
Enjoy fast, FREE delivery, exclusive deals and award-winning movies & TV shows with Prime
Try Prime
and start saving today with Fast, FREE Delivery
Amazon Prime includes:
Fast, FREE Delivery is available to Prime members. To join, select "Try Amazon Prime and start saving today with Fast, FREE Delivery" below the Add to Cart button.
Amazon Prime members enjoy:- Cardmembers earn 5% Back at Amazon.com with a Prime Credit Card.
- Unlimited Free Two-Day Delivery
- Instant streaming of thousands of movies and TV episodes with Prime Video
- A Kindle book to borrow for free each month - with no due dates
- Listen to over 2 million songs and hundreds of playlists
- Unlimited photo storage with anywhere access
Important: Your credit card will NOT be charged when you start your free trial or if you cancel during the trial period. If you're happy with Amazon Prime, do nothing. At the end of the free trial, your membership will automatically upgrade to a monthly membership.
Buy new:
$8.99$8.99
FREE delivery: Monday, June 5 on orders over $25.00 shipped by Amazon.
Ships from: Amazon.com Sold by: Amazon.com
Buy used: $7.68
Other Sellers on Amazon
+ $3.99 shipping
95% positive over last 12 months
+ $3.99 shipping
96% positive over last 12 months
+ $3.99 shipping
95% positive over last 12 months

Download the free Kindle app and start reading Kindle books instantly on your smartphone, tablet, or computer - no Kindle device required. Learn more
Read instantly on your browser with Kindle for Web.
Using your mobile phone camera - scan the code below and download the Kindle app.


Dead Reckoning (Sookie Stackhouse/True Blood, Book 11) Mass Market Paperback – March 27, 2012
Price | New from | Used from |
Audible Audiobook, Unabridged
"Please retry" |
$0.00
| Free with your Audible trial |
Audio CD, Audiobook, Unabridged
"Please retry" | $30.78 | $5.99 |
- Kindle
$8.99 Read with Our Free App -
Audiobook
$0.00 Free with your Audible trial - Hardcover
$9.64 - Paperback
$15.18 - Mass Market Paperback
$8.99 - Audio CD
$34.78
Purchase options and add-ons
With her knack for being in trouble’s way, Sookie witnesses the firebombing of Merlotte’s, the bar where she works. Since Sam Merlotte is now known to be two-natured, suspicion falls immediately on the anti-shifters in the area. Sookie suspects otherwise, but her attention is divided when she realizes that her lover, Eric Northman, and his “child” Pam are plotting to kill the vampire who is now their master. Gradually, Sookie is drawn into the plot—which is much more complicated than she knows...
- Print length368 pages
- LanguageEnglish
- PublisherAce
- Publication dateMarch 27, 2012
- Dimensions4.19 x 0.89 x 6.75 inches
- ISBN-101937007359
- ISBN-13978-1937007355
Frequently bought together

What do customers buy after viewing this item?
- Most purchasedin this set of productsDeadlocked (Sookie Stackhouse/True Blood, Book 12)Mass Market Paperback
- Lowest Pricein this set of productsDead in the Family (Sookie Stackhouse/True Blood)Mass Market Paperback
- Highest ratedin this set of productsLiving Dead in Dallas (Sookie Stackhouse/True Blood, Book 2)Mass Market Paperback
Editorial Reviews
Review
“It’s the kind of book you look forward to reading before you go to bed, thinking you’re only going to read one chapter, and then you end up reading seven.”—Alan Ball, executive producer of True Blood
“Vivid, subtle, and funny in her portrayal of southern life.”—Entertainment Weekly
“Charlaine Harris has vividly imagined telepathic barmaid Sookie Stackhouse and her small-town Louisiana milieu, where humans, vampires, shapeshifters, and other sentient critters live...Her mash-up of genres is delightful, taking elements from mysteries, horror stories, and romances.”—Milwaukee Journal Sentinel
“The series continues to be inventive and funny with an engaging, smart, and sexy heroine.”—The Denver Post
“Blending action, romance, and comedy, Harris has created a fully functioning world so very close to our own, except, of course, for the vamps and other supernatural creatures.”—The Toronto Star
About the Author
Excerpt. © Reprinted by permission. All rights reserved.
Table of Contents
Title Page
Copyright Page
Dedication
Acknowledgements
Chapter 1
Chapter 2
Chapter 3
Chapter 4
Chapter 5
Chapter 6
Chapter 7
Chapter 8
Chapter 9
Chapter 10
Chapter 11
Chapter 12
Chapter 13
Chapter 14
Chapter 15
Chapter 16
Chapter 17
Ace Books by Charlaine Harris
The Sookie Stackhouse Novels
DEAD UNTIL DARK
LIVING DEAD IN DALLAS
CLUB DEAD
DEAD TO THE WORLD
DEAD AS A DOORNAIL
DEFINITELY DEAD
ALL TOGETHER DEAD
FROM DEAD TO WORSE
DEAD AND GONE
DEAD IN THE FAMILY
DEAD RECKONING
A TOUCH OF DEAD: SOOKIE STACKHOUSE,
THE COMPLETE SHORT STORIES
Ace Anthologies Edited by Charlaine Harris and Toni L. P. Kelner
MANY BLOODY RETURNS
WOLFSBANE AND MISTLETOE
DEATH’S EXCELLENT VACATION
Berkley Prime Crime Books by Charlaine Harris
SWEET AND DEADLY
A SECRET RAGE
The Harper Connelly Mysteries
GRAVE SIGHT
GRAVE SURPRISE
AN ICE COLD GRAVE
GRAVE SECRET
The Lily Bard Mysteries
SHAKESPEARE’S LANDLORD
SHAKESPEARE’S CHAMPION
SHAKESPEARE’S CHRISTMAS
SHAKESPEARE’S TROLLOP
SHAKESPEARE’S COUNSELOR
The Aurora Teagarden Mysteries
REAL MURDERS
A BONE TO PICK
THREE BEDROOMS, ONE CORPSE
THE JULIUS HOUSE
DEAD OVER HEELS
A FOOL AND HIS HONEY
LAST SCENE ALIVE
POPPY DONE TO DEATH
Berkley Prime Crime Anthologies Edited by Charlaine Harris
CRIMES BY MOONLIGHT
THE BERKLEY PUBLISHING GROUP
Published by the Penguin Group
Penguin Group (USA) Inc. 375 Hudson Street, New York, New York 10014, USA
Penguin Group (Canada), 90 Eglinton Avenue East, Suite 700, Toronto, Ontario M4P 2Y3, Canada (a division of Pearson Penguin Canada Inc.)
