
Enjoy fast, FREE delivery, exclusive deals and award-winning movies & TV shows with Prime
Try Prime
and start saving today with Fast, FREE Delivery
Amazon Prime includes:
Fast, FREE Delivery is available to Prime members. To join, select "Try Amazon Prime and start saving today with Fast, FREE Delivery" below the Add to Cart button.
Amazon Prime members enjoy:- Cardmembers earn 5% Back at Amazon.com with a Prime Credit Card.
- Unlimited Free Two-Day Delivery
- Instant streaming of thousands of movies and TV episodes with Prime Video
- A Kindle book to borrow for free each month - with no due dates
- Listen to over 2 million songs and hundreds of playlists
- Unlimited photo storage with anywhere access
Important: Your credit card will NOT be charged when you start your free trial or if you cancel during the trial period. If you're happy with Amazon Prime, do nothing. At the end of the free trial, your membership will automatically upgrade to a monthly membership.
Buy new:
$9.99$9.99
FREE delivery: Tuesday, June 13 on orders over $25.00 shipped by Amazon.
Ships from: Amazon.com Sold by: Amazon.com
Buy used: $7.59
Other Sellers on Amazon
+ $3.99 shipping
91% positive over last 12 months
Usually ships within 2 to 3 days.
+ $3.99 shipping
98% positive over last 12 months
+ $3.99 shipping
85% positive over last 12 months

Download the free Kindle app and start reading Kindle books instantly on your smartphone, tablet, or computer - no Kindle device required. Learn more
Read instantly on your browser with Kindle for Web.
Using your mobile phone camera - scan the code below and download the Kindle app.


Dead And Gone (Sookie Stackhouse/True Blood, Book 9) Mass Market Paperback – April 6, 2010
Price | New from | Used from |
Audible Audiobook, Unabridged
"Please retry" |
$0.99
| $7.95 with discounted Audible membership |
Audio CD, MP3 Audio, Unabridged
"Please retry" | $22.99 | — |
- Kindle
$6.99 Read with Our Free App -
Audiobook
$0.99 with Audible Membership - Hardcover
$8.44 - Paperback
$6.57 - Mass Market Paperback
$9.99 - Audio CD
$22.99
-
90 days FREE. Terms apply.
90 days FREE of Amazon Music Unlimited. Included with purchase of an eligible product. You will receive an email with signup instructions. Renews automatically. New subscribers only. Terms apply. Offered by Amazon.com. Here's how (restrictions apply)
Purchase options and add-ons
Except for cocktail waitress Sookie Stackhouse, folks in Bon Temps, Louisiana, knew little about vamps—and nothing about Weres. Until now. The Weres and shifters have finally revealed their existence to the ordinary world, and the backlash may have claimed the life of someone Sookie knew. But her determination to find out who is responsible for the murder is put aside in the face of a far greater danger. A race of unhuman beings—older, more powerful, and more secretive than vampires or werewolves—is preparing for war. And Sookie will find herself an all-too-human pawn in their battle...
- Print length320 pages
- LanguageEnglish
- PublisherAce
- Publication dateApril 6, 2010
- Dimensions4.18 x 0.86 x 6.73 inches
- ISBN-100441018513
- ISBN-13978-0441018512
"Light to the Hills: A Novel" by Bonnie Blaylock
A richly rewarding novel about family bonds, the power of words, and the resilience of mothers and daughters in 1930s Appalachia. | Learn more
Frequently bought together

What do customers buy after viewing this item?
- Lowest Pricein this set of productsFrom Dead to Worse (Sookie Stackhouse/True Blood)Mass Market Paperback
- Most purchasedin this set of productsDead Until Dark (Sookie Stackhouse/True Blood, Book 1)Mass Market Paperback
- Highest ratedin this set of productsLiving Dead in Dallas (Sookie Stackhouse/True Blood, Book 2)Mass Market Paperback
Special offers and product promotions
- 90 days FREE of Amazon Music Unlimited. Included with purchase of an eligible product. You will receive an email with signup instructions. Renews automatically. New subscribers only. Terms apply. Offered by Amazon.com. Here's how (restrictions apply)
Editorial Reviews
Review
“It’s the kind of book you look forward to reading before you go to bed, thinking you’re only going to read one chapter, and then you end up reading seven.”—Alan Ball, executive producer of True Blood
“Vivid, subtle, and funny in her portrayal of southern life.”—Entertainment Weekly
“Charlaine Harris has vividly imagined telepathic barmaid Sookie Stackhouse and her small-town Louisiana milieu, where humans, vampires, shapeshifters, and other sentient critters live...Her mash-up of genres is delightful, taking elements from mysteries, horror stories, and romances.”—Milwaukee Journal Sentinel
“The series continues to be inventive and funny with an engaging, smart, and sexy heroine.”—The Denver Post
“Blending action, romance, and comedy, Harris has created a fully functioning world so very close to our own, except, of course, for the vamps and other supernatural creatures.”—The Toronto Star
About the Author
Excerpt. © Reprinted by permission. All rights reserved.
