The first complete book by J.R.R. Tolkien in three decades--since the publication of The Silmarillion in 1977--The Children of Húrin reunites fans of The Hobbit and The Lord of the Rings with Elves and Men, dragons and Dwarves, Eagles and Orcs. Presented for the first time as a complete, standalone story, this stirring narrative will appeal to casual fans and expert readers alike, returning them to the rich landscape and characters unique to Tolkien. Adam Tolkien on The Children of Húrin
How did a lifetime of stories become The Children of Húrin? In an essay on the making of the book, Adam Tolkien, grandson of J.R.R. Tolkien (and French translator of his History of Middle-earth), explains that the Húrin legends made up the third "Great Tale" of his grandfather's Middle-earth writing, and he describes how his father, Christopher Tolkien, painstakingly collected the pieces of the legend into a complete story told only in the words of J.R.R. Tolkien. "For anyone who has read The Hobbit and The Lord of the Rings," he writes, The Children of Húrin "allows them to take a step back into a larger world, an ancient land of heroes and vagabonds, honour and jeopardy, hope and tragedy."
A Look Inside the Book
This first edition of The Children of Húrin is illustrated by Alan Lee, who was already well-known for his Tolkien illustrations in previous editions (see our Tolkien Store for more) as well as his classic collaboration with Brian Froud, Faeries, and his Kate Greenaway Medal-winning Black Ships Before Troy, before his Oscar-winning work as conceptual designer for Peter Jackson's Lord of the Rings film trilogy brought him even greater acclaim. Here's a quick glimpse of two of Lee's interior illustrations for The Children of Húrin. (Click on each to see larger images.)
Questions for Alan Lee
We had the chance to ask Alan Lee a few questions about his illustrative collaboration with the world imagined by J.R.R. Tolkien:
Amazon.com: How much of a treat was it to get first crack at depicting entirely new characters rather than ones who had been interpreted many times before? Was there one who particularly captured your imagination?
Lee: Although it was a great honor to illustrate The Children of Húrin, the characters and the main elements of the story line are familiar to those who have read The Silmarillion and Unfinished Tales, and these narratives have inspired quite a few illustrators. Ted Nasmith has illustrated The Silmarillion and touched on some of the same characters and landscapes. This was the first time that I ventured into the First Age; while working on The Lord of the Rings books and films--and The Hobbit--I've had to refer back to events in Middle-earth history but not really depict them.
I'm drawn to characters who bear similarities to the protagonists in myths and legends; these correspondences add layers and shades of meaning, and most of the characters in this story have those archetypal qualities. However, I prefer not to get too close to the characters because the author is delineating them much more carefully than I can, and I'm wary of interfering with the pictures that the text is creating in the reader's mind.
Amazon.com: The Húrin story has been described as darker than some of Tolkien's other work. What mood did you try to set with your illustrations?
Lee: It is a tragic story, but the darkness is offset by the light and beauty of Tolkien's elegiac writing. In the illustrations I tried to show some of the fragile beauty of the landscapes and create an atmosphere that would enhance the sense of foreboding and impending loss. I try to get the setting to tell its part in the story, as evidence of what happened there in the past and as a hint at what is going to occur. My usual scarred and broken trees came in handy.
Amazon.com: You were a conceptual designer (and won an Oscar) for Peter Jackson's film trilogy of The Lord of the Rings, which I think we can safely say had a bit of success. How does designing for the screen compare to designing for the page?
Lee: They both have their share of joys and frustrations. It was great to be part of a huge film collaboration and play a small part in something quite magical and monumental; I will always treasure that experience. Film is attractive because I enjoy sketching and coming up with ideas more than producing highly finished artwork, and it's great having several hundred other people lending a hand! But books--as long as they don't get moldy from being left in an empty studio for six years--have their own special quality. I hope that I can continue doing both.
Amazon.com: Of all fiction genres, fantasy seems to have the strongest tradition of illustration. Why do you think that is? Who are some of your favorite illustrators?
