Other Sellers on Amazon
Download the free Kindle app and start reading Kindle books instantly on your smartphone, tablet, or computer - no Kindle device required. Learn more
Read instantly on your browser with Kindle Cloud Reader.
Using your mobile phone camera - scan the code below and download the Kindle app.
Enter your mobile phone or email address
By pressing "Send link," you agree to Amazon's Conditions of Use.
You consent to receive an automated text message from or on behalf of Amazon about the Kindle App at your mobile number above. Consent is not a condition of any purchase. Message & data rates may apply.
Faithful Place (Dublin Murder Squad) Paperback – June 28, 2011
Enhance your purchase
Back in 1985, Frank Mackey was a nineteen-year-old kid with a dream of escaping hisi family's cramped flat on Faithful Place and running away to London with his girl, Rosie Daly. But on the night they were supposed to leave, Rosie didn't show. Frank took it for granted that she'd dumped him-probably because of his alcoholic father, nutcase mother, and generally dysfunctional family. He never went home again. Neither did Rosie. Then, twenty-two years later, Rosie's suitcase shows up behind a fireplace in a derelict house on Faithful Place, and Frank, now a detective in the Dublin Undercover squad, is going home whether he likes it or not.
Frequently bought together
Stef Penney: You have created a tapestry of interlocking characters who all work in law enforcement in Dublin, and so far you’ve turned the spotlight on three different police officers. . . Do you have a favorite? Have you found some harder to inhabit than others?
Tana French: Frank Mackey in Faithful Place was by far the most fun to write because he’s got that dark, abrasive Dublin sense of humor that surfaces even--or especially--at life’s worst moments. The hardest to get into was Scorcher Kennedy, in my new book, Broken Harbour--I’ve just finished the edits. I think it’s to do with the gap between the way Frank saw him in Faithful Place, where he was a supporting character, and the way he sees himself. Frank sees a rule-bound, up-himself, irritating git; but from Scorcher’s point of view, he’s a man struggling desperately to do the right thing in a world where you have to trust in the rules because your own mind is too fragile and slippery to trust. There’s a huge gap between the two perspectives, and it wasn’t easy to switch. That perspective shift is one of the things I enjoy most about writing a series of books, where a secondary character in one book becomes the narrator in the next--it lets me explore the way truth can be mutable and subjective, shaped by people’s own needs as much as by objective reality--but it’s also the toughest part of it.
Penney: You’re known for writing about Dublin. Can you see yourself going anywhere else as the setting for a book?
French: I’ll be sticking with Dublin--for the foreseeable future, anyway. It’s the only city where I know all the little details--the sense of humor, the connotations of the accents, where to get a good pint and where not to go after dark. Setting a book in a place I didn’t know this intimately would feel very dislocated. I think crime is very deeply rooted in its setting--it happens everywhere but the form it takes is shaped by the fears and desires of the society where it happens--and so crime novels are rooted in setting, too. Both In the Woods and The Likeness deal with the relationship between past and present--how to balance the two without destroying either--and that’s a question that Ireland’s been struggling (and often failing) to deal with over the past twenty years. It wasn’t a deliberate choice to make the books “relevant”; it’s just that since the issue was a central part of the world I lived in while I was coming up with the books, it soaked into them. If I set a book anywhere else, that connection wouldn’t be there. Plus, I love Dublin. I care about its fears and desires with a passion that I don’t feel for any other place. Faithful Place, especially, is a love song to Dublin, its bad side as well as its good. I can’t imagine writing about somewhere I don’t care about so strongly.
Penney: The Mackeys in Faithful Place are extraordinarily vivid, but it’s a terrifying, bleak portrait of family life. Does this relate to anything in your life? Or, if not, what made you interested in writing about such a family?
French: Thank God, my family’s nothing like the Mackeys! I had an unfashionably happy childhood. But I’ve always been most interested in writing about things I don’t know about. That’s at the heart of Faithful Place, in a lot of ways. It’s about a big family, and a viciously dysfunctional one, neither of which I’ve experienced. And it’s also about a family that’s very deeply rooted in Dublin, and specifically in the centuries-old community of Faithful Place. Those roots have shaped everything the Mackeys are. I’ve always been fascinated by that kind of rooted life because it’s something I’ll never have--my parents have a handful of nationalities between them, I grew up in several continents, I’m an international brat. . . Writing about something so far from my own life is the closest I’ll ever come to understanding it.
Penney: Down to nuts and bolts: How do you write? Are you very disciplined? I imagine you must be since you’re quite prolific!