The closer I got to the vampire bar, the more my pulse picked up. This was the downside to the blood bond I had with Eric Northman. I knew I was going to see him, and I was simply happy about it. I should have been worried, I should have been apprehensive about what he wanted, I should have asked a million questions about the velvet-wrapped bundle, but I just drove with a smile on my face.
Though I couldn’t help how I felt, I could control my actions. Out of sheer perversity, since no one had told me to come around to the employees’ entrance, I entered through the main door. It was a busy night at Fangtasia, and there was a waiting crowd on benches inside the first set of doors. Pam was at the podium. She smiled at me broadly, showing a little fang. (The crowd was delighted.)
I’d known Pam for a while now, and she was as close to a friend as I had among the vampires. Tonight the blonde vampire was wearing the obligatory filmy black dress, and she’d camped it up with a long, sheer black veil. Her white fingernails were polished scarlet.
“My friend,” Pam said, came out from behind the podium to hug me. I was surprised but pleased, and gladly hugged her back. She’d spritzed on a little perfume to eclipse the faint, rather dry, smell of vampire. “Have you got it?” she whispered in my ear.
“Oh, the bundle? It’s in my purse.” I lifted my big brown shoulder bag by its straps.Pam gave me a look I couldn’t interpret through the veil. It appeared to be an expression that compounded exasperation and affection. “You didn’t even look inside?”
“I haven’t had time,” I said. It wasn’t that I hadn’t been curious. I simply hadn’t had the leisure to think about it.
Pam gave me a long look of appraisal. “Go back to Eric’s office and hand him the bundle,” she said. “Leave it wrapped. No matter who’s there. And don’t handle it like it was a garden tool he’d left outside, either.”
I gave her the look right back. “What am I doing, Pam?” I asked, jumping on the cautious train way too late.
“You’re protecting your own skin,” Pam said. “Never doubt it. Now go.” She gave me a get-along pat on the back, and turned to answer a tourist’s question about how often vampires needed to get their teeth cleaned.
“Would you like to come very close and look at mine?” Pam asked in a sultry voice, and the woman shrieked with delighted fear. That was why the humans come to vampire bars, and vampire comedy clubs, and vampire dry cleaners, and vampire casinos . . . to flirt with danger.
Every now and then, flirtation becomes the real thing.
I made my way between the tables and across the dance floor to the rear of the bar. Felicia, the bartender, looked unhappy when she saw me. She found something to do that involved crouching down out of my sight. I had an unfortunate history with the bartenders of Fantasia.
There were a few vampires seated throughout the bar area, strewn among the gawking tourists, the costumed vampire wannabes, and humans who had business dealings with the vamps. Over in the little souvenir shop, one of the New Orleans vampire refugees from Katrina was selling a Fangtasia T shirt to a pair of giggling girls.
I walked through the bar and knocked on Eric’s door. I heard his voice inside, telling me to come in. I stepped inside and shut the door behind me. “Hi, Eric,” I said, and was almost rendered mute by the surge of happiness that swept through me whenever I saw him. His long blond hair was braided tonight, and he was wearing his favorite jeans-and-a-T combo. The T shirt tonight was bright green, making him look whiter than ever.
The wave of delight wasn’t necessarily related to Eric’s gorgeousness or the fact that we’d bumped pelvises, though. The blood bond was responsible, and I had to fight the feeling.
Maybe.
Victor Madden, representative of the new vampire king, Felipe de Castro, stood and inclined his curly dark head. Victor, short and compact, was always polite and always well-dressed. This evening he was especially resplendent in an olive suit and brown striped tie. I smiled at him and was about to tell him I was glad to see him again when I noticed that Eric was eyeing me expectantly. Oh, right.
I shucked off my coat and extracted the velvet bundle from my purse. I dropped the purse and coat in an empty chair, and walked over to Eric’s desk with the bundle extended in both hands. This was making as much of the moment as I could, short of getting on my knees and crawling over to Eric, which I would do when hell froze over.
