and frightening character from the four Hyperion/Endymion novels -- was sculpted by an ex-student and friend, Clee Richeson, and the sculpture now stands guard near the isolated cabin.
Dan is one of the few novelists whose work spans the genres of fantasy, science fiction, horror, suspense, historical fiction, noir crime fiction, and mainstream literary fiction . His books are published in 27 foreign counties as well as the U.S. and Canada.
Many of Dan's books and stories have been optioned for film, including SONG OF KALI, DROOD, THE CROOK FACTORY, and others. Some, such as the four HYPERION novels and single Hyperion-universe novella "Orphans of the Helix", and CARRION COMFORT have been purchased (the Hyperion books by Warner Brothers and Graham King Films, CARRION COMFORT by European filmmaker Casta Gavras's company) and are in pre-production. Director Scott Derrickson ("The Day the Earth Stood Stood Still") has been announced as the director for the Hyperion movie and Casta Gavras's son has been put at the helm of the French production of Carrion Comfort. Current discussions for other possible options include THE TERROR. Dan's hardboiled Joe Kurtz novels are currently being looked as the basis for a possible cable TV series.
In 1995, Dan's alma mater, Wabash College, awarded him an honorary doctorate for his contributions in education and writing.
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This is an amazing book. It is a story of a few people who are able to see the evil of creatures who shouldn’t exist and when they finally believe in them- when they are finally sure they aren’t crazy- choose to band together to try and bring about their end.
The writing itself is simple but without any economy of word or thought. It feels like it could have been a novella if Simmons had cut out the CONSTANT over explaining, repeating facts, trying to add depth to characters that still feel paper thin, and Marty-Stuing all over place. (Hard to deal with the very, very obvious way the author sees himself in the Sheriff and, upsettingly, the rapist character.)
Oh, btw, do you like reading endless scenes of highly sexualized rape? Do you like stories with female protagonists that are written by a man who appears to have never even seen an actual woman, let alone spoken to one? Do you like EXTREMELY unsatisfying endings that are completely illogical to how actual humans think and act but are necessary to further the story? Well then, boy is this the yada yada yada.
But lo, it's not just wildly racist and misogynist, its homophobic as well. The really troubling thing is, though, I've read two novels by Simmons at this point. They were written nearly 20 years apart in his career yet BOTH have eeeevil gay male characters. In the more modern book, The Terror, he balances it out by having not evil gays too, but this is a pattern now. I question Simmons' relationship to gay people. The whole book is a pretty strong case for writers writing only in a voice similar to their own. I'm not necessarily saying a straight white cis man can't write good female or poc characters. I'm saying THIS one sure cant
The story itself I would call Interview with a Vampire meets any generic airport political thriller, all mixed into a SNL "The Californians" sketch based broth. You WILL learn the best routes to take in LA, Chicago, or all of Germany. Simmons had to justify those travel costs somehow!
Back to the point. He writes every chapter in a different voice, some first person, most 3rd. This leads to the aforementioned constant repetition as we see characters discover things we the reader have known about for chapters already. Seeing people solve mysterious isn't fun if we already know what happened, and the constant pov changing grinds every chapter to a screeching halt as we switch from something interesting to someone else having a cup of coffee. DAN SIMMONS SURE LOVES COFFEE.
I could continue to go on about this book, because there's plenty more I disliked. However, I'm giving it two stars because it IS horrifying to read. Not scary, but unpleasant, uncomfortable, etc. So it at least succeeded in that. Yeah? But ultimately I want to say it's 2020. The tropes in this book are super tired at this point, so don't waste your time on a brick filled with so much ick. Find modern horror literature and you can have all the scares without the baggage. No one needs to be reading something this racist, this unnecessary, and this unnecessarily racist in 'modern' times. You can find better. Don't waste your time.
From the concentration camps at Chelmno and Sobribor to South Carolina to Philadelphia, New York, Washington, DC, Israel and a secluded island, the landscape of evil has no boundaries in Simmons's masterpiece of horror. There are more monsters, two who meet with Willi to compare their skills, Nina Draper and Melanie Fuller. When these ancient monsters turn upon one another, they awaken the interest of a South Carolina sheriff, Bobby Joe Gentry and the daughter of an innocent bystander used as a catspaw, Natalie Preston. When Natalie and Gentry meet Saul and learn his story, they become entangled in an escalating war of malevolents vs. those who want justice. In the context of this battle among adepts and their pawns, Simmons examines the psychology of violence and the parameters of power, the old masters vs. the new, all of them without conscience, all headed for a remote island that will pit good against evil in a final deadly contretemps.
For all the horror exposed in the many pages of this book, the human spirit of certain characters remain indomitable, Laski determined to face his nemesis one last time. Along the way, wherever they gather, those with the Ability seek to locate, dominate and exterminate one another, only a few places available in their exclusive club. Social ills and prejudices abound, horrific scenes of violence, victims propelled by the wills of their intruders. Simmons plumbs a deep and powerful place where evil is spawned, where the damned revel in their power, where races and poverty are exploited, where war and death are common occurrences. A disturbing book at best, but one that is impossible to put down until the last, grueling page. I read Carrion Comfort when it was first released, just as riveted this time by Simmons' masterful rendering of human behavior in the face of evil. Luan Gaines/20009.
Top reviews from other countries

The book has been rereleased on its 20th anniversary. An extensive preface and history of its publication has been added by the author.
The story revolves around the efforts of a survivor of the Holocaust concentration camps to track down a nazi. This particular nazi has the ability to enter the mind of a person and control his actions. The entire life of Saul Laski has been defined by the violation of his mind as well as his body during his captivity in Aushwitz.
After more than 30 years he comes across evidence that points to the presence of the nazi and others like him in Charleston. The monsters are in fact playing an annual game with the lives of normal humans as the pieces. A struggle between the creatures leaves the opportunity for Saul and others whose lives have been ruined to seek revenge.
The book makes much fuss about Chess as a game and people being treated as objects - or games pieces by those who look down on others. The antagonist/protagonist being a nazi and a concentration camp survivor respectively is an extreme example of a real life giving examples more horrific than a horror story can create. Horror is primarily an aspect of the mind and imagery. The monsters in the book are primarily humans , who look down on other humans through the lens of their ability , but i find that less horrific than the chapters of the book dealing with the camps - where there is no such excuse.
As a fan I was thrilled to be able to pick this up for the kindle. The preface was a very insightful look into the history of the book. After finishing reading it many aspects of the book - and its flaws were laid out in the preface. It is a masterpiece - its also deeply flawed. It is a massive and sprawling work. Much of the critical points of impact and horror are diluted by repetition and the pauses due to the length of the book. However the Author points out his inability to cut large sections from the book. This is a book caught between being a captivating read and embodying the writers original intent. For me - it should have been a good bit shorter.
As a fan of the author I loved to read it. As a fan of reading - id point people towards the Hyperion Cantos and Illium/olympos as better examples of the writer at his peak.




An intriguing cast of characters, the hero's are complex and human enough to get behind and the villains of the piece are despicable and downright terrifying.
I look forward to reading more from Dan Simmons.
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