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“One of [Erik Larson’s] best books yet . . . perfectly timed for the moment.”—Time • “A bravura performance by one of America’s greatest storytellers.”—NPR
NAMED ONE OF THE TEN BEST BOOKS OF THE YEAR BY THE EAST HAMPTON STAR AND ONE OF THE BEST BOOKS OF THE YEAR BY The New York Times Book Review • Time • Vogue • NPR • The Washington Post • The Globe & Mail • Fortune • Bloomberg • New York Post • The New York Public Library • Kirkus Reviews • LibraryReads • PopMatters
On Winston Churchill’s first day as prime minister, Adolf Hitler invaded Holland and Belgium. Poland and Czechoslovakia had already fallen, and the Dunkirk evacuation was just two weeks away. For the next twelve months, Hitler would wage a relentless bombing campaign, killing 45,000 Britons. It was up to Churchill to hold his country together and persuade President Franklin Roosevelt that Britain was a worthy ally—and willing to fight to the end.
In The Splendid and the Vile, Erik Larson shows, in cinematic detail, how Churchill taught the British people “the art of being fearless.” It is a story of political brinkmanship, but it’s also an intimate domestic drama, set against the backdrop of Churchill’s prime-ministerial country home, Chequers; his wartime retreat, Ditchley, where he and his entourage go when the moon is brightest and the bombing threat is highest; and of course 10 Downing Street in London. Drawing on diaries, original archival documents, and once-secret intelligence reports—some released only recently—Larson provides a new lens on London’s darkest year through the day-to-day experience of Churchill and his family: his wife, Clementine; their youngest daughter, Mary, who chafes against her parents’ wartime protectiveness; their son, Randolph, and his beautiful, unhappy wife, Pamela; Pamela’s illicit lover, a dashing American emissary; and the advisers in Churchill’s “Secret Circle,” to whom he turns in the hardest moments.
The Splendid and the Vile takes readers out of today’s political dysfunction and back to a time of true leadership, when, in the face of unrelenting horror, Churchill’s eloquence, courage, and perseverance bound a country, and a family, together.
This New York Times bestseller intertwines the true tale of the 1893 World's Fair and the cunning serial killer who used the fair to lure his victims to their death. Combining meticulous research with nail-biting storytelling, Erik Larson has crafted a narrative with all the wonder of newly discovered history and the thrills of the best fiction.
Two men, each handsome and unusually adept at his chosen work, embodied an element of the great dynamic that characterized America’s rush toward the twentieth century. The architect was Daniel Hudson Burnham, the fair’s brilliant director of works and the builder of many of the country’s most important structures, including the Flatiron Building in New York and Union Station in Washington, D.C. The murderer was Henry H. Holmes, a young doctor who, in a malign parody of the White City, built his “World’s Fair Hotel” just west of the fairgrounds—a torture palace complete with dissection table, gas chamber, and 3,000-degree crematorium.
Burnham overcame tremendous obstacles and tragedies as he organized the talents of Frederick Law Olmsted, Charles McKim, Louis Sullivan, and others to transform swampy Jackson Park into the White City, while Holmes used the attraction of the great fair and his own satanic charms to lure scores of young women to their deaths. What makes the story all the more chilling is that Holmes really lived, walking the grounds of that dream city by the lake.
The Devil in the White City draws the reader into a time of magic and majesty, made all the more appealing by a supporting cast of real-life characters, including Buffalo Bill, Theodore Dreiser, Susan B. Anthony, Thomas Edison, Archduke Francis Ferdinand, and others. Erik Larson’s gifts as a storyteller are magnificently displayed in this rich narrative of the master builder, the killer, and the great fair that obsessed them both.
A true story of love, murder, and the end of the world’s “great hush.”
In Thunderstruck, Erik Larson tells the interwoven stories of two men—Hawley Crippen, a very unlikely murderer, and Guglielmo Marconi, the obsessive creator of a seemingly supernatural means of communication—whose lives intersect during one of the greatest criminal chases of all time.
