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About Ellen Hopkins
I was adopted at birth and raised by a great, loving older couple. I grew up in Palm Springs CA, although we summered in Napa and Lake Tahoe, to avoid those 120 degree summers. After my adopted parents died, I did find my birth mother, who lives in Michigan with my half sister.
I studied journalism in college, but left school to marry, raise kids and start my own business--a video store, before the mega-chains were out there. After a divorce, I met my current husband and we moved to Tahoe to become ski bums and otherwise try to find our dreams. At that time, I went to work for a small alternative press, writing stories and eventually editing.
When we moved down the mountain to the Reno area, I started writing nonfiction books, many of which you can see here. The rest are viewable on my personal website. I also continued to freelance articles for newspapers and magazines.
All that has changed, with the publication of my novel, CRANK, which has led to a valued career writing YA novels in verse, all of which explore the more difficult situations young adults often find themselves in. Will I ever write one in prose? No doubt! But, for the moment, writing novels in verse fulfills two needs: writing poetry and writing fiction. The combination is so interesting!
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Life was good
for a little while.
Kristina Snow is the perfect daughter: gifted high school junior, quiet, never any trouble.
Then, Kristina meets the monster: crank. And what begins as a wild, ecstatic ride turns into a struggle through hell for her mind, her soul—her life.
Sometimes you don't wake up. But if you happen to, you know things will never be the same.
Three lives, three different paths to the same destination: Aspen Springs, a psychiatric hospital for those who have attempted the ultimate act—suicide.
Vanessa is beautiful and smart, but her secrets keep her answering the call of the blade.
Tony, after suffering a painful childhood, can only find peace through pills.
And Conner, outwardly, has the perfect life. But dig a little deeper and find a boy who is in constant battle with his parents, his life, himself.
In one instant each of these young people decided enough was enough. They grabbed the blade, the bottle, the gun—and tried to end it all. Now they have a second chance, and just maybe, with each other's help, they can find their way to a better life—but only if they're strong and can fight the demons that brought them here in the first place.
Kristina thinks she can control the urge, the addiction, the monster trying to drag her down. Now with a baby to care for, she's determined to be the one deciding when and how much, the one calling the shots. But the monster is too strong, and before she knows it, Kristina is back in its grips. She needs the monster to keep going, to face the pressures of day-to-day life. She needs it to feel alive.
Once again the monster takes over Kristina's life and she will do anything for it, including giving up the one person who gives her the unconditional love she craves—her baby.
A vivid portrait of a victim to addiction, this sequel to Crank is the continuing story of Kristina and her descent back to hell. Told in verse, it's a harrowing and disturbing look at addiction and the damage that it inflicts.
Hunter, Autumn, and Summer—three of Kristina Snow’s five children—live in different homes, with different guardians and different last names. They share only a predisposition for addiction and a host of troubled feelings toward the mother who barely knows them, a mother who has been riding with the monster, crank, for twenty years.
Hunter is nineteen, angry, getting by in college with a job at a radio station, a girlfriend he loves in the only way he knows how, and the occasional party. He's struggling to understand why his mother left him, when he unexpectedly meets his rapist father, and things get even more complicated. Autumn lives with her single aunt and alcoholic grandfather. When her aunt gets married, and the only family she’s ever known crumbles, Autumn’s compulsive habits lead her to drink. And the consequences of her decisions suggest that there’s more of Kristina in her than she’d like to believe. Summer doesn’t know about Hunter, Autumn, or their two youngest brothers, Donald and David. To her, family is only abuse at the hands of her father’s girlfriends and a slew of foster parents. Doubt and loneliness overwhelm her, and she, too, teeters on the edge of her mother’s notorious legacy. As each searches for real love and true family, they find themselves pulled toward the one person who links them together—Kristina, Bree, mother, addict. But it is in each other, and in themselves, that they find the trust, the courage, the hope to break the cycle.
Told in three voices and punctuated by news articles chronicling the family’s story, FALLOUT is the stunning conclusion to the trilogy begun by CRANK and GLASS, and a testament to the harsh reality that addiction is never just one person’s problem.
Do twins begin in the womb?
Or in a better place?
Kaeleigh and Raeanne are identical down to the dimple. As daughters of a district-court judge father and a politician mother, they are an all-American family -- on the surface. Behind the facade each sister has her own dark secret, and that's where their differences begin.
For Kaeleigh, she's the misplaced focus of Daddy's love, intended for a mother whose presence on the campaign trail means absence at home. All that Raeanne sees is Daddy playing a game of favorites -- and she is losing. If she has to lose, she will do it on her own terms, so she chooses drugs, alcohol, and sex.
Secrets like the ones the twins are harboring are not meant to be kept -- from each other or anyone else. Pretty soon it's obvious that neither sister can handle it alone, and one sister must step up to save the other, but the question is -- who?
Everyone has something, someone, somewhere else that they’d rather be. For four high school seniors, their goals of perfection are just as different as the paths they take to get there.
Cara’s parents’ unrealistic expectations have already sent her twin brother Conner spiraling toward suicide. For her, perfect means rejecting their ideals to take a chance on a new kind of love. Kendra covets the perfect face and body—no matter what surgeries and drugs she needs to get there. To score his perfect home run—on the field and off—Sean will sacrifice more than he can ever win back. And Andre realizes that to follow his heart and achieve his perfect performance, he’ll be living a life his ancestors would never understand.
