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![Fantastic Stories Presents: Fantasy Super Pack #1 (Positronic Super Pack Series) by [Robert E. Howard, Philip K. Dick, James Blish, H. P. Lovecraft, Mary Elizabeth Counselman, Alan Edward Nourse, Clifford D. Simak, Stanley G. Weinbaum, Frederik Pohl, August Derleth, Lester del Rey, Fritz Leiber, Carl Jacobi, Philip José Farmer, Ada Milenkovic Brown, B. W. Clough, F. Marion Crawford, Lillian Csernica, William R. Eakin, Michael M. Jones, Paul Kincaid, Shariann Lewitt, III Edward J. McFadden, William F. Nolan, Chuck Rothman, Clark Ashton Smith, Jean-Louis Trudel, Jamie Wild, David Niall Wilson, Robert F. Young, Warren Lapine]](https://m.media-amazon.com/images/I/51gzTvbK9PL._SY346_.jpg)
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Fantastic Stories Presents: Fantasy Super Pack #1 (Positronic Super Pack Series) Kindle Edition
- LanguageEnglish
- PublisherPositronic Publishing
- Publication dateJune 17, 2014
- File size1618 KB
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Product details
- ASIN : B00MTHK4OY
- Publisher : Positronic Publishing (June 17, 2014)
- Publication date : June 17, 2014
- Language : English
- File size : 1618 KB
- Text-to-Speech : Enabled
- Screen Reader : Supported
- Enhanced typesetting : Enabled
- X-Ray : Not Enabled
- Word Wise : Enabled
- Sticky notes : On Kindle Scribe
- Print length : 839 pages
- Best Sellers Rank: #612,171 in Kindle Store (See Top 100 in Kindle Store)
- #957 in Science Fiction Anthologies (Kindle Store)
- #1,749 in Fantasy Anthologies
- #7,890 in Science Fiction Adventure
- Customer Reviews:
