“Speedy, exhilarating, and smooth. Nobody does it better.”
—Washington Post

“The man knows how to grab you—and Pronto is one of the best grabbers in years.”
—Entertainment Weekly

Fans of U.S. Marshal Raylan Givens of the hit TV series Justified are in for a major treat. The unstoppable manhunter with the very itchy trigger finger stars in Pronto, a crime fiction gem from the one and only Elmore Leonard, “the greatest crime writer of our time, perhaps ever” (New York Times Book Review). The Grand Master justifies the overwhelming acclaim he has received over the course of his remarkable career with an electrifying thriller that sends the indomitable Raylan racing to Italy on the trail of a fugitive bookie who’s hiding from the vengeful Miami mob. The legendary Leonard, whom the Seattle Times lauds as the “King Daddy of crime writers,” proves that all comparisons to American noir icons John D. MacDonald, Dashiell Hammett, and James M. Cain are well deserved with this tale of very dirty doings and extremely dangerous men coming together in the birthplace of Puccini, Garibaldi, and La Cosa Nostra.

“Wicked and irresistible….Elmore Leonard is a literary genius.”
—New York Times Book Review

Before U.S. Marshal Raylan Givens began electrifying TV viewers across America (in the hit series Justified), he “starred” in Elmore Leonard’s Riding the Rap—an explosive, twisty tale of a brazen Florida kidnap caper gone outrageously wrong. Chock full of wildly eccentric and deliciously criminal characters—including a psycho enforcer with a green thumb, a Bahamian bad man, and the beautiful, unabashedly greedy psychic Reverend Dawn—Riding the Rap dazzles with Leonard’s trademark ingenious plot turns and razor-keen dialogue. Gripping, surprising, and unforgettable, it is a crime fiction gem that any thriller writer—from past masters John D. MacDonald, Dashiell Hammett, and James M. Cain to the bestselling mystery auteurs of today—would be thrilled to call his own.

In this superb short fiction collection, Elmore Leonard, “the greatest crime writer of our time, perhaps ever” (New York Times Book Review), once again illustrates how the line between the law and the lawbreakers is not as firm as we might think. In the title story, the basis for the hit FX series Justified, U.S. Marshal Raylan Givens meets up with an old friend, but they’re now on different sides of the law. Federal marshal Karen Sisco, from Out of Sight, returns in “Karen Makes Out,” once again inadvertently mixing pleasure with business. In “When the Women Come Out to Dance,” Mrs. Mahmood gets more than she bargains for when she conspires with her maid to end her unhappy marriage.

These nine stories are the great Elmore Leonard at his vivid, hilarious, and unfailingly human best.

“As gritty and hard-driving a thriller as you’ll find….The action never stops, the language sings and stings.”
—Washington Post

The City Primeval in Elmore Leonard’s relentlessly gripping classic noir is Detroit, the author’s much-maligned hometown and the setting for many of the Grand Master’s acclaimed crime novels. The “Alexander the Great of crime fiction” (Pittsburgh Post-Gazette) shines in these urban mean streets, setting up a downtown showdown between the psychopathic, thrill-killing “Oklahoma Wildman” and the dedicated city copy who’s determined to take him down. The creator of U.S. Marshal Raylan Givens of TV’s Justified fame, Elmore Leonard is the equal of any writer who has ever captivated readers with dark tales of heists, hijacks, double-crosses, and murder—John D. MacDonald, Dashiell Hammett, James M. Cain, and Robert Parker included—and nobody then or now is better.

“Elmore Leonard can write circles around almost anybody active in the crime novel today.”
—New York Times Book Review

The revered New York Times bestselling author, recognized as “America’s greatest crime writer” (Newsweek), brings back U.S. Marshal Raylan Givens, the mesmerizing hero of Pronto, Riding the Rap, and the hit FX series Justified.

With the closing of the Harlan County, Kentucky, coal mines, marijuana has become the biggest cash crop in the state. A hundred pounds of it can gross $300,000, but that’s chump change compared to the quarter million a human body can get you—especially when it’s sold off piece by piece.

So when Dickie and Coover Crowe, dope-dealing brothers known for sampling their own supply, decide to branch out into the body business, it’s up to U.S. Marshal Raylan Givens to stop them. But Raylan isn’t your average marshal; he’s the laconic, Stetson-wearing, fast-drawing lawman who juggles dozens of cases at a time and always shoots to kill. But by the time Raylan finds out who’s making the cuts, he’s lying naked in a bathtub, with Layla, the cool transplant nurse, about to go for his kidneys.

The bad guys are mostly gals this time around: Layla, the nurse who collects kidneys and sells them for ten grand a piece; Carol Conlan, a hard-charging coal-mine executive not above ordering a cohort to shoot point-blank a man who’s standing in her way; and Jackie Nevada, a beautiful sometime college student who can outplay anyone at the poker table and who suddenly finds herself being tracked by a handsome U.S. marshal.

Dark and droll, Raylan is pure Elmore Leonard—a page-turner filled with the sparkling dialogue and sly suspense that are the hallmarks of this modern master.

“Cat Chaser is just what one would expect from Elmore Leonard—quirky, peopled with oddball characters…and more twists and turns than a roller coaster.”
—Cleveland Plain Dealer

“A superior example of gritty writing and violent action.”
—New York Times

There are numerous reasons why Grand Master Elmore Leonard is considered “the coolest, hottest thriller writer in America” (Chicago Tribune) and “the greatest crime writer of our time, perhaps ever” (New York Times Book Review). Cat Chaser is one of them. A gripping, lightning-paced tale of an ex-soldier-turned Florida motel owner whose dangerous affair with the mistress of a Dominican general in exile—a former death squad leader—threatens to have lethal consequences…especially when drugs, double-cross, and murderous mob thugs are added into the mix. A classic thriller from crime fiction master who first brought us U.S. Marshal Raylan Givens, currently of TV’s Justified, Cat Chaser proves once more that when the true greats of mystery and suspense are mentioned—John D. MacDonald, Dashiell Hammett, James M. Cain, Robert Parker, et al—Elmore Leonard tops the list.

“Almost unbearable suspense. Leonard has produced another winner.”
—People

A wild ride with “the coolest, hottest writer in America” (Chicago Tribune), Bandits has everything Elmore Leonard fans love: non-stop thrills, unexpected twists and turns, unforgettable characters, and the most razor-sharp dialogue being rapidly exchanged anywhere in the crime fiction genre. Leonard stands tall among the all-time greats (John D. MacDonald, Dashiell Hammett, James M. Cain) and towers far above most of the writers currently plying the noir fiction trade. The master who created U.S. Marshal Raylan Givens, currently of the hit TV series Justified, is at the top of his game, ensnaring readers in an ingenious plot hatched by a former jewel thief and a radical ex-nun to scam millions from a sadistic Nicaraguan colonel. In fact, the Philadelphia Inquirer says Bandits “may well be his best.” Read it and decide for yourself.

“Wonderful…razor-sharp.”
—Los Angeles Times Book Review

“Excellent….A plot and a chase as good as anything he has ever written.”
—Bergan Record

In Elmore Leonard’s The Hunted, “crime fiction’s greatest living practitioner” (Washington Post) carries the action far from his usual Detroit, Miami, and Los Angeles milieus, all the way to the Middle East. There no lack of excitement and suspense—and the trademark Leonard dialogue—in this superior tale of a fugitive hiding under the radar in Israel, until a well-publicized Good Samaritan act attracts the unwanted attention of well-armed Motown mobsters who are now coming to get him. The author who introduced the world to U.S. Marshal Raylan Givens (in his novels Pronto and Riding the Rap, before the lawman became the star of the hit TV drama Justified), the Grand Master shows why the Ft. Lauderdale Sun-Sentinel calls him “the all-time king of the whack job crime novelists,” and goes on to say that “Elmore Leonard tops them all”…including John D. MacDonald, Dashiell Hammett, James M. Cain, Robert B. Parker, and quite possibly every major mystery writer the U.S. has ever produced.

“My favorite Leonard book….He writes the way Hammett and Chandler might write today, if they sharpened their senses of ironic humor and grew better ears for dialogue.”
—Dallas Morning News

“The best writer of crime fiction alive.”
—Newsweek

Dangerously eccentric characters, razor-sharp black humor, brilliant dialog, and suspense all rolled into one tight package—that’s The Switch, Elmore Leonard’s classic tale of a kidnapping gone wrong…or terribly right, depending on how you look at it. The Grand Master whom the New York Times Book Review calls, “the greatest crime writer of our time, perhaps ever,” has written a wry and twisting tale that any of the other all-time greats—Dashiell Hammett, Raymond Chandler, John D. MacDonald, James M. Cain, Robert Parker…every noir author who ever walked a detective, cop, or criminal into a shadowy alley—would be thrilled to call their own. Leonard, the man who has given us U.S. Marshal Raylan Givens (currently starring in TV’s Justified) is at his storytelling best, as a spurned wife decides to take a rightful—and profitable—revenge on her deceiving hubby by teaming up with the two thugs he hired to abduct her.

“Although known for his mysteries, Elmore Leonard has penned some of the best western fiction ever.”
—USA Today

Grand Master Elmore Leonard is justifiably acknowledged as one of the very best crime fiction writers ever, alongside other all-time greats like John D. MacDonald, Dashiell Hammett, James M. Cain, and Robert Parker. But he has also many acclaimed masterworks of American western fiction to his credit—including Hombre, the basis for the classic Hollywood motion picture starring Paul Newman. 

Set in Arizona mining country, Hombre is the tale of a white man raised by Indians, who must come to the aid of people who hate him when their stagecoach is attacked by outlaws. As thrilling as his contemporary novels of crime, double-cross, and murder in Detroit and Miami, Hombre is Elmore Leonard at his riveting best—no less than one would expect from the creator of U.S. Marshal Raylan Givens (Justified).

“Powerful…clever…astonishing…a delicious read.”
—Detroit Free Press

Rum Punch is classic Elmore Leonard—the electrifying thriller that served as the basis for the acclaimed film Jackie Brown by director Quentin Tarantino, starring Pam Grier, Robert DeNiro, and Samuel L. Jackson. Leonard’s story of a not-altogether-blameless flight attendant on the run from her vicious gun-running sometime employer who sees her as a troublesome loose end, Rum Punch is “the King Daddy of crime writers” (Seattle Times) at his sharpest and most ingeniously entertaining. In fact, People magazine calls it, “Leonard’s best work. He brilliantly reaffirms his right to the title of America’s finest crime fiction writer.” Enjoy this sensational noir winner from the creator of the character of U.S. Marshal Raylan Givens, lately of TV’s hit series Justified, and see why the great Elmore Leonard stands tall in the company of America’s most legendary crime fiction masters: John D. MacDonald, Dashiell Hammett, James M. Cain, et al.

Prohibition is a big headache for some . . . and a big payday for others, the fearless entrepreneurs with little respect for the law of the land. With $125,000 worth of Kentucky's finest homemade whiskey in his possession, big, hell-raising Son Martin counts himself among the latter. Son knows having this much illegal hooch makes him a very tasty target, but nobody's going to steal it from him. Ware may be coming to his backyard, but Son's not worried. Because when it comes to fighting, shooting, and keeping one step ahead of the Big Boys, he's more than good—he's bad . . . and dangerous . . . and deadly.