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The Devil in the White City: Murder, Magic, and Madness at the Fair That Changed America Paperback – February 10, 2004
Erik Larson (Author) Find all the books, read about the author, and more. See search results for this author |
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NEW YORK TIMES BESTSELLER • The true tale of the 1893 World's Fair in Chicago and the cunning serial killer who used the magic and majesty of the fair to lure his victims to their death.
“Relentlessly fuses history and entertainment to give this nonfiction book the dramatic effect of a novel .... It doesn’t hurt that this truth is stranger than fiction.” —The New York Times
Combining meticulous research with nail-biting storytelling, Erik Larson has crafted a narrative with all the wonder of newly discovered history and the thrills of the best fiction.
Two men, each handsome and unusually adept at his chosen work, embodied an element of the great dynamic that characterized America’s rush toward the twentieth century. The architect was Daniel Hudson Burnham, the fair’s brilliant director of works and the builder of many of the country’s most important structures, including the Flatiron Building in New York and Union Station in Washington, D.C. The murderer was Henry H. Holmes, a young doctor who, in a malign parody of the White City, built his “World’s Fair Hotel” just west of the fairgrounds—a torture palace complete with dissection table, gas chamber, and 3,000-degree crematorium.
Burnham overcame tremendous obstacles and tragedies as he organized the talents of Frederick Law Olmsted, Charles McKim, Louis Sullivan, and others to transform swampy Jackson Park into the White City, while Holmes used the attraction of the great fair and his own satanic charms to lure scores of young women to their deaths. What makes the story all the more chilling is that Holmes really lived, walking the grounds of that dream city by the lake.
The Devil in the White City draws the reader into the enchantment of the Guilded Age, made all the more appealing by a supporting cast of real-life characters, including Buffalo Bill, Theodore Dreiser, Susan B. Anthony, Thomas Edison, Archduke Francis Ferdinand, and others. Erik Larson’s gifts as a storyteller are magnificently displayed in this rich narrative of the master builder, the killer, and the great fair that obsessed them both.
- Print length447 pages
- LanguageEnglish
- PublisherVintage
- Publication dateFebruary 10, 2004
- Dimensions5.23 x 0.84 x 8.01 inches
- ISBN-100375725601
- ISBN-13978-0375725609
- Lexile measure1170L
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Editorial Reviews
Review
“A dynamic, enveloping book. . . . Relentlessly fuses history and entertainment to give this nonfiction book the dramatic effect of a novel. . . . It doesn’t hurt that this truth is stranger than fiction.” — The New York Times
"So good, you find yourself asking how you could not know this already." — Esquire
“Another successful exploration of American history. . . . Larson skillfully balances the grisly details with the far-reaching implications of the World’s Fair.” — USA Today
“As absorbing a piece of popular history as one will ever hope to find.” — San Francisco Chronicle
“Paints a dazzling picture of the Gilded Age and prefigure the American century to come.” — Entertainment Weekly
“A wonderfully unexpected book. . . Larson is a historian . . . with a novelist’s soul.” — Chicago Sun-Times
From the Inside Flap
From the Back Cover
About the Author
Excerpt. © Reprinted by permission. All rights reserved.
How easy it was to disappear:
A thousand trains a day entered or left Chicago. Many of these trains brought single young women who had never even seen a city but now hoped to make one of the biggest and toughest their home. Jane Addams, the urban reformer who founded Chicago's Hull House, wrote, "Never before in civilization have such numbers of young girls been suddenly released from the protection of the home and permitted to walk unattended upon the city streets and to work under alien roofs." The women sought work as typewriters, stenographers, seamstresses, and weavers. The men who hired them were for the most part moral citizens intent on efficiency and profit. But not always. On March 30, 1890, an officer of the First National Bank placed a warning in the help-wanted section of the Chicago Tribune, to inform female stenographers of "our growing conviction that no thoroughly honorable business-man who is this side of dotage ever advertises for a lady stenographer who is a blonde, is good-looking, is quite alone in the city, or will transmit her photograph. All such advertisements upon their face bear the marks of vulgarity, nor do we regard it safe for any lady to answer such unseemly utterances."
