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Dune: Book One in the Dune Chronicles Audio CD – CD, May 29, 2007
Frank Herbert (Author) Find all the books, read about the author, and more. See search results for this author |
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NOW A MAJOR MOTION PICTURE directed by Denis Villeneuve, starring Timothée Chalamet, Josh Brolin, Jason Momoa, Zendaya, Rebecca Ferguson, Oscar Isaac, Javier Bardem, Dave Bautista, Stellan Skarsgård, and Charlotte Rampling.
Set on the desert planet Arrakis, Dune is the story of the boy Paul Atreides, who would become the mysterious man known as Muad'dib. He would avenge the traitorous plot against his noble family―and would bring to fruition humankind's most ancient and unattainable dream.
A stunning blend of adventure and mysticism, environmentalism and politics, Dune won the first Nebula Award, shared the Hugo Award, and formed the basis of what is undoubtedly the grandest epic in science fiction. Frank Herbert's death in 1986 was a tragic loss, yet the astounding legacy of his visionary fiction will live forever.
- Print length18 pages
- LanguageEnglish
- PublisherMacmillan Audio
- Publication dateMay 29, 2007
- Dimensions5.4 x 1.75 x 5.95 inches
- ISBN-101427201439
- ISBN-13978-1427201430
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Editorial Reviews
Review
“Unique...I know nothing comparable to it except Lord of the Rings.” ―Arthur C. Clarke
“One of the monuments of modern science fiction.” ―Chicago Tribune
“Powerful, convincing, and most ingenious.” ―Robert A. Heinlein
“A portrayal of an alien society more complete and deeply detailed than any other author in the field has managed...a story absorbing equally for its action and philosophical vistas...An astonishing science fiction phenomenon.” ―The Washington Post
About the Author
Frank Herbert (1920-1986) created the most beloved novel in the annals of science fiction, Dune. He was a man of many facets, of countless passageways that ran through an intricate mind. His magnum opus is a reflection of this, a classic work that stands as one of the most complex, multi-layered novels ever written in any genre. Today the novel is more popular than ever, with new readers continually discovering it and telling their friends to pick up a copy. It has been translated into dozens of languages and has sold almost 20 million copies.
As a child growing up in Washington State, Frank Herbert was curious about everything. He carried around a Boy Scout pack with books in it, and he was always reading. He loved Rover Boys adventures, as well as the stories of H.G. Wells, Jules Verne, and the science fiction of Edgar Rice Burroughs. On his eighth birthday, Frank stood on top of the breakfast table at his family home and announced, "I wanna be a author." His maternal grandfather, John McCarthy, said of the boy, "It's frightening. A kid that small shouldn't be so smart." Young Frank was not unlike Alia in Dune, a person having adult comprehension in a child's body. In grade school he was the acknowledged authority on everything. If his classmates wanted to know the answer to something, such as about sexual functions or how to make a carbide cannon, they would invariably say, "Let's ask Herbert. He'll know."
His curiosity and independent spirit got him into trouble more than once when he was growing up, and caused him difficulties as an adult as well. He did not graduate from college because he refused to take the required courses for a major; he only wanted to study what interested him. For years he had a hard time making a living, bouncing from job to job and from town to town. He was so independent that he refused to write for a particular market; he wrote what he felt like writing. It took him six years of research and writing to complete Dune, and after all that struggle and sacrifice, 23 publishers rejected it in book form before it was finally accepted. He received an advance of only $7,500.
His loving wife of 37 years, Beverly, was the breadwinner much of the time, as an underpaid advertising writer for department stores. Having been divorced from his first wife, Flora Parkinson, Frank Herbert met Beverly Stuart at a University of Washington creative writing class in 1946. At the time, they were the only students in the class who had sold their work for publication. Frank had sold two pulp adventure stories to magazines, one to Esquire and the other to Doc Savage. Beverly had sold a story to Modern Romance magazine. These genres reflected the interests of the two young lovers; he the adventurer, the strong, machismo man, and she the romantic, exceedingly feminine and soft-spoken.
Their marriage would produce two sons, Brian, born in 1947, and Bruce, born in 1951. Frank also had a daughter, Penny, born in 1942 from his first marriage. For more than two decades Frank and Beverly would struggle to make ends meet, and there were many hard times. In order to pay the bills and to allow her husband the freedom he needed in order to create, Beverly gave up her own creative writing career in order to support his. They were in fact a writing team, as he discussed every aspect of his stories with her, and she edited his work. Theirs was a remarkable, though tragic, love story-which Brian would poignantly describe one day in Dreamer of Dune (Tor Books; April 2003). After Beverly passed away, Frank married Theresa Shackelford.
