Similar authors to follow
Manage your follows
About Christopher Fowler
Christopher Fowler was born in Greenwich, London. He is the multi award-winning author of 45 novels and short story collections, and the author of the Bryant & May mysteries. His novels include ‘Roofworld’, 'Spanky', 'Psychoville', 'Calabash' and two volumes of memoirs, the award-winning 'Paperboy' and 'Film Freak'. In 2015 he won the CWA Dagger In The Library. His latest books are 'England's Finest' and 'Oranges & Lemons'. Among his recent collections are 'Red Gloves', 25 stories of unease, marked his first 25 years of writing, and the e-book 'Frightening', a new set of short stories. Other later novels include the comedy-thriller 'Plastic', the Hammer-style monster adventure 'Hell Train', the haunted house chiller 'Nyctophobia' and the JG Ballard-esque 'The Sand Men'. Coming up in 2021 is the 20th Bryant & May book, 'London Bridge Is Falling Down'.
He has written comedy and drama for BBC radio, script, features and columns for national press, graphic novels, the play ‘Celebrity’ and the ‘War Of The Worlds’ videogame for Paramount, starring Sir Patrick Stewart. His short story 'The Master Builder' became a feature film entitled 'Through The Eyes Of A Killer', starring Tippi Hedren. Among his awards are the Edge Hill prize 2008 for 'Old Devil Moon', the Last Laugh prize 2009 for 'The Victoria Vanishes' and again in 2015 for 'The Burning Man'.
Christopher has achieved several ridiculous schoolboy fantasies, releasing a terrible Christmas pop single, becoming a male model, writing a stage show, posing as the villain in a Batman graphic novel, running a night club, appearing in the Pan Books of Horror and standing in for James Bond. After living in the USA and France he is now married and lives in London's King's Cross and Barcelona.
Customers Also Bought Items By
Titles By Christopher Fowler
“The best fun is running all over the city with these amiable partners.”—The New York Times Book Review, on Bryant & May: The Lonely Hour
It’s getting late. I want to share my knowledge of London with you, if I can remember any of it.
So says Arthur Bryant. He and John May are the nation’s oldest serving detectives. Who better to reveal its secrets? Why does this rainy, cold, gray city capture so many imaginations? Could its very unreliability hold the key to its longevity?
The detectives are joined by their boss, Raymond Land, and some of their most disreputable friends, each an argumentative and unreliable expert in their own dodgy field.
Each character gives us a short tour of odd buildings, odder characters, lost venues, forgotten disasters, confusing routes, dubious gossip, illicit pleasures, and hidden pubs. They make all sorts of connections—and show us why it’s almost impossible to separate fact from fiction in London.
The brilliant duo of Arthur Bryant and John May uncovers a nefarious plot behind the seemingly innocuous death of an old lady—and when the case leads them to London Bridge, it all comes down on the Peculiar Crimes Unit.
When ninety-one-year-old Amelia Hoffman dies in her top-floor flat on a busy London road, it’s considered an example of what has gone wrong with modern society: she slipped through the cracks in a failing system.
But detectives Arthur Bryant and John May of the Peculiar Crimes Unit have their doubts. Mrs. Hoffman was once a government security expert, though no one can quite remember her. When a link emerges between the old lady and a diplomat trying to flee the country, it seems that an impossible murder has been committed.
Mrs. Hoffman wasn’t the only one at risk. Bryant is convinced that other forgotten women with hidden talents are also in danger. And, curiously, they all own models of London Bridge.
With the help of some of their more certifiable informants, the detectives follow the strangest of clues in an investigation that will lead them through forgotten alleyways to the city’s fabled bridge in search of a desperate killer.
But just when the case appears to be solved, they discover that Mrs. Hoffman was smarter than anyone imagined. There’s a bigger game afoot that could have terrible consequences.