The women walked to work on streets that angled past bars, gambling houses, and bordellos. Vice thrived, with official indulgence. "The parlors and bedrooms in which honest folk lived were (as now) rather dull places," wrote Ben Hecht, late in his life, trying to explain this persistent trait of old Chicago. "It was pleasant, in a way, to know that outside their windows, the devil was still capering in a flare of brimstone." In an analogy that would prove all too apt, Max Weber likened the city to "a human being with his skin removed."
Anonymous death came early and often. Each of the thousand trains that entered and left the city did so at grade level. You could step from a curb and be killed by the Chicago Limited. Every day on average two people were destroyed at the city's rail crossings. Their injuries were grotesque. Pedestrians retrieved severed heads. There were other hazards. Streetcars fell from drawbridges. Horses bolted and dragged carriages into crowds. Fires took a dozen lives a day. In describing the fire dead, the term the newspapers most liked to use was "roasted." There was diphtheria, typhus, cholera, influenza. And there was murder. In the time of the fair the rate at which men and women killed each other rose sharply throughout the nation but especially in Chicago, where police found themselves without the manpower or expertise to manage the volume. In the first six months of 1892 the city experienced nearly eight hundred homicides. Four a day. Most were prosaic, arising from robbery, argument, or sexual jealousy. Men shot women, women shot men, and children shot each other by accident. But all this could be understood. Nothing like the Whitechapel killings had occurred. Jack the Ripper's five-murder spree in 1888 had defied explanation and captivated readers throughout America, who believed such a thing could not happen in their own hometowns.
But things were changing. Everywhere one looked the boundary between the moral and the wicked seemed to be degrading. Elizabeth Cady Stanton argued in favor of divorce. Clarence Darrow advocated free love. A young woman named Borden killed her parents.
And in Chicago a young handsome doctor stepped from a train, his surgical valise in hand. He entered a world of clamor, smoke, and steam, refulgent with the scents of murdered cattle and pigs. He found it to his liking.
The letters came later, from the Cigrands, Williamses, Smythes, and untold others, addressed to that strange gloomy castle at Sixty-third and Wallace, pleading for the whereabouts of daughters and daughters' children.
It was so easy to disappear, so easy to deny knowledge, so very easy in the smoke and din to mask that something dark had taken root.
This was Chicago, on the eve of the greatest fair in history.
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Product details
- Publisher : Vintage (February 10, 2004)
- Language : English
- Paperback : 447 pages
- ISBN-10 : 0375725601
- ISBN-13 : 978-0375725609
- Lexile measure : 1170L
- Item Weight : 15.2 ounces
- Dimensions : 5.23 x 0.84 x 8.01 inches
- Best Sellers Rank: #865 in Books (See Top 100 in Books)
- #5 in Serial Killers True Accounts
- #6 in U.S. State & Local History
- #7 in Women in History
- Customer Reviews:
About the author

Erik Larson is the author of five national bestsellers: Dead Wake, In the Garden of Beasts, Thunderstruck, The Devil in the White City, and Isaac’s Storm, which have collectively sold more than nine million copies. His books have been published in nearly twenty countries.
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I will be absolutely honest and admit that I purchased the book because I was interested in the weird story of H.H.Holmes, American con-man, psychopath and serial killer. In fact, I will add to my confession, and shame, by saying that my interest was sparked by watching the episode of Timeless - a series unlikely to be renewed - where our trio of intrepid time-travelers goes back to the 1893 Chicago Columbian Exposition and have a misadventure in the "murder castle." I've never read anything by Erik Larsen before, but I know that he has a good number of books on the history section shelves and I’ve seen this book in passing for years.
I listened to this as an audiobook, and my initial reaction was that there was an awful lot about the 1893 World’s Fair, especially the architecture of the World’s Fair, than I was expecting or interested in. Frankly, my initial reaction was that all the detail about the planning of the Fair was getting in the way of the interesting bits about H.H. Holmes.