In all, Frank Herbert wrote nearly 30 popular books and collections of short stories, including six novels set in the Dune universe: Dune, Dune Messiah, Children of Dune, God Emperor of Dune, Heretics of Dune, and Chapterhouse: Dune. All were international bestsellers, as were a number of his other science fiction novels, which include The White Plague and The Dosadi Experiment. His major novels included The Dragon in the Sea, Soul Catcher (his only non-science fiction novel), Destination:Void, The Santaroga Barrier, The Green Brain, Hellstorm's Hive, Whipping Star, The Eyes ofHeisenberg, The Godmakers, Direct Descent, and The Heaven Makers. He also collaborated with Bill Ransom to write The Jesus Incident, The Lazarus Effect, and The Ascension Factor. Frank Herbert's last published novel, Man of Two Worlds, was a collaboration with his son, Brian.
Scott Brick first began narrating audiobooks in 2000, and after recording almost 400 titles in five years, AudioFile magazine named Brick a Golden Voice and “one of the fastest-rising stars in the audiobook galaxy.” He has read a number of titles in Frank Herbert’s bestselling Dune series, and he won the 2003 Science Fiction Audie Award for Dune: The Butlerian Jihad. Brick has narrated for many popular authors, including Michael Pollan, Joseph Finder, Tom Clancy, and Ayn Rand. He has also won over 40 AudioFile Earphones Awards and the AudioFile award for Best Voice in Mystery and Suspense 2011. In 2007, Brick was named Publishers Weekly’s Narrator of the Year.
Brick has performed on film, television and radio. He appeared on stage throughout the United States in productions of Cyrano, Hamlet, Macbeth and other plays. In addition to his acting work, Brick choreographs fight sequences, and was a combatant in films including Romeo and Juliet, The Fantasticks and Robin Hood: Men in Tights. He has also been hired by Morgan Freeman to write the screenplay adaptation of Arthur C. Clarke’s Rendezvous with Rama.
Orlagh Cassidy is the winner of the 2009 Best Voice in Children & Family Listening and the 2008 and 2011 Best Voice in Mystery & Suspense. She’s narrated for Jacqueline Winspear, James Patterson, Erica Spindler, Beth Harbison, and Frank Herbert, among others.
Cassidy’s Broadway credits include Present Laughter with Frank Langella, Our Country's Good, and Suddenly Last Summer. She has appeared Off-Broadway in Bright Ideas and The Field at The Irish Rep (Drama Desk Nomination). She was "Doris Wolfe" on The Guiding Light and her other television appearances include Sex and the City, Law & Order, Law and Order SVU, and Elementary. She also appeared in the films Purple Violets, Young Adult, and Definitely, Maybe.
Euan Morton’snarration credits include Christopher Moore’s Fool and Sacre Bleu, Neil Gaiman’s Stories, Eoin Colfer’s Benny books, and Frank Herbert’s Dune and Chapterhouse Dune. Morton’sbreakthrough role was appearing as Boy George in the musical Taboo, which earned him a Laurence Olivier Award nomination. He reprised the role on Broadway, earning Tony, Drama Desk, Outer Critics Circle and Drama League Award nominations, as well as the Theatre World Award (for Outstanding Broadway Debut). Morton's other stage performances include Leaves of Glass, Sondheim on Sondheim, and Cyrano De Bergerac. He lives in New York City and Arlington, Virginia.
Simon Vance is the critically acclaimed narrator of approximately 400 audiobooks, winner of 27 AudioFile Earphones Awards, and a 12-time Audie Award-winner. He won an Audie in 2006 in the category of Science Fiction and was named the 2011 Best Voice in Biography and History and in 2010 Best Voice in Fiction by AudioFile magazine.
Vance has been a narrator for the past 25 years, and also worked for many years as a BBC Radio presenter and newsreader in London. Some of his best-selling and most praised audiobook performances include Stieg Larsson’s The Girl with the Dragon Tattoo, Hilary Mantel’s Bring Up the Bodies (an Audie award-winner), Ian Fleming’s Casino Royale, Oscar Wilde’s The Picture of Dorian Gray, Patrick O’Brian’s Master and Commander series (all 21 titles), the new productions of Frank Herbert’s original Dune series, and Rob Gifford’s China Road (an AudioFile 2007 Book of the Year). Vance lives near San Francisco with his wife and two sons.
Excerpt. © Reprinted by permission. All rights reserved.
Dune
By Frank HerbertAudio Renaissance
Copyright © 2007Frank HerbertAll right reserved.
ISBN: 9781427201430
Chapter One
A beginning is the time for taking the most delicate care that the balances are correct. This every sister of the Bene Gesserit knows. To begin your study of the life of Muad'Dib, then, take care that you first place him in his time: born in the 57th year of the Padishah Emperor, Shaddam IV. And take the most special care that you locate Muad'Dib in his place: the planet Arrakis. Do not be deceived by the fact that he was born on Caladan and lived his first fifteen years there. Arrakis, the planet known as Dune, is forever his place.
