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Devotions: The Selected Poems of Mary Oliver Paperback – November 10, 2020
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“No matter where one starts reading, Devotions offers much to love, from Oliver's exuberant dog poems to selections from the Pulitzer Prize-winning American Primitive, and Dream Work, one of her exceptional collections. Perhaps more important, the luminous writing provides respite from our crazy world and demonstrates how mindfulness can define and transform a life, moment by moment, poem by poem.” —The Washington Post
“It’s as if the poet herself has sidled beside the reader and pointed us to the poems she considers most worthy of deep consideration.” —Chicago Tribune
Pulitzer Prize-winning poet Mary Oliver presents a personal selection of her best work in this definitive collection spanning more than five decades of her esteemed literary career.
Throughout her celebrated career, Mary Oliver has touched countless readers with her brilliantly crafted verse, expounding on her love for the physical world and the powerful bonds between all living things. Identified as "far and away, this country's best selling poet" by Dwight Garner, she now returns with a stunning and definitive collection of her writing from the last fifty years.
Carefully curated, these 200 plus poems feature Oliver's work from her very first book of poetry, No Voyage and Other Poems, published in 1963 at the age of 28, through her most recent collection, Felicity, published in 2015. This timeless volume, arranged by Oliver herself, showcases the beloved poet at her edifying best. Within these pages, she provides us with an extraordinary and invaluable collection of her passionate, perceptive, and much-treasured observations of the natural world.
- Print length480 pages
- LanguageEnglish
- Publication dateNovember 10, 2020
- Dimensions5.49 x 0.96 x 8.44 inches
- ISBN-100399563261
- ISBN-13978-0399563263
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“It’s as if the poet herself has sidled beside the reader and pointed us to the poems she considers most worthy of deep consideration.” —Chicago Tribune
About the Author
Excerpt. © Reprinted by permission. All rights reserved.
At Blackwater Pond the tossed waters have settled
after a night of rain.
I dip my cupped hands. I drink
a long time. It tastes
like stone, leaves, fire. It falls cold
into my body, waking the bones. I hear them
deep inside me, whispering
oh what is that beautiful thing
that just happened?
Product details
- Publisher : Penguin Publishing Group; Reprint edition (November 10, 2020)
- Language : English
- Paperback : 480 pages
- ISBN-10 : 0399563261
- ISBN-13 : 978-0399563263
- Item Weight : 13.4 ounces
- Dimensions : 5.49 x 0.96 x 8.44 inches
- Best Sellers Rank: #1,324 in Books (See Top 100 in Books)
- #2 in Nature Poetry (Books)
- #4 in Poetry by Women
- #663 in Genre Literature & Fiction
- Customer Reviews:
About the author

A private person by nature, Mary Oliver has given very few interviews over the years. Instead, she prefers to let her work speak for itself. And speak it has, for the past five decades, to countless readers. The New York Times recently acknowledged Mary Oliver as "far and away, this country's best-selling poet." Born in a small town in Ohio, Oliver published her first book of poetry in 1963 at the age of 28; No Voyage and Other Poems, originally printed in the UK by Dent Press, was reissued in the United States in 1965 by Houghton Mifflin. Oliver has since published many works of poetry and prose. As a young woman, Oliver studied at Ohio State University and Vassar College, but took no degree. She lived for several years at the home of Edna St. Vincent Millay in upper New York state, companion to the poet's sister Norma Millay. It was there, in the late '50s, that she met photographer Molly Malone Cook. For more than forty years, Cook and Oliver made their home together, largely in Provincetown, Massachusetts, where they lived until Cook's death in 2005. Over the course of her long and illustrious career, Oliver has received numerous awards. Her fourth book, American Primitive, won the Pulitzer Prize for Poetry in 1984. She has also received the Shelley Memorial Award; a Guggenheim Fellowship; an American Academy and Institute of Arts and Letters Achievement Award; the Christopher Award and the L.L. Winship/PEN New England Award for House of Light; the National Book Award for New and Selected Poems; a Lannan Foundation Literary Award; and the New England Booksellers Association Award for Literary Excellence. Oliver's essays have appeared in Best American Essays 1996, 1998, 2001; the Anchor Essay Annual 1998, as well as Orion, Onearth and other periodicals. Oliver was editor of Best American Essays 2009. Oliver's books on the craft of poetry, A Poetry Handbook and Rules for the Dance, are used widely in writing programs. She is an acclaimed reader and has read in practically every state as well as other countries. She has led workshops at various colleges and universities, and held residencies at Case Western Reserve University, Bucknell University, University of Cincinnati, and Sweet Briar College. From 1995, for five years, she held the Catharine Osgood Foster Chair for Distinguished Teaching at Bennington College. She has been awarded Honorary Doctorates from The Art Institute of Boston (1998), Dartmouth College (2007) and Tufts University (2008). Oliver currently lives in Provincetown, Massachusetts, the inspiration for much of her work.
Photo Credit: Rachel Giese Brown, 2009.
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A neighbor thought we would like Ms. Oliver's poetry. Oh, we did.
Pick any page on any day and you'll find her writing striking a chord.
She's so good!
Peace.
(1935-2019)
Bestselling Poet, Winner of the National Book Award & The Pulitzer Prize
“Poetry isn't a profession, it's a way of life. It's an empty basket; you put your life into it and make something out of that."
The main theme the late Oliver shares is her abiding love and deep regard for the natural world. It is the fabric she prefers to lay her words on and wrap them up in and where she always found not only peace, but understanding of the importance of taking time to truly smell, touch and honor the earth. Though she has penned hundreds of poems, here are a few that I found especially notable. She also wrote many nature-themed essays but gave very few interviews feeling that her work could speak for itself.
She was a New York Times bestselling poet with a wise and generous wisdom and an intimate respect for the world not of our making. Here are a few examples of her work;
Mornings At Blackwater
For years, every morning, I drank
From Blackwater Pond.
It was flavored with oak leaves and also, no doubt,
The feet of ducks.
And always it assuaged me
from the dry bowl of the very far past.
What I want to say is
that the past is the past,
and the present is what your life is,
and you are capable
of choosing what that will be,
darling citizen.
So come to the pond,
or the river of your imagination,
or the harbor of your longing,
and put your lips to the world.
And live
your life.
Praying
It doesn’t have to be
the blue iris, it could be
weeds in a vacant lot, or a few
small stones; just
pay attention, then patch
a few words together and don’t try
to make them elaborate, this isn’t
a contest but the doorway
into thanks, and a silence in which
another voice may speak.
Three Things To Remember
As long as you’re dancing, you can
break the rules.
Sometimes breaking the rules is just
extending the rules.
Sometimes there are no rules.
For many, poetry has to rhyme, for others it has to adhere to a particular structure or have a certain word count and the variety of forms have accumulated over time. For Mary Oliver it had to express her observations of the natural world and perhaps she said it best, “When you write a poem, you write it for anybody and everybody.”
• Poetry tells a story
• What’s your poem?
She is a deist and her God is a Christian God. Though she quotes from both the Old and New Testaments, her language reflects more of the New replete with words like: grace, prayer, rapture and praise. She has no doubt that there is a God for the reader need only see dawn conquer the darkness to know each day is a recreation of the first day. Though she never overtly writes of resurrection, her frequent reflections on death suggest an eternity of existence. In WHITE OWL FLIES INTO AND OUT OF THE FIELD, Oliver writes "...so I thought maybe death isn't darkness, after all, but so much light wrapping itself around us- as soft as feathers-that we are instantly weary of looking and looking and shut our eyes not with amazement, and let ourselves be carried, as though the translucence of mica to the river that is without the least dapple or shadow- that is nothing but light-scalding, aortal light- in which we are washed and washed out of our bones."
Another frequent theme is the wonder and beauty of nature. In the style of Walt Whittman, she praises all forms of fauna, flora and aquatic environments from the tiny puddle to the vast ocean. She marvels at the blue of the sky, the blackness of night, the moon's refelctions amid the stars, "those hot, hard watchmen of the night." Looking and listening are our major tasks to appreciate nature fully. She writes, "To pay attention, this is our endless and proper work." In her poem HUM, Oliver is literally "buzzing" with excitement and creativity as she follows a worker bee gather and carry pollen to the hive.
Finally, Oliver underscores her joy in love and companionship. There are hints throughout her poems of a lonely and perhaps neglected childhood. She relishes sharing food and drink with her partner and dogs and the joy of physical closeness. She shares her saddness at the loss of a friend whose "closeness was like a flame, and now I am forever cold..."
In THE LOON ON OAK-HEAD POND, she writes of listening to the call of loons stopping over on the pond while heading home to the north "...you come every afternoon and wait to hear it. you sit a long time, quiet, under the thick pines, in the silence that follows. as though it were your own twilight. as though it were your own vanishing song." This marvelous collection of Oliver's poems keeps her voice forever resonating in the reader's mind and heart.
Top reviews from other countries

These poems glimmer and sparkle and remind one to go and be astonished by the world. Sit beneath trees and ponder the dragonfly.
The world is a lesser place without Mary Oliver. But her rich soul resides in these words.





Reviewed in the United Kingdom 🇬🇧 on April 24, 2018