However, about half-way through the book, I found my interest shifting as I was sucked into the world of the Fair and the strangeness of the world right on the cusp of becoming the world we know, with lights and Cracker Jacks and Ferris wheels, but still possessing the instincts and customs of a more genteel and trusting age. I found that people like Frederick Law Olmsted and Daniel Burnham were becoming my heroes.
Larsen structures his book as alternating narratives. One narrative follows the twisted path of Holmes; the other follows the life of the fair. There is no doubt that the Holmes’ narrative starts out in the lead because of the natural human interest in evil, and Holmes was evil. Larsen describes Holmes as America’s first serial killer in an age when the language did not have the term “serial killer” to describe Holmes. Holmes was born Herman Webster Mudgett in 1861, studied medicine, married and abandoned his first wife, and, then, took the test for a pharmacy license under the name of H.H. Holmes and made his way to Chicago. In Chicago, he bought a pharmacy from a widow, who he probably conned, married a second wife, deposited the wife and his child in a suburb of Chicago, and then came up with the idea of transforming land he had purchased into a hotel in time for the upcoming Fair.
Listening to the Holmes’ arc, two thoughts come to mind: first, he was psychopathic and, second, he didn’t seem to understand how ridiculous his ideas were. For example, after scamming a brother in law, his plan to avoid discovery was to push the brother in law off of a roof. Who today would think such a thing would not be immediately seen for what it was? Likewise, Holmes built a hotel with secret rooms and gas lines to those rooms so that he could gas patrons, kill them and rob them. Women were constantly disappearing from his hotel, leaving their things behind. When the widow he bought his first pharmacy from simply disappeared, Holmes explained that she was visiting California. He courted and wed multiple wives simultaneously. His method for making bodies disappear was to have the bodies rendered into skeletons and then he would sell the skeletons to medical colleges.
Today, who could be so naive as to expect that any of this would not be discovered or noticed?
And that is partly the point. The era was a moment of transition. In the small towns that most people had lived in prior to the 1890s, everyone was under everyone’s else’s supervision. In Chicago, however, the rules changed. People were anonymous and alone in a crowd. People were easy to lose in a world without phones or extensive police agencies. If someone went to California, it would take more than idle curiosity to locate them. It was a psychopath’s utopia.
Also, the casualness of death becomes apparent in Larsen’s book. For example, Burnham’s partner plunges into the October night and dies of pneumonia within a week. Larsen also describes how the sister of one of Holmes’ victims suddenly took sick and died within a week. She was probably poisoned, but in that age it was not hard to believe that a healthy woman in her twenties could die of a sickness so quickly. I was working on a train accident fatality lawsuit during the time I listened to this book, so this passage had some significance to me:
// Anonymous death came early and often. Each of the thousand trains that entered and left the city did so at grade level. You could step from a curb and be killed by the Chicago Limited. Every day on average two people were destroyed at the city’s rail crossings. Their injuries were grotesque. Pedestrians retrieved severed heads. There were other hazards. Streetcars fell from drawbridges. Horses bolted and dragged carriages into crowds. Fires took a dozen lives a day. In describing the fire dead, the term the newspapers most liked to use was “roasted.”//
In Fresno County where I live, which is a mostly rural county with a large urban population, there are only two unprotected crossings – without signals – in the entire county. The three people killed in this one accident was probably higher than the annual average for the last fifty years. Violent death was simply more common in the past.
On the other hand, Larsen presents the “White City” of the Fair as the world that was dawning. The Fair brought millions of visitors to a location with lights and cultural diversity and sanitation and police protection. The idea that the architects are the heroes of the book seems strange since architects rarely play the role of hero, but Larsen manages to invest tension throughout the story arc about the Fair. Thus, there is tension in whether the architects will get the Fair built in time, and then there is tension about whether the Fair will turn a profit in the face of the economic depression gripping the country. There is also the heroism of George Washington Gale Ferris and his eccentric idea of building a huge wheel that would carry “Pullman Car-sized” boxes for passengers, although the most heroic act of the book, I thought, was the willingness of Mrs. Ferris to ride the thing on its maiden voyage as a rain of extra bolts cascaded down from the structure.
