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Anton Chekhov's Selected Stories (Norton Critical Editions) Paperback – February 28, 2014
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Fifty-two stories spanning Chekhov’s career.
Anton Chekhov’s Selected Stories contains a wide spectrum of classics and new favorites, including “Ward No. 6,” “The Lady with the Little Dog,” “Anna on the Neck,” “The Name-Day Party,” “The Kiss,” An Incident at Law,” and “Elements Most Often Found in Novels, Short Stories, Etc.” This edition features twenty-five brand-new translations, commissioned expressly for this volume from Richard Pevear and Larissa Volokhonsky, Peter Constantine, Rosamund Bartlett, Michael Henry Heim, among others. Twenty translations have been selected from the published work of such master translators as Patrick Miles and Harvey Pitcher, Ann Dunnigan, and Ronald Hingley. Seven additional translations are by Constance Garnett, substantially revised by Cathy Popkin. All stories are annotated to clarify unfamiliar material and to point out differences in the translators’ strategies."Life and Letters" includes a rich selection of Chekhov’s letters, some in English for the first time, some with previously redacted passages restored, as well as Aileen Kelly’s portrait of Chekhov.
“Criticism” explores the wide range of approaches and interpretations in two sections. “Approaches” juxtaposes five different perspectives on how to read Chekhov, represented by Peter Bitsilli, Alexander Chudakov, Robert Louis Jackson, Vladimir Kataev, and Radislav Lapushin. “Interpretations” contains ten divergent readings of stories in this edition. Case studies include Michael Finke on “At Sea”; Cathy Popkin on “[A Nervous] Breakdown”; Julie de Sherbinin on “Peasant Women”; Liza Knapp on “Ward No. 6”; Robert Louis Jackson on “Rothschild’s Fiddle” and “The Student”; Wolf Schmid on “The Student”; John Freedman on “Man in a Case,” “Gooseberries,” and “About Love”; Caryl Emerson on “A Calamity,” “Anna on the Neck,” “About Love,” and “The Lady with the Little Dog”; and Rufus Mathewson on “The Lady with the Little Dog” and “The Beauties.”
A Chronology and Selected Bibliography are included, as is a postscript on the translators and their work. A special section, “Comparison Translations,” gives passages from selected stories in multiple translations.
- Print length768 pages
- LanguageEnglish
- PublisherW. W. Norton & Company
- Publication dateFebruary 28, 2014
- Dimensions5.1 x 1.7 x 8.5 inches
- ISBN-100393925307
- ISBN-13978-0393925302
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Product details
- Publisher : W. W. Norton & Company (February 28, 2014)
- Language : English
- Paperback : 768 pages
- ISBN-10 : 0393925307
- ISBN-13 : 978-0393925302
- Item Weight : 1.5 pounds
- Dimensions : 5.1 x 1.7 x 8.5 inches
- Best Sellers Rank: #194,348 in Books (See Top 100 in Books)
- #3,156 in Contemporary Literature & Fiction
- #4,141 in Short Stories (Books)
- Customer Reviews:
About the author

Anton Pavlovich Chekhov (/ˈtʃɛkɔːf, -ɒf/; Russian: Анто́н Па́влович Че́хов, pronounced [ɐnˈton ˈpavləvʲɪtɕ ˈtɕɛxəf]; 29 January 1860 – 15 July 1904) was a Russian playwright and short story writer who is considered to be among the greatest writers of short fiction in history. His career as a playwright produced four classics and his best short stories are held in high esteem by writers and critics. Along with Henrik Ibsen and August Strindberg, Chekhov is often referred to as one of the three seminal figures in the birth of early modernism in the theater.Chekhov practiced as a medical doctor throughout most of his literary career: "Medicine is my lawful wife", he once said, "and literature is my mistress."
Chekhov renounced the theatre after the disastrous reception of The Seagull in 1896, but the play was revived to acclaim in 1898 by Constantin Stanislavski's Moscow Art Theatre, which subsequently also produced Chekhov's Uncle Vanya and premiered his last two plays, Three Sisters and The Cherry Orchard. These four works present a challenge to the acting ensemble as well as to audiences, because in place of conventional action Chekhov offers a "theatre of mood" and a "submerged life in the text".
Chekhov had at first written stories only for financial gain, but as his artistic ambition grew, he made formal innovations which have influenced the evolution of the modern short story. He made no apologies for the difficulties this posed to readers, insisting that the role of an artist was to ask questions, not to answer them.
Bio from Wikipedia, the free encyclopedia. Photo by Unknown[Public domain], via Wikimedia Commons.
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