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Like the Willow Tree (Dear America) by [Lois Lowry]
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Like the Willow Tree (Dear America) Kindle Edition

4.6 out of 5 stars 169 ratings

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Editorial Reviews

From School Library Journal

Gr 3-6-Lydia Amelia Pierce, 11, and her older brother, Daniel, are sent to live in the Shaker community at Sabbathday Lake, ME, after her parents die in the 1918 influenza epidemic. Lydia must become accustomed to living, working, and learning with the Shakers and the other orphaned or abandoned children cared for at the settlement. However, Daniel toys with the idea of running away, and does indeed leave for a time. Although Lydia worries about him, her time with the Shakers is marked by a sense of acceptance and appreciation for what she has. Effective use of detail and language immerses readers in Lydia's world, especially her life with the Shakers, making for a standout historical fiction read. The book covers just six months of the children's lives. Lydia grows and changes, but her development is slow and subtle as she learns to let go of her sorrow and appreciate the simple joys in life. Pages of historical notes and photographs at the end of the book provide thorough coverage of the epidemic as well as the Shakers and Sabbathday Lake. These notes are especially helpful in clarifying which parts of the story are real and which are fiction. Readers with a high interest in historical fiction or classes studying early 20th century America, and, of course, "Dear America" fans will appreciate this novel.-Heather Talty, Lower School Library, Columbia Grammar & Preparatory School, New York City (c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted. --This text refers to an out of print or unavailable edition of this title.

From Booklist

From the renewed Dear America series of historical-fiction diaries, this one belongs to 11-year-old Lydia Pierce. Lydia’s world turns upside down in 1918, when influenza kills her parents and baby sister. With no one left to care for her and her brother, they are taken to live with the Shakers in Maines Sabbathday Lake community. Since she has already lost so much, Lydia finds it hard to give up her favorite book and her grandmother’s ring as communal property, but little by little, she adapts to her new home. Lowry writes with simplicity and sensitivity, bringing Lydia’s world to life through concrete details and making the child’s resilience entirely believable. Unlike books in the original series, this one has the author’s name on the cover, though like the earlier ones, it extends the fiction in an epilogue summarizing Lydia’s later life. The back matter also includes historical notes on the influenza of 1918 and the Shakers, a section of related photos, and a note on the author, including comments on her research. A fine addition. Grades 4-7. --Carolyn Phelan --This text refers to an out of print or unavailable edition of this title.

Product details

  • ASIN ‏ : ‎ B005ES44Y6
  • Publisher ‏ : ‎ Scholastic Inc.; 1st edition (August 1, 2011)
  • Publication date ‏ : ‎ August 1, 2011
  • Language ‏ : ‎ English
  • File size ‏ : ‎ 5991 KB
  • Text-to-Speech ‏ : ‎ Enabled
  • Screen Reader ‏ : ‎ Supported
  • Enhanced typesetting ‏ : ‎ Enabled
  • X-Ray ‏ : ‎ Not Enabled
  • Word Wise ‏ : ‎ Enabled
  • Print length ‏ : ‎ 227 pages
  • Lending ‏ : ‎ Enabled
  • Customer Reviews:
    4.6 out of 5 stars 169 ratings

About the author

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Lois Lowry is known for her versatility and invention as a writer. She was born in Hawaii and grew up in New York, Pennsylvania, and Japan. After studying at Brown University, she married, started a family, and turned her attention to writing. She is the author of more than forty books for young adults, including the popular Anastasia Krupnik series. She has received countless honors, among them the Boston Globe-Horn Book Award, the Dorothy Canfield Fisher Award, the California Young Reader's Medal, and the Mark Twain Award. She received Newbery Medals for two of her novels, NUMBER THE STARS and THE GIVER. Her first novel, A SUMMER TO DIE, was awarded the International Reading Association's Children's Book Award. Several books have been adapted to film and stage, and THE GIVER has become an opera. Her newest book, ON THE HORIZON, is a collection of memories and images from Pearl Harbor, Hiroshima, and post-war Japan. A mother and grandmother, Ms. Lowry divides her time between Maine and Florida. To learn more about Lois Lowry, see her website at www.loislowry.com

author interview

A CONVERSATION WITH LOIS LOWRY ABOUT THE GIVER

Q. When did you know you wanted to become a writer?

A. I cannot remember ever not wanting to be a writer.

Q. What inspired you to write The Giver?

A. Kids always ask what inspired me to write a particular book or how did I get an idea for a particular book, and often it’s very easy to answer that because books like the Anastasia books come from a specific thing; some little event triggers an idea. And some, like Number the Stars, rely on real history. But a book like The Giver is a much more complicated book, and therefore it comes from much more complicated places—and many of them are probably things that I don’t even recognize myself anymore, if I ever did. So it’s not an easy question to answer.

I will say that the whole concept of memory is one that interests me a great deal. I’m not sure why that is, but I’ve always been fascinated by the thought of what memory is and what it does and how it works and what we learn from it. And so I think probably that interest of my own and that particular subject was the origin, one of many, of The Giver.

Q. How did you decide what Jonas should take on his journey?

A. Why does Jonas take what he does on his journey? He doesn’t have much time when he sets out. He originally plans to make the trip farther along in time, and he plans to prepare for it better. But then, because of circumstances, he has to set out in a very hasty fashion. So what he chooses is out of necessity. He takes food because he needs to survive. He takes the bicycle because he needs to hurry and the bike is faster than legs. And he takes the baby because he is going out to create a future. Babies—and children—always represent the future. Jonas takes the baby, Gabriel, because he loves him and wants to save him, but he takes the baby also in order to begin again with a new life.

Q. When you wrote the ending, were you afraid some readers would want more details or did you want to leave the ending open to individual interpretation?

A. Many kids want a more specific ending to The Giver. Some write, or ask me when they see me, to spell it out exactly. And I don’t do that. And the reason is because The Giver is many things to many different people. People bring to it their own complicated beliefs and hopes and dreams and fears and all of that. So I don’t want to put my own feelings into it, my own beliefs, and ruin that for people who create their own endings in their minds.

Q. Is it an optimistic ending? Does Jonas survive?

A. I will say that I find it an optimistic ending. How could it not be an optimistic ending, a happy ending, when that house is there with its lights on and music is playing? So I’m always kind of surprised and disappointed when some people tell me that they think the boy and the baby just die. I don’t think they die. What form their new life takes is something I like people to figure out for themselves. And each person will give it a different ending. I think they’re out there somewhere and I think that their life has changed and their life is happy, and I would like to think that’s true for the people they left behind as well.

Q. In what way is your book Gathering Blue a companion to The Giver?

A. Gathering Blue postulates a world of the future, as The Giver does. I simply created a different kind of world, one that had regressed instead of leaping forward technologically as the world of The Giver has. It was fascinating to explore the savagery of such a world. I began to feel that maybe it coexisted with Jonas’s world . . . and that therefore Jonas could be a part of it in a tangential way. So there is a reference to a boy with light eyes at the end of Gathering Blue. Originally I thought he could be either Jonas or not, as the reader chose. But since then I have published two more books—Messenger, and Son—which complete The Giver Quartet and make clear that the light-eyed boy is, indeed. Jonas. In the book Son readers will find out what became of all their favorite characters: Jonas, Gabe, and Kira as well, from Gathering Blue. And there are some new characters—most especially Claire, who is fourteen at the beginning of Son— whom I hope they will grow to love.

Customer reviews

4.6 out of 5 stars
4.6 out of 5
169 global ratings

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