Review
“Daddy approaches questions about power and connivance from a flurry of different angles. . . . [Cline] comes for the king and she doesn’t miss.”—Los Angeles Times
“Brilliant, dark . . . Cline’s fiction is full of binaries pressing up against one another: youthful promise and life’s realities; success and failure; darkness and humor; external beauty and internal rot.”—Wall Street Journal
“Cline is an astonishingly gifted stylist, but it is her piercing understanding of modern humiliation that makes these stories vibrate with life. . . . Brilliant.”—The New York Times
“Cline is a master of fiction that wallows in the heavy weight of the unsaid, with perversion and darkness simmering beneath her characters’ tightly controlled surfaces. Daddy’s ten masterful, provocative stories confirm that Cline is a staggering talent.”—Esquire
“A hair-raising collection of short fiction that at once discomfits and titillates, delineating the various ways women and men wrestle with the male gaze.”—O Magazine
“Cline’s sharply drawn characters are the cowed, contemplative survivors of self-inflicted trauma, both seismic and quotidian. . . . Cline writes with such grace and precision that every sentence is a joy to absorb.”—LitHub
“Daddy is a striking achievement, the assured work of a young writer with talent to burn.”—The Boston Globe
“The payoffs are as gratifying as they are shattering.”—Publishers Weekly
“Scintillating . . . This is a technically perfect book.”—New York
“Cline’s stories constitute a riveting, timely tapestry of realizations, motivations, and desires.”—Booklist
Excerpt. © Reprinted by permission. All rights reserved.
What Can You Do with a General
Linda was inside, on her phone—to who, this early? From the hot tub, John watched her pace in her robe and an old swimsuit in a faded tropical print that probably belonged to one of the girls. It was nice to drift a little in the water, to glide to the other side of the tub, holding his coffee above the waterline, the jets churning away. The fig tree was bare, had been for a month now, but the persimmon trees were full. The kids should bake cookies when they get here, he thought, persimmon cookies. Wasn’t that what Linda used to make, when the kids were little? Or what else—jam, maybe? All this fruit going to waste, it was disgusting. He’d get the yard guy to pick a few crates of persimmons before the kids came, so that all they’d have to do was bake them. Linda would know where to find the recipe.
The screen door banged. Linda folded her robe, climbed into the hot tub.
“Sasha’s flight’s delayed.”
“Till?”
“Probably won’t land until four or five.”
Holiday traffic would be a nightmare then, coming back from the airport—an hour there, then two hours back, if not more. Sasha didn’t have her license, couldn’t rent a car, not that she would think to offer.
“And she said Andrew’s not coming,” Linda said, making a face. Linda was convinced that Sasha’s boyfriend was married, though she’d never brought it up with Sasha.
Linda fished a leaf out of the water and flicked it into the yard, then settled in with the book she’d brought. Linda read a lot: She read books about angels and saints and rich white women from the past with eccentric habits. She read books by the mothers of school shooters and books by healers who said that cancer was really a self-love problem. Now it was a memoir by a girl who’d been kidnapped at the age of eleven. Held in a backyard shed for almost ten years.
“Her teeth were in good shape,” Linda said. “Considering. She says she scraped her teeth every night with her fingernails. Then he finally gave her a toothbrush.”
“Jesus,” John said, what seemed like the right response, but Linda was already back to her book, bobbing peacefully. When the jets turned off, John waded over in silence to turn them on again.
Sam was the first of the kids to arrive, driving up from Milpitas in the certified pre-owned sedan he had purchased the summer before. He had called multiple times before buying the car to weigh the pros and cons—the mileage on this used model versus leasing a newer one and how soon Audis needed servicing—and it amazed John that Linda had time for this, their thirty-year-old son’s car frettings, but she always took his calls, going into the other room and leaving John wherever he was, alone with whatever he was doing. Lately John had started watching a television show about two older women living together, one uptight, the other a free spirit. The good thing was that there seemed to be an infinite number of episodes, an endless accounting of their mild travails in an unnamed beach town. Time didn’t seem to apply to these women, as if they were already dead, though he supposed the show was meant to take place in Santa Barbara.
Chloe arrived next, down from Sacramento, and she had driven, she said, at least half an hour with the gas light on. Maybe longer. She was doing an internship. Unpaid, naturally. They still covered her rent; she was the youngest.
“Where’d you fill up?”
“I didn’t yet,” she said. “I’ll do it later.”
“You should’ve stopped,” John said. “It’s dangerous to drive on empty. And your front tire is almost flat,” he went on, but Chloe wasn’t listening. She was already on her knees in the gravel driveway, clutching tight to the dog.
“Oh, my little honey,” she said, her glasses fogged up, holding Zero to her chest. “Little dear.”
Zero was always shivering, which one of the kids had looked up and said was normal for Jack Russells, but it still unnerved John.
Linda went to pick up Sasha because John wasn’t supposed to drive long distances with his back—sitting made it spasm—and, anyway, Linda said she was happy to do it. Happy to get a little time alone with Sasha. Zero tried to follow Linda to the car, bumping against her legs.
“He can’t be out without a leash,” Linda said. “Be gentle with him, okay?”