?from "Manual of Muad'Dib"
by the Princess Irulan
In the week before their departure to Arrakis, when all the finalscurrying about had reached a nearly unbearable frenzy, an old cronecame to visit the mother of the boy, Paul.
It was a warm night at Castle Caladan, and the ancient pile of stonethat had served the Atreides family as home for twenty-six generationsbore that cooled-sweat feeling it acquired before a change in the weather.
The old woman was let in by the side door down the vaulted passageby Paul's room and she was allowed a moment to peer in at him where helay in his bed.
By the half-light of a suspensor lamp, dimmed and hanging near thefloor, the awakened boy could see a bulky female shape at his door,standing one step ahead of his mother. The old woman was a witchshadow?hair like matted spiderwebs, hooded 'round darkness offeatures, eyes like glittering jewels.
"Is he not small for his age, Jessica?" the old woman asked. Hervoice wheezed and twanged like an untuned baliset.
Paul's mother answered in her soft contralto: "The Atreides areknown to start late getting their growth, Your Reverence."
"So I've heard, so I've heard," wheezed the old woman. "Yet he'salready fifteen."
"Yes, Your Reverence."
"He's awake and listening to us," said the old woman. "Sly littlerascal." She chuckled. "But royalty has need of slyness. And if he'sreally the Kwisatz Haderach ... well...."
Within the shadows of his bed, Paul held his eyes open to mere slits.Two bird-bright ovals?the eyes of the old woman?seemed to expandand glow as they stared into his.
"Sleep well, you sly little rascal," said the old woman. "Tomorrowyou'll need all your faculties to meet my gom jabbar."
And she was gone, pushing his mother out, closing the door with asolid thump.
Paul lay awake wondering: What's a gom jabbar?
In all the upset during this time of change, the old woman was thestrangest thing he had seen.
Your Reverence.
And the way she called his mother Jessica like a common servingwench instead of what she was?a Bene Gesserit Lady, a duke's concubineand mother of the ducal heir.
Is a gom jabbar something of Arrakis I must know before we gothere? he wondered.
He mouthed her strange words: Gom jabbar ... Kwisatz Haderach.
There had been so many things to learn. Arrakis would be a place sodifferent from Caladan that Paul's mind whirled with the new knowledge.Arrakis?Dune?Desert Planet.
Thufir Hawat, his father's Master of Assassins, had explained it:their mortal enemies, the Harkonnens, had been on Arrakis eighty years,holding the planet in quasi-fief under a CHOAM Company contract tomine the geriatric spice, melange. Now the Harkonnens were leaving tobe replaced by the House of Atreides in fief-complete?an apparent victoryfor the Duke Leto. Yet, Hawat had said, this appearance containedthe deadliest peril, for the Duke Leto was popular among the GreatHouses of the Landsraad.
"A popular man arouses the jealousy of the powerful," Hawat hadsaid.
Arrakis?Dune?Desert Planet.
Paul fell asleep to dream of an Arrakeen cavern, silent people allaround him moving in the dim light of glowglobes. It was solemn thereand like a cathedral as he listened to a faint sound?the drip-drip-drip ofwater. Even while he remained in the dream, Paul knew he wouldremember it upon awakening. He always remembered the dreams thatwere predictions.
The dream faded.
Paul awoke to feel himself in the warmth of his bed?thinking ...thinking. This world of Castle Caladan, without play or companions hisown age, perhaps did not deserve sadness in farewell. Dr. Yueh, histeacher, had hinted that the faufreluches class system was not rigidlyguarded on Arrakis. The planet sheltered people who lived at the desertedge without caid or bashar to command them: will-o'-the-sand peoplecalled Fremen, marked down on no census of the Imperial Regate.
Arrakis?Dune?Desert Planet.
Paul sensed his own tensions, decided to practice one of the mind-bodylessons his mother had taught him. Three quick breaths triggeredthe responses: he fell into the floating awareness ... focusing the consciousness... aortal dilation ... avoiding the unfocused mechanism ofconsciousness ... to be conscious by choice ... blood enriched andswift-flooding the overload regions ... one does not obtain food-safety-freedomby instinct alone ... animal consciousness does not extendbeyond the given moment nor into the idea that its victims may becomeextinct ... the animal destroys and does not produce ... animalpleasures remain close to sensation levels and avoid the perceptual ...the human requires a background grid through which to see his universe... focused consciousness by choice, this forms your grid ... bodilyintegrity follows nerve-blood flow according to the deepest awareness ofcell needs ... all things/cells/beings are impermanent ... strive for flow-permanencewithin....
Over and over and over within Paul's floating awareness the lessonrolled.
