I liked this movie. I liked the plot twists, I liked the generally unpredictable character arcs, I liked the actors and I liked the quirky scene staging. The video preview was compelling enough that I wanted to watch it even though the basic plot is "prodigal child returns home." It quickly established that Kate Winslet's Tilly Dunnage had returned to her tiny, backwards hamlet unabashedly more for vendetta than virtue.
What surprised me at first was how silly it presented itself by incorporating an almost vaudevillian feeling to the initial ruckus she caused with her unexpected appearance. It lead me to believe that the whole movie was going to have that same tone, entertaining and a bit kitschy--which I like if it's executed well. But there are whole sections when the movie breaks away from vaudeville into real poignancy and (admittedly) slightly overbearing Hollywood-love-story. One might argue that it's a movie that can't decide what it wants to be. I think that's ok. I find this lack of uniformity in tone both novel and endearing. It was very much darker than I was expecting, while also much more heartfelt and heartbreaking.
I'm aware that reviews can only subjectively claim whether a movie is good or bad. So I won't waste my time trying to convince anyone that it's "good," only add my positive review in that regard, because I liked it and I don't think it's bad by way of directing or production values. I imagine that people who like Kate Winslet's somewhat whimsical, always strong, character portrayals, will like her in this. Fans of movies like Eternal Sunshine of a Spotless Mind will probably like this movie more than fans of the Titanic genre.