Pandemic lockdowns have Ruth Galloway feeling isolated from everyone but a new neighbor—until Nelson comes calling, investigating a decades-long string of murder-suicides that’s looming ever closer.

Three years after her late mother’s death, Ruth is finally sorting through her things when she finds a curious relic: a decades-old photograph of Jean’s Norfolk cottage with a peculiar inscription. Ruth returns to the cottage to uncover its meaning as Norfolk’s first cases of COVID-19 make headlines, leaving her and Kate to shelter in place there. They struggle to stave off isolation by clapping for frontline workers each evening and befriending a kind neighbor, Zoe, from a distance. But when Nelson breaks quarantine to rush to Ruth’s cottage and enlist her help in investigating a series of murder-suicides he has connected to an archeological discovery, he finds Zoe is hardly who she says she is. The further Nelson investigates these deaths, the closer they lead him to Ruth’s friendly neighbor—until Ruth, Zoe, and Kate all go missing, and Nelson is left scrambling to find them before it’s too late.

It’s been only a few months since archaeologist Ruth Galloway found herself entangled in a missing persons case, barely escaping with her life. But when construction workers demolishing a large old house in Norwich uncover the bones of a child beneath a doorway—minus its skull—Ruth is once again called upon to investigate. Is it a Roman-era ritual sacrifice, or is the killer closer at hand?

Ruth and Detective Harry Nelson would like to find out—and fast. When they realize the house was once a children’s home, they track down the Catholic priest who served as its operator. Father Hennessey reports that two children did go missing from the home forty years before—a boy and a girl. They were never found. When carbon dating proves that the child’s bones predate the home and relate to a time when the house was privately owned, Ruth is drawn ever more deeply into the case. But as spring turns into summer it becomes clear that someone is trying very hard to put her off the trail by frightening her, and her unborn child, half to death.

The Janus Stone is a riveting follow-up to Griffiths’s acclaimed The Crossing Places.

The chilling discovery of a downed World War II plane with a body inside leads Ruth and DCI Nelson to uncover a wealthy family’s secrets in this Ruth Galloway mystery.

It’s a blazing hot summer in Norfolk when a construction crew unearths a downed American fighter plane from World War II with a body inside. Forensic archeologist Ruth Galloway determines that the skeleton couldn’t possibly be the pilot, and DNA tests identify the man as Fred Blackstock, a local aristocrat long presumed dead—news that seems to frighten his descendants. Events are further complicated by a TV company that wants to make a film about Norfolk’s deserted air force bases, the so-called ghost fields, which the Blackstocks have converted into a pig farm. As production begins, Ruth notices a mysterious man loitering at Fred Blackstock’s memorial service. Then human bones are found on the family’s pig farm and the weather quickly turns. Can the team outrace a looming flood to find the killer?