When dawn touched Paul's window sill with yellow light, he sensedit through closed eyelids, opened them, hearing then the renewed bustleand hurry in the castle, seeing the familiar patterned beams of hisbedroom ceiling.
The hall door opened and his mother peered in, hair like shadedbronze held with black ribbon at the crown, her oval face emotionlessand green eyes staring solemnly.
"You're awake," she said. "Did you sleep well?"
"Yes."
He studied the tallness of her, saw the hint of tension in hershoulders as she chose clothing for him from the closet racks. Anothermight have missed the tension, but she had trained him in the BeneGesserit Way?in the minutiae of observation. She turned, holding asemiformal jacket for him. It carried the red Atreides hawk crest abovethe breast pocket.
"Hurry and dress," she said. "Reverend Mother is waiting."
"I dreamed of her once," Paul said. "Who is she?"
"She was my teacher at the Bene Gesserit school. Now, she's theEmperor's Truthsayer. And Paul...." She hesitated. "You must tellher about your dreams."
"I will. Is she the reason we got Arrakis?"
"We did not get Arrakis." Jessica flicked dust from a pair oftrousers, hung them with the jacket on the dressing stand beside his bed."Don't keep Reverend Mother waiting."
Paul sat up, hugged his knees. "What's a gom jabbar?"
Again, the training she had given him exposed her almost invisiblehesitation, a nervous betrayal he felt as fear.
Jessica crossed to the window, flung wide the draperies, staredacross the river orchards toward Mount Syubi. "You'll learn about ...the gom jabbar soon enough," she said.
He heard the fear in her voice and wondered at it.
Jessica spoke without turning. "Reverend Mother is waiting in mymorning room. Please hurry."
The Reverend Mother Gaius Helen Mohiam sat in a tapestried chairwatching mother and son approach. Windows on each side of heroverlooked the curving southern bend of the river and the greenfarmlands of the Atreides family holding, but the Reverend Motherignored the view. She was feeling her age this morning, more than a littlepetulant. She blamed it on space travel and association with thatabominable Spacing Guild and its secretive ways. But here was a missionthat required personal attention from a Bene Gesserit-with-the-Sight.Even the Padishah Emperor's Truthsayer couldn't evade that responsibilitywhen the duty call came.
Damn that Jessica! the Reverend Mother thought. If only she'dborne us a girl as she was ordered to do!
Jessica stopped three paces from the chair, dropped a small curtsy, agentle flick of left hand along the line of her skirt. Paul gave the shortbow his dancing master had taught?the one used "when in doubt ofanother's station."
The nuances of Paul's greeting were not lost on the ReverendMother. She said: "He's a cautious one, Jessica."
Jessica's hand went to Paul's shoulder, tightened there. For a heartbeat,fear pulsed through her palm. Then she had herself under control."Thus he has been taught, Your Reverence."
What does she fear? Paul wondered.
The old woman studied Paul in one gestalten flicker: face oval likeJessica's, but strong bones ... hair: the Duke's black-black but withbrowline of the maternal grandfather who cannot be named, and thatthin, disdainful nose; shape of directly staring green eyes: like the oldDuke, the paternal grandfather who is dead.
Now, there was a man who appreciated the power of bravura?evenin death, the Reverend Mother thought.
"Teaching is one thing," she said, "the basic ingredient is another.We shall see." The old eyes darted a hard glance at Jessica. "Leave us. Ienjoin you to practice the meditation of peace."
Jessica took her hand from Paul's shoulder. "Your Reverence, I?"
"Jessica, you know it must be done."
Paul looked up at his mother, puzzled.
Jessica straightened. "Yes ... of course."
Paul looked back at the Reverend Mother. Politeness and hismother's obvious awe of this old woman argued caution. Yet he felt anangry apprehension at the fear he sensed radiating from his mother.
"Paul...." Jessica took a deep breath. "... this test you're aboutto receive ... it's important to me."
"Test?" He looked up at her.
"Remember that you're a duke's son," Jessica said. She whirledand strode from the room in a dry swishing of skirt. The door closedsolidly behind her.
Paul faced the old woman, holding anger in check. "Does onedismiss the Lady Jessica as though she were a serving wench?"
A smile flicked the corners of the wrinkled old mouth. "The LadyJessica was my serving wench, lad, for fourteen years at school." Shenodded. "And a good one, too. Now, you come here!"
The command whipped out at him. Paul found himself obeyingbefore he could think about it. Using the Voice on me, he thought. Hestopped at her gesture, standing beside her knees.
"See this?" she asked. From the folds of her gown, she lifted agreen metal cube about fifteen centimeters on a side. She turned it andPaul saw that one side was open?black and oddly frightening. No lightpenetrated that open blackness.
"Put your right hand in the box," she said.
