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About E. B. White
Born in Mount Vernon, New York, Mr. White attended public schools there. He was graduated from Cornell University in 1921, worked in New York for a year, then traveled about. After five or six years of trying many sorts of jobs, he joined the staff of The New Yorker magazine, then in its infancy. The connection proved a happy one and resulted in a steady output of satirical sketches, poems, essays, and editorials. His essays have also appeared in Harper's Magazine, and his books include One Man's Meat, The Second Tree from the Corner, Letters of E.B. White, The Essays of E.B. White and Poems and Sketches of E.B. White. In 1938 Mr. White moved to the country. On his farm in Maine he kept animals, and some of these creatures got into his stories and books. Mr. White said he found writing difficult and bad for one's disposition, but he kept at it. He began Stuart Little in the hope of amusing a six-year-old niece of his, but before he finished it, she had grown up.
For his total contribution to American letters, Mr. White was awarded the 1971 National Medal for Literature. In 1963, President John F. Kennedy named Mr. White as one of thirty-one Americans to receive the Presidential Medal for Freedom. Mr. White also received the National Institute of Arts and Letters' Gold Medal for Essays and Criticism, and in 1973 the members of the Institute elected him to the American Academy of Arts and Letters, a society of fifty members. He also received honorary degrees from seven colleges and universities. Mr. White died on October 1, 1985.
Photo by White Literary LLC [CC BY-SA 3.0 (http://creativecommons.org/licenses/by-sa/3.0)], via Wikimedia Commons.
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Don’t miss one of America’s top 100 most-loved novels, selected by PBS’s The Great American Read.
This beloved book by E. B. White, author of Stuart Little and The Trumpet of the Swan, is a classic of children's literature that is "just about perfect." Illustrations in this ebook appear in vibrant full color on a full-color device and in rich black-and-white on all other devices.
Some Pig. Humble. Radiant. These are the words in Charlotte's Web, high up in Zuckerman's barn. Charlotte's spiderweb tells of her feelings for a little pig named Wilbur, who simply wants a friend. They also express the love of a girl named Fern, who saved Wilbur's life when he was born the runt of his litter.
E. B. White's Newbery Honor Book is a tender novel of friendship, love, life, and death that will continue to be enjoyed by generations to come. It contains illustrations by Garth Williams, the acclaimed illustrator of E. B. White's Stuart Little and Laura Ingalls Wilder's Little House series, among many other books.
Whether enjoyed in the classroom or for homeschooling or independent reading, Charlotte's Web is a proven favorite.
The classic story by E. B. White, author of the Newbery Honor Book Charlotte's Web and Trumpet of the Swan, about one small mouse on a very big adventure
Now available as an ebook! Illustrations in this ebook appear in vibrant full color on a full-color device and in rich black-and-white on all other devices.
Stuart Little is no ordinary mouse. Born to a family of humans, he lives in New York City with his parents, his older brother George, and Snowbell the cat. Though he's shy and thoughtful, he's also a true lover of adventure.
Stuart's greatest adventure comes when his best friend, a beautiful little bird named Margalo, disappears from her nest. Determined to track her down, Stuart ventures away from home for the very first time in his life. He finds adventure aplenty. But will he find his friend?
Now available for the first time as an ebook! Illustrations in this ebook appear in vibrant full color on a full-color device and in rich black-and-white on all other devices.
This beloved book by E. B. White, author of Charlotte's Web and Stuart Little, is a classic of children's literature that perfectly describes what it's like to march to the beat of your own drummer.
Louis is a trumpeter swan, but unlike the rest of his family, he can't make a sound. And since he can't trumpet his love, the beautiful swan Serena pays no attention to him. But when his father steals him a real brass trumpet, Louis has to find out if it's the key to what he's wanted all along.
E. B. White's classic book is a tender novel of overcoming the odds and learning to do things on your own terms. It will continue to be enjoyed by generations to come. It contains evocative illustrations by Fred Marcellino, the acclaimed illustrator of Puss in Boots and I, Crocodile, among many other books.
Correlates to the Common Core State Standards in English Language Arts
Introduced by White's granddaughter, Martha White, the letters show their first formal communications, their chummy middle years, right up to the death of Edmund Ware Smith. Throughout, there is a strong sense of place and community.
The classic collection by one of the greatest essayists of our time.