Penguin Books Ltd., 80 Strand, London WC2R ORL, England
Penguin Group Ireland, 25 St. Stephen’s Green, Dublin 2, Ireland (a division of Penguin Books Ltd.) Penguin Group (Australia), 250 Camberwell Road, Camberwell, Victoria 3124, Australia (a division of Pearson Australia Group Pty. Ltd.)
Penguin Books India Pvt. Ltd., 11 Community Centre, Panchsheel Park, New Delhi—110 017, India Penguin Group (NZ), 67 Apollo Drive, Rosedale, Auckland 0632, New Zealand (a division of Pearson New Zealand Ltd.)
Penguin Books (South Africa) (Pty.) Ltd., 24 Sturdee Avenue, Rosebank, Johannesburg 2196, South Africa
Penguin Books Ltd., Registered Offices: 80 Strand, London WC2R ORL, England
This is an original publication of The Berkley Publishing Group.
This is a work of fiction. Names, characters, places, and incidents either are the product of the author’s imagination or are used fictitiously, and any resemblance to actual persons, living or dead, business establishments, events, or locales is entirely coincidental. The publisher does not have any control over and does not assume any responsibility for author or third-party websites or their content.
All rights reserved.
No part of this book may be reproduced, scanned, or distributed in any printed or electronic form without permission. Please do not participate in or encourage piracy of copyrighted materials in violation of the author’s rights. Purchase only authorized editions. ACE and the “A” design are trademarks of Penguin Group (USA) Inc.
Library of Congress Cataloging-in-Publication Data
Harris, Charlaine.
Dead reckoning : a Sookie Stackhouse novel / Charlaine Harris. p. cm.—(Sookie Stackhouse / True blood ; 11)
ISBN: 9781101514382
1. Stackhouse, Sookie (Fictitious character)—Fiction. 2. Vampires—Fiction.
3. Werewolves—Fiction. I. Title.
PS3558.A6427D433 2011
813’.54—dc22
2010054261
I have to dedicate this book to
the memory of my mother.
She would not have thought it strange
to have an urban fantasy novel dedicated to her.
She was my biggest fan and my most faithful reader.
There was so much to admire about my mother.
I miss her every day.
ACKNOWLEDGMENTS
I am afraid I’ll skip someone this time around, because I am fortunate enough to have a lot of great help as I work on these books. Let me thank my assistant and best friend, Paula Woldan, first and foremost, for allowing me the peace of mind to work without worry; my friends and readers Toni L. P. Kelner and Dana Cameron, who help me focus on the important aspects of the work at hand; Victoria Koski, who tries to keep the huge world of Sookie in order; and my agent, Joshua Bilmes, and my editor, Ginjer Buchanan, who work so hard to keep my professional train on the tracks. For this book, I had the excellent advice of Ellen Dugan, writer, mother, and witch.
Chapter 1
The attic had been kept locked until the day after my grandmother died. I’d found her key and opened it that awful day to look for her wedding dress, having the crazy idea she should be buried in it. I’d taken one step inside and then turned and walked out, leaving the door unsecured behind me.
Now, two years later, I pushed that door open again. The hinges creaked as ominously as if it were midnight on Halloween instead of a sunny Wednesday morning in late May. The broad floorboards protested under my feet as I stepped over the threshold. There were dark shapes all around me, and a very faint musty odor—the smell of old things long forgotten.
When the second story had been added to the original Stackhouse home decades before, the new floor had been divided into bedrooms, but perhaps a third of it had been relegated to storage space after the largest generation of Stackhouses had thinned out. Since Jason and I had come to live with my grandparents after our parents had died, the attic door had been kept locked. Gran hadn’t wanted to clean up after us if we decided the attic was a great place to play.
Now I owned the house, and the key was on a ribbon around my neck. There were only three Stackhouse descendants—Jason, me, and my deceased cousin Hadley’s son, a little boy named Hunter.
I waved my hand around in the shadowy gloom to find the hanging chain, grasped it, and pulled. An overhead bulb illuminated decades of family castoffs.
Cousin Claude and Great-Uncle Dermot stepped in behind me. Dermot exhaled so loudly it was almost a snort. Claude looked grim. I was sure he was regretting his offer to help me clean out the attic. But I wasn’t going to let my cousin off the hook, not when there was another able-bodied male available to help. For now, Dermot went where Claude went, so I had two for the price of one. I couldn’t predict how long the situation would hold. I’d suddenly realized that morning that soon it would be too hot to spend time in the upstairs room. The window unit my friend Amelia had installed in one of the bedrooms kept the living spaces tolerable, but of course we’d never wasted money putting one in the attic.
“How shall we go about this?” Dermot asked. He was blond and Claude was dark; they looked like gorgeous bookends. I’d asked Claude once how old he was, to find he had only the vaguest idea. The fae don’t keep track of time the same way we do, but Claude was at least a century older than me. He was a kid compared to Dermot; my great-uncle thought he was seven hundred years my senior. Not a wrinkle, not a gray hair, not a droop anywhere, on either of them.
Since they were much more fairy than me—I was only one-eighth—we all seemed to be about the same age, our late twenties. But that would change in a few years. I would look older than my ancient kin. Though Dermot looked very like my brother, Jason, I’d realized the day before that Jason had crow’s-feet at the corners of his eyes. Dermot might not ever show even that token of aging.