Set in Edwardian London and on the stormy coasts of Cornwall, Cape Cod, and Nova Scotia, Thunderstruck evokes the dynamism of those years when great shipping companies competed to build the biggest, fastest ocean liners; scientific advances dazzled the public with visions of a world transformed; and the rich outdid one another with ostentatious displays of wealth. Against this background, Marconi races against incredible odds and relentless skepticism to perfect his invention: the wireless, a prime catalyst for the emergence of the world we know today. Meanwhile, Crippen, “the kindest of men,” nearly commits the perfect murder.
With his unparalleled narrative skills, Erik Larson guides us through a relentlessly suspenseful chase over the waters of the North Atlantic. Along the way, he tells of a sad and tragic love affair that was described on the front pages of newspapers around the world, a chief inspector who found himself strangely sympathetic to the killer and his lover, and a driven and compelling inventor who transformed the way we communicate.
From the bestselling author and master of narrative nonfiction comes the enthralling story of the sinking of the Lusitania
On May 1, 1915, with WWI entering its tenth month, a luxury ocean liner as richly appointed as an English country house sailed out of New York, bound for Liverpool, carrying a record number of children and infants. The passengers were surprisingly at ease, even though Germany had declared the seas around Britain to be a war zone. For months, German U-boats had brought terror to the North Atlantic. But the Lusitania was one of the era’s great transatlantic “Greyhounds”—the fastest liner then in service—and her captain, William Thomas Turner, placed tremendous faith in the gentlemanly strictures of warfare that for a century had kept civilian ships safe from attack.
Germany, however, was determined to change the rules of the game, and Walther Schwieger, the captain of Unterseeboot-20, was happy to oblige. Meanwhile, an ultra-secret British intelligence unit tracked Schwieger’s U-boat, but told no one. As U-20 and the Lusitania made their way toward Liverpool, an array of forces both grand and achingly small—hubris, a chance fog, a closely guarded secret, and more—all converged to produce one of the great disasters of history.
It is a story that many of us think we know but don’t, and Erik Larson tells it thrillingly, switching between hunter and hunted while painting a larger portrait of America at the height of the Progressive Era. Full of glamour and suspense, Dead Wake brings to life a cast of evocative characters, from famed Boston bookseller Charles Lauriat to pioneering female architect Theodate Pope to President Woodrow Wilson, a man lost to grief, dreading the widening war but also captivated by the prospect of new love.
Gripping and important, Dead Wake captures the sheer drama and emotional power of a disaster whose intimate details and true meaning have long been obscured by history.
That August, a strange, prolonged heat wave gripped the nation and killed scores of people in New York and Chicago. Odd things seemed to happen everywhere: A plague of crickets engulfed Waco. The Bering Glacier began to shrink. Rain fell on Galveston with greater intensity than anyone could remember. Far away, in Africa, immense thunderstorms blossomed over the city of Dakar, and great currents of wind converged. A wave of atmospheric turbulence slipped from the coast of western Africa. Most such waves faded quickly. This one did not.
In Cuba, America's overconfidence was made all too obvious by the Weather Bureau's obsession with controlling hurricane forecasts, even though Cuba's indigenous weathermen had pioneered hurricane science. As the bureau's forecasters assured the nation that all was calm in the Caribbean, Cuba's own weathermen fretted about ominous signs in the sky. A curious stillness gripped Antigua. Only a few unlucky sea captains discovered that the storm had achieved an intensity no man alive had ever experienced.
In Galveston, reassured by Cline's belief that no hurricane could seriously damage the city, there was celebration. Children played in the rising water. Hundreds of people gathered at the beach to marvel at the fantastically tall waves and gorgeous pink sky, until the surf began ripping the city's beloved beachfront apart. Within the next few hours Galveston would endure a hurricane that to this day remains the nation's deadliest natural disaster. In Galveston alone at least 6,000 people, possibly as many as 10,000, would lose their lives, a number far greater than the combined death toll of the Johnstown Flood and 1906 San Francisco Earthquake.