A present-day bombing rips through London and claims the life of eighty-year-old detective Arthur Bryant. For his partner John May, it means the end of a partnership that lasted over half-a-century and an eerie echo back to the Blitz of World War II when they first met. Desperately searching for clues to the killer’s identity, May finds his old friend’s notes of their very first case and becomes convinced that the past has returned . . . with a killing vengeance.
It begins when a dancer in a risque new production of Orpheus in Hell is found without her feet. Suddenly, the young detectives are plunged in a bizarre gothic mystery that will push them to their limits—and beyond. For in a city shaken by war, a faceless killer is stalking London's theaters, creating his own kind of sinister drama. And it will take Arthur Bryant’s unorthodox techniques and John May’s dogged police work to catch a criminal whose ability to escape detection seems almost supernatural—a murderer who even decades later seems to have claimed the life of one of them . . . and is ready to claim the other.
Filled with startling twists, unforgettable characters, and a mystery that will keep you guessing, Full Dark House is a witty, heartbreaking, and all-too-human thriller about the hunt for an inhuman killer.
How can an elderly recluse drown in a chair in her otherwise dry basement? That’s what John May and Arthur Bryant of London’s Peculiar Crimes Unit set out to discover in a city rife with shady real estate developers, racist threats, dodgy academicians, and someone dangerously obsessed with Egyptian mythology. Linking them all is an evil lurking in London’s vast and forgotten underground river system—a killer with the eerie ability to strike anywhere, anytime, without leaving a clue. It’s a subterranean case of secrets, lies, and multiple murder that defies not only the law, but reason itself. Can Bryant and May bring a killer to the surface and stop the dark tide of murder before it pulls them under, too?
“A clever twist on the traditional police procedural . . . The real thrill here is the delightful duo in the starring roles, two fresh and unusual characters who manage to breathe new life into an established genre in which it’s getting harder and harder to find anything genuinely fresh.”—Booklist
“Humorous, engaging.”—Kirkus Reviews
The young man they seek is an enigma. His identity is false. His links to society are invisible. A search of his home yields no clues. The Peculiar Crimes Unit knows only this: Somehow Mr. Fox got out of a locked room and killed one of their best and brightest. Facing a shutdown, Bryant and May learn that their man, expertly disguised, has struck again in the world’s oldest subway system. But as their search takes them into the vast labyrinth of tunnels that tie the city together, they discover a fresh mystery as bizarre as anything they have ever faced. . . .
As the city blithely goes about its way, as tales of ghost stations and Underground legends emerge, Bryant and May, men of opposite methods, are each getting closer to what lies hidden at the heart of London’s celebrated Tube—and to the madness that is driving their man to murder.
Sophisticated, fast-paced, and confounding until its final twist, Bryant & May off the Rails is Christopher Fowler dead on track and at the height of his power to beguile, bewitch, and entertain.
BONUS: This edition contains an excerpt from Christopher Fowler's The Memory of Blood.
Praise for Bryant & May off the Rails
“Life always seems livelier whenever Arthur Bryant and John May are on a case.”—The New York Times Book Review
“Fowler, like his crime-solvers, is deadpan, sly, and always unexpectedly inventive.”—Entertainment Weekly
That’s easier said than done. A lost funeral urn, the eighteenth-century mystic Emanuel Swedenborg, the Knights Templars, the secret history of pubs, and the discovery of an astounding religious relic may be enough to convince one of the pair to take back his resignation letter. But with Bryant consulting a memory specialist and May encountering a brush with mortality, do the Peculiar Crimes Unit’s two living legends have enough life left to stop a murderous conspiracy…and a deadly cupid targeting one of their own.
The Peculiar Crimes Unit is no more—disbanded, finished, kaput. After years of defying the odds and infuriating their superiors, detectives Arthur Bryant and John May have finally crossed the line. While Bryant takes to his bed, his bathrobe, and his esoteric books, the rest of the team takes to the streets looking for new careers—until one of them stumbles upon a gruesome murder.
