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About Elly Griffiths
Thank you for visiting my Amazon author page! I'm the author of two crime series, the Dr Ruth Galloway books and the Brighton Mysteries. Last year I also published a stand-alone, The Stranger Diaries, and a children's book, A Girl Called Justice. I have previously written books under my real name, Domenica de Rosa (I know it sounds made up).
The Ruth books are set in Norfolk, a place I know well from childhood. It was a chance remark of my husband's that gave me the idea for the first in the series, The Crossing Places. We were crossing Titchwell Marsh in North Norfolk when Andy (an archaeologist) mentioned that prehistoric people thought that marshland was sacred ground. Because it's neither land nor sea, but something in-between, they saw it as a bridge to the afterlife; neither land nor sea, neither life nor death. In that moment, I saw Dr Ruth Galloway walking towards me out of the mist...
I live near Brighton with Andy. We have two grown-up children. I write in a garden shed accompanied by my cat, Gus.
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Titles By Elly Griffiths
There’s nothing Ruth Galloway hates more than amateur archaeologists, but when a group of them stumble upon Bronze Age artifacts alongside a dead body, she finds herself thrust into their midst—and into the crosshairs of a string of murders circling ever closer.
Ruth is back as head of archaeology at the University of North Norfolk when a group of local metal detectorists—the so-called Night Hawks—uncovers Bronze Age artifacts on the beach, alongside a recently deceased body, just washed ashore. Not long after, the same detectorists uncover a murder-suicide—a scientist and his wife found at their farmhouse, long thought to be haunted by the Black Shuck, a humongous black dog, a harbinger of death. The further DCI Nelson probes into both cases, the more intertwined they become, and the closer they circle to David Brown, the new lecturer Ruth has recently hired, who seems always to turn up wherever Ruth goes.
Pandemic lockdowns have Ruth Galloway feeling isolated from everyone but a new neighbor—until Nelson comes calling, investigating a decades-long string of murder-suicides that’s looming ever closer.
Three years after her late mother’s death, Ruth is finally sorting through her things when she finds a curious relic: a decades-old photograph of Jean’s Norfolk cottage with a peculiar inscription. Ruth returns to the cottage to uncover its meaning as Norfolk’s first cases of COVID-19 make headlines, leaving her and Kate to shelter in place there. They struggle to stave off isolation by clapping for frontline workers each evening and befriending a kind neighbor, Zoe, from a distance. But when Nelson breaks quarantine to rush to Ruth’s cottage and enlist her help in investigating a series of murder-suicides he has connected to an archeological discovery, he finds Zoe is hardly who she says she is. The further Nelson investigates these deaths, the closer they lead him to Ruth’s friendly neighbor—until Ruth, Zoe, and Kate all go missing, and Nelson is left scrambling to find them before it’s too late.
Forensic archeologist Dr. Ruth Galloway is in her late thirties. She lives happily alone with her two cats in a bleak, remote area near Norfolk, land that was sacred to its Iron Age inhabitants—not quite earth, not quite sea. But her routine days of digging up bones and other ancient objects are harshly upended when a child’s bones are found on a desolate beach. Detective Chief Inspector Nelson calls Galloway for help, believing they are the remains of Lucy Downey, a little girl who went missing a decade ago and whose abductor continues to taunt him with bizarre letters containing references to ritual sacrifice, Shakespeare, and the Bible. Then a second girl goes missing and Nelson receives a new letter—exactly like the ones about Lucy.
Is it the same killer? Or a copycat murderer, linked in some way to the site near Ruth’s remote home?
It’s been only a few months since archaeologist Ruth Galloway found herself entangled in a missing persons case, barely escaping with her life. But when construction workers demolishing a large old house in Norwich uncover the bones of a child beneath a doorway—minus its skull—Ruth is once again called upon to investigate. Is it a Roman-era ritual sacrifice, or is the killer closer at hand?
Ruth and Detective Harry Nelson would like to find out—and fast. When they realize the house was once a children’s home, they track down the Catholic priest who served as its operator. Father Hennessey reports that two children did go missing from the home forty years before—a boy and a girl. They were never found. When carbon dating proves that the child’s bones predate the home and relate to a time when the house was privately owned, Ruth is drawn ever more deeply into the case. But as spring turns into summer it becomes clear that someone is trying very hard to put her off the trail by frightening her, and her unborn child, half to death.
The Janus Stone is a riveting follow-up to Griffiths’s acclaimed The Crossing Places.
Just back from maternity leave, forensic archeologist Ruth is finding it hard to juggle motherhood and work when she is called in to investigate human bones that have surfaced on a remote Norfolk beach. The presence of DCI Harry Nelson, the married father of her daughter, does not help. The bones, six men with their arms bound, turn out to date back to World War II, a desperate time on this stretch of coastland.
As Ruth and Nelson investigate, Home Guard veteran Archie Whitcliffe reveals the existence of a secret the old soldiers have vowed to protect with their lives. But then Archie is killed and a German journalist arrives, asking questions about Operation Lucifer, a plan to stop a German invasion, and a possible British war crime. What was Operation Lucifer? And who is prepared to kill to keep its secret?
