“With a skilled and unflinching hand, Nogle guides us through layers of time and experience in Beulah. Through the eyes of reluctantly “gifted” Georgie, we see what is usually hidden—the heartbreaking and terrifying—every rich and textured detail leading to a truly satisfying payoff. I will never forget this walk with the dead.”

— J.A.W. McCarthy, author of SOMETIMES WE’RE CRUEL AND OTHER STORIES

“Nogle, like all writers with a rare knack coupled with incredible skill and imagination, makes everything she writes look easy and effortlessly ingenious. Even the Table of Contents of her latest novel, Beulah, reflects that sense of effortless ingenuity (The beginning chapter is called “When you talk to the dead”, followed by 12 month named titles, followed by the last chapter, “When you walk with the dead”). I’ve been lucky enough to publish Nogle’s short stories twice now, and I hope to publish her work many more times in the future. My initial reaction to reading this debut novel is simply this: how in the hell could this be anyone’s first novel? It’s so assured, so masterful, so in control at every level. This is not the typical mess of even the most talented writer’s first attempt at that tricky long form. This is the work of a top tier author in top form. Anyone writing a book blurb is tempted to summarize the plot and shower the book (and writer) with hyperbolic praise. I won’t do the former, and I promise you I’m not doing the latter. Nogle has all the goods, a singularly weird imagination, a tremendous sense of pacing and voice, and a mastery of clarity and control on the sentence level. Beulah will easily prove to be one of the best horror novels (never mind debut novels) of 2022. Read it.”

—Jon Padgett, author of THE SECRET OF VENTRILOQUISM

2 x 18. 3 x 12. 4 x 9. 6 x 6. There are many ways to look at or approach the number 36. It is a square and therefore seemingly as far from a prime number as it is possible to get. (37 is a prime: so the previous statement sounds interesting, but is wrong.) There are not 36 short short stories within. But there are at least 2 poems although they are not 18 pages each.

There is a cover from kAt Philbin.

There are stories of possibly eerie encounters; stories of regrettable encounters; stories that do not hold a single encounter, except the imminent encounter between you, the reader, and the writer who is somewhere other in space and now retreating further in time each day. And if the enchantment of fiction — and poetry and nonfiction — works as planned, that magic will take someone’s thought that has been encapsulated in words, those words that were encased by ink, that ink that was pinned to paper, and then maybe, just maybe, that magic will be enacted upon you by the act of reading and you will take into your synapses, the space between your synapses, something of what that far distant writer hoped to impart in these words.

Lady Churchill’s Rosebud Wristlet No. 36 Early Autumn 2017. ISSN 1544-7782. Ebook ISBN: 9781618731395. Text: Bodoni Book. Titles: Imprint MT Shadow. LCRW is (usually) published in June and November by Small Beer Press, 150 Pleasant St., #306, Easthampton, MA 01027 smallbeerpress.com/lcrw. twitter.com/smallbeerpress · Printed at Paradise Copies (paradisecopies.com), 21 Conz St., Northampton, MA 01060. 413-585-0414. Print subscriptions: $20/4 issues. Please make checks to Small Beer Press. Library &
institutional subscriptions are available through EBSCO. LCRW is available as a DRM-free ebook through WeightlessBooks.com &c. Contents © 2017 the authors. Cover illustration “I Was Raised by the Forest” ©2017 by kAt Philbin (katphilbin.com). All rights
reserved. Thank you, lovely authors and artists. Please send submissions (we are always especially seeking weird and interesting work from women writers and writers of color), guideline requests, playlists, &c. to the address above. Peace.