Selected by E.B. White himself, the essays in this volume span a lifetime of writing and a body of work without peer. "I have chosen the ones that have amused me in the rereading," he writes in the Foreword, "alone with a few that seemed to have the odor of durability clinging to them." These essays are incomparable; this is a volume to treasure and savor at one's leisure.
Originally edited by Dorothy Lobrano Guth, and revised and updated by Martha White. With a foreword by John Updike.
These letters are, of course, beautifully written but above all personal, precise, and honest. They evoke E.B. White’s life in New York and in Maine at every stage of his life. They are full of memorable characters: White’s family, the New Yorker staff and contributors, literary types and show business people, farmers from Maine and sophisticates from New York-Katherine S. White, Harold Ross, James Thurber, Alexander Woolcott, Groucho Marx, John Updike, and many, many more.
Each decade has its own look and taste and feel. Places, too-from Belgrade (Maine) to Turtle Bay (NYC) to the S.S. Buford, Alaska-bound in 1923-are brought to life in White’s descriptions. There is no other book of letters to compare with this; it is a book to treasure and savor at one’s leisure.
As White wrote in this book, “A man who publishes his letters becomes nudist—nothing shields him from the world’s gaze except his bare skin....a man who has written a letter is stuck with it for all time.”
A New York Times Book Review New & Noteworthy Title
A collection of essays, letters and poems from E.B. White, “one of the country’s great literary treasures” (New York Times), centered on the subject of freedom and democracy in America.
“I am a member of a party of one, and I live in an age of fear.”
These words were written by E. B. White in 1947.
Decades before our current political turmoil, White crafted eloquent yet practical political statements that continue to resonate. “There’s only one kind of press that’s any good—” he proclaimed, “a press free from any taint of the government.” He condemned the trend of defamation, arguing that “in doubtful, doubting days, national morality tends to slip and slide toward a condition in which the test of a man’s honor is his zeal for discovering dishonor in others.” And on the spread of fascism he lamented, “fascism enjoys at the moment an almost perfect climate for growth—a world of fear and hunger.”
Anchored by an introduction by Pulitzer Prize-winning historian Jon Meacham, this concise collection of essays, letters, and poems from one of this country’s most eminent literary voices offers much-needed historical context for our current state of the nation—and hope for the future of our society. Speaking to Americans at a time of uncertainty, when democracy itself has come under threat, he reminds us, “As long as there is one upright man, as long as there is one compassionate woman . . . the scene is not desolate.”
E. B. White (1899 1985) is best known for his children's books, Charlotte's Web, Stuart Little, and The Trumpet of the Swan. Columnist for The New Yorker for over half a century and co-author of Strunk and White's The Elements of Style, White hit his stride as an American literary icon when he began publishing his 'One Man's Meat' columns from his saltwater farm on the coast of Maine.
In E. B. White on Dogs, his granddaughter and manager of his literary estate, Martha White, has compiled the best and funniest of his essays, poems, letters, and sketches depicting over a dozen of White's various canine companions. Featured here are favorite essays such as 'Two Letters, Both Open,' where White takes on the Internal Revenue Service, and also 'Bedfellows,' with its 'fraudulent reports'; from White's ignoble old dachshund, Fred. ('I just saw an eagle go by. It was carrying a baby.') From The New Yorker's 'The Talk of the Town' are some little-known Notes and Comment pieces covering dog shows, sled dog races, and the trials and tribulations of city canines, chief among them a Scotty called Daisy who was kicked out of Schrafft's, arrested, and later run down by a Yellow Cab, prompting The New Yorker to run her 'Obituary.' Some previously unpublished photographs from the E. B. White Estate show the family dogs, from the first collie, to various labs, Scotties, dachshunds, half-breeds, and mutts, all well-loved.
This is a book for readers and writers who recognize a good sentence and a masterful turn of a phrase; for E. B. White fans looking for more from their favorite author; and for dog lovers who may not have discovered the wit, style, and compassion of this most distinguished of American essayists.
Here are 161 wise, witty, and spirited short pieces and essays by the inimitable E. B. White. Written for the New Yorker over a span of forty-nine years, they show White’s changing concerns and development as a writer. In matchless style White writes about everything from cicadas to Khrushchev, from Thoreau to hyphens, from academic freedom to lipstick, from New York garbagemen to the sparrow, from Maine to the space age, from the Constitution to Harold Ross and even the common cold.