And Isaac Cline would experience his own unbearable loss.
Meticulously researched and vividly written, Isaac's Storm is based on Cline's own letters, telegrams, and reports, the testimony of scores of survivors, and our latest understanding of the hows and whys of great storms. Ultimately, however, it is the story of what can happen when human arrogance meets nature's last great uncontrollable force. As such, Isaac's Storm carries a warning for our time.
Erik Larson, New York Times bestselling author of Devil in the White City, delivers a remarkable story set during Hitler’s rise to power.
The time is 1933, the place, Berlin, when William E. Dodd becomes America’s first ambassador to Hitler’s Nazi Germany in a year that proved to be a turning point in history.
A mild-mannered professor from Chicago, Dodd brings along his wife, son, and flamboyant daughter, Martha. At first Martha is entranced by the parties and pomp, and the handsome young men of the Third Reich with their infectious enthusiasm for restoring Germany to a position of world prominence. Enamored of the “New Germany,” she has one affair after another, including with the suprisingly honorable first chief of the Gestapo, Rudolf Diels. But as evidence of Jewish persecution mounts, confirmed by chilling first-person testimony, her father telegraphs his concerns to a largely indifferent State Department back home. Dodd watches with alarm as Jews are attacked, the press is censored, and drafts of frightening new laws begin to circulate. As that first year unfolds and the shadows deepen, the Dodds experience days full of excitement, intrigue, romance—and ultimately, horror, when a climactic spasm of violence and murder reveals Hitler’s true character and ruthless ambition.
Suffused with the tense atmosphere of the period, and with unforgettable portraits of the bizarre Göring and the expectedly charming--yet wholly sinister--Goebbels, In the Garden of Beasts lends a stunning, eyewitness perspective on events as they unfold in real time, revealing an era of surprising nuance and complexity. The result is a dazzling, addictively readable work that speaks volumes about why the world did not recognize the grave threat posed by Hitler until Berlin, and Europe, were awash in blood and terror.
In Lethal Passage Erik Larson shows us how a disturbed teenager was able to buy a weapon advertised as "the gun that made the eighties roar." The result is a book that can -- and should -- save lives, and that has already become an essential text in the gun-control debate.
With a new afterword.
"Touches on all aspects of the gun issue in this country. Gives great voice to that feeling...that something real must be done." --San Diego Union-Tribune
"One of the most readable anti-gun treatises in years." --Washington Post Book World
Se diría que sabemos todo (o casi todo) de Winston Churchill. Y, sin embargo, como en toda vida, siempre se nos escapa algo. Y es ahí, en esos resquicios dejados de lado por la historiografía oficial o crítica, donde entra el excepcional talento narrativo de Erik Larson. Circunscrito a un período muy concreto, de mayo de 1940 a mayo de 1941, el período más cruento del Blitz, este libro narra, casi como una novela, «cómo Churchill y su círculo sobrevivían cotidianamente: los pequeños episodios que revelan cómo se vivía de verdad bajo la tempestad de acero de Hitler. Ese fue el momento en que Churchill se convirtió en Churchill, cuando realizó sus discursos más impresionantes y mostró al mundo qué eran el valor y el liderazgo».
En esta obra tenemos al gran estadista, al orador y al líder que nunca parecía perder el norte, pero también al hombre que dudaba de sus propias decisiones, al aristócrata y bon vivant que echaba de menos la juventud, al sentimental y al iracundo. El poliédrico Churchill se construyó un personaje a medida de una Historia con mayúscula. Larson lo cuenta rastreando los claroscuros de las minúsculas. Al fin y al cabo, como dijo el propio Churchill a su secretario: «Si las palabras importasen, deberíamos ganar esta guerra».