Fear shot through Paul. He started to back away, but the oldwoman said: "Is this how you obey your mother?"
He looked up into bird-bright eyes.
Slowly, feeling the compulsions and unable to inhibit them, Paulput his hand into the box. He felt first a sense of cold as the blacknessclosed around his hand, then slick metal against his fingers and aprickling as though his hand were asleep.
A predatory look filled the old woman's features. She lifted herright hand away from the box and poised the hand close to the side ofPaul's neck. He saw a glint of metal there and started to turn toward it.
"Stop!" she snapped.
Using the Voice again! He swung his attention back to her face.
"I hold at your neck the gom jabbar," she said. "The gom jabbar,the high-handed enemy. It's a needle with a drop of poison on its tip.Ah-ah! Don't pull away or you'll feel that poison."
Paul tried to swallow in a dry throat. He could not take his attentionfrom the seamed old face, the glistening eyes, the pale gums aroundsilvery metal teeth that flashed as she spoke.
"A duke's son must know about poisons," she said. "It's the wayof our times, eh? Musky, to be poisoned in your drink. Aumas, to bepoisoned in your food. The quick ones and the slow ones and the ones inbetween. Here's a new one for you: the gom jabbar. It kills onlyanimals."
Pride overcame Paul's fear. "You dare suggest a duke's son is ananimal?" he demanded.
"Let us say I suggest you may be human," she said. "Steady! Iwarn you not to try jerking away. I am old, but my hand can drive thisneedle into your neck before you escape me."
"Who are you?" he whispered. "How did you trick my mother intoleaving me alone with you? Are you from the Harkonnens?"
"The Harkonnens? Bless us, no! Now, be silent." A dry fingertouched his neck and he stilled the involuntary urge to leap away.
"Good," she said. "You pass the first test. Now, here's the way ofthe rest of it: If you withdraw your hand from the box you die. This is theonly rule. Keep your hand in the box and live. Withdraw it and die."
Paul took a deep breath to still his trembling. "If I call out there'llbe servants on you in seconds and you'll die."
"Servants will not pass your mother who stands guard outside thatdoor. Depend on it. Your mother survived this test. Now it's your turn.Be honored. We seldom administer this to men-children."
Curiosity reduced Paul's fear to a manageable level. He heard truthin the old woman's voice, no denying it. If his mother stood guard outthere ... if this were truly a test.... And whatever it was, he knew himselfcaught in it, trapped by that hand at his neck: the gom jabbar. Herecalled the response from the Litany against Fear as his mother hadtaught him out of the Bene Gesserit rite.
"I must not fear. Fear is the mind-killer. Fear is the little-death thatbrings total obliteration. I will face my fear. I will permit it to pass overme and through me. And when it has gone past I will turn the inner eye tosee its path. Where the fear has gone there will be nothing. Only I willremain."
He felt calmness return, said: "Get on with it, old woman."
"Old woman!" she snapped. "You've courage, and that can't bedenied. Well, we shall see, sirra." She bent close, lowered her voicealmost to a whisper. "You will feel pain in this hand within the box.Pain. But! Withdraw the hand and I'll touch your neck with my gom jabbar?thedeath so swift it's like the fall of the headsman's axe. Withdrawyour hand and the gom jabbar takes you. Understand?"
"What's in the box?"
"Pain."
He felt increased tingling in his hand, pressed his lips tightlytogether. How could this be a test? he wondered. The tingling became anitch.
The old woman said: "You've heard of animals chewing off a leg toescape a trap? There's an animal kind of trick. A human would remain inthe trap, endure the pain, feigning death that he might kill the trapperand remove a threat to his kind."
The itch became the faintest burning. "Why are you doing this?" hedemanded.
"To determine if you're human. Be silent."
Paul clenched his left hand into a fist as the burning sensationincreased in the other hand. It mounted slowly: heat upon heat upon heat... upon heat. He felt the fingernails of his free hand biting the palm. Hetried to flex the fingers of the burning hand, but couldn't move them.
"It burns," he whispered.
"Silence!"
Pain throbbed up his arm. Sweat stood out on his forehead. Everyfiber cried out to withdraw the hand from that burning pit ... but ...the gom jabbar. Without turning his head, he tried to move his eyes tosee that terrible needle poised beside his neck. He sensed that he wasbreathing in gasps, tried to slow his breaths and couldn't.
Pain!
His world emptied of everything except that hand immersed inagony, the ancient face inches away staring at him.
His lips were so dry he had difficulty separating them.
The burning! The burning!
He thought he could feel skin curling black on that agonized hand,the flesh crisping and dropping away until only charred bones remained.
It stopped!
As though a switch had been turned off, the pain stopped.
Paul felt his right arm trembling, felt sweat bathing his body.