Lee: A lot of excellent illustrators are working at the moment--especially in fantasy and children's books. It is exciting also to see graphic artists such as Dave McKean, in his film Mirrormask, moving between different media. I also greatly admire the more traditional work of Gennady Spirin and Roberto Innocenti. Kinuko Craft, John Jude Palencar, John Howe, Charles Vess, Brian Froud ... I'll stop there, as the list would get too long. But--in a fit of pride and justified nepotism--I'll add my daughter, Virginia Lee, to the list. Her first illustrated children's book, The Frog Bride [coming out in the U.K. in September], will be lovely.
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From School Library Journal
Adult/High School–While much of the material here was published posthumously in books like The Silmarillion (1985) and Unfinished Tales (1988, both Del Rey), Tolkien delivered it in a loosely connected way that made it difficult to read. Edited by his son, this new volume draws from both of these earlier sources to pull together a complete single narrative set in pre-Hobbit Middle Earth. Túrin, son of the human lord Húrin and the elven lady Morwen, becomes a pivotal force in the ongoing battle against evil in an epic adventure full of intrigue and clever battle scenes. The early parts of the story focus on Túrin's young life. As an adult, he is wrongly judged for the death of an elf and banished for the rest of his life. He manages to become the leader of a ragtag band of forest outlaws that cause no end of problems for forces of evil trying to usurp the kingdom. Túrin is charismatic, brave, cocky, and as equally skilled at getting into trouble as he is at getting out of it. Lee's black-and-white drawings and full-color paintings come from the traditions of fantasy illustration and offer dramatic visuals throughout the book. The language and vocabulary, especially in the dialogue, might intimidate casual readers, but ambitious fans of fantasy will find a work that reminds them why we continue to place Tolkien at the zenith of fantasy literature after so many years.–Matthew L. Moffett, Pohick Regional Library, Burke, VA
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
Shorter versions of Húrin first appeared in The Silmarillion (1977) and Unfinished Tales (1980); finally, fans of Middle-earth can read this fine addition to Tolkien's fantasy oeuvre in entirety. Húrin, illustrated by Alan Lee, is a dark, tragic tale. Readers expecting the good-trumps-evil trajectory of Lord of the Rings will instead discover Túrin, a complex, tormented antihero, and Tolkien's bleak, darker side. (Think dragons over hobbits.) Critics mostly quibbled with the accessibility of the work. Influenced by Greek tragedy, as well as Anglo-Saxon and Scandinavian epics, Tolkien wrote Húrin in lyric prose that some thought archaic. Still, notes the Washington Post, "Years from now, when our present day is as remote from men and women (or cyborgs) as the events of the First Age were to the Council of Elrond, people may still tell tales out of Middle Earth. If so, The Children of Húrin will be one of them."Copyright © 2004 Phillips & Nelson Media, Inc.
Yet even through the walls of death does the wizardry of Tolkien's legacy swell unabated. While there can hardly be many left who are not at least cursorily aware of the Lord of the Rings, casual readers of Tolkien have long had reason to blanch at the dense, inaccessible fragments of history hinted at beyond. Now comes a fully realized and coherent work to bridge the gap. This particular legend concerns the hero Túrin, who lived unimaginably long before a group of hobbits would dally about with a ring; it is a classic and rewarding tale of the doomful pride of man (along with, of course, a dragon, elves, and a few balrogs). Truncated versions have long been available but were contradictory, rife with holes, and never presented at the length and breadth that Tolkien intended. Editor Christopher Tolkien has performed a remarkable feat, then, as cobbled together from untold abandoned efforts at completion by his father, the mortar matches the bricks nearly to perfection. And that is to say that it nods to the fullness of Tolkien's remarkably advanced history yet reads well and true in his hallmark heroically stilted prose. Welcome news indeed to untold throngs of readers to whom more Tolkien will invariably become beloved Tolkien. Chipman, Ian
Copyright © American Library Association. All rights reserved
About the Author
CHRISTOPHER TOLKIEN (1924–2020) was the third son of J.R.R. Tolkien. Appointed by Tolkien to be his literary executor, he devoted himself to the editing and publication of unpublished writings, notably The Silmarillion, Unfinished Tales, and The History of Middle-earth.
J.R.R. TOLKIEN (1892–1973) is the creator of Middle-earth and author of such classic and extraordinary works of fiction as The Hobbit, The Lord of the Rings, and The Silmarillion. His books have been translated into more than fifty languages and have sold many millions of copies worldwide.