Something is amiss at the Hotel Angeline, a rickety former mortuary perched atop Capitol Hill in rain-soaked Seattle. Fourteen-year-old Alexis Austin is fixing the plumbing, the tea, and all the problems of the world, it seems, in her landlady mother’s absence. The quirky tenants—a hilarious mix of misfits and rabble-rousers from days gone by—rely on Alexis all the more when they discover a plot to sell the Hotel. Can Alexis save their home? Find her real father? Deal with her surrogate dad’s dicey past? Find true love? Perhaps only their feisty pet crow, Habib, truly knows. Provoking interesting questions about the creative process, this novel is by turns funny, scary, witty, suspenseful, beautiful, thrilling, and unexpected.
Sessantaquattro anni, snello, gli occhi grigio-azzurri e i capelli castano chiaro, nel 1933 William E. Dodd è un rispettabile professore di storia all’università di Chicago, con una certa notorietà per i suoi scritti sul Sud degli Stati Uniti e la sua biografia di Woodrow Wilson.
Fervente democratico jeffersoniano, a suo agio soltanto negli ambienti frugali della sua piccola fattoria di campagna, Dodd ha una moglie, Mattie, e due figli: William Jr – Bill – e Martha, la prediletta. Ventiquattro anni, i capelli biondi, gli occhi azzurri e un sorriso radioso, Martha ha un’immaginazione venata di romanticismo e un atteggiamento cosí civettuolo, da avere già acceso la passione in molti uomini.
La vita di questa famiglia americana, a detta di tutti felice e unita, muta radicalmente nel giugno del 1933. Mentre siede alla sua scrivania all’università, Dodd riceve una telefonata da Franklin Delano Roosvelt, il presidente degli Stati Uniti, che gli annuncia la sua intenzione di nominarlo a capo della rappresentanza diplomatica americana a Berlino.
Dodd è tutto fuorché il candidato modello per un simile incarico. Non è ricco, non è politicamente influente e non appartiene nemmeno alla cerchia degli amici di Roosvelt. Certo, ha conseguito un dottorato a Lipsia e conosce il tedesco, ma nulla piú.
Tuttavia, per Roosvelt è un ambasciatore perfetto per un paese che, tra la crisi economica dilagante e un altro rovinoso anno di siccità, rappresenta per l’America soltanto una seccatura: la seccatura di un miliardo e duecentomila dollari, debito che Berlino ha contratto con gli Stati Uniti, e che Hitler si mostra sempre meno propenso a voler saldare.
Ed è cosí che, al loro arrivo, William e Martha Dodd si ritrovano ad attraversare una città addobbata di immensi stendardi rossi, bianchi e neri; a sedere negli stessi caffè all’aperto frequentati dalle SS in uniforme nera; a passare davanti a case con balconi traboccanti di gerani rossi; a fare acquisti nei giganteschi empori della città, a organizzare tè, aspirare le fragranze primaverili del Tiergarten, il parco principale di Berlino; ad avere rapporti sociali con Goebbels e Göring, in compagnia dei quali cenare, danzare e divertirsi allegramente; finché, alla fine del 1934, accade un evento che smaschera la vera natura di Hitler e del potere a Berlino, la grande e nobile città che agli occhi di padre e figlia si svela per la prima volta come un immenso Tiergarten, un giardino delle bestie.
Chicago, 1893. Una feria internacional, un asesino en serie… La historia real que ha entusiasmado a millones de lectores en todo el mundo.
Los dos eran inteligentes y tozudos, y el afán de triunfar los empujó cada vez más lejos: el arquitecto Daniel Hudson Burnham recibió el encargo de diseñar y construir los pabellones de la Exposición Universal de Chicago, que abriría sus puertas en mayo de 1893; Henry H. Holmes era médico y decidió aplicar sus conocimientos durante el evento expositivo de la manera más cruel. Mientras Burnham levantaba las paredes de unos palacios espectaculares, Holmes mandó construir, en los sótanos de su casa, unas salas de tortura en las que encontrarían la muerte un sinfín de mujeres.