"Enough," the old woman muttered. "Kull wahad! No woman-childever withstood that much. I must've wanted you to fail." Sheleaned back, withdrawing the gom jabbar from the side of his neck."Take your hand from the box, young human, and look at it."
He fought down an aching shiver, stared at the lightless void wherehis hand seemed to remain of its own volition. Memory of pain inhibitedevery movement. Reason told him he would withdraw a blackened stumpfrom that box.
"Do it!" she snapped.
He jerked his hand from the box, stared at it astonished. Not amark. No sign of agony on the flesh. He held up the hand, turned it,flexed the fingers.
"Pain by nerve induction," she said. "Can't go around maimingpotential humans. There're those who'd give a pretty for the secret ofthis box, though." She slipped it into the folds of her gown.
"But the pain?" he said.
"Pain," she sniffed. "A human can override any nerve in thebody."
Paul felt his left hand aching, uncurled the clenched fingers, lookedat four bloody marks where fingernails had bitten his palm. He droppedthe hand to his side, looked at the old woman. "You did that to mymother once?"
"Ever sift sand through a screen?" she asked.
The tangential slash of her question shocked his mind into a higherawareness: Sand through a screen. He nodded.
"We Bene Gesserit sift people to find the humans."
He lifted his right hand, willing the memory of the pain. "Andthat's all there is to it?pain?"
"I observed you in pain, lad. Pain's merely the axis of the test. Yourmother's told you about our ways of observing. I see the signs of herteaching in you. Our test is crisis and observation."
He heard the confirmation in her voice, said: "It's truth!"
She stared at him. He senses truth! Could he be the one? Could hetruly be the one? She extinguished the excitement, reminding herself:"Hope clouds observation."
"You know when people believe what they say," she said.
"I know it."
The harmonics of ability confirmed by repeated test were in hisvoice. She heard them, said: "Perhaps you are the Kwisatz Haderach. Sitdown, little brother, here at my feet."
"I prefer to stand."
"Your mother sat at my feet once."
"I'm not my mother."
"You hate us a little, eh?" She looked toward the door, called out:"Jessica!"
The door flew open and Jessica stood there staring hard-eyed intothe room. Hardness melted from her as she saw Paul. She managed afaint smile.
"Jessica, have you ever stopped hating me?" the old woman asked.
"I both love and hate you," Jessica said. "The hate?that's frompains I must never forget. The love?that's...."
"Just the basic fact," the old woman said, but her voice was gentle."You may come in now, but remain silent. Close that door and mind itthat no one interrupts us."
Jessica stepped into the room, closed the door and stood with herback to it. My son lives, she thought. My son lives and is ... human. Iknew he was ... but ... he lives. Now, I can go on living. The door felthard and real against her back. Everything in the room was immediateand pressing against her senses.
My son lives.
Paul looked at his mother. She told the truth. He wanted to getaway alone and think this experience through, but knew he could notleave until he was dismissed. The old woman had gained a power overhim. They spoke truth. His mother had undergone this test. There mustbe terrible purpose in it ... the pain and fear had been terrible. He understoodterrible purposes. They drove against all odds. They were theirown necessity. Paul felt that he had been infected with terrible purpose.He did not know yet what the terrible purpose was.
"Some day, lad," the old woman said, "you, too, may have tostand outside a door like that. It takes a measure of doing."
Paul looked down at the hand that had known pain, then up to theReverend Mother. The sound of her voice had contained a differencethen from any other voice in his experience. The words were outlined inbrilliance. There was an edge to them. He felt that any question he mightask her would bring an answer that could lift him out of his flesh-worldinto something greater.
"Why do you test for humans?" he asked.
"To set you free."
"Free?"
"Once men turned their thinking over to machines in the hope thatthis would set them free. But that only permitted other men withmachines to enslave them."
"`Thou shalt not make a machine in the likeness of a man'smind,'" Paul quoted.
"Right out of the Butlerian Jihad and the Orange Catholic Bible,"she said. "But what the O.C. Bible should've said is: `Thou shalt notmake a machine to counterfeit a human mind.' Have you studied theMentat in your service?"
"I've studied with Thufir Hawat."
"The Great Revolt took away a crutch," she said. "It forced humanminds to develop. Schools were started to train human talents."
"Bene Gesserit schools?"
She nodded. "We have two chief survivors of those ancient schools:the Bene Gesserit and the Spacing Guild. The Guild, so we think,emphasizes almost pure mathematics. Bene Gesserit performs anotherfunction."
"Politics," he said.
"Kull wahad!" the old woman said. She sent a hard glance atJessica.
"I've not told him, Your Reverence," Jessica said.
The Reverend Mother returned her attention to Paul. "You did thaton remarkably few clues," she said. "Politics indeed. The original BeneGesserit school was directed by those who saw the need of a thread ofcontinuity in human affairs. They saw there could be no such continuitywithout separating human stock from animal stock?for breeding purposes."