Pulling myself back into the here and now, I said, “I suggest we carry things down to the living room. It’s so much brighter down there; it’ll be easier to see what’s worth keeping and what isn’t. After we get everything out of the attic, I can clean it up after you two leave for work.” Claude owned a strip club in Monroe and drove over every day, and Dermot went where Claude went. As always . . .
“We’ve got three hours,” Claude said.
“Let’s get to work,” I said, my lips curving upward in a bright and cheerful smile. That’s my fallback expression.
About an hour later, I was having second thoughts, but it was too late to back out of the task. (Getting to watch Claude and Dermot shirtless made the work a lot more interesting.) My family has lived in this house since there have been Stackhouses in Renard Parish. And that’s been well over a hundred and fifty years. We’ve saved things.
The living room began to fill up in a hurry. There were boxes of books, trunks full of clothes, furniture, vases. The Stackhouse family had never been rich, and apparently we’d always thought we could find a use for anything, no matter how battered or broken, if we kept it long enough. Even the two fairies wanted to take a break after maneuvering an incredibly heavy wooden desk down the narrow staircase. We all sat on the front porch. The guys sat on the railing, and I slumped down on the swing.
“We could just pile it all in the yard and burn it,” Claude suggested. He wasn’t joking. Claude’s sense of humor was quirky at best, minuscule the rest of the time.
“No!” I tried not to sound as irritated as I felt. “I know this stuff is not valuable, but if other Stackhouses thought it ought to be stored up there, I at least owe them the courtesy of having a look at all of it.”
“Dearest great-niece,” Dermot said, “I’m afraid Claude has a point. Saying this debris is ‘not valuable’ is being kind.” Once you heard Dermot talk, you knew his resemblance to Jason was strictly superficial.
I glowered at the fairies. “Of course to you two most of this would be trash, but to humans it might have some value,” I said. “I may call the theater group in Shreveport to see if they want any of the clothes or furniture.”
Claude shrugged. “That’ll get rid of some of it,” he said. “But most of the fabric isn’t even good for rags.” We’d put some boxes out on the porch when the living room began to be impassable, and he poked one with his toe. The label said the contents were curtains, but I could only guess what they’d originally looked like.
“You’re right,” I admitted. I pushed with my feet, not too energetically, and swung for a minute. Dermot went in the house and returned with a glass of peach tea with lots of ice in it. He handed it to me silently. I thanked him and stared dismally at all the old things someone had once treasured. “Okay, we’ll start a burn pile,” I said, bowing to common sense. “Round back, where I usually burn the leaves?”
Dermot and Claude glared at me.
“Okay, right here on the gravel is fine,” I said. The last time my driveway had been graveled, the parking area in front of the house, outlined with landscape timbers, had gotten a fresh load, too. “It’s not like I get a lot of visitors.”
By the time Dermot and Claude knocked off to shower and change for work, the parking area contained a substantial mound of useless items waiting for the torch. Stackhouse wives had stored extra sheets and coverlets, and most of them were in the same ragged condition as the curtains. To my deeper regret, many of the books were mildewed and mouse-chewed. I sighed and added them to the pile, though the very idea of burning books made me queasy. But broken furniture, rotted umbrellas, spotted place mats, an ancient leather suitcase with big holes in it . . . no one would ever need these items again.
The pictures we’d uncovered—framed, in albums, or loose—we placed in a box in the living room. Documents were sorted into another box. I’d found some old dolls, too. I knew from television that people collected dolls, and perhaps these were worth something. There were some old guns, too, and a sword. Where was Antiques Roadshow when you needed it?
Later that evening at Merlotte’s, I told my boss Sam about my day. Sam, a compact man who was actually immensely strong, was dusting the bottles behind the bar. We weren’t very busy that night. In fact, business hadn’t been good for the past few weeks. I didn’t know if the slump was due to the chicken processing plant closing or the fact that some people objected to Sam being a shapeshifter. (The two-natured had tried to emulate the successful transition of the vampires, but it hadn’t gone so well.) And there was a new bar, Vic’s Redneck Roadhouse, about ten miles west off the interstate. I’d heard the Redneck Roadhouse held all kinds of wet T-shirt contests, beer pong tournaments, and a promotion called “Bring in a Bubba Night”—crap like that.
Popular crap. Crap that raked in the customers.
Whatever the reasons, Sam and I had time to talk about attics and antiques.
“There’s a store called Splendide in Shreveport,” Sam said. “Both the owners are appraisers. You could give them a call.”
“How’d you know that?” Okay, maybe that wasn’t so tactful.
“Well, I do know a few things besides tending bar,” Sam said, giving me a sideways look.
I had to refill a pitcher of beer for one of my tables. When I returned, I said, “Of course you know all kinds of stuff. I just didn’t know you were into antiques.”
“I’m not. But Jannalynn is. Splendide’s her favorite place to shop.”
I blinked, trying not to look as disconcerted as I felt. Jannalynn Hopper, who’d been dating Sam for a few weeks now, was so ferocious she’d been named the Long Tooth pack enforcer—though she was only twenty-one and about as big as a seventh grader. It was hard to imagine Jannalynn restoring a vintage picture frame or planning to fit a plantation sideboard into her place in Shreveport. (Come to think of it, I had no idea where she lived. Did Jannalynn actually have a house?)
“I sure wouldn’t have guessed that,” I said, making myself smile at Sam. It was my personal opinion that Jannalynn was not good enough for Sam.
Of course, I kept that to myself. Glass houses, stones, right? I was dating a vampire whose kill list would top Jannalynn’s for sure, since Eric was over a thousand years old. In one of those awful moments you have at random, I realized that everyone I’d ever dated—though, granted, that was a short list—was a killer.
And so was I.
I had to shake this off in a hurry, or I’d be in a melancholy funk all evening.
“You have a name and phone number for this shop?” I hoped the antiques dealers would agree to come to Bon Temps. I’d have to rent a U-Haul to get all the attic contents to Shreveport.