A riveting and startling companion to the bestselling Impulse, Ellen Hopkins’s Perfect exposes the harsh truths about what it takes to grow up and grow into our own skins, our own selves.
In her bestselling novel, Tricks, Ellen Hopkins introduced us to five memorable characters tackling these enormous questions: Eden, the preacher’s daughter who turns tricks in Vegas and is helped into a child prostitution rescue; Seth, the gay farm boy disowned by his father who finds himself without money or resources other than his own body; Whitney, the privileged kid coaxed into the life by a pimp and whose dreams are ruined in a heroin haze; Ginger, who runs away from home with her girlfriend and is arrested for soliciting an undercover cop; and Cody, whose gambling habit forces him into the life, but who is shot and left for dead.
And now, in Traffick, these five are faced with the toughest question of all: Is there a way out? How these five teenagers face the aftermath of their decisions and experiences is the soul of this story that exposes the dark, ferocious underbelly of the child trafficking trade. Heartwrenching and hopeful, Traffick takes us on five separate but intertwined journeys through the painful challenges of recovery, rehabilitation, and renewal to forgiveness and love. All the way home.
It all started with a dream. Nothing exceptional, just a typical fantasy about a boy, the kind of dream that most teen girls experience. But Pattyn Von Stratten is not like most teen girls. Raised in a religious -- yet abusive -- family, a simple dream may not be exactly a sin, but it could be the first step toward hell and eternal damnation.
This dream is a first step for Pattyn. But is it to hell or to a better life? For the first time Pattyn starts asking questions. Questions seemingly without answers -- about God, a woman's role, sex, love -- mostly love. What is it? Where is it? Will she ever experience it? Is she deserving of it?
It's with a real boy that Pattyn gets into real trouble. After Pattyn's father catches her in a compromising position, events spiral out of control until Pattyn ends up suspended from school and sent to live with an aunt she doesn't know.
Pattyn is supposed to find salvation and redemption during her exile to the wilds of rural Nevada. Yet what she finds instead is love and acceptance. And for the first time she feels worthy of both -- until she realizes her old demons will not let her go. Pattyn begins down a path that will lead her to a hell -- a hell that may not be the one she learned about in sacrament meetings, but it is hell all the same.
In this riveting and masterful novel told in verse, Ellen Hopkins takes readers on an emotional roller-coaster ride. From the highs of true love to the lows of abuse, Pattyn's story will have readers engrossed until the very last word.
Once a widow, twice divorced, Tara is a woman with a past she prefers to keep hidden. She’s gorgeous, affluent, and content living alone in her flawless San Francisco mansion.
That is, until she meets Cavin Lattimore—the charming surgeon who sweeps her off her feet following a ski accident in Lake Tahoe. But as her recovery progresses and her love life flourishes, Tara notices some suspicious incidents—an unusual van parked outside her home, a break-in, threatening text messages, and distressing emails. She can’t help but notice the cracks in Cavin’s “perfect” persona, including the suppressed rage his conniving teenage son elicits.
Housebound and on crutches, Tara depends on Cavin—perhaps to a dangerous degree—as she juggles difficult relationships with her envious sister and best friend, her irritable brother-in-law, and her estranged mother. However perfect Tara’s life may have appeared before, new events are starting to expose what lies beneath.
Writing for the first time in prose, Ellen Hopkins unveils a brand new form that’s fresh, smoldering and emblematic of her celebrated poetic voice. Injected with a signature dose of suspense, sex, and drama, Love Lies Beneath delivers right up to its shocking and unexpected conclusion.
Tara thought she was finally settling down when she married the handsome Dr. Cavin Lattimore. Just as she was willing to overlook his gambling habits, she discovers his secret meetings with Sophia, his gorgeous ex-girlfriend and his son Eli’s occasional girlfriend. Life gets even more complicated when Tara’s niece, Kayla, starts hooking up with Eli. In a matter of weeks, Tara has reluctantly gone from rich, single San Francisco professional to Lake Tahoe housewife managing her niece’s whiplash moods, while resisting her stepson’s tantalizing sexual advances.
Adding to the family drama is her younger sister, Melody, who’s having a serious marital breakdown, which means she might know something about her husband Graham and Tara’s brief dalliance years ago. As Tara’s fragile trust in her family teeters, timed with the arrival of certain people from her past, she also can’t shake the feeling that someone’s watching her. Baiting her.
Tara has always considered herself a tough, self-made woman after surviving a childhood defined by poverty, abuse, and neglect. For years, she suffered from the sins of others. She committed a few of her own. Now she wonders if the misdeeds of her past are about to catch up with her—and if she can ever outrun them.
Twelve-year-old Trace Reynolds has always looked up to his brother, mostly because Will, who's five years older, has never looked down on him. It was Will who taught Trace to ride a bike, would watch sports on TV with him, and cheer him on at Little League. But when Will was knocked out cold during a football game, resulting in a brain injury--everything changed. Now, seventeen months later, their family is still living under the weight of "the incident," that left Will with a facial tic, depression, and an anger he cannot always control, culminating in their parents' divorce. Afraid of further fracturing his family, Trace begins to cover for Will who, struggling with addiction to pain medication, becomes someone Trace doesn’t recognize. But when the brother he loves so much becomes more and more withdrawn, and escalates to stealing money and ditching school, Trace realizes some secrets cannot be kept if we ever hope to heal.