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About Chad Lutzke
Chad has written for Famous Monsters of Filmland, Rue Morgue, Cemetery Dance, and Scream magazine. He's had dozens of short stories published, and some of his books include: OF FOSTER HOMES & FLIES, STIRRING THE SHEETS, THE PALE WHITE, SKULLFACE BOY, THE NEON OWL and OUT BEHIND THE BARN co-written with John Boden. Lutzke's work has been praised by authors Jack Ketchum, Richard Chizmar, Joe Lansdale, Stephen Graham Jones and his own mother.
He can be found lurking the internet at www.chadlutzke.com
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"...a frenetic story of hope, butchery, survival, and the horrors of man--written by one of the finest minds working in indie horror today."
~Ross Jeffery, Bram Stoker-nominated author of Tome, Juniper, and Only the Stains Remain
Liminal Spaces is a quiet horror anthology from Cemetery Gates Media featuring stories from well-known dark fiction writers such as: Joanna Koch, Jessica McHugh, Mark Allan Gunnells, Anthony J. Rapino, Gwendolyn Kiste, Michael Wehunt, Bob Ford, Kelli Owen, Richard Thomas, Todd Keisling, Chad Lutzke, Kristi DeMeester, Joshua Palmatier, and Norman Prentiss.
“The word ‘liminal’ comes from the Latin root limen. It means ‘threshold.’ A liminal space is a ‘crossing over’ space–a space where you have left something behind, yet you are not fully in something else. It’s a transition space.
“This is my favorite kind of horror and speculative fiction. Fiction which takes place in that ‘crossing over’ space. Stories about characters who have–wittingly or unwittingly–crossed a threshold. Those who have left something behind, yet are not quite somewhere or something else. They are in-between, and are neither one thing, nor another. Classic anthologies like Shadows, edited by Charles L. Grant epitomize these kinds of stories, as did Rod Serling’s The Twilight Zone, the work of Charles Beaumont and T. M Wright, Joyce Carol Oates, Shirley Jackson, and the ‘strange stories’ of Robert Aickman.”
-Kevin Lucia, Editor
Predatory eyes flicker in darkness, a legion of abominations seeking human destruction. Slashing claws and gnashing teeth, hungry for flesh, eager to kill.
Clutch onto hope and pray for dawn. Creatures rule the night.
In Darkness, Delight is an original anthology series revealing the many faces of modern horror— shocking and quiet, pulp and literary, cold-hearted and heart-felt, weird tales of spiraling madness alongside full-throttle thrillers. Open these pages and unleash all-new terrors that consume from without and within.
The creatures are here. It’s now time to find . . . In Darkness, Delight.
- Josh Malerman: One Thousand Words on a Tombstone – Bully Jack
- Jeff Strand: The Last Thing You Want to Be
- Ray Garton: A Survivor
- Richard Chizmar: Father
- Mary SanGiovanni: The Giant’s Table
- Tim Curran: White Rabbit
- Christopher Motz: Scales
- Kev Harrison: Snap
- Evans Light: Gertrude
- Mikal Trimm: Infestation
- Mark Cassell: River of Nine Tails
- Mason Morgan: The People in the Toilet
- Andrew Lennon: Silent Scream
- Chad Lutzke: He Wears the Lake
- Adam Light: Valley of the Dunes
- Eddie Generous: The Newell Post
- Frank Oreto: The Worms Turn
- Gregor Xane: The Ugly Tree
- Kristopher Rufty: Hinkles
- Glenn Rolfe: Human Touch
- Curtis M. Lawson: The Green Man of Freetown
About Corpus Press:Corpus Press is a publisher of horror and weird fiction, specializing in modern pulp that emphasizes plot over gore. Based in Charlotte, North Carolina, the press has garnered praise from SCREAM Magazine, Cemetery Dance, Horror Novel Reviews, Hellnotes and others for its Bad Apples:Slices of Halloween Horror series, the anthology Dead Roses: Five Dark Tales of Twisted Love, and for its short story collections and novellas.
Horror anthologies and collections from Corpus Press:
- Screamscapes: Tales of Terror
- Toes Up: Horror to Die For
- Dead Roses: Five Dark Tales of Twisted Love
Halloween horror books from Corpus Press:
- Doorbells at Dusk: Halloween Stories
- Bad Apples: Five Slices of Halloween Horror
- Screamscapes: Tales of Terror
Having never been outside the walls of Gramm Jones Foster Care Facility, sixteen-year-old Levi leaves in the middle of the night with an empty backpack and a newfound lust for life. A journey that leads him into the arms of delusional newlyweds, drunkards, polygamists, the dangerous, and the batshit crazy. His destination? Hermosa Beach, California where he's told there is another like him, with the face of a skull.
A coming-of-age road trip filled with surreal Lynch-ian encounters exploring the dark, the disturbing, and the lonely in a 1980s world—an epic venture for one disfigured boy struggling to find his place in the world.
"This is Huck lighting out for the territories, and kind of documenting an era for us on the way. Only--because it’s now not then--he’s got a skull face to deal with. As do we all."