“Yeah, I got it in my office,” Sam said. “I was talking to Brenda, the female half of the partnership, about getting Jannalynn something special for her birthday. It’s coming right up. Brenda—Brenda Hesterman—called this morning to tell me she had a few things for me to look at.”
“Maybe we could go see her tomorrow?” I suggested. “I have things piled all over the living room and some out on the front porch, and the good weather won’t last forever.”
“Would Jason want any of it?” Sam asked diffidently. “I’m just saying, family stuff.”
“He got a piecrust table around a month ago,” I said. “But I guess I should ask him.” I thought about it. The house and its contents were mine, since Gran had left it to me. Hmmmm. Well, first things first. “Let’s ask Ms. Hesterman if she’ll come give a look. If there’s pieces that are worth anything, I can think about it.”
“Okay,” Sam said. “Sounds good. Pick you up tomorrow at ten?”
That was a little early for me to be up and dressed since I was working the late shift, but I agreed.
Sam sounded pleased. “You can tell me what you think about whatever Brenda shows me. It’ll be good to have a woman’s opinion.” He ran a hand over his hair, which (as usual) was a mess. A few weeks ago he’d cut it real short, and now it was in an awkward stage of growing back. Sam’s hair is a pretty color, sort of strawberry blond; but since it’s naturally curly, now that it was growing out it couldn’t seem to pick a direction. I suppressed an urge to whip out a brush and make sense out of it. That was not something an employee should do to her boss’s head.
Kennedy Keyes and Danny Prideaux, who worked for Sam parttime as substitute bartender and bouncer, respectively, came in to climb on two of the empty barstools. Kennedy is beautiful. She was first runner-up to Miss Louisiana a few years ago, and she still looks like a beauty pageant queen. Her chestnut hair’s all glossy and thick, and the ends wouldn’t dare to split. Her makeup is meticulous. She has manicures and pedicures on a regular basis. She wouldn’t buy a garment at Wal-Mart if her life depended on it.
A few years ago her future, which should have included a country club marriage in the next parish and a big inheritance from her daddy, had been derailed from its path when she’d served time for manslaughter.
Along with pretty nearly everyone I knew, I figured her boyfriend had had it coming, after I saw the pictures of her face swelling black-and-blue in her mug shots. But she’d confessed to shooting him when she called 911, and his family had a little clout, so there was no way Kennedy could walk. She’d gotten a light sentence and time off for good behavior, since she’d taught deportment and grooming to the other inmates. Eventually, Kennedy had done her time. When she’d gotten out, she’d rented a little apartment in Bon Temps, where she had an aunt, Marcia Albanese. Sam had offered her a job pretty much right after he met her, and she’d accepted on the spot.
“Hey, man,” Danny said to Sam. “Fix us two mojitos?”
Sam got the mint out of the refrigerator and set to work. I handed him the sliced limes when he was almost through with the drinks.
“What are you all up to tonight?” I asked. “You look mighty pretty, Kennedy.”
“I finally lost ten pounds!” she said, and when Sam deposited her glass in front of her, she lifted it to toast with Danny. “To my former figure! May I be on the road to getting it back!”
Danny shook his head. He said, “Hey! You don’t need to do anything to look beautiful.” I had to turn away so I wouldn’t say, Aw.w.ww. Danny was one tough guy who couldn’t have grown up in a more different environment than Kennedy—the only experience they’d had in common was jail—but boy, he was carrying a big torch for her. I could feel the heat from where I stood. You didn’t have to be telepathic to see Danny’s devotion.
We hadn’t drawn the curtains on the front window yet, and when I realized it was dark outside, I started forward. Though I was looking out from the bright bar to the dark parking lot, there were lights out there, and something was moving . . . moving fast. Toward the bar. I had a slice of a second to think Odd, and then caught the flicker of flame.
“Down!” I yelled, but the word hadn’t even gotten all the way out of my mouth when the window shattered and the bottle with its fiery head landed on a table where no one was sitting, breaking the napkin holder and scattering the salt and pepper shakers. Burning napkins flared out from the point of impact to drift down to the floor and the chairs and the people. The table itself was a mass of fire almost instantly.
Danny moved faster than I’d ever seen a human move. He swept Kennedy off her stool, flipped up the pass-through, and shoved her down behind the bar. There was a brief logjam as Sam, moving even faster, grabbed the fire extinguisher from the wall and tried to leap through the pass-through to start spraying.
I felt heat on my thighs and looked down to see that my apron had been ignited by one of the napkins. I’m ashamed to say that I screamed. Sam swiveled around to spray me and then turned back to the flames. The customers were yelling, dodging flames, running into the passage that led past the bathrooms and Sam’s office through to the back parking lot. One of our perpetual customers, Jane Bodehouse, was bleeding heavily, her hand clapped to her lacerated scalp. She’d been sitting by the window, not her usual place at the bar, so I figured she’d been cut by flying glass. Jane staggered and would have fallen if I hadn’t grabbed her arm.
“Go that way,” I yelled in her ear, and shoved her in the right direction. Sam was spraying the biggest flame, aiming at the base of it in the approved manner, but the napkins that had floated away were causing lots of little fires. I grabbed the pitcher of water and the pitcher of tea off the bar and began methodically tracking the flames on the floor. The pitchers were full, and I managed to be pretty effective.
One of the window curtains was on fire, and I took three steps, aimed carefully, and tossed the remaining tea. The flame didn’t quite die out. I grabbed a glass of water from a table and got much closer to the fire than I wanted to. Flinching the whole time, I poured the liquid down the steaming curtain. I felt an odd flicker of warmth behind me and smelled something disgusting. A powerful gust of chemicals made a strange sensation against my back. I turned to try to figure out what had happened and saw Sam whirling away with the extinguisher.