I laid the bundle in front of him, inclined my own head in what I hoped was a ceremonious manner, and sat down in the other guest chair.
“What has our fair-haired friend brought you, Eric?” Victor asked, in the cheerful voice that he affected most of the time. Maybe he was actually that happy, or maybe his mama had taught him (a few centuries ago) that you catch more flies with honey than you do with vinegar.
With a certain sense of theater, Eric silently unfolded the velvet. Sparkling like a jewel on the dark material was the ceremonial knife I’d last seen in the city of Rhodes. Eric had used it when he officiated at the marriage of two vampire kings, and he’d used it to nick himself later when he’d taken blood from me and given me blood in return; our third exchange, the one that (from my point of view) had caused all the trouble.
After Victor recognized the knife, there was no trace of a smile remaining on his face. He and Eric regarded each other steadily.
“Very interesting,” Victor said finally.
Once again, I had that feeling of drowning when I hadn’t even known I was in the pool. I started to speak, but I could feel Eric’s will pressing on me, urging me to be silent. In vampire matters, it was smart to take Eric’s advice.
Product details
- Publisher : Ace; Reprint edition (April 6, 2010)
- Language : English
- Mass Market Paperback : 320 pages
- ISBN-10 : 0441018513
- ISBN-13 : 978-0441018512
- Item Weight : 5.6 ounces
- Dimensions : 4.18 x 0.86 x 6.73 inches
- Best Sellers Rank: #90,743 in Books (See Top 100 in Books)
- #136 in Vampire Mysteries
- #4,732 in Women Sleuths (Books)
- #5,861 in Paranormal & Urban Fantasy (Books)
- Customer Reviews:
About the author

Charlaine Harris was born in Tunica, Mississippi, and raised in the Mississippi River Delta area in the middle of a cotton field. Though her early works consisted largely of poems about ghosts and, later, teenage angst, she wrote plays when she attended Rhodes College in Memphis, Tennessee and started writing novels a few years later.
After publishing two stand-alone mysteries, Harris launched a light-hearted mystery series 'starring' Georgia librarian Aurora Teagarden. The first of the eight books, Real Murders, was shortlisted for Best Novel in the 1990 Agatha Awards. In 1996, she released the first of the much darker Shakespeare mysteries, featuring the amateur sleuth Lily Bard, a karate student who makes her living cleaning houses.
Charlaine Harris then wrote the first of her Southern vampire mysteries starring Sookie Stackhouse, the quirky, telepathic waitress who works in a bar in the fictional Northern Louisiana town of Bon Temps. Dead Until Dark won the Anthony Award for Best Paperback Mystery. It also won Harris a whole new fan club of devoted readers and pushed her into the bestseller lists. The Sookie Stackhouse series, in which Sookie has to deal with vampires, werecreatures and other supernatural folk - not to mention her own complicated love life - was also instrumental in creating the urban fantasy genre.
Sookie Stackhouse also enchanted Alan Ball, creator of the smash TV show Six Feet Under, who took an option and wrote and directed the pilot episode for True Blood himself. It was an instant hit when it premiered in the US, and that success was repeated when it was first aired in Britain last year. The second season of TRUE BLOOD will start this spring.
Harris's newest series features Harper Connelly, a young woman who, after being struck by lightning, finds herself able to locate the bodies of the dead and to determine the cause of their death. There are four Harper titles (Grave Sight, Grave Surprise, An Ice Cold Grave and Grave Secret).
Charlaine Harris is a member of the Mystery Writers of America and the American Crime Writers League. She is a member of the board of Sisters in Crime, and alternates with Joan Hess as president of the Arkansas Mystery Writers Alliance. She is married, the mother of three, and lives in a small town in Southern Arkansas. When she is not writing her own books, she reads omnivorously!
Here are the Sookie Stackhouse True Blood novels in series order:
Dead Until Dark: Sookie Stackhouse 1
Living Dead In Dallas: Sookie Stackhouse 2
Club Dead: Sookie Stackhouse 3
Dead To The World: Sookie Stackhouse 4
Dead As A Doornail: Sookie Stackhouse 5
Definitely Dead: Sookie Stackhouse 6
All Together Dead: Sookie Stackhouse 7
From Dead To Worse: Sookie Stackhouse 8
Dead And Gone: Sookie Stackhouse 9
Dead In The Family: Sookie Stackhouse 10
A Touch Of Dead (a Sookie Stackhouse short story collection_
Here are the Harper Connelly novels in series order:
Grave Sight: Harper Connelly 1
Grave Surprise: Harper Connelly 2
An Ice Cold Grave: Harper Connelly 3
Grave Secret: Harper Connelly 4
Customer reviews
Customer Reviews, including Product Star Ratings help customers to learn more about the product and decide whether it is the right product for them.
To calculate the overall star rating and percentage breakdown by star, we don’t use a simple average. Instead, our system considers things like how recent a review is and if the reviewer bought the item on Amazon. It also analyzed reviews to verify trustworthiness.
Learn more how customers reviews work on Amazon-
Top reviews
Top reviews from the United States
There was a problem filtering reviews right now. Please try again later.
Sookie’s parents’ deaths are finally explained, along with Crystal’s. Arlene is a terrible friend! Several of the fae that I liked went on to Summerland. And Tray, well he was tortured and poisoned. This was a very difficult book for me.
The next in the series is the 10th book in the series. Dermot hasn’t been found so I suspect I’ll be seeing him soon…
Anyway... The one thing that bothered me the most is how Eric, who has always protected Sookie, leaves her bed in the morning, knowing she is in danger, and does not call in protection for her. This has bothered me a lot - until I've realized that every time Eric has protected her, he was a sheriff of Area 5 under the Queen. If you regard his behavior as an unanswered question rather then simply inappropriate behavior, it becomes obvious that something is going on in the politics of the vampires, that directly involves Eric, that prevents him from showing ANY kind of emotional bond to her. He cannot send Pam, but we don't know why. He does not show up at night when she gets kidnapped by fairies, but we know he hears her pain and can track her whereabouts but does not come to her rescue, we don't know why. When he leaves her, he does not immediately send a body guard, but we don't know why. Instead, he offers her to come to his house, again, something he would never do with anyone other then his "child", we don't know why. If you think about it, he listened to her thoughts for an hour as she was getting tortured, and for some reason could not act. Even if he didn't love her at all, I would have made it stop just to get something like that out of my head! When he finally sends her protection, he sends a very dumb vampire, knowing full well that fairies can come during the day and that this will leave her unprotected. When he cried listening to her ask why he didn't rescue her, he was obviously very upset over it - something has been going on that we don't know about. Also, Eric has wanted Sookie for 9 books and now she is blood bound to him. So he disappears for months. I don't believe this is a badly written plot, I believe this is a compilation of very important symptoms that will be revealing something very unexpected in the next book.
Guys, do we even need to ask why all the pregnant women deaths? Why Niall is sealing the gate? Torture? I am sorry, but the fairies in this book are not exactly the kind we read to our kids, the kind that live in flowers and sing beautiful songs. These fairies are blood thirsty, violent, and are incapable of pity, love, or kindness. Well, maybe a little love, but certainly to like those of any other creature in this book. They enjoy bringing pain and suffering to all, even their own kind. They are power hungry and savage.
What do you mean there is no real progression between Sookie and Eric?! I've been waiting for them to have sex, both memories intact, for 9 books! Do you really not see why Sookie is not pissed at Eric over the marriage?! She's been denying her feelings for Eric since day one. First, "no, this is just lust." Then, "this is just because he has kissing experience." Then its "I just miss Bill." Then its "I'm so horny and I miss having vampire sex." Then "its just because I have fairy blood." Then "its just his bloo in me." Then "that wasn't really Eric. And I didn't love that Eric anyway." Now, its the blood bond. Sookie would make a great attorney with all the excuses. There were subtle signs in the book of the Eric/Sookie connection, and the connection, for some reason despite their power imbalance, of two EQUALS. Book 2 - our hair color is exactly alike. If I put my hair into his, you can't distinguish them. (don't ask me to look for the page, but its there, when she is getting dressed to go to the sex party.) Truth be it, she always wanted him, but never trusted herself - or him - to be with him. Honestly, we have been watching these two getting closer and closer. Now, she can say "well, he is my husband..." When someone does something for me without me asking, something so big its seems wrong, but its from someone that I love and want to be with and its something I wanted, I'd meekly argue but consent too.
Bill... Something is going on here between Eric and Bill. Clearly, for some reason, Eric counted on Bill to take care of Sookie. Eric said that he would have killed Bill if he failed when she was injured in the end, so I'm guessing that Eric had to be somewhere else and Bill promised Eric that he would take care of her. Something went on here, and it will be revealed. Personally, there is nothing I hate more then men who are slimy liars, and, however much he loves her and almost died for her, he is. Yes, he has saved her, but, given the chance, he'd lie to her. Its his most defining characteristic.
Quinn... The only reason we have that brief entry is to establish the change in the hierarchy of the politics of the region and everyone's respective place. His appearance, Bills appearance, Eric's appearance - this is what Harris is saying: Quinn is breaking the law when seeing Sookie, Sookie doesn't want him around anyway, Bill obeys Eric who has the power to throw Quinn out (or worse), Sookie is Eric's wife and consort, effectively marked by him and belongs to him exclusively, and Eric is in charge of the territory. So, basically, the purpose of Quinn is sort of like Eric marking his territory. "nothing happens in my kingdom without my knowledge, I planned it this way, ALL of you are under my control."
Sam.. This character is a thorn under my foot, even more then Quinn, who was extremely annoying. I literally pray that Sookie doesn't end with him, for I will lose the remaining shred of interest in her. I understand its probably because I love politics, especially power politics, and I tend to see everything in terms of that, and for that reason, to me, Sam is a loser. But even if I didn't, he is BORING. He is that neutered version of a "friend" that always pines for a girl who dates other men. Yeah, in Hollywood movies, those guys get the girl, probably because they are handsome famous actors. In real life, they really are neutered. The man, despite some attempts by Harris to give him substance, has no sex appeal whatsoever. I'd really like him to leave, or disappear, or get married, because its the only way that I can be sure that he doesn't get involved with her. Or, better yet, decide that collie is his true shape, and stay that way forever. He has a personality of a collie too. Collies usually sleep outside the bedroom door when the masters of the house enjoy themselves.
Sookie has grown up so much since the first novel... She's outgrown every other character in the book, even Eric. But she is still non-aligned. When people are in a relationship, they usually get closer and closer, in all senses of the word. They spend more and more time together, leave personal items in each others houses, learn to recognize things about each other that no one knows about, and become a part of each other's world. They creep into each other's world until it all becomes one world. Human or vampire, the next book will be a test of the Eric/Sookie connection. If this blending of their lives will occur, then we will know that they are a couple, if she doesn't accept Eric's world (I'm assuming that Eric will not quit Fangtasia and become a real estate salesman) then... She will move on. Her speech about how she isn't moving in with him, how she likes her job, how she doesn't want to join his life - that needs to change eventually. The measure of her resistance will tip the scales one way or another. The shifters really pull on her, and she dislikes politics. She also needs to come to terms that is part of the supernatural, that her place is in the supernatural world. I am partial to Eric - I think there is nothing more intriguing then a man with 1000 years of knowledge. But she isn't like that. She just wants to go to work, get paid, clean her house, cook, play with kids, and make love. I guarantee that she will be pissed when she will find out the political reason for Eric not coming to her rescue.
Anyway... Nice book, savage and mysterious, Eric and Bill are both magnetic characters, the power shift is seamless and beautiful. Fairies are inhumanly savagely scary, good thing that the gate is closing. Can't wait to read the next book. Hope it will not disappoint, like some others. I do wish she would regain her faith in men though.
I'm truly baffled as to why there are quite a few readers who did NOT enjoy this book. I started reading the books a few weeks ago and just finished "Dead and Gone" yesterday and I can truly say it has been one of the most wild rides since the Harry Potter series. I have enjoyed "growing up" with Sookie all the way... from first love and current ex-boyfriend (thought not permanently ex I'm sure...) Bill Compton to current "Husband" Eric. One reviewer stated they did not like how Eric had changed. I totally disagree. I am LOVING where Eric is headed in his thought process. It says a lot about that character that he is willing to open up to Sookie (in his own bar) about his past. He clearly is a man who has spent over 1000 years trying to survive and adapt to so much change that he has had to become a "hard-ass" and has developed a dispassionate view of everyone who is not him. His confusion about is feelings for Sookie make him even more attractive to me. Telling Sookie that being with her (when he had lost his memory) was the "Happiest he'd been in centuries" was very major. I had to read that paragraph several times because I couldn't believe it. I did not like Eric in the beginning. His cold-hearted, self-centered behavior made Bill that much more attractive. When Eric forces Bill's hand in telling her he was originally sent to woo her by his queen, I like Sookie, became angry, hurt, confused and wishing she could run to Eric and have him take care of her... knowing that would be a bad decision. And isn't that soooo like life? Did Eric do it because he loves Sookie? Is it for his own gains? My view is that it's all of the above. If I can't get my 74 year old mother to change her ways, I can't imagine getting a 1000 year old to change ANYTHING. the fact that he is very conflicted is fascinating I think. The way he gets Sookie to "Marry" him is underhanded, high handed and loving all at once. Every character must change. That's just life. No one can NOT change.... even shutting oneself in ones home changes one in the end... Even a 1000 year old Viking must change or die. Pam has changed: from hating humans to liking Sookie. Bill has changed: though his changes are forced from outside vamps. Quinn has changed: all business to in love and conflicted about his family. Sookie has changed: naive to "hard". Jason: self serving jerk to... wait. He's still a jerk... though internally he knows what he's done though has yet to admit it to himself much less others.