Now the Unit is back for an encore performance—in a rented office with no computer network, no legal authority, and a broken toilet. They’ve got until the end of the week to solve a mystery with links to gangland crime, the 2012 London Olympics, and a half-man, half-stag creature that’s carrying off young women. It’s the kind of case that Bryant and May live to solve . . . and it could be the one that finally kills them.
A mysterious stranger in outlandish Edwardian garb defaces a painting in the National Gallery. Then a guest at the exclusive Savoy Hotel is fatally bitten by what appears to be a marshland snake. An outbreak of increasingly bizarre crimes has hit London—and, fittingly, come to the attention of the Peculiar Crimes Unit.
Art vandalism, an exploding suspect, pornography, rat poison, Gilbert and Sullivan musicals, secret societies…and not a single suspect in sight. The killer they’re chasing has a dark history, a habit of staying hidden, and time itself on his side. Detectives John May and Arthur Bryant may have finally met their match, and this time they’re really working against the clock….
Hard to believe, but even positively ancient sleuths like Bryant and May of the Peculiar Crimes Unit were young once . . . or at least younger. Flashback to London 1969: mods and dolly birds, sunburst minidresses—but how long would the party last?
After accidentally sinking a barge painted like the Yellow Submarine, Bryant and May are relegated to babysitting one Monty Hatton-Jones, the star prosecution witness in the trial of a disreputable developer whose prefabs are prone to collapse. The job for the demoted detectives? Keep the whistle-blower safe for one weekend.
The task proves unexpectedly challenging when their unruly charge insists on attending a party at the vast estate Tavistock Hall. With falling stone gryphons, secret passageways, rumors of a mythical beast, and an all-too-real dismembered corpse, the bedeviled policemen soon find themselves with “a proper country house murder” on their hands.
Trapped for the weekend, Bryant and May must sort the victims from the suspects, including a hippie heir, a blond nightclub singer, and Monty himself—and nobody is quite who he or she seems to be.
Praise for Bryant & May: Hall of Mirrors
“Arthur Bryant has written his memoirs—and a jolly good yarn they make, too. . . . As always in this series, this one’s a lark.”—The New York Times Book Review
“[Hall of Mirrors is] a largely comic escapade whose tone evokes both the biting wit of Evelyn Waugh and the slapsticker shenanigans of P.G. Woodhouse.”—The Wall Street Journal
“More fully fleshed-out suspects, clues, red herrings, twists, and honest mystery and detection than in the last three whodunits you read.”—Kirkus Reviews
“The narrative [veers] between laugh-out-loud funny to macabre. . . . Eccentric and consistently entertaining.”—Booklist
“Fowler evokes the period as neatly as he crafts the plot.”—Publishers Weekly
“So Agatha Christie (intentionally). And as in a Christie, nothing is quite what it seems as one murder follows another. Love the butler.”—Poisoned Pen Newsletter
Romain Curtis sneaks into St. George’s Gardens one evening with his date, planning to show her the stars. A centuries-old burial ground, the small, quiet park is the perfect place to be alone. Yet the night takes a chilling turn when the two teenagers spy a strange figure rising from among the tombstones: a corpse emerging from the grave. Suffice it to say that wherever there’s a dead man walking, Bryant and May and the Peculiar Crimes Unit are never far behind.
As the PCU investigates the sighting, a second urgent matter requires their unusual brand of problem-solving. Seven ravens have gone missing from their historic home in the Tower of London, and legend has it that when the ravens disappear, England will fall. Bryant has been tasked with recovering the lost birds, but when Romain is suddenly found dead, the two seemingly separate mysteries start to intertwine and point to a plot more sinister than anyone could ever imagine.
Soon Bryant and May find themselves immersed in London’s darkest lore, from Victorian-era body snatchers, to arcane black magic, to the grisly myth behind Bleeding Heart Yard, a courtyard long associated with murder. And as the body count spikes and more coffins are unearthed, they will have to dig deep to catch a killer and finally lay these cases to rest.