"[A] page-turning mystery . . . it provides a wholly satisfying whodunit as well as a good reason to look up the other two [books in the series] . . . Griffiths's Galloway is a likable and alluring character.”—Associated Press
Everything has changed for Ruth Galloway. She has a new job, home, and partner, and she is no longer north Norfolk police’s resident forensic archaeologist. That is, until convicted murderer Ivor March offers to make DCI Nelson a deal. Nelson was always sure that March killed more women than he was charged with. Now March confirms this and offers to show Nelson where the other bodies are buried—but only if Ruth will do the digging.
Curious, but wary, Ruth agrees. March tells Ruth that he killed four more women and that their bodies are buried near a village bordering the fens, said to be haunted by the Lantern Men, mysterious figures holding lights that lure travelers to their deaths.
Is Ivor March himself a lantern man, luring Ruth back to Norfolk? What is his plan, and why is she so crucial to it? And are the killings really over?
When Ruth Galloway learns that her old university friend Dan Golding has died in a house fire, she is shocked and saddened. But when she receives a letter that Dan had written just before he died, her sadness turns to suspicion.The letter tells of a great archaeological discovery, but Dan also says that he is scared for his life.
Was Dan’s death linked to his find? The only clue is his mention of the Raven King, an ancient name for King Arthur. When she arrives in Lancashire, Ruth discovers that the bones reveal a shocking fact about King Arthur—and that the bones have mysteriously vanished.
The case draws in DCI Nelson, determined to protect Ruth and their eighteen-month-old daughter, Kate. But someone is willing to kill to keep the bones a secret, and it is beginning to look as if no one is safe.
The chilling discovery of a downed World War II plane with a body inside leads Ruth and DCI Nelson to uncover a wealthy family’s secrets in this Ruth Galloway mystery.
It’s a blazing hot summer in Norfolk when a construction crew unearths a downed American fighter plane from World War II with a body inside. Forensic archeologist Ruth Galloway determines that the skeleton couldn’t possibly be the pilot, and DNA tests identify the man as Fred Blackstock, a local aristocrat long presumed dead—news that seems to frighten his descendants. Events are further complicated by a TV company that wants to make a film about Norfolk’s deserted air force bases, the so-called ghost fields, which the Blackstocks have converted into a pig farm. As production begins, Ruth notices a mysterious man loitering at Fred Blackstock’s memorial service. Then human bones are found on the family’s pig farm and the weather quickly turns. Can the team outrace a looming flood to find the killer?
Winner of the Edgar Award for Best Novel
"This lively whodunit keeps you guessing until the end." —People
Death lies between the lines when the events of a dark story start coming true in this haunting modern Gothic mystery, perfect for fans of Magpie Murders and The Lake House.
Clare Cassidy is no stranger to murder. A high school teacher specializing in the Gothic writer R. M. Holland, she even teaches a course on him. But when one of Clare’s colleagues is found dead, with a line from Holland’s iconic story “The Stranger” left by her body, Clare is horrified to see her life collide with her favorite literature.
The police suspect the killer is someone Clare knows. Unsure whom to trust, she turns to her diary, the only outlet for her suspicions and fears. Then one day she notices something odd. Writing that isn't hers, left on the page of an old diary:
Hallo Clare. You don’t know me.
Clare becomes more certain than ever: “The Stranger” has come to terrifying life. But can the ending be rewritten in time?
The service of the Outcast Dead is held annually in Norwich, commemorating the bodies in the paupers’ graves. This year’s proceedings hold special interest for forensic archaeologist Ruth Galloway, who has just unearthed the notorious Mother Hook, hanged in 1867 at Norwich Castle for killing multiple children. Now Ruth is reluctantly starring in a TV special, working alongside the alluring historian Dr. Frank Barker. Nearby, DCI Harry Nelson is investigating the case of three children found dead in their home when another child is abducted. A kidnapper dubbed the Childminder claims responsibility, but is the Childminder behind the deaths too? The team races to find out—and after a child close to everyone involved disappears, the stakes couldn’t be higher.
“An uncommon, down-to-earth heroine whose acute insight, wry humor, and depth of feeling make her a thoroughly engaging companion.”—Erin Hart, Agatha– and Anthony Award–nominated author of Haunted Ground and Lake of Sorrows
Elly Griffiths’s Ruth Galloway novels have been praised as “gripping” (Louise Penny), “highly atmospheric,” (New York Times Book Review), and “must-reads for fans of crime fiction” (Associated Press). She is the winner of the 2010 Mary Higgins Clark Award.
When Ruth Galloway arrives to supervise the opening of a coffin containing the bones of a medieval bishop, she finds the museum’s curator lying dead on the floor. Soon after, the museum’s wealthy owner is also found dead, in his stables.
DCI Harry Nelson is called in to investigate, thrusting him into Ruth’s path once more. When threatening letters come to light, events take an even more sinister turn. But as Ruth’s friends become involved, where will her loyalties lie? As her convictions are tested, Ruth and Nelson must discover how Aboriginal skulls, drug smuggling, and the mystery of the “Dreaming” hold the answers to these deaths, as well as the keys to their own survival.
“Lovers of well-written and intelligent traditional mysteries will welcome [Griffith’s] fourth book . . . A Room Full of Bones is a clever blend of history and mystery with more than enough forensic details to attract the more attentive reader.”—Denver Post
"Galloway is an Everywoman, smart, successful, and a little bit unsure of herself. Readers will look forward to learning more about her."—USA Today