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Daddy Paperback – August 1, 2021
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- LanguageEnglish
- PublisherRANDOM HOUSE UK
- Publication dateAugust 1, 2021
- Dimensions5.08 x 0.67 x 7.8 inches
- ISBN-101529112893
- ISBN-13978-1529112894
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Product details
- Publisher : RANDOM HOUSE UK (August 1, 2021)
- Language : English
- ISBN-10 : 1529112893
- ISBN-13 : 978-1529112894
- Item Weight : 6.7 ounces
- Dimensions : 5.08 x 0.67 x 7.8 inches
- Best Sellers Rank: #3,280,400 in Books (See Top 100 in Books)
- Customer Reviews:
About the author

Emma Cline is from California. Her fiction has appeared in The New Yorker, Tin House, Granta, and The Paris Review, and she was the winner of the 2014 Plimpton Prize from The Paris Review. Her novel The Girls was a finalist for the First Novel Prize, a National Book Critics Circle Award, and the LA Times Book Prize, and was the winner of the Shirley Jackson Award. In 2017, Granta named her one of the Best Young American Novelists. Her story collection Daddy will be published September 2020.
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Top reviews from other countries

If other authors can structure a beginning, a middle and a conclusion in their short stories I don’t see how this author couldn’t do it. It felt pretentious, something that Instagram readers would read just to sound interesting and different and if the stories were written well enough I wouldn’t mind but don’t buy this book if you’re looking for stories that will make you feel something afterwards. Especially when it cost over £10.

At first, I didnt realise it was short stories and presumed the characters overlapped eventually. But then it became apparent these are stand alone stories, mostly about human relationships and difficulties.
Some were good, had some depth, well written, and were enjoyable. However, some were pretty dull and occasionally felt pointless, they didn't start or end anywhere. It was like starting a film 30 mins in and leaving before the end. Just snippets of the characters lives are shown, and, a lot of the time, the characters didn't or couldn't grow.
However, I finished the book as the writing was good, fluid and easy to read. But I don't think it lived up to it's potential.



The stories aren’t necessarily happy, although their settings may suggest celebration. One is set at Christmas; another reflects on childhood. Likewise, the characters may appear to be functioning well but they are hiding at least one thing. In one story, a ghost-writer is running from a major scandal that has caused him to change career and ended his relationship. He’s trying his best to hide his past, but ultimately screws up. Another story is about a man whose own career is fading, yet uses his son’s movie premiere to hit up an old friend for money. These characters aren’t always likeable, particularly the men. Some of the female main characters take advantage of the power imbalance with men to try to get ahead. Yet each comes close to failure or humiliation.
Cline writes very well, creating a dark, brooding atmosphere that lurks under sunny California skies. The stories all have an air of mystery, with characters’ past misbehaviours rarely revealed in full. Perhaps this is due to the point of view, some of the characters haven’t realised the problems with their past behaviours (and likely never will). It’s up to the reader to guess at the misdemeanour and the severity through the hints and reactions of the other characters.
My favourites? ‘Son of Friedman’, about the washed-up producer taking advantage of his son’s movie premiere, reeked of desperation and bad decisions. ‘A/S/L’ is a story about a woman in not-quite-rehab, but what is she not quite rehabilitating from? When a celebrity chef comes to the facility, all eyes turn to him and she is desperate to get noticed. I read Daddy as one to two stories a day, just enough to enjoy the style without getting bogged down in the darker storylines.