The fact that the story has moved into the "Supe/Shifter" world adds so many more possible story lines, the thought of it makes me giddy like a schoolgirl. I think I might have become bored JUST reading about vampires with a touch of the "Supe" world. The "Supe/Shifter" community outing themselves guarantees at least a few more books... I could read this series forever. I would love it to continue on until Sookie is either old and gray or is "turned" The introduction of Sookie's Great-Grandfather, the Fairy Prince Niall and involvement with the Fae world adds yet another facet to this already complex character. Though he does say he will probably never see her again because he is closing the portal between the fairy world and the human world, I think we will see him again before too long. One reviewer stated they thought Ms. Harris jammed too many characters into one book and did not enough spend time on any of them I see that as Ms. Harris setting us up for some books specifically about one or two characters... It took her NINE books to get to Eric's background... come on! Ms. Harris, for me personally, has the ability to make us feel confused and pissed off at characters we thought were so constant. As in life: we NEVER truly know someone... including ourselves many times. I was shattered when Sookie broke up with Quinn and had to take a minute to calm down @ her decision. Then I thought... "It's a BOOK!! These people are not REAL!!" How wonderful it is when an author can move people that way: to create a dialogue and debates about characters who only exist on paper.
I truly enjoyed this book. I can't wait till the next one.... Is it May yet?
Bill and Eric both come to Sookie’s rescue, but so does her Great-Grandfather, the last fairy prince, Niall. It will be interesting to see what happens in the next book.
Top reviews from other countries

As ever, Charlaine Harris is highly inventive, this powerful opening in fact NOT the main theme of the ninth novel. The current Great Threat comes from a different source altogether. Rebellious fairies consider their race tarnished by human links - they plan to destroy all those involved. With her inherited fairy blood, Sookie needs all the help she can get from vampires, weres, fairies (the nice ones), a garden trowel and water pistols filled with lemon juice. Everything will become very nasty indeed, the writer never holding back when describing pain inflicted.
Another riveting read. Fans of Eric will have cause to rejoice. It is also good to see Sookie's brother Jason maturing a bit. Scattered throughout are promising storylines no doubt to be explored in future novels. There are also surprises. One thing is for sure: however long the series, however great the dangers and the carnage, Sookie will soon be back in Sam's bar -serving with a smile. Would we want it otherwise!

I feel that the book follows a most natural course in terms of dealing with the supernatural elements; after gradually introducing all kinds of supernatural beings, the Sookie story progresses in parallel to the revelation of each group of creatures, i.e. vampires, weres, shifters, witches, fairies. And while the loss of well-liked characters ends the story on a sad note, it mostly adds to the suspense of what is to follow in Sookie's world now that the Weres are out, the fairies dealt with and her bizarre love triangle is at a turning point.
Hopefully book 10 will continue to deliver in terms of story, character development and the abundance of sense of humour with which the series is written.

Not my most favourite of the 9 so far, but still another enjoyable installment of this series.
Wouldn't have minded a bit more enlightenment on the Sookie-Eric emotional relationship though. It either needs to develop or that piece of bed candy needs to be replaced with something more substantial.
Like getting back with Bill. Or putting Sam out of his misery? I can't decide which of those too I would prefer Sookie to end up with, (but being that there are several other contenders (Eric and Quinn in particular) maybe she will end up with neither!
I don't know if C Harris is working towards something with the baby theme (we'll have to wait and see), but I think Sookie would make a great mother to a child, and none of her vampire suitors can give her one.
Well, I'm obviously still hooked on this series, and if you're up to book 9 so are you probably, so here's to continued enjoyment of the series! ;0