French: Hah, I wish. I’m not one of nature’s disciplined types. Back in college, I had a reputation for going into the library only to convince other people to come out for coffee, and I haven’t changed that much. Every morning, I fight the urge to call my friends and see if I can persuade anyone to come out and play. These days, though, my disciplined side almost always wins. I work six days a week, about seven hours a day. What makes the difference is that I love what I do and I feel ridiculously lucky to be doing it. After years of acting, where you’re dependent on other people to decide whether you’re allowed to work or not, being able to work every day feels like a massive gift. That considerably lessens the urge to goof off.
Penney: Any TV or film adaptations in the works? Because there should be! If yes, how did you find the experience?
French: Paramount has optioned The Likeness and In the Woods, and I’ve just heard that Likeness is in development. I’m not totally clear on exactly what that means, but it sounds very cool but slightly intimidating. I’m dying to see what comes out at the other end, but I deliberately didn’t even try to ask for any role in the adaptation process because anything I know about writing fiction is probably worthless when it comes to writing film. They’re such utterly different genres that the book’s going to have to change in ways I can’t begin to picture.
Penney: I loved the mythic quality of the backstory in In the Woods--and the fact that in the end you refused to answer the question. Did you encounter any resistance from publishers over the ending?
French: No resistance from publishers. I was expecting it, because the ending does break genre convention--I was all ready to argue my case that this was the only ending with integrity and anything else would be forced and artificial, sacrificing character truth for cheap closure. But none of the editors ever suggested changing it. I do get e-mails from readers who hate the ending. Fair enough; the genre comes with expectation of closure and the book doesn’t provide it, and some people have real trouble with that. But I also get e-mails from readers who love the ending and who would have been furious if I’d sacrificed that integrity in order to stick to the rules. There was no way I could have written something that would make both types of readers happy. All I could do was write the best book I could and hope there were enough people out there who like the same kind of thing that I do.
--Marilyn Stasio, The New York Times Book Review
“French does something fresh with every novel, each one as powerful as the last but in a very different manner. Perhaps she has superpowers of her own? Whatever the source of her gift, it’s only growing more miraculous with every book.”
--Laura Miller, Salon.com
“An expertly rendered, gripping new novel”
--Janet Maslin, The New York Times
“Irish writer Tana French hit the big time with her stunning cop-drama debut, “In the Woods,” and followed it with an equally brilliant book, “The Likeness.” Both demonstrated French’s gift for merging the best traits of the crime genre with the compassionate insights and nimble prose associated with “serious” literature. A third dazzler, “Faithful Place,” puts Detective Frank Mackey, a supporting actor from “The Likeness,” front and center.”
--The Seattle Times
“French’s emotionally searing third novel of the Dublin Murder Squad (after The Likeness) shows the Irish author getting better with each book.”
--Publisher’s Weekly (starred review)
“[French] revisits, evocatively and lyrically, themes she's used before: love, loss, memory, murder, and life in modern Ireland. French's writing remains brilliant, and her dialogue is sharp, often lacerating, and sometimes mordantly funny. Faithful Place is her best book yet.”
--Booklist (starred review)
“The charming narrative will leave readers begging for a sequel.”
“Powerful...An authentic Irish heartbreaker”
--The Star-Ledger (Newark)
- Publisher : Penguin Books; Reprint edition (June 28, 2011)
- Language : English
- Paperback : 400 pages
- ISBN-10 : 0143119494
- ISBN-13 : 978-0143119494
- Item Weight : 12.3 ounces
- Dimensions : 5.5 x 0.9 x 8.4 inches
- Best Sellers Rank: #45,683 in Books (See Top 100 in Books)
- Customer Reviews:
About the author
Top reviews from the United States
There was a problem filtering reviews right now. Please try again later.
_The Faithful Place_ is told from the perspective of Frank Mackey, the handler of Cassandra Maddox in _The Likeness_. Mackey's impoverished childhood is detailed, as well as the disappearance of his first love, Rosie when was 19. What happened to Rosie Daly, and how it affected his childhood neighborhood (the Faithful Place) is plot of the story. As with the other Dublin Murder Squad thrillers, it is tragic, powerful and brilliantly written. While I was able to discern the details of the investigation mid-way through the book (which typically warrants four-stars), the motive was elusive - but most important was the way French writes.
Beyond the style of her series (each story from another perspective of a different character), each protagonist has a different voice, view of the world and inter-relationship with each other. Being able to see and interact with familiar characters through the eyes of another is no easy feat, but French does so as easily as a talented actor switches roles. The back-stories and personal histories further breathe life into her characters, the red-herrings, false leads and outfight lies and half-truths of suspects makes for engaging and fun reading.
For readers unfamiliar with the writer, I enthusiastically recommend her to you. For those who have read the previous books, you are in for a real treat.