I came to know and develop a liking for Frederick Law Olmsted, who designed New York’s Central Park. Burnham is forgotten today but contributed to many American cities.
My first term paper in history was one I wrote as a Junior in High School about Eugene V. Debbs and the Pullman Strike of 1894, so it was something of a home-coming for me to read about the events that were occurring just before that strike, and to think that Debs and Darrow probably visited the Fair, maybe they ran across Holmes and Burnham. It occurs to me now that the Pullman Strike of 1894 was in 1894 because the closing of the Fair in 1893 exacerbated the economic crisis. Larsen writes:
// Ten thousand construction workers also left the fair’s employ and returned to a world without jobs, already crowded with unemployed men. Once the fair closed, many thousands more would join them on Chicago’s streets. The threat of violence was as palpable as the deepening cold of autumn. Mayor Harrison was sympathetic and did what he could. He hired thousands of men to clean streets and ordered police stations opened at night for men seeking a place to sleep. Chicago’s Commercial and Financial Chronicle reported, “Never before has there been such a sudden and striking cessation of industrial activity.” Pig iron production fell by half, and new rail construction shrank almost to nothing. Demand for railcars to carry visitors to the exposition had spared the Pullman Works, but by the end of the fair George Pullman too began cutting wages and workers. He did not, however, reduce the rents in his company town. The White City had drawn men and protected them; the Black City now welcomed them back, on the eve of winter, with filth, starvation, and violence.//
Holmes’ story closes out with Holmes’ finally getting tripped up in an insurance swindle and an intrepid Pinkerton detective following the clues to prove that Holmes was a child-killer among his other sins. In that way, Holmes’ story arc concludes as a true crime story about a true crime story.
Although I enjoyed and learned from this book, I would have to pick a nit with the “fictionalization” of some of the narrative. Larsen tells us that everything in his book is supported by documentary evidence, but he also acknowledges that he has made reasonable inferences about what happened at times. I think his inferences are reasonable, and I credit him for acknowledging what he has done, but I think that there are times when he offers his insights into what various people were thinking or feeling that he has gone too far and stepped outside of history proper into fiction. Obviously, this book is intended for the mass market and must keep reader interest. Also, we are a long way into non-fiction novels at this point, but there are moments when I as a history reader was woken up by Larsen describing what a character felt (when I would probably never have objected to the same information being couched as something the person “might have thought,” so if you interpolate those words, the book is in the genre of history.)
In sum, don’t be confused; this is not a true crime story. It is a sociological history/novel about a particular time in American history. Your interest in this book will vary depending on whether you are buying it as “true crime” or as history.
Very little was about HH Holmes. This book could've been cut in half and still would've been too long. It has a lot of good information and it peaked my curiosity on the world's fair. But it was just too long and not much on HH Holmes. Towards the end of the book there was more on him. However by then I had already checked out and just wanted to get it over with and complete the book.
If you are reading this because you want to hear about H.H. Holmes, you may want to read a different book. However, if you are open to learning about the World's Fair, architecture, or Chicago history, this is worth the read.
Top reviews from other countries


The writing itself is needlessly pompous and includes boring examples of the architects dinner menus and what they drank from the bar.
The book relies on description to convey everything and as such is as repetitive as it is dreary. While the spartan chapters on Holmes may thrill you, the lengthy and numerous chapters on the World's Fair will bore you through repetition and, at times, fractured prose. I was disappointed with this book.

It literally dedicates space to writing about the conditions of the soil that the fair was to be built on, and what other sites they looked at to find a site for the fair. Honestly, who cares. Even if you are hugely curious about the fair, most of it will send you to sleep.
The stuff about H.H Holmes is interesting, but you're mostly reading about the architects and what they had for dinner. I have no idea how this book has positive reviews.


I found it fascinating. Holmes' story is certainly worth telling, but it was the story of the World's Fair that was the more absorbing of the narratives.
The details of committee meetings, labour disputes and even storm damage were deftly handled, and the characters brought vividly to life.
I found Holmes' story was almost in the background, and I feel this made for a better book than it might have been.