Winner of the 2021 National Jewish Book Award for Con­tem­po­rary Jew­ish Life and Prac­tice

Finalist for the 2021 Kirkus Prize in Nonfiction



A New York Times Notable Book of the Year A Wall Street Journal, Chicago Public Library, Publishers Weekly, and Kirkus Reviews Best Book of the Year



A startling and profound exploration of how Jewish history is exploited to comfort the living.

Renowned and beloved as a prizewinning novelist, Dara Horn has also been publishing penetrating essays since she was a teenager. Often asked by major publications to write on subjects related to Jewish culture—and increasingly in response to a recent wave of deadly antisemitic attacks—Horn was troubled to realize what all of these assignments had in common: she was being asked to write about dead Jews, never about living ones. In these essays, Horn reflects on subjects as far-flung as the international veneration of Anne Frank, the mythology that Jewish family names were changed at Ellis Island, the blockbuster traveling exhibition Auschwitz, the marketing of the Jewish history of Harbin, China, and the little-known life of the "righteous Gentile" Varian Fry. Throughout, she challenges us to confront the reasons why there might be so much fascination with Jewish deaths, and so little respect for Jewish lives unfolding in the present.

Horn draws upon her travels, her research, and also her own family life—trying to explain Shakespeare’s Shylock to a curious ten-year-old, her anger when swastikas are drawn on desks in her children’s school, the profound perspective offered by traditional religious practice and study—to assert the vitality, complexity, and depth of Jewish life against an antisemitism that, far from being disarmed by the mantra of "Never forget," is on the rise. As Horn explores the (not so) shocking attacks on the American Jewish community in recent years, she reveals the subtler dehumanization built into the public piety that surrounds the Jewish past—making the radical argument that the benign reverence we give to past horrors is itself a profound affront to human dignity.

A New York Times Book Review Editors’ Choice



"Slam-bang.…superb." —Washington Post

How is tonight different from all other nights? For Jacob Rappaport, a Jewish soldier in the Union army during the Civil War, it is a question his commanders have already answered for him—on Passover, 1862, he is ordered to murder his own uncle in New Orleans, who is plotting to assassinate President Lincoln. After this harrowing mission, Jacob is recruited to pursue another enemy agent, the daughter of a Virginia family friend. But this time, his assignment isn’t to murder the spy, but to marry her. Their marriage, with its riveting and horrifying consequences, reveals the deep divisions that still haunt American life today.

Based on real personalities such as Judah Benjamin, the Confederacy’s Jewish secretary of state and spymaster, and on historical facts and events ranging from an African American spy network to the dramatic self-destruction of the city of Richmond, All Other Nights is a gripping and suspenseful story of men and women driven to the extreme limits of loyalty and betrayal. It is also a brilliant parable of the rift in America that lingers a century and a half later: between those who value family and tradition first, and those dedicated, at any cost, to social and racial justice for all.

In this eagerly awaited third novel, award-winning author Dara Horn brings us page-turning storytelling at its best. Layered with meaning, All Other Nights reinvents the most American of subjects with originality and insight.

"Nothing short of amazing." —Entertainment Weekly

A million-dollar Chagall is stolen from a museum during a singles' cocktail hour. The unlikely thief, former child prodigy Benjamin Ziskind, is convinced that the painting once hung in his parents' living room. This work of art opens a door through which we discover his family's startling history—from an orphanage in Soviet Russia where Chagall taught to suburban New Jersey and the jungles of Vietnam.

"[An] intense, multilayered story." —Jami Attenberg, New York Times Book Review

Software prodigy Josie Ashkenazi has invented an application that records everything its users do. When she visits the Library of Alexandria as a tech consultant, she is abducted in Egypt’s postrevolutionary chaos with only a copy of the philosopher Maimonides’ famous work to anchor her—leaving her jealous sister Judith free to take over her life. A century earlier, Cambridge professor Solomon Schechter arrives in Egypt, hunting for a medieval archive hidden in a Cairo synagogue. Their stories intertwine in this spellbinding novel of how technology changes memory and how memory shapes the soul.

A New York Times Book Review Notable Book of 2018, Booklist Editors’ Choice Book (January 2019), and Chicago Public Library Best Book of 2018



What would it really mean to live forever?

Rachel’s current troubles—a middle-aged son mining digital currency in her basement, a scientist granddaughter trying to peek into her genes—are only the latest in a litany spanning dozens of countries, scores of marriages, hundreds of children, and 2,000 years, going back to Roman-occupied Jerusalem. Only one person shares her immortality: an illicit lover who pursues her through the ages. But when her children develop technologies that could change her fate, Rachel must find a way out. From ancient religion to the scientific frontier, Dara Horn pits our efforts to make life last against the deeper challenge of making life worth living.

A young woman's coming of age, a romantic love story, and a spiritual journey—each infused with the lessons of history.

Sibling rivalry runs in the family—a prequel to A Guide for the Perplexed.

“String Theory” takes its readers to the farthest edges of knowledge and the limits of freedom, on a journey from doubt to faith and back again. In its double helix of free will and fate, it anticipates the terrifying consequences, borne out in A Guide for the Perplexed, of asking children to fulfill their parents’ dreams.

Produziert von Tablet Magazine, dem Online-Magazin für jüdische Neuigkeiten, Ideen und Kultur.