I found myself looking through the serving hatch into the kitchen. Antoine, the cook, was shutting down all the appliances. Smart. I could hear the fire engine in the distance, but I was too busy looking for yellow flickers to feel much relief. My eyes, streaming with tears from the smoke and the chemicals, were darting around like pinballs as I tried to spot flames, and I was coughing like crazy. Sam had run to retrieve the second extinguisher from his office, and he returned holding it ready. We rocked from side to side on our feet, ready to leap into action to extinguish the next flicker.
Neither of us spotted anything else.
Sam aimed one more blast at the bottle that had caused the fire, and then he put down the extinguisher. He leaned over to plant his hands on his thighs and inhaled raggedly. He began coughing. After a second, he bent down to the bottle.
“Don’t touch it,” I said urgently, and his hand stopped halfway down.
“Of course not,” he said, chiding himself, and he straightened up. “Did you see who threw it?”
“No,” I said. We were the only people left in the bar. I could hear the fire engine getting closer and closer, so I knew we had only a minute more to talk to each other alone. “Coulda been the same people who’ve been demonstrating out in the parking lot. I don’t know that the church members are into firebombs, though.” Not everyone in the area was pleased to know there were such creatures as werewolves and shapeshifters following the Great Reveal, and the Holy Word Tabernacle in Clarice had been sending its members to demonstrate at Merlotte’s from time to time.
“Sookie,” Sam said, “sorry about your hair.”
“What about it?” I said, lifting my hand to my head. The shock was setting in now. I had a hard time making my hand mind my directions.
“The end of your ponytail got singed,” Sam said. And he sat down very suddenly. That seemed like a good idea.
“So that’s what smells so bad,” I said, and collapsed on the floor beside him. We had our backs against the base of the bar, since the stools had gotten scattered in the melee of the rush out the back door. My hair was burned off. I felt tears run down my cheeks. I knew it was stupid, but I couldn’t help it.
Sam took my hand and gripped it, and we were still sitting like that when the firefighters rushed in. Even though Merlotte’s is outside the city limits, we got the official town firefighters, not the volunteers.
“I don’t think you need the hose,” Sam called. “I think it’s out.” He was anxious to prevent any more damage to the bar.
Truman La Salle, the fire chief, said, “You two need first aid?” But his eyes were busy, and his words were almost absentminded.
“I’m okay,” I said, after a glance at Sam. “But Jane’s out back with a cut on her head, from the glass. Sam?”
“Maybe my right hand got a little burned,” he said, and his mouth compressed as if he was just now feeling the pain. He released my hand to rub his left over his right, and he definitely winced this time.
“You need to take care of that,” I advised him. “Burns hurt like the devil.”
“Yeah, I’m figuring that out,” he said, his eyes squeezing shut.
Bud Dearborn came in as soon as Truman yelled, “Okay!” The sheriff must have been in bed, because he had a thrown-together look and was minus his hat, a reliable part of his wardrobe. Sheriff Dearborn was probably in his late fifties by now, and he showed every minute of it. He’d always looked like a Pekinese. Now he looked like a gray one. He spent a few minutes going around the bar, watching where his feet went, almost sniffing the disarray. Finally he was satisfied and came up to stand in front of me.
“What you been up to now?” he asked.
“Someone threw a firebomb in the window,” I said. “None of my doing.” I was too shocked to sound angry.
“Sam, they aiming for you?” the sheriff asked. He wandered off without waiting for an answer.
Sam got up slowly and turned to reach his left hand to me. I gripped it and he pulled. Since Sam’s much stronger than he looks, I was on my feet in a jiffy.
Time stood still for a few minutes. I had to think that I was maybe a bit in shock.
As Sheriff Dearborn completed his slow and careful circuit of the bar, he arrived back at Sam and me.
By then we had another sheriff to deal with.
Eric Northman, my boyfriend and the vampire sheriff of Area Five, which included Bon Temps, came through the door so quickly that when Bud and Truman realized he was there, they jumped, and I thought Bud was going to draw his weapon. Eric gripped my shoulders and bent to peer into my face. “Are you hurt?” he demanded.
It was like his concern gave me permission to drop my bravery. I felt a tear run down my cheek. Just one. “My apron caught fire, but I think my legs are okay,” I said, making a huge effort to sound calm. “I only lost a little hair. So I didn’t come out of it too bad. Bud, Truman, I can’t remember if you’ve met my boyfriend, Eric Northman from Shreveport.” There were several iffy facts in that sentence.
“How’d you know there was trouble here, Mr. Northman?” Truman asked.
“Sookie called me on her cell phone,” Eric said. That was a lie, but I didn’t exactly want to explain our blood bond to our fire chief and our sheriff, and Eric would never volunteer any information to humans.
One of the most wonderful, and the most appalling, things about Eric loving me was that he didn’t give a shit about anyone else. He ignored the damaged bar, Sam’s burns, and the police and firefighters (who were keeping track of him from the corners of their eyes) still inspecting the building.
Eric circled me to evaluate the hair situation. After a long moment, he said, “I’m going to look at your legs. Then we’ll find a doctor and a beautician.” His voice was absolutely cold and steady, but I knew he was volcanically angry. It rolled through the bond between us, just as my fear and shock had alerted him to my danger.
“Honey, we have other things to think about,” I said, forcing myself to smile, forcing myself to sound calm. One corner of my brain pictured a pink ambulance screeching to a halt outside to disgorge emergency beauticians with cases of scissors, combs, and hair spray. “Dealing with a little hair damage can wait until tomorrow. It’s a lot more important to find out who did this and why.”
Eric glared at Sam as if the attack were Sam’s responsibility. “Yes, his bar is far more important than your safety and well-being,” he said. Sam looked astonished at this rebuke, and the beginnings of anger flickered across his face.
“If Sam hadn’t been so quick with the fire extinguisher, we’d all have been in bad shape,” I said, keeping up with the calm and the smiling. “In fact, both the bar and the people in it would have been in a lot more trouble.” I was running out of faux serenity, and of course Eric realized it.
“I’m taking you home,” he said.
“Not until I talk to her.” Bud showed considerable courage in asserting himself. Eric was scary enough when he was in a good mood, much less when his fangs ran out as they did now. Strong emotion does that to a vamp.