White has been described by one critic as “our finest essayist,” and these short pieces and essays are classics to be read, savored, and read again. Also included are an Introduction and Selective Bibliography by Rebecca M. Dale.
East Side? Philip Roth's chronically tormented alter ego Nathan Zuckerman has just moved there, in "Smart Money." West Side? Isaac Bashevis Singer's narrator mingles with the customers in "The Cafeteria" (who debate politics and culture in four or five different languages) and becomes embroiled in an obsessional romance. And downtown, John Updike's Maples have begun their courtship of marital disaster, in "Snowing in Greenwich Village."
Wonderful Town touches on some of the city's famous places and stops at some of its more obscure corners, but the real guidebook in and between its lines is to the hearts and the minds of those who populate the metropolis built by its pages. Like all good fiction, these stories take particular places, particular people, and particular events and turn them into dramas of universal enlightenment and emotional impact. Each life in it, and each life in Wonderful Town, is the life of us all.
Including these stories from the magazine's most iconic writers:
“The Five-Fourty-Eight” by John Cheever
“Distant Music” by Ann Beattle
“Sailor off the Bremen” by Irwin Shaw
“Physics” by Tama Janowitz
“The Whore of Mensa” by Woody Allen
“What it was Like, Seeing Chris” by Deborah Eisenberg
“Drawing Room B” by John O’Hara
“A Sentimental Journey” by Peter Taylor
“The Balloon” by Donald Barthelme
“Another Marvellous Thing” by Laurie Colwin
“The Failure” by Jonathan Franzen
“Apartment Hotel” by Sally Benson
“Midair” by Frank Conroy
“The Catbird Seat” by James Thurber
“I See You, Bianca” by Maeve Brennan
“You’re Ugly, Too” by Lorrie Moore
“Signs and Symbols” by Vladimir Nabokov
“Poor Visitor” by Jamaica Kincaid
“In Greenwich, There Are Many Gravelled Walks” by Hortense Calisher
“Some Nights When Nothing Happens Are the Best Nights in this Place” by John McNulty
“Slight Rebellion Off Madison” by J. D. Salinger
“Brownstone” by Renata Adler
“Partners” by Veronica Geng
“The Evolution of Knowledge” by Niccolo Tucci
“The Way We Live Now” by Susan Sontag
“Do the Windows Open?” by Julie Hecht
“The Mentocrats” by Edward Newhouse
“The Treatment” by Daniel Menaker
“Arrangement in Black and White” by Dorothy Parker
“Carlyle Tries Polygamy” by William Melvin Kelley
“Children Are Bored on Sunday” by Jean Stafford
“Notes from a Bottle” by James Stevenson
“Man in the Middle of the Ocean” by Daniel Fuchs
“Me Spoulets of the Splendide” by Ludwig Bemelmans
“Over by the River” by William Maxwell
"The time not to become a father is eighteen years before a world war."—E. B. White on fatherhood
"I was lucky to be born abnormal. It ran in the family."—on luck
"I would really rather feel bad in Maine than feel good anywhere else." —on Maine
"The English language is always sticking a foot out to trip a man."—on language
The author of Charlotte's Web and One Man's Meat, coauthor of The Elements of Style, and columnist for The New Yorker for almost half a century, E. B. White (1899–1985) is an American literary icon. Over the course of his career, White inspired generations of writers and readers with his essays (both serious and humorous), children's literature, and stylistic guidance.
In the Words of E. B. White offers readers a delightful selection of quotations, selected and annotated by his granddaughter and literary executor, Martha White. The quotations cover a wide range of subjects and situations, from Automobiles, Babies, Bees, City Life, and College to Spiders, Taxes, Weather, Work, and Worry. E. B. White comments on writing for children, how to tell a major poet from a minor one, and what to do when one becomes hopelessly mired in a sentence. White was apt to address the subject of security by speaking first about a Ferris wheel at the local county fair, or the subject of democracy from the perspective of roofing his barn and looking out across the bay—he had a gift for bringing the abstract firmly into the realm of the everyday. Included here are gems from White's books and essay collections, as well as bits from both published and unpublished letters and journals.
This is a book for readers and writers, for those who know E. B. White from his "Notes and Comment" column in The New Yorker, have turned to The Elements of Style for help in crafting a polished sentence, or have loved a spider's assessment of Wilbur as "Some Pig." This distillation of the wit, style, and humanity of one of America's most distinguished essayists of the twentieth century will be a welcome addition to any reader's bookshelf.