The old woman's words abruptly lost their special sharpness forPaul. He felt an offense against what his mother called his instinct forrightness. It wasn't that Reverend Mother lied to him. She obviouslybelieved what she said. It was something deeper, something tied to histerrible purpose.
He said: "But my mother tells me many Bene Gesserit of the schoolsdon't know their ancestry."
"The genetic lines are always in our records," she said. "Yourmother knows that either she's of Bene Gesserit descent or her stock wasacceptable in itself."
"Then why couldn't she know who her parents are?"
"Some do.... Many don't. We might, for example, have wanted tobreed her to a close relative to set up a dominant in some genetic trait.We have many reasons."
Again, Paul felt the offense against rightness. He said: "You take alot on yourselves."
The Reverend Mother stared at him, wondering: Did I hear criticismin his voice? "We carry a heavy burden," she said.
Paul felt himself coming more and more out of the shock of the test.He leveled a measuring stare at her, said: "You say maybe I'm the ...Kwisatz Haderach. What's that, a human gore jabbar?"
"Paul," Jessica said. "You mustn't take that tone with?"
"I'll handle this, Jessica," the old woman said. "Now, lad, do youknow about the Truthsayer drug?"
"You take it to improve your ability to detect falsehood," he said."My mother's told me."
"Have you ever seen truthtrance?"
He shook his head. "No."
"The drug's dangerous," she said, "but it gives insight. When aTruthsayer's gifted by the drug, she can look many places in hermemory?in her body's memory. We look down so many avenues of thepast ... but only feminine avenues." Her voice took on a note of sadness."Yet, there's a place where no Truthsayer can see. We are repelledby it, terrorized. It is said a man will come one day and find in the gift ofthe drug his inward eye. He will look where we cannot?into bothfeminine and masculine pasts."
"Your Kwisatz Haderach?"
"Yes, the one who can be many places at once: the KwisatzHaderach. Many men have tried the drug ... so many, but none has succeeded."
"They tried and failed, all of them?"
"Oh, no." She shook her head. "They tried and died."
Continues...
Excerpted from Duneby Frank Herbert Copyright © 2007 by Frank Herbert. Excerpted by permission.
All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.
Excerpts are provided by Dial-A-Book Inc. solely for the personal use of visitors to this web site.
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Product details
- Publisher : Macmillan Audio; Unabridged edition (May 29, 2007)
- Language : English
- Audio CD : 18 pages
- ISBN-10 : 1427201439
- ISBN-13 : 978-1427201430
- Item Weight : 1.16 pounds
- Dimensions : 5.4 x 1.75 x 5.95 inches
- Best Sellers Rank: #762,408 in Books (See Top 100 in Books)
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About the author

Frank Herbert (1920-86) was born in Tacoma, Washington and worked as a reporter and later editor of a number of West Coast newspapers before becoming a full-time writer. His first SF story was published in 1952 but he achieved fame more than ten years later with the publication in Analog of 'Dune World' and 'The Prophet of Dune' that were amalgamated in the novel Dune in 1965.
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Reviewed in the United States on September 4, 2020
Top reviews from the United States
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UPDATE: Figured it out, the first book is actually in Trade Paperback format; the other two are the NEW Mass Market Paperbacks. Unfortunately on Amazon, the latter is being sold without delineation as the "Paperback" option, often with the "Mass Market" option seeming to be OLDER editions of the MMP size. This is also true for the 6 book (unboxed) set that I later purchased twice, trying to get the rest of the books in the bigger size.
Note: I prefer the bigger size because it stays open when laid on a flat surface or in your lap. That sold it for me. On top of that, the font looks better somehow, and the narrow size just looked and felt kind of weird because the font size was the same but the pages are so narrow (I had an older edition of the first book that was MMP size but smaller font so it didn't look and read weird).
In all my frustrated searches on Amazon, it seemed really unusually difficult to find the rest of the books in the larger Trade Paperback size, so for your sake, here's what I figured out after way too much time: A) The official BOXED set is the Trade Paperback size of the first book. B) Or, if you are like me and only wanted to get the first few books in Trade Paperback size, go to the Penguin Random House website, find the individual Dune books, select "Paperback", and click on their Amazon link to buy it here (they also link to other major book dealers, if you prefer). I managed to find books two, three, and four this way., which were the only ones I really wanted anyway.
Note that as of writing this, the second and third books in Trade Paperback size on Amazon are both $9.99 each (same price as the NEW MMP books) but God Emperor is almost full price at $16.99 for some reason.