“Honey,” I said, holding on to my own temper with an effort. I put my arm around Eric’s waist, and tried again. “Honey, Bud and Truman are in charge here, and they have their rules to follow. I’m okay.” Though I was trembling, which of course he could feel.
“You were frightened,” Eric said. I felt his own rage that something had happened to me that he had not been able to prevent. I suppressed a sigh at having to babysit Eric’s emotions when I wanted to be free to have my own nervous breakdown. Vampires are nothing if not possessive when they’ve claimed someone as theirs, but they’re also usually anxious to blend into the human population, not cause any unnecessary waves. This was an overreaction.
Product details
- Publisher : Ace; Reprint edition (March 27, 2012)
- Language : English
- Mass Market Paperback : 368 pages
- ISBN-10 : 1937007359
- ISBN-13 : 978-1937007355
- Item Weight : 6.2 ounces
- Dimensions : 4.19 x 0.89 x 6.75 inches
- Best Sellers Rank: #218,977 in Books (See Top 100 in Books)
- #228 in Vampire Mysteries
- #8,178 in Women Sleuths (Books)
- #9,572 in Paranormal & Urban Fantasy (Books)
- Customer Reviews:
About the author

Charlaine Harris was born in Tunica, Mississippi, and raised in the Mississippi River Delta area in the middle of a cotton field. Though her early works consisted largely of poems about ghosts and, later, teenage angst, she wrote plays when she attended Rhodes College in Memphis, Tennessee and started writing novels a few years later.
After publishing two stand-alone mysteries, Harris launched a light-hearted mystery series 'starring' Georgia librarian Aurora Teagarden. The first of the eight books, Real Murders, was shortlisted for Best Novel in the 1990 Agatha Awards. In 1996, she released the first of the much darker Shakespeare mysteries, featuring the amateur sleuth Lily Bard, a karate student who makes her living cleaning houses.
Charlaine Harris then wrote the first of her Southern vampire mysteries starring Sookie Stackhouse, the quirky, telepathic waitress who works in a bar in the fictional Northern Louisiana town of Bon Temps. Dead Until Dark won the Anthony Award for Best Paperback Mystery. It also won Harris a whole new fan club of devoted readers and pushed her into the bestseller lists. The Sookie Stackhouse series, in which Sookie has to deal with vampires, werecreatures and other supernatural folk - not to mention her own complicated love life - was also instrumental in creating the urban fantasy genre.
Sookie Stackhouse also enchanted Alan Ball, creator of the smash TV show Six Feet Under, who took an option and wrote and directed the pilot episode for True Blood himself. It was an instant hit when it premiered in the US, and that success was repeated when it was first aired in Britain last year. The second season of TRUE BLOOD will start this spring.
Harris's newest series features Harper Connelly, a young woman who, after being struck by lightning, finds herself able to locate the bodies of the dead and to determine the cause of their death. There are four Harper titles (Grave Sight, Grave Surprise, An Ice Cold Grave and Grave Secret).
Charlaine Harris is a member of the Mystery Writers of America and the American Crime Writers League. She is a member of the board of Sisters in Crime, and alternates with Joan Hess as president of the Arkansas Mystery Writers Alliance. She is married, the mother of three, and lives in a small town in Southern Arkansas. When she is not writing her own books, she reads omnivorously!
Here are the Sookie Stackhouse True Blood novels in series order:
Dead Until Dark: Sookie Stackhouse 1
Living Dead In Dallas: Sookie Stackhouse 2
Club Dead: Sookie Stackhouse 3
Dead To The World: Sookie Stackhouse 4
Dead As A Doornail: Sookie Stackhouse 5
Definitely Dead: Sookie Stackhouse 6
All Together Dead: Sookie Stackhouse 7
From Dead To Worse: Sookie Stackhouse 8
Dead And Gone: Sookie Stackhouse 9
Dead In The Family: Sookie Stackhouse 10
A Touch Of Dead (a Sookie Stackhouse short story collection_
Here are the Harper Connelly novels in series order:
Grave Sight: Harper Connelly 1
Grave Surprise: Harper Connelly 2
An Ice Cold Grave: Harper Connelly 3
Grave Secret: Harper Connelly 4
Customer reviews
Customer Reviews, including Product Star Ratings help customers to learn more about the product and decide whether it is the right product for them.
To calculate the overall star rating and percentage breakdown by star, we don’t use a simple average. Instead, our system considers things like how recent a review is and if the reviewer bought the item on Amazon. It also analyzed reviews to verify trustworthiness.
Learn more how customers reviews work on Amazon
Reviewed in the United States on March 13, 2018
-
Top reviews
Top reviews from the United States
There was a problem filtering reviews right now. Please try again later.
However, overall I really enjoyed this installment once the ball got rolling (the 1st 50% was a bit boring for me) & I do believe this was indeed a huge turning point for not just Sookie & Eric but Sookie herself. The end scene with Eric was like..BAM! She has some very big thinking to do about what she wants for herself, what she is willing to accept about her life & the people she surrounds herself with.
I don't have many doubts that Eric/Sookie are going wind up together. OK maayaybe a little doubt b'c CH likes to play her audience...but... really? It wouldn't make sense to have it be anyone else 11 books in & a few shorts as well. I found this installment to signify their next big bump in the road, the next trial & tribulation for their relationship & watch how they get through it. In this book, for the 1st time Sookie was more upfront. Discussing the future, aging, babies etc.. she has grown & continues to. It does look like there is a setup for a breakup in the next book but with a possible reconciliation in the last book thanks to the magical cluviel dor. Who knows for sure though!
**Semi-spoilers**
There were a lot of typical SVM hi-jinks & humor in this book. Sookie's naked jaunt into Bill's house & her rambling inner monologue... "Irrelevant!" was hilarious.
I even liked Bill. A lot. Although, that's not surprising b'c CH was turning him into Eric to a degree. Not kidding. CH is definitely recycling her Eric material into the new Bill. His quote as to why he loves Sookie complete with a comment about her chest (so un-Bill like) is practically verbatim Eric to Sookie in DTTW. That's right...go check it out! And his move..."Is it Christmas? Are you my early present?" was also classic Eric. It's a little tedious CH's manipulation of the audience but whatever. It is what it is. I suppose if you are going to finish this ride be prepared for the tactics that come with it.
Sookie was back to herself but in better form than ever in many ways. Aside from her own homicidal tendencies, she is growing, more mature & in control. Or trying to be at least. She is taking a much larger stand for herself in what she will tolerate from the people in her life whereas in the past, she almost assumed their feelings & was able to be manipulated more. I like her relationship with Eric a lot. Warts & all. I found her insecurities & misgivings well founded as well as his own anger, resentment & fear. I really enjoy seeing them having to go through a ton of crap to work it out. Like a real relationship.
I also loved the scene with Eric & Sookie after the bond broke. Not the sex scene mind you b'c that was whatever - it was one page of throwing it in but it did, to me show their huge relief that Sookie does in fact love Eric tremendously as he does her. More than that, I love their bit of dialog afterward.
However, the scene that blew me away was at the end when she freaked out amongst the assassination ruin in which she had the majority hand in rallying & plotting. When Eric took her blood after rightly calling her a "hypocrite" & didn't take the pain out of it. HOLY COW. I know this will be a much debated scene & very controversial but I thought it was just SPOT ON. So good. So dark. So very deep.
It was awesome. Well for me anyway. I mean here Sooks has been complaining the last 2 books how she wants Victor to die (by her own hands even). She's the one that rallies Eric & co. It's her plan they go with & then at the end....b'c she hates what she sees in herself & not only that but, was a part of & had the largest hand in plotting, she projects onto Eric & co. b'c it's easiest to do that.
Him letting her feel the pain was his way (to me anyway) of saying deal with it! Face it. This is life with me/a vamp Sookie & I'm not going to sugarcoat it for you. Accept it & accept me. You partake in this life, these are the realities that come with it. We're alive. Isn't that what you wanted most?
I don't know what CH is going to have her do but I find this turning point really compelling. She scares herself. The lengths she's willing to go to for those she loves & to survive & the macabre situations she finds herself in as a result.
I thought it was a very clever, deep scene.
The CD fairy love token is a bit of a cop out but I will wait to see how CH wields it. Oh wait.. we have a potion which will amazingly come in SO handy! Er...we'll see.
The potential Fairy plot is quite devious. It seems as if CH is foreshadowing someone playing dress up in Eric or someone else's skin to potentially get Sook's up the duff? IDK but all the material is there & man...those Fairies are sneaky.
Funnily enough, I felt the worst for Sookie in regard to Amelia. Not that Amelia's meddlesome betrayal was a surprise to me, I figured it was only a matter of time but she really went all out. Sookie is a character with a rare handful of people she can trust & not even that. She is quite often, alone. And that theme featured a lot in this installment. With Eric's new day man being a 'lone wolf', Eric asking her to move in with him b'c the thought of her being 'alone' & feeling her fear made him crazy. Her really feeling the isolation in this installment esp. when she kicks everyone out of her home. Poor Sookie Sookie.
Overall, this place which Sookie is in, yet another crossroads deciding who she can trust, turn to, what will happen to her relationship & what will that mean for her future? This is all great meaty stuff.
And now for my biggest issue..the potential plot inconsistency.It's the conversation between Sookie, Claude & Dermont about Eric & Niall being in cahoots. It sooo doesn't stack. I am investigating that one & won't bog down the review with it but in fairness I will change my rating if it turns out that it's not a plot inconsistency.
Meanwhile, Eric has other problems and getting rid of Victor who horned in on his territory is absolutely one one of them. When Sookie agrees that someone needs to die, they’re really bad.
Bill has been saved from silver poisoning because Sookie found someone with a blood bond to save him, and she’s grateful and wants Bill forever. Bill is grateful too, but less enthused about forever.
Pam wants to make her own child, but is prevented by politics. Isn’t this all just like the Valentines Day from hell?
I enjoyed this current offering in the series. I don't have a problem with story lines or continuity. I don't make detailed notes on each book, nor do I find it necessary to pick out the authors mistakes. For me it takes away from the enjoyment of the stories.
Have yet to see the True Blood series so I have no stake in it. No pun intended. Don't want to see it either. I find my own imagination to be much more satisfactory than some director and producer working with a limited budget for writers, actors, and sfx. (Notice that the series is named for a brand name of the artificial blood, not any of the characters in the books. I think this will probably allow the series to wander far afield from the books should they so desire.)
I have now read ALL the books twice and am starting through ALL of them again. The blood bond has been broken in the last book. Eric is very much obligated by his now dead maker to take the Queen of Oklahoma for a bride. To do this he must set aside his human 'wife' Sookie. That he wouldn't tell her, or add her insight to the process is quite telling. Eric, besides being a hot hunkie Vampire, is a creature of high powered politics, money, and has a canny instinct for survival.
As for the 'natural life span', having Sookies's fae cousin and great uncle take up residence with her, having a portal to fairy in her woods, and being in possession of a seriously powerful fairy artifact is strengthening her fae blood exponentially. So define 'natural life span', because the author hasn't been exactly clear on the species when it comes to natural life spans.
In this latest offering we find fewer explosive sexual escapades and more character development. This is nice because it indicates that Ms. Harris is giving more time to plot. Constantly adding sex indicates that the writer has run out of plot and imagination. Not that I have anything against sex, especially with Ms. Harris's descriptive abilities. But hey, you can only go 'hot and throbbing' so many times before it gets stale and tasteless. For a while I was a little worried that the books were turning into a set of soft porn novellas; rather than a really interesting series of novels about a fascinating world of the unseen and unknown.
Sookie spends quite a bit of time in this book pondering her own mortality, her options for a future, the ramifications of her fae blood, the origins of her demon gift, her feelings for the various men in her life, and her choices both good and bad.
One has to wonder if Ms. Harris will sometime explain why so many individuals from so many different species are so willing to throw themselves into harms way for such a seemingly unimportant individual from B**F*** Nowhere, Louisiana. After reading the latest offering it seems she may be angeling to make Sookie Queen of The Fae (as a whole, not just the fairy), as she is becoming more fae not merely staying the same. Although she is still a little squeamish and morally conflicted for it at present. Perhaps she will use the fairy relic to do so or maybe to take herself back to the beginning and not save Bill which would save her from the grief she's gone through up to this point. So many directions and so many choices and so many open ended possibilities. The book raises as many questions as it answers. Nothing is wrapped up in a neat bow except the Pelt question, which I enjoyed immensely.
Ms. Harris has left herself a good many outs with this latest book so that she can jump in any number of directions with them and continue the series with a great many more books. (Not to mention spinning off a series of any of the other interesting characters. Pam could easily have her own series of books. Wouldn't that be great?)
I don't think that Ms. Harris has made up her mind as to whom Sookie will 'end' up with, or where, or when. Sookie is her brain child, a vital part of herself, and has been with her for quite a long time. In my humble opinion I think she is loathe to write a final chapter to this part of herself and let her go just yet. (It would be like sentencing a part of yourself to death. Ponder on that for a minute, if you will.) Until she is ready to do that we can look forward to the introduction of more choices and more twists in a path that has been anything but straight forward.
It will be interesting to see which way she chooses to go or whether she will fall back into her pattern of soft porn, which would be truly disappointing.
Top reviews from other countries

I was worried that as we had started to go over the 10's in the series that it may start becoming a little bit stale but this is yet another brilliant and cleverly thought out instalment in the series from Charlaine Harris and in my opinion the series is still just as exciting as the first book. I don't want to go into the storyline and ruin it for anyone but for I personally loved it. I know that this has had mixed reviews so far but I think this book has been essential in filling in some bits. I personally loved the book but obviously we all have our own views and you made find that your opinion differs to mine (or not) once you have read it for yourself. I will still be sticking with the series and even if this maybe hasn't been the most exciting book I still think that the series still has places to go. Anyway all I can say is read it yourself and then you will be able to make your own mind up about it.
Any fans of the TV series who haven't read the books then I would definitely recommend them as they go into so much more depth than the TV series can (although I love the TV series too). I personally still loved this book:)
1. Dead Until Dark: A True Blood Novel
2. Living Dead In Dallas: A True Blood Novel
3. Club Dead: A True Blood Novel
4. Dead To The World: A True Blood Novel
5. Dead As A Doornail
6. Definitely Dead
7. All Together Dead: A True Blood Novel (Sookie Stackhouse Vampire 7)
8. From Dead to Worse: A True Blood Novel
9. Dead and Gone: A True Blood Novel (Sookie Stackhouse Vampire 9)
10. Dead in the Family: A True Blood Novel (Sookie Stackhouse Vampire 10)

I think despite the negative comment the reason i enjoyed this book so much was because I love living sookies life with her. Over the past 100000 books (it really does seem like there has been loads), you learn so much about sookie and her life and reading about her boring day to day life (maybe not so boring, its not really that conventional)does make this book enjoyable.
The only other issue i have with this book, which to be fair happens very little in this book compared to the rest, is the constant reference or 'reminderes' to little antidotes about sookies life which you have revisited e.g. highlighting that Claude is her cousin and that he is a stripper in a bar called holligans etc etc. It really grates on me, and i find it innappropiate as you wouldnt read this book without reading the previous.
I do agree with some of the other more harsh comments to a point (she would never deserve 1 or 2 stars though) as i do feel the last 2/3 books havnt got me as excited as the first few. I dont think it has anything to do with her writing per say but more to do with the fact that things cant go THAT wrong each book. I think if she did make each book as exciting people would start to complain about the opposite.
Overall i still feel CH is an excellent writer who manages to make sookie cleaning the house interesting. She has captured me thoughout the whole true blood series and this is why i do not feel this book is dull in anyway. I would love her books to be longer so that i wouldnt have to wait a while year for 300pages but i have by no means lost interest throughout the year. Solid 4 stars (but i would add a half if they let me cause i really love this series).

Without giving too much away, this entire book explores Sookies feelings for Eric as well as whether she likes being connected to the supernatural world. It was mentioned in one review that the sex scenes were dissapointing but to me it was perfect. Rather than the usual long descriptions the intensity of the moment didnt warrant pages of words. Sookie finally finds out some family secrets and to me it all felt that this was leading up to something very, very important. I was wondering if this book was now setting the scene, possibly, for the end of the Sookie Stackhouse series. (At the end of the day they can't go on forever even though we wish they would.)
So if you are planning on getting this book, don't worry it is as good as every other book. Some small details that have been mentioned in previous books, that you may have missed, now slots into place. I am going to re-read all of the series and wait for the next installment.

The book is written at its usual racy style, thoroughly enjoyable, it is a wondeful exercise in fantasy escapism from our mundane world. I must congratulate Mrs Harris for her initiating the current band of supernatural books and film series that are now sweeping the world. Her wit and sense of humour keep this particular series light, sexy and amusing. Her characterisation is so real and the pace of the book keeps the reader going to the end. Dead Reckoning: A True Blood Novel

There are very few new revelations and those that do exist hardly move the over-arching narrative on. It feels like Harris just ran out of imagination in this book and so sticks to what she knows, moving old characters around just for the sake of having something to do - particularly obvious with the walk-on appearance of Alcide.
Even Sookie who I usually adore is a tad irritating here as her sassy comments tip over sometimes into the too-smart-for-her own-good mode. And the number of ex-lovers all professing their love while trying to get her naked is too much.
Harris has written some brilliant books in this series - dramatic, poignant, moving and funny - but this is definitely a poor cousin. Come on Charlaine - you can do so much better than this!