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The Dispossessed: A Novel (Hainish Cycle) Paperback – June 10, 2014
Ursula K. Le Guin (Author) Find all the books, read about the author, and more. See search results for this author |
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“One of the greats….Not just a science fiction writer; a literary icon.” – Stephen King
From the brilliant and award-winning author Ursula K. Le Guin comes a classic tale of two planets torn apart by conflict and mistrust — and the man who risks everything to reunite them.
A bleak moon settled by utopian anarchists, Anarres has long been isolated from other worlds, including its mother planet, Urras—a civilization of warring nations, great poverty, and immense wealth. Now Shevek, a brilliant physicist, is determined to reunite the two planets, which have been divided by centuries of distrust. He will seek answers, question the unquestionable, and attempt to tear down the walls of hatred that have kept them apart.
To visit Urras—to learn, to teach, to share—will require great sacrifice and risks, which Shevek willingly accepts. But the ambitious scientist's gift is soon seen as a threat, and in the profound conflict that ensues, he must reexamine his beliefs even as he ignites the fires of change.
- Print length400 pages
- LanguageEnglish
- PublisherHarper Perennial Modern Classics
- Publication dateJune 10, 2014
- Dimensions5.31 x 0.9 x 8 inches
- ISBN-10006051275X
- ISBN-13978-0060512750
- Lexile measure820L
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Editorial Reviews
Review
“Written with thought, care—even love.” — Times Literary Supplement (London)
“Excellent characterization and meaningful ideas make this one of the most important [science fiction] novels of the last several years.” — Library Journal
“This novel, by a celebrated Hungarian poet, depicts the world of his childhood…The narrator, a young boy whose family is shunned-it was once wealthy and is suspected of being Jewish-endures beatings, hunger, and taunts with the fatalism of someone who has never known anything else.” — New Yorker
“Le Guin’s characters, sepecially Shevek and his family, are complex and haunting, and her writing is remarkable for its sinewy grace.” — Time magazine
“Engrossing . . . Ursula Le Guin is more than just a writer of adult fantasy and science fiction . . . she is a philosopher; an explorer in the landscapes of the mind.” — Cincinnati Enquirer
“A seamless creation: every thing is made up, nothing seems arbitrary...Le Guin’s book [is] written in her solid, no-nonsense prose.” — New York Times Book Review
“Brilliantly conceived and stunningly executed . . . The setting is science fiction, but the tradition is humanistic, reducing life to its essentials and examining human beings in a real world.” — Chicago Daily News
“The novel flashes back and forth . . . and delicately develops both the strengths and weaknesses of the two social systems, the contrasting textures of the two kinds of social experience . . . All through, this impresses with small but incalculably right choices which add up solidly and confirm Ms. Le Guin as one of our finest projectionists of brave old and other worlds.” — Kirkus Reviews
From the Back Cover
A bleak moon settled by utopian anarchists, Anarres has long been isolated from other worlds, including its mother planet, Urras—a civilization of warring nations, great poverty, and immense wealth. Now Shevek, a brilliant physicist, is determined to reunite the two planets, which have been divided by centuries of distrust. He will seek answers, question the unquestionable, and attempt to tear down the walls of hatred that have kept them apart.
To visit Urras—to learn, to teach, to share—will require great sacrifice and risks, which Shevek willingly accepts. But the ambitious scientist's gift is soon seen as a threat, and in the profound conflict that ensues, he must reexamine his beliefs even as he ignites the fires of change.
About the Author
Ursula Kroeber Le Guin (1929-2018) was a celebrated author whose body of work includes 23 novels, 12 volumes of short stories, 11 volumes of poetry, 13 children’s books, five essay collections, and four works of translation. The breadth and imagination of her work earned her six Nebula Awards, seven Hugo Awards, and SFWA’s Grand Master, along with the PEN/Malamud and many other award. In 2014 she was awarded the National Book Foundation Medal for Distinguished Contribution to American Letters, and in 2016 joined the short list of authors to be published in their lifetimes by the Library of America.
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Product details
- Publisher : Harper Perennial Modern Classics; Reprint edition (June 10, 2014)
- Language : English
- Paperback : 400 pages
- ISBN-10 : 006051275X
- ISBN-13 : 978-0060512750
- Lexile measure : 820L
- Item Weight : 10.2 ounces
- Dimensions : 5.31 x 0.9 x 8 inches
- Best Sellers Rank: #135,612 in Books (See Top 100 in Books)
- #648 in Literary Criticism & Theory
- #1,488 in Exploration Science Fiction
- #10,717 in Literary Fiction (Books)
- Customer Reviews:
About the author

