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The Fall Of Gondolin Hardcover – Illustrated, August 30, 2018
J.R.R. Tolkien (Author) Find all the books, read about the author, and more. See search results for this author |
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In the Tale of The Fall of Gondolin are two of the greatest powers in the world. There is Morgoth of the uttermost evil, unseen in this story but ruling over a vast military power from his fortress of Angband. Deeply opposed to Morgoth is Ulmo, second in might only to Manwë, chief of the Valar: he is called the Lord of Waters, of all seas, lakes, and rivers under the sky. But he works in secret in Middle-earth to support the Noldor, the kindred of the Elves among whom were numbered Húrin and Túrin Turambar.
Central to this enmity of the gods is the city of Gondolin, beautiful but undiscoverable. It was built and peopled by Noldorin Elves who, when they dwelt in Valinor, the land of the gods, rebelled against their rule and fled to Middle-earth. Turgon King of Gondolin is hated and feared above all his enemies by Morgoth, who seeks in vain to discover the marvellously hidden city, while the gods in Valinor in heated debate largely refuse to intervene in support of Ulmo’s desires and designs.
Into this world comes Tuor, cousin of Túrin, the instrument of Ulmo’s designs. Guided unseen by him Tuor sets out from the land of his birth on the fearful journey to Gondolin, and in one of the most arresting moments in the history of Middle-earth the sea-god himself appears to him, rising out of the ocean in the midst of a storm. In Gondolin he becomes great; he is wedded to Idril, Turgon’s daughter, and their son is Eärendel, whose birth and profound importance in days to come is foreseen by Ulmo.
At last comes the terrible ending. Morgoth learns through an act of supreme treachery all that he needs to mount a devastating attack on the city, with Balrogs and dragons and numberless Orcs. After a minutely observed account of the fall of Gondolin, the tale ends with the escape of Túrin and Idril, with the child Eärendel, looking back from a cleft in the mountains as they flee southward, at the blazing wreckage of their city. They were journeying into a new story, the Tale of Eärendel, which Tolkien never wrote, but which is sketched out in this book from other sources.
Following his presentation of Beren and Lúthien Christopher Tolkien has used the same ‘history in sequence’ mode in the writing of this edition of The Fall of Gondolin. In the words of J.R.R. Tolkien, it was ‘the first real story of this imaginary world’ and, together with Beren and Lúthien and The Children of Húrin, he regarded it as one of the three ‘Great Tales’ of the Elder Days.
- Print length304 pages
- LanguageEnglish
- PublisherWilliam Morrow
- Publication dateAugust 30, 2018
- Dimensions5.5 x 1.05 x 8.25 inches
- ISBN-101328613046
- ISBN-13978-1328613042
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Editorial Reviews
Review
"An essential historical reference for Middle-earth fans . . . For enthusiasts, these glimpses into the burgeoning interconnectedness of Tolkien’s fiction are fascinating . . . Deep-lore delvers . . . will be rewarded with a thorough understanding of one of modern fantasy’s seminal works."—Entertainment Weekly “As with the posthumously published ‘The Children of Húrin’ and ‘Beren and Lúthien,’ this entry has been painstakingly and, clearly, lovingly edited by his son and literary executor Christopher Tolkien. Taking place long before the events of ‘The Hobbit’ and ‘The Lord of the Rings,’ the books fill in the historical record of those better-known stories . . . In detailing this vital — and indeed tragic — tale of Middle-earth lore, ‘The Fall of Gondolin’ provides everything Tolkien’s readers expect . . . With apologies to Westeros, Narnia and whatever the Star Wars universe is called, Middle-earth stands as the most immersive and detailed fictional realm of our own age because of the different languages Tolkien — master philologist that he was — invented to describe it. Spending time in Middle-earth provides an opportunity to revel in his etymological derring-do . . . ‘The Fall of Gondolin’ demonstrates yet again that Middle-earth boasts its own rich cosmology and history . . . [Christopher Tolkien’s] stewardship of his father’s legacy has been a tremendous success.”—Washington Post “The Fall of Gondolin is fascinating, both as a glance into the backgrounds that make Middle-earth such a vibrant landscape and for its insights into Tolkien’s earliest interests”—Deseret News "Every Tolkien aficionado, and they are legion, will want to read this book, both for the story it tells and as a final collaboration between this legendary father-and-son duo."—Library Journal, starred review “Gives readers a final glimpse at the author’s brilliance . . . This work is a fitting end to Christopher Tolkien’s labors as the steward of his father’s beloved works, and is likely to be cherished by Tolkien’s many fans.”—Publishers Weekly, starred review "A terrific novel that once again will transport readers old and new to the world of Middle-earth.”—Bookreporter.com Praise for Beren and Lùthien: “Every version of the story in the book is incomplete, but under Christopher Tolkien’s steady editorial hand, the fragments assemble themselves to give us an impression of the whole. What makes this possible is the grace with which he handles his long-accustomed dual role of guide to both story and history. His preface and annotations are openhearted and engaging. He leads the reader pleasantly through the greater landscape of Middle-earth in the First Age, and strikes as clear a path as possible through the wilderness of Tolkien’s lifelong attempts to get the story finished and published. With eloquence and diligence and care, the son reconstructs and retraces the father’s journey, pursuing the tale through draft after draft as Tolkien pursued his vision of Middle-earth; as Beren, lost and hunted, followed the sound of Lùthien’s voice as she sang in the shadowed forest of Doriath.”—NPR.org “A good introduction to LOTR fans nervous about taking on The Silmarillion, and also gives longtime fans a fascinating look at the Tolkiens’ myth-making process.”—EntertainmentWeekly.com —
About the Author
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Product details
- Publisher : William Morrow; Illustrated edition (August 30, 2018)
- Language : English
- Hardcover : 304 pages
- ISBN-10 : 1328613046
- ISBN-13 : 978-1328613042
- Item Weight : 15.8 ounces
- Dimensions : 5.5 x 1.05 x 8.25 inches
- Best Sellers Rank: #25,128 in Books (See Top 100 in Books)
- #272 in Dragons & Mythical Creatures Fantasy (Books)
- #670 in Folklore (Books)
- #1,240 in Sword & Sorcery Fantasy (Books)
- Customer Reviews:
About the author

J.R.R. Tolkien was born on 3rd January 1892. After serving in the First World War, he became best known for The Hobbit and The Lord of the Rings, selling 150 million copies in more than 40 languages worldwide. Awarded the CBE and an honorary Doctorate of Letters from Oxford University, he died in 1973 at the age of 81.
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Reviewed in the United States on January 13, 2019
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Tolkien wrote and rewrote The Fall of Gondolin several times during his lifetime, though he was never able to produce a final version which completely satisfied him. After his death in 1973 his son Christopher assumed the task of organizing and finishing his father's mythology, publishing The Silmarillion in 1977, a twelve volume "History of Middle-earth" containing most of his father's versions of his various tales during the 1980s and 1990s, and more recently three single volumes devoted to the "Great Tales"of The Children of Hurin, Beren and Luthien, and now The Fall of Gondolin. In the preface to this final volume Christopher wrote that "in my ninety-fourth year The Fall of Gondolin is (indubitably) the last," bringing tears to my eyes and to those of his countless other admirers, but also inspiring our admiration and deep gratitude.
The Fall of Gondolin consists of a number of different versions of the tale written by Tolkien at various periods. There are inconsistencies in some of the names, and inevitably characters and events appear, vanish, sometimes reappear or are heavily altered. One aspect remains apparent throughout: the sheer beauty of Tolkien's writing. This is especially impressive when we remember that Tolkien first wrote of Gondolin in his mid-twenties. Accompanying and enhancing Tolkien's words are the magnificent illustrations provided by Alan Lee, including eight color plates and many smaller drawings at the head of each chapter. Christopher Tolkien provides explanatory Notes throughout the book, with more Notes and additional material at the end, including a lengthy annotated list of Names, a Glossary of English words used by Tolkien which are now considered obsolete, archaic, or rare, and a short genealogy and map. He also includes a short quotation from The Hobbit which made me somewhat teary-eyed, as many years ago that book was my first introduction to Tolkien and the very first reference to Gondolin.
The Fall of Gondolin and the two other Great Tales are indispensable for Tolkien scholars, but those who are just beginning their journey through Middle-earth, Beleriand, and Valinor in the First Age would be better served by starting with The Silmarillion. As most who read and love him can attest, Tolkien's words never grow stale.
So what do we get for our money?
1. There are two beautifully written narratives of some length that together go a long way in telling the story published in "The Silmarillion" as the chapter "Of Tour and the Fall of Gondolin." Whereas that chapter was only 8 published pages, however, these two narratives make for more than 130. Rich with detail, they will delight those who love "The Silmarillion" but probably hold no interest for those not already familiar with that book.
2. Included also are sketches of how JRRT saw the story unfolding after the fall of Gondolin when Tour's son Eärendil becomes the principal character. There are some interesting surprises such as the information that Eärendil voyaged south and slew Ungoliant, the mother of all spiders who had poisoned the Two Trees in Valinor. We are also informed of the ultimate fate of Arda including the final recovery of the Silmarills and the restoration of the Two Trees.
3. Tolkien fans who are as fascinated by the names of things as the Master himself will enjoy seeing how character and place names evolved or were recycled. For example, we come across what may be the first usage of the name Legolas Greenleaf, which JRRT ultimately used for a major character in The Lord of the Rings. An extensive glossary of names at the end of the book provides further information.
So there you have it. This book is intended and recommended only for the hardcore Tolkien fan already deeply familiar with the mythology of the First Age of Middle Earth. For those, however, who prefer to stick to Hobbits—a view JRRT himself quite understood and approved of—this is probably a pass. Yet it might also prove for such readers an intriguing gateway to the great tales of the First Age.
Top reviews from other countries

So what do we get for our money?
1. There are two beautifully written narratives of some length that together go a long way in telling the story published in "The Silmarillion" as the chapter "Of Tuor and the Fall of Gondolin." Whereas that chapter was only 8 published pages, however, these two narratives make for more than 130. Rich with detail, they will delight those who love "The Silmarillion" but probably hold no interest for those not already familiar with that book.
2. Included also are sketches of how JRRT saw the story unfolding after the fall of Gondolin when Tuor's son Eärendil becomes the principal character. There are some interesting surprises such as the information that Eärendil voyaged south and slew Ungoliant, the mother of all spiders who had poisoned the Two Trees in Valinor. We are also informed of the ultimate fate of Arda including the final recovery of the Silmarills and the restoration of the Two Trees.
3. Tolkien fans who are as fascinated by the names of things as the Master himself will enjoy seeing how character and place names evolved or were recycled. For example, we come across what may be the first usage of the name Legolas Greenleaf, which JRRT ultimately used for a major character in The Lord of the Rings. An extensive glossary of names at the end of the book provides further information.
So there you have it. This book is intended and recommended only for the hardcore Tolkien fan already deeply familiar with the mythology of the First Age of Middle Earth. For those, however, who prefer to stick to Hobbits—a view JRRT himself quite understood and approved of—this is probably a pass. Yet it might also prove for such readers an intriguing gateway to the great tales of the First Age.


This book tells four versions of 'The Fall of Gondolin'. The first, called the Original Tale (or simply 'The Tale') is really the only complete version. Christopher Tolkien compares the versions mainly for differences in the story, place and character names and how revisions were made. Whilst interesting, and the implications around those changes are of interest, I personally found the stylistic change in writing more drastic.
The 'Sketch of the Mythology' and 'Quenta Noldorinwa' versions of the story are brief - fine and easy to read but without full development. Contrast the Original Tale with the Last Version (which was unfinished) and you see a huge difference in the telling rather than the content. Thirty years had changed J.R.R. Tolkien it seems. The first version, written in the early 1920s, contains a significant amount of archaic language (understood through the handy glossary at the back) and is written in a way almost biblical. I was somewhat reminded of reading Cormac McCarthy is as much as I needed a dictionary hand to read some of his (utterly brilliant) works. Personally, I really enjoyed it in The Fall of Gondolin as I like learning words no longer in use. It is almost a study of language. It went some way to show the age of the tale I felt. The Last Version is more detailed and, if fully completed, would undoubtedly have been the definitive version of the story. Completed around 1950, Tolkien's style had changed a lot - it is written much more akin to The Lord of the Rings, making it easier to digest for readers. It is more descriptive and archaisms are toned down drastically.
What I would say is that, although you are essentially reading the same tale four times, it never really felt like that for me because each version has so many differences in the length, the amount of details and also in the way of the telling. It feels fresh and new. Christopher Tolkien adds great detail and commentary throughout when needed. Having ignored other Tolkien releases over the past 10 years (since I bought Children of Hurin in 2007), seeing them as money-spinners from the Tolkien estate, I have just bought Beren and Luthien and am keen to start reading it! Highly recommended for any Tolikien fans - even those that found The Silmarillion dry and dull (which I did)!

To preserve a tale comes in the telling and retelling. Sadly Christopher Tolkien seems to have misunderstood this and has not preserved anything, rather frozen it in time.
I’m giving this 5 stars, purely for Alan Lee’s superb illustrations.

For the uninitiated, like most of Christopher Tolkien’s work on the history of Middle-Earth, this book is not one, long narrative, but a journey through the differing developments/versions of this ‘great tale’. For those, like myself, who are into that sort of thing, then this—like the others—is par excellence; giving the depth and immersion you’ve come to expect from Christopher’s expertise and sensitivity to his father’s creations.
It’s rather poetic that Christopher Tolkien’s final editorial release of his father’s work would be first story that J.R.R Tolkien drafted of his Middle-Earth Saga. Knowing this however, brought a twinge of lament when I turned the last page; it saddens me to think that this is possibly the last of Tolkien’s work that we will see emerge. I’ve said this before (somewhere), but I firmly believe that Christopher Tolkien deserves as much praise as his father for editing and bringing all these unfinished tales posthumously to light.
At the risk of sounding paradoxical; the Fall of Gondolin is a triumph!


Reviewed in the United Kingdom on June 24, 2019
For the uninitiated, like most of Christopher Tolkien’s work on the history of Middle-Earth, this book is not one, long narrative, but a journey through the differing developments/versions of this ‘great tale’. For those, like myself, who are into that sort of thing, then this—like the others—is par excellence; giving the depth and immersion you’ve come to expect from Christopher’s expertise and sensitivity to his father’s creations.
It’s rather poetic that Christopher Tolkien’s final editorial release of his father’s work would be first story that J.R.R Tolkien drafted of his Middle-Earth Saga. Knowing this however, brought a twinge of lament when I turned the last page; it saddens me to think that this is possibly the last of Tolkien’s work that we will see emerge. I’ve said this before (somewhere), but I firmly believe that Christopher Tolkien deserves as much praise as his father for editing and bringing all these unfinished tales posthumously to light.
At the risk of sounding paradoxical; the Fall of Gondolin is a triumph!