Excerpt. © Reprinted by permission. All rights reserved.
Hador Goldenhead was a lord of the Edain and wellbeloved by the Eldar. He dwelt while his days lasted under the lordship of Fingolfin, who gave to him wide lands in that region of Hithlum which was called Dor-lómin. His daughter Glóredhel wedded Haldir son of Halmir, lord of the Men of Brethil; and at the same feast his son Galdor the Tall wedded Hareth, the daughter of Halmir. Galdor and Hareth had two sons, Húrin and Huor. Húrin was by three years the elder, but he was shorter in stature than other men of his kin; in this he took after his mother's people, but in all else he was like Hador, his grandfather, strong in body and fiery of mood. But the fire in him burned steadily, and he had great endurance of will. Of all Men of the North he knew most of the counsels of the Noldor. Huor his brother was tall, the tallest of all the Edain save his own son Tuor only, and a swift runner; but if the race were long and hard Húrin would be the first home, for he ran as strongly at the end of the course as at the beginning. There was great love between the brothers, and they were seldom apart in their youth. Húrin wedded Morwen, the daughter of Baragund son of Bregolas of the House of Bëor; and she was thus of close kin to Beren One-hand. Morwen was dark-haired and tall, and for the light of her glance and the beauty of her face men called her Eledhwen, the elven-fair; but she was somewhat stern of mood and proud. The sorrows of the House of Bëor saddened her heart; for she came as an exile to Dorlómin from Dorthonion after the ruin of the Bragollach. Túrin was the name of the eldest child of Húrin and Morwen, and he was born in that year in which Beren came to Doriath and found Lúthien Tinúviel, Thingol's daughter. Morwen bore a daughter also to Húrin, and she was named Urwen; but she was called Lalaith, which is Laughter, by all that knew her in her short life. Huor wedded Rían, the cousin of Morwen; she was the daughter of Belegund son of Bregolas. By hard fate was she born into such days, for she was gentle of heart and loved neither hunting nor war. Her love was given to trees and to the flowers of the wild, and she was a singer and a maker of songs. Two months only had she been wedded to Huor when he went with his brother to the Nirnaeth Arnoediad, and she never saw him again. But now the tale returns to Húrin and Huor in the days of their youth. It is said that for a while the sons of Galdor dwelt in Brethil as foster-sons of Haldir their uncle, after the custom of Northern men in those days. They often went to battle with the Men of Brethil against the Orcs, who now harried the northern borders of their land; for Húrin, though only seventeen years of age, was strong, and Huor the younger was already as tall as most full-grown men of that people. On a time Húrin and Huor went with a company of scouts, but they were ambushed by the Orcs and scattered, and the brothers were pursued to the ford of Brithiach. There they would have been taken or slain but for the power of Ulmo that was still strong in the waters of Sirion; and it is said that a mist arose from the river and hid them from their enemies, and they escaped over the Brithiach into Dimbar. There they wandered in great hardship among the hills beneath the sheer walls of the Crissaegrim, until they were bewildered in the deceits of that land and knew not the way to go on or to return. There Thorondor espied them, and he sent two of his Eagles to their aid; and the Eagles bore them up and brought them beyond the Encircling Mountains to the secret vale of Tumladen and the hidden city of Gondolin, which no Man had yet seen. There Turgon the King received them well, when he learned of their kin; for Hador was an Elf-friend, and Ulmo, moreover, had counselled Turgon to deal kindly with the sons of that House, from whom help should come to him at need. Húrin and Huor dwelt as guests in the King's house for well nigh a year; and it is said that in this time Húrin, whose mind was swift and eager, gained much lore of the Elves, and learned also something of the counsels and purposes of the King. For Turgon took great liking for the sons of Galdor, and spoke much with them; and he wished indeed to keep them in Gondolin out of love, and not only for his law that no stranger, be he Elf or Man, who found the way to the secret kingdom or looked upon the city should ever depart again, until the King should open the leaguer, and the hidden people should come forth. 
‘So most men teach, and few men learn. Let the unseen days be. Today is more than enough.’Highlighted by 310 Kindle readers