John found the leash, careful, when he clipped it to the harness, to avoid touching Zero’s raised stitches. They looked spidery, sinister. Zero was breathing hard. For another five weeks, they were supposed to make sure he didn’t roll over, didn’t jump, didn’t run. He had to be on a leash whenever he went outside, had to be accompanied at all times. Otherwise the pacemaker might get knocked loose. John hadn’t known dogs could get pacemakers, didn’t even like dogs inside the house. Now here he was, shuffling after Zero while he sniffed one tree, then another.
Zero limped slowly to the fence line, stood still for a moment, then kept going. It was two acres, the backyard, big enough that you felt insulated from the neighbors, though one of them had called the police once, because of the dog’s barking. These people, up in one another’s business, trying to control barking dogs. Zero stopped to consider a deflated soccer ball, so old it looked fossilized, then kept moving. Finally he squatted, miserable, looking back at John as he took a creamy little shit. It was a startling, unnatural green.
Inside the animal was some unseen machinery keeping him alive, keeping his animal heart pumping. Robot dog, John crooned to himself, kicking dirt over the shit.
Four o’clock. Sasha’s plane would just be landing, Linda circling arrivals. It was not too early for a glass of wine.
“Chloe? Are you interested?”
She was not. “I’m applying to jobs,” she said, cross-legged on her bed. “See?” She turned the laptop toward him for a moment, some document up on the screen, though he heard a TV show playing in the background. She still seemed like a teenager, though she’d graduated college almost two years ago. At her age, John had already been working for Mike, had his own crew by the time he was thirty. He was thirty when Sam was born. Now kids got a whole extra decade to do—what? Float around, do these internships.
He tried again. “Are you sure? We can sit outside, it’s not bad.”
Chloe didn’t look up from the laptop. “Can you close the door,” she said, tonelessly.
Sometimes their rudeness left him breathless.
He put together a snack for himself. Shards of cheese, cutting around the mold. Salami. The last of the olives, shriveled in their brine. He took his paper plate outside and sat in one of the patio chairs. The cushions felt damp, probably rotting from the inside. He wore his jeans, his white socks, his white sneakers, a knitted sweater—Linda’s—that seemed laughably and obviously a woman’s. He didn’t worry about that anymore, how silly he might look. Who would care? Zero came to sniff his hand; he fed him a piece of salami. When the dog was calm, quiet, he wasn’t so bad. He should put Zero’s leash on, but it was inside, and, anyway, Zero seemed mellow, no danger of him running around. The backyard was green, winter green. There was a fire pit under the big oak tree which one of the kids had dug in high school and ringed with rocks, but now it was filled with leaves and trash. Probably Sam, he thought, and shouldn’t Sam clean it up, clean all this up? Anger lit him up suddenly, then passed just as quickly. What was he going to do, yell at him? The kids just laughed now if he got angry. Another piece of salami for Zero, a piece for himself. It was cold and tasted like the refrigerator, like the plastic tray it had come on. Zero stared at him with those marble eyes, exhaling his hungry, meaty breath until John shooed him away.
Even accounting for holiday traffic, Linda and Sasha got back later than he expected. He went out onto the porch when he heard their car. He’d had the yard guy put up holiday lights along the fence, along the roof, around the windows. They were these new LED ones, chilly strands of white light dripping off the eaves. It looked nice now, in the first blue dark, but he missed the colored lights of his childhood, those cartoonish bulbs. Red, blue, orange, green. Probably they were toxic.
From the Back Cover
Une jeune fille devient la cible de la presse à scandale après avoir été la nounou du fils d'une célébrité. Une adolescente séjourne chez son amie, dans le ranch d'une communauté hippie, et découvre la perversité des premiers jeux sexuels. Un rédacteur en chef lâché par tout son réseau de relations et par sa fiancée tente de devenir le prête-plume d'un self-made-man. Une trentenaire se fait passer pour une ado sur des sites de rencontre. Un père se demande quelle image ont aujourd'hui de lui ses enfants, venus fêter Noël en famille. Un autre, alerté d'un incident dans l'école de son fils, a rendez-vous avec le directeur de l'établissement. Un scénariste divorcé retrouve chez elle sa petite amie dont les addictions cachent un profond mal-être. Un jeune homme qui vit et travaille dans la ferme de son beau-frère se demande quel futur les attend ici, lui, sa femme et leur enfant à naître.Autant de nouvelles que de décors balayés du regard incisif d'Emma Cline, qui éclaire au passage, d'un rai de lumière implacable, la perversité larvée en chacun de ses personnages, en même temps que leur immense vulnérabilité. --This text refers to an alternate kindle_edition edition. About the Author
Emma Cline is the author of The Girls, which was shortlisted for the Center for Fiction's First Novel Prize and the John Leonard Award from the National Book Critics Circle. She received the Plimpton Prize from The Paris Review and was chosen as one of Granta's Best Young American Novelists. She is from Northern California. --This text refers to an alternate kindle_edition edition. 
![Daddy: Stories by [Emma Cline]](https://m.media-amazon.com/images/I/41f4b8oVvmS._SY346_.jpg)