Lo que parece la trama de una novela de horror fue a finales del siglo xix una realidad que conmovió a un país entero y que tuvo como testigos de excepción a hombres tan dispares como Buffalo Bill, Theodore Dreiser y Thomas Edison. Las tribulaciones del arquitecto y el médico, ejemplos del orgullo y la más insondable maldad, llegan hasta nosotros gracias a este extraordinario libro, la historia de una locura.
CONSIGLIATO DA BILL GATES TRA I 5 LIBRI DA REGALARE E LEGGERE A NATALE 2020.
1940-1941, BATTAGLIA D'INGHILTERRA. LA FORMIDABILE CRONACA DEI GIORNI BUI E DI QUELLI LUMINOSI IN CUI CHURCHILL DIVENNE CHURCHILL, UNO DEI PIÙ GRANDI LEADER DELLA STORIA.
Il 3 settembre 1939, in risposta all’occupazione della Polonia da parte di Hitler, la Gran Bretagna dichiara guerra alla Germania, e l’intero paese si prepara ai bombardabmenti e all’invasione naziste. Le istruzioni del governo, impartite alla popolazione, non smorzano affatto la gravità dell’ora: «Dove il nemico atterrerà» avvertono, «i combattimenti saranno violentissimi». Vengono smontati i segnali stradali, distribuite trentacinque milioni di maschere antigas ai civili, l’oscuramento è così totale che nelle notti senza luna i pedoni urtano contro i pali della luce e inciampano nei sacchi di sabbia. La paura di ritrovarsi i tedeschi nel giardino di casa è tale che persino gli alti vertici dello Stato si preparano a scelte estreme.
Harold Nicolson, futuro segretario parlamentare al ministero dell’Informazione, e la moglie, Vita Sackville-West, mettono nel conto la possibilità di suicidarsi pur di non cadere in mano nemica. «Dovrà essere qualcosa di rapido, indolore e poco ingombrante» scrive Vita
al marito. Nel maggio 1940 i bombardamenti cominciano realmente. Dapprima con attacchi apparentemente casuali, poi con un assalto in piena regola contro la città di Londra: cinquantasette notti consecutive di bombardamenti, seguiti nei sei mesi successivi da una serie sempre più intensa di raid notturni.
Nel maggio 1940, alle prime incursioni aeree sul suolo britannico, il primo ministro Neville Chamberlain, sfiduciato di fatto dal parlamento, si dimette e re Giorgio vi nomina al suo posto Winston Churchill. Dal 10 maggio 1940 al 10 maggio 1941 si svolge l’anno decisivo delle sorti del Regno Unito, l’anno che si conclude con «sette giorni di violenza quasi fantascientifica, durante i quali realtà e immaginazione si fusero, segnando la prima grande vittoria della guerra contro i tedeschi». L’anno in cui «Churchill diventò Churchill – il bulldog con il sigaro in bocca che tutti noi crediamo di conoscere – e in cui tenne i suoi discorsi più memorabili, dimostrando al mondo intero che cosa fossero il coraggio e la leadership».
Erik Larson lo narra in questo libro, formidabile cronaca dei giorni bui e di quelli luminosi di Churchill e della sua cerchia ristretta, e avvincente racconto dei «piccoli ma curiosi episodi che rivelano come fosse realmente la vita durante le tempeste d’acciaio di Hitler».
«Per loro grande fortuna – altrimenti la vita sarebbe intollerabile – gli esseri umani non possono prevedere il corso degli eventi nel lungo termine». Winston Churchill
Elogio per Neville Chamberlain, 12 novembre 1940
«Ci sono innumerevoli libri sulla seconda guerra mondiale, ma c’è solo un Erik Larson.
Il libro si legge come un romanzo, e anche se tutti (si spera) sanno come è finita la guerra, staccarsi dalle pagine è impossibile grazie all’avvincente prosa». NPR
«Avevo una copia di questo libro sulla mia scrivania e ho iniziato pigramente a leggere le prime pagine… e all’improvviso il tempo è scomparso». Seattle Times
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