The characters are well drawn and, as the plot develops, each character lays out the parts that allows the mystery to coalesce and be solved. It turns out that those recently discovered bones were once those of Rosie Daly, a local girl with big dreams who disappeared over twenty years ago and was never again never heard from. At the time, she had been in love l with a neighborhood boy by the name of Francis Mackey, who is now an undercover official certainly with the Irish guards. He is determined to find out what happened all those years ago to Rosie, who was the love of his life, and, perhaps, vanquish the ghosts that have haunted him ever since.
Beautifully written, those who enjoy mysteries will get much enjoyment from his book. It is both entertaining and gratifying on many levels. I certainly look forward to reading other books by this author.
I have now completed three Tana French novels this year. I wish I had an infinite supply of novels by this author to look forward to. I do believe she has become the best writer I follow. She has it all. She creates a powerful sense of place and ambience, her character development is second to none, and the stories she weaves are brilliantly poignant.
As a testimony to her phenomenalness (new word just for Tana), look how she picks her protagonists. She seems to pick a relatively unlikeable character from her previous book to be the narrator and central character of her next. With most authors, I would think that would backfire, especially with readers like me who require a bond with the lead cast member to enjoy a book. But I have such faith in Tana French that I am willing to go down her road. I did not like Frank Mackey in The Likeness. Not one bit. But there was no way I could abandon Tana, so I took a deep breath and went with it. Though Frank is still not my favorite character of all time, I now respect him and care enough for him to say I’m going to miss him. I feel I really know him and understand him after reading Faithful Place.
I knocked a half star off my rating as it took a while for me to engage in Frank’s story, expressly because I wasn’t his fan. I soon came over to his side and at that point went all in on the story. And what a story it is. So many themes, nearly all revolving around family. Desperation, fear, regret, ectasy, agony, love and hate. The what ifs, the coulda beens, the now whats.
The last 30% of the book is a glorious treasure trove of info dumping and character development. What a powerful combination in my eyes. Talk about being in the zone with a book. I didn’t want it to end.
So book #4 is featuring a character from Faithful Place who I don’t care one wit about. But I can’t wait to read it. Tana French is that good.
If you have not read Tana French, you are tragically missing out. I rounded my star rating to 5 stars as this book is so not a 4-star read. Of note, this particular installment can easily be read as a standalone. I don’t say that lightly as I am a strict read-in-order type of gal. But this book has absolutely nothing to do with Frank’s last case (The Likeness), which by the way could be my favorite book of all time. So no good reason to skip it. But if you want to read The Likeness, make sure you do read In the Woods first. Whatever you do, give this series a try.
Top reviews from other countries
First, I worked out who was the killer almost as soon as they were introduced as a character. It didn't spoil the book, but it just made me hyper aware of them in each scene. Which in turn reinforced my impression.
Second, and this is a deeper point about Tana's writing style. The three Dublin Murder Squad books so far have all been from a different point of view character, but Tana French's narrative style - her prose and descriptions - don't vary much from character to character. Now, don't get me wrong I LIKE her style, but I find it hard to suspend my disbelief the three very different characters (Young man sent to boarding school in England, ballsy woman, older guy from the Liberties) would all three of them undertake soliloquies on the nature of summer light or the fragile quality of a snowflake - for example. After three books, it is easy to spot the places where the author is on the page as opposed to the characters themselves. Which is a shame, because she does draw excellent characters.
I will definitely be continuing with this series and would recommend it to those who enjoy crime thrillers that have bucketfuls of character depth. Note, you do not have to have read he previous two books to read this one, they can be read as standalone.
I loved Faithful Place just as much as I loved the first 2 novels in the series. Yet again it is written in the first person and Tana develops her brand. Although each book is written from the point of view of a different detective each time, you still get the same strong feeling that you are part of the scene and are in the loop.
Yet again this book can be read as a stand-alone. The accent this time is on family life. Although the 2 murders are solved, it is not by regular police work but by Frank working friends and family. I particularly liked the dialogue running through this novel. It is written with a strong Dublin accent and Frank’s mother is the big surprise. Simply put, every time I read her spoken words, all I could think of was Brendan O’Carroll acting the role of Agnes Brown in the extremely popular BBC sitcom Mrs. Brown’s Boys.
Faithful Place moves away from regular murder and police thrillers. This is centered around the dynamics of family life and the meaning of home. There was plenty of back story and Frank’s character was fully developed. Although the tale runs back and forth with Frank’s teenage years 22 years ago, it was told skillfully and this time shifting did not annoy me, it simply added depth to this novel. I really enjoyed reading this book and it gets the top score of 5 stars from me.
These are not rapid page turner detactive stories, there is excellent characterisation, and I like to read them more slowly, to give time to refelct and ponder over what's going on. And they are flawed people, real people, which makes their stories all the more interesting.
You certainly could read these on the beach or the aeroplane, but read them now, before the summer blockbusters take over!