~Stephen Graham Jones, author of Mongrels
I was captivated by the first sentence...The pages fly by. I was utterly absorbed into the world of this transient teenager and his endearing, poignant and often hilarious take on every situation.
We have assembled some of the very best in the business from whom you can learn so much about the craft of horror writing: Bram Stoker Award© winners, bestselling authors, a President of the Horror Writers' Association, and myriad contemporary horror authors of distinction.
The Horror Writer covers how to connect with your market and carve out a sustainable niche in the independent horror genre, how to tackle the writer's ever-lurking nemesis of productivity, writing good horror stories with powerful, effective scenes, realistic, flowing dialogue and relatable characters without resorting to clichéd jump scares and well-worn gimmicks. Also covered is the delicate subject of handling rejection with good grace, and how to use those inevitable "not quite the right fit for us at this time" letters as an opportunity to hone your craft.
Plus... perceptive interviews to provide an intimate peek into the psyche of the horror author and the challenges they work through to bring their nefarious ideas to the page.
And, as if that – and so much more – was not enough, we have for your delectation Ramsey Campbell's beautifully insightful analysis of the tales of HP Lovecraft.
Ramsey Campbell, John Palisano, Chad Lutzke, Lisa Morton,
Kenneth W. Cain, Kevin J. Kennedy, Monique Snyman, Scott Nicholson,
Lucy A. Snyder, Richard Thomas, Gene O'Neill, Jess Landry, Luke Walker, Stephanie M. Wytovich, Marie O'Regan, Armand Rosamilia, Kevin Lucia,
Ben Eads, Kelli Owen, Jasper Bark, and Bret McCormick
And interviews with:
Steve Rasnic Tem, Stephen Graham Jones, David Owain Hughes,
Tim Waggoner, and Mort Castle
Red Room Press is extremely proud to present its fourth annual anthology featuring this year's hardcore corps of authors with the best extreme horror fiction of 2018 that breaks boundaries and trashes taboos.
First up is “Vigil” by Chad Lutzke. Chad takes us into a neighborhood where a steady stream of decayed corpses are exhumed from a neighbor’s cellar. Extreme olfactory horror at its best. Deborah Sheldon went under the knife for the inspiration of “Hair And Teeth,” and the result is a tale of gynaecological body horror likely to terrify women and make most men squeamish. With “Rut Seasons” Brian Hodge makes a return to Year’s-Best pages in a tale as chilling as it is heart-wrenching, inspired by a thousand-mile drive littered with roadkill and some personal tragedies. “Control” by Jeff Parsons introduces us to a meth addict stalking potential victims in Central Park to get money for the next score. Annie Neugebauer is back with “Cilantro,” a Neugebauerian yarn of culinary chaos sure to turn stomachs and cause nightmares. Tim Waggoner likewise returns this year with “Voices Like Barbwire,” an exploratory dig into old wounds and painful memories. Rebecca Rowland’s “Bent” wins the Most Cringe-worthy Story honor with her twisted tale of extreme body horror. Her well-drawn characters seem to come off the page but God forbid they do. Their idea of a pretzel party is truly twisted. Scath Beorh takes Lovecraftian cosmic horror to its next level with “Lord of the Mesa.” Sean Patrick Hazlett’s story “The Godhead Grimoire” possesses dangerous religious overtones and a forbidden bloodthirsty book. “Carnal Bodies” by R.E. Hellinger is a shocking story of baroque horror and demonic necrophilia from Two Dead Queers Present: Guillozine. You’ll have to read this one to believe it. In “Crossroads of Opportunity” Ed Kurtz and doungjai gam take you on a-deal-with-the-devil-at-the-crossroads trip with a son driving his dead mother to an uncertain destination. Trouble is, his mother is a bit of a backseat driver and she just won’t shut up. Seras Nikita’s “Dad’s Famous Preserves” won’t do much for your appetite but it will show you a recipe for disaster when a jungle missionary’s foot infection blossoms into a stomach-churning nightmare. “The Bearded Woman,” brought all the way from Rome, Italy, by the inimitable Alessandro Manzetti. His dystopian future tale takes us for a ride in the Bearded Woman’s circus trailer as she and her dwarf husband bring their marriage to a bloody end. Sara Tantlinger’s “The Devil’s Dreamland” takes us inside the Murder Castle of the infamous H.H. Holmes with her brilliant narrative poem of macabre beauty. Frank Oreto’s “All God’s Creatures Got Reasons” reveals that there are real monsters walking among us, monsters with a savage appetite for young flesh, but they are so skilled at covering their tracks, we never even know they’re there. “The Ugly” by J.R. Park introduces us to a couple of sweet little kids who may have a good reason for torturing and eating cats. It’s a way to keep the Ugly at bay. Or is it? Doug Ford’s “I Have a Confession” takes a coldblooded plunge into sex with a ghost. But what if it’s not a ghost? In “When the Owls Call” Lyman Graves takes us “stealth camping” in a Texas park after hours, where a strange and dangerous gathering is taking place. David Lynch might say, “The owls are not what they seem.” But are they? Jeremy Thompson is back this year with his nefarious pal the Hallowfiend in “Bloodletting and Intrigue On All Hallows’ Eve’.
A story of desperation, loneliness, and letting go.