Reviewed in the United States on September 4, 2020
UPDATE: Figured it out, the first book is actually in Trade Paperback format; the other two are the NEW Mass Market Paperbacks. Unfortunately on Amazon, the latter is being sold without delineation as the "Paperback" option, often with the "Mass Market" option seeming to be OLDER editions of the MMP size. This is also true for the 6 book (unboxed) set that I later purchased twice, trying to get the rest of the books in the bigger size.
Note: I prefer the bigger size because it stays open when laid on a flat surface or in your lap. That sold it for me. On top of that, the font looks better somehow, and the narrow size just looked and felt kind of weird because the font size was the same but the pages are so narrow (I had an older edition of the first book that was MMP size but smaller font so it didn't look and read weird).
In all my frustrated searches on Amazon, it seemed really unusually difficult to find the rest of the books in the larger Trade Paperback size, so for your sake, here's what I figured out after way too much time: A) The official BOXED set is the Trade Paperback size of the first book. B) Or, if you are like me and only wanted to get the first few books in Trade Paperback size, go to the Penguin Random House website, find the individual Dune books, select "Paperback", and click on their Amazon link to buy it here (they also link to other major book dealers, if you prefer). I managed to find books two, three, and four this way., which were the only ones I really wanted anyway.
Note that as of writing this, the second and third books in Trade Paperback size on Amazon are both $9.99 each (same price as the NEW MMP books) but God Emperor is almost full price at $16.99 for some reason.

Of course, the story itself is 5 stars all the way.

Reviewed in the United States on October 1, 2019
Of course, the story itself is 5 stars all the way.




From cover to cover it is interesting and exciting. There is a reason it is hailed as such a timeless story, and I implore that you find the time to experience it for yourself.

Reviewed in the United States on August 2, 2020

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If I hadn't already been aware of the film and the documentary into the failure of the 70's film, I would of struggled to comprehend that this book is over half a century old.
But from that, if you are a fan of any epics, from sci-fi to fantasy, books and film, you'll never know just how many authors have been influenced by Frank Herbert.
On the surface it may seem a basic structured story, but keeping attention to what each character values and understands, you realise that as the book goes on, that every idea and thought carried are in fact wrong, that these characters all come to the realisation that their closely held truths are in fact falsehoods, as well as many characters having plans within plans, and plots within plots withing plots!
The pages just fly by once you get started and I was saddened when I realised the story was drawing to its conclusion.
A 5 star review from me, and I hope that this inspires someone else to dabble in the story of the people of Arrakis

Muchas veces cuando tienes altas expectativas de un libro y al leerlo terminas decepcionado, ponte a pensar que quizá se deba a una mala traducción. Así que antes de comprar esa edición en español me detuve a pensar. La verdad no quería que una mala traducción me echara a perder una obra como Dune; además esa edición es muy cara pues se envía desde España. Finalmente me decidí a comprarlo en su idioma original.
Este libro es parte de una serie de seis clásicos de la ciencia ficción editados por la reconocida Penguin Random House con sede en Nueva York. Los títulos (aparte de Dune) que componen esta serie llamada Penguin Galaxy son: Stranger in a Strange Land, The Left Hand of Darkness, The Once and Future King, Neuromancer y 2001: A Space Odyssey. Cuentan con una introducción del reconocido escritor Neil Gaiman y el diseño de los libros corrió a cargo de Alex Trochut.
Sabemos que los libros en inglés son más baratos que las ediciones (mal)traducidas al español, sin embargo estos no son tan baratos pero creo que al ser parte de una serie con un excelente diseño es un buen precio. La decepción vino al tener el libro físico. La verdad me esperaba algo de mejor calidad, algo mucho más resistente. Yo nunca he leído Dune y para eso compré este pero me da miedo agarrarlo pues siento que mis dedos se van a quedar marcados en la tapa ya que es de un papel mate muy absorbente. El papel de las páginas también es muy delgado. Me da la impresión de que estos libros son para tenerlos en tu repisa pero no para ser leídos.
Junto con este libro compré otros artículos, entonces me mandaron todo junto en la misma caja y este libro se maltrató un poco. No traía ni celofán ni trataron de protegerlo. Tomen en cuenta que es lo que van a pedir y si sus productos pueden maltratar otros durante el envío. Por cierto, el envío fue rapidísimo, sin duda Amazon es mi plataforma favorita para hacer mis compras.

I just can’t get on with it. It’s not the story, which is of course one of the greatest SF worlds ever created. I think it’s the overall assault of Herbert’s writing style that eventually wears me down-it just gets a bit too much by about 3/4 of the way through the novel.
One day I’ll manage to finish it once. I owe it that much.

Zu dem Inhalt kann ich leider nichts sagen, da ich Bücher nicht lese sondern sie lediglich in meinen Schrank stelle um meine Nerd-Freunde zu beeindrucken.