Ursula Kroeber Le Guin (US /ˈɜːrsələ ˈkroʊbər ləˈɡwɪn/; born October 21, 1929) is an American author of novels, children's books, and short stories, mainly in the genres of fantasy and science fiction. She has also written poetry and essays. First published in the 1960s, her work has often depicted futuristic or imaginary alternative worlds in politics, the natural environment, gender, religion, sexuality and ethnography.
She influenced such Booker Prize winners and other writers as Salman Rushdie and David Mitchell – and notable science fiction and fantasy writers including Neil Gaiman and Iain Banks. She has won the Hugo Award, Nebula Award, Locus Award, and World Fantasy Award, each more than once. In 2014, she was awarded the National Book Foundation Medal for Distinguished Contribution to American Letters. Le Guin has resided in Portland, Oregon since 1959.
Bio from Wikipedia, the free encyclopedia.
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Reviewed in the United States on August 4, 2018
Top reviews from the United States
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I never thought I'd say this about one of her novels or stories.
This book is a must read. It also includes an english professor's reading guide at 94% that includes a brief synopsis of the social situation at the time the novel was written to help explain why the author wrote the book the way she did and then poses thought provoking questions about each chapter. I suggest that you read this guide first and then read each chapter and try to answer the questions in the reading guide and repeat until you have completed the novel. Reading the book in this way will be a far more moving and enjoyable experience.
Though the reader does not know all this initially, we gradually learn that there was an anarchist movement of workers on Urras, a planet much like Earth, in A-Io, a capitalist society much like the U.S. When the uprising is crushed the rebels are given the choice of exile on Anarres, a moon or sister-planet. Anarrres is an arid, mainly desert world. The Odonians -- followers of Odo, the woman who is the intellectual anarchist leader -- agree, and one million of them settle Anarres and set about creating an anarchist society there.
The action takes place 170 years later. Shevek, a theoretical physicist on Anarres, is being held back in his work and makes the bold move of travelling to Urras, having been invited by A-Io physicists. The chapters alternate between Shevek on Urras and Shevek growing up on Anarres leading to the point of his departure. The nature of Anarres is shown both in the chapters set there and in Shevek's explanations to his hosts and his puzzled reaction to the "propertarian's" society. Urras is clearly modeled on Earth of the Cold War era, with A-Io corresponding to the U.S. and Thu corresponding to the Soviet Union.
The Urrasti's cannot imagine a society without a government. Shevek explains that the PDC (Production, Distribution, Coordination) is not a government: "They do not govern persons, they administer production." People rotate among work postings, which are voluntary. Conditions are harsh, and there is a frequent need for emergency postings to agriculture and other menial labor, which Shevek willingly volunteers for.
Shevek is working on a Theory of Simultaneity, which has radical implications for interstellar travel. It takes him longer than it should to realize that the Urrasti scientists are not interested in his work for strictly scientific reasons, but are acting on behalf of the rulers and their goal of increasing their power. In the parallel story, it also takes him longer than it should to realize that Anarres has become stagnant, with the development of an informal hierarchy invisible to most, and a stifling social conformity.
Once he comes to both realizations he acts to change both societies, but the novel ends as those changes are just being set in motion. The title is one of the brilliant aspects of the book -- "dispossessed" refers both to the Odonians being dispossessed from Urras, and to their core belief and practice of mutual aid rather than individual property.
*** *** ***
"The Dispossessed" won both the Hugo and Nebula Awards for Best Novel in 1975. I first read it in the mid-Eighties, and reading it again now I am just as impressed as I was the first time. I consider it to be Ursula K. Le Guin's best novel, and it remains one of my favorites!
One of my favorite novels of any genre. Tackles all the right questions. Challenges all political schools of thought, institutions of science, morality, industry. Does so fairly and develops compelling characters. Finds meaning in the meaningless suffering, on the level of a Dostoyevsky novel, compares favorably to The Idiot especially. A powerful message without ever preaching. Especially if you're interested in physics, this is a great book to read. If you're new to science fiction or have no interest in physics, this is a great place to start, being one of the most underrated classics.
Top reviews from other countries

The problem with many of these so-called master works is that their vision is utterly out of date. Maybe in 1974 readers were surprised by the portrayal of humanoids in alien societies, and the casual imagining of other social and political systems. But films like Logan's Run, Star Wars, Blade Runner and Total Recall all set new standards and the best SF creation since has maintained the principle that you have to have a special world and you have to have a good story inside it. So, into the trash it goes and press Eject.

The story is both simple and complex, much like Le Guin’s style of writing. There’s something contemplative about the way she writes, as if there’s a gap between what she writes and what she means, and inside that distance lies infinity. It’s enchanting.
At its heart, this book examines the walls we build, and how to unbuild them. It’s about the search for reconciliation. It explores two opposing worlds, and the story’s structure highlights the dichotomies that Le Guin so thoroughly immerses the reader in.
In terms of world-building, it’s flawless. Its ideas are deep, but told elegantly. It provokes thought, stirs emotion, and turns revolution into revelation.
This is a book to return to again and again. It stays with you. Once you’ve read it, you won’t want to be dispossessed of it.


Briefly putting this novel: it focuses more on character development of the protagonist & his interactions with societies and side characters. This is definitely not a plot-driven novel.
There is no antagonist, actually, the legal environment and culture is just a restriction & frustration.
I really like this novel & considerate a classic in my collection just based on the fact that it's so diverse from the others, that its more about the character & his struggles/triumphs rather than the plot.