Darkly funny and fast-paced, Bryant & May and the Bleeding Heart is a brilliantly twisting puzzle, conjured from the inventive mind of Christopher Fowler.
Praise for Bryant & May and the Bleeding Heart
“Let’s talk about guilty pleasures. . . . A historic burial ground like St. George’s Garden, scene of the unfortunate incident of resurrection, is right up [Arthur Bryant’s] dark alley. And mine.”—Marilyn Stasio, The New York Times Book Review
“Delectably droll . . . criminally underappreciated . . . guaranteed to amuse . . . [Bryant & May are] endearing throwbacks to a time when this genre was brainy and pure. They are the last of a breed and they know it. . . . Their very credibility puts quaint old Bryant & May in a class of their own.”—Janet Maslin, The New York Times
“Fans of the series will enjoy the continuing travails of these two long-suffering octogenerian friends and their fellow officers. Newcomers will appreciate the twists and turns of the case as well as the many details from the odd corners of one of the world’s great cities.”—Library Journal
“Endearingly eccentric . . . intriguing.”—Publishers Weekly
“Hilarious . . . a charming and intriguing mystery mixed with marvelous characters. [Christopher] Fowler’s snarky writing elevates what could be dull or routine and makes it a true joy to read.”—RT Book Reviews
“Make Bryant & May and the Bleeding Heart the next book you read. . . .
“The most delightfully, wickedly entertaining duo in crime fiction.”—The Plain Dealer
Arthur Bryant remembers these lost cases as if they were yesterday. Unfortunately, he doesn’t remember yesterday, so newly revealed facts come as something of a surprise—to everyone, really, not least an increasingly exasperated John May.
Here you will discover the truth about the diva and the seventh reindeer, learn how a consul’s son came to be buried in the Unit’s basement, and understand why a corpse might end up in a swamp of Chinese dinners. There’s an ordinary London street corner that’s prone to strange accidents, and the Post Office Tower plays host to some ghoulish Halloween goings-on—but how a forgotten London legend could be responsible for an apparently impossible death is anybody’s guess. Each of the PCU’s oddest characters has a part to play—and the long-suffering Detective Sergeant Janice Longbright reveals a mystery of her very own.
Twelve crimes in all, solved without resorting to modern technology (possibly because nobody knows how to use it). Expect misunderstood clues, mislaid evidence, arguments about Dickens, various churches and pubs, and, of course, the usual disorderly conduct from the investigative officers laughingly called England’s Finest!
For the crew of the New Strand Theatre, the play The Two Murderers seems less performance than prophecy when a cast party ends in the shocking death of the theater owner’s son. The crime scene is most unusual, even for Bryant and May. In a locked bedroom without any trace of fingerprints or blood, the only sign of disturbance is a gruesome life-size puppet of Mr. Punch laying on the floor. Everyone at the party is a suspect, including the corrupt producer, the rakish male lead, the dour set designer, and the assistant stage manager, who is the wild daughter of a prominent government official.
It’s this last fact that threatens the Peculiar Crimes Unit’s investigation, as the government’s Home Office, wary of the team’s eccentric methods, seeks to throw them off the case. But the nimble minds of Bryant and May are not so easily deterred. Delving into the history of the London theater and the disturbing origins of Punch and Judy, the detectives race to find the maniacal killer before he reaches his even deadlier final act.
Whip-smart and endlessly entertaining, The Memory of Blood is an ingeniously intricate mystery from the deliciously inventive Christopher Fowler.
BONUS: This edition includes an excerpt from Christopher Fowler's The Invisible Code.
Praise for The Memory of Blood
“[The Memory of Blood] breathes new life into the locked-room mystery. . . . Spiced with a little screwball-comedy dialogue and a touch of the occult.”—The Washington Post
“Great fun.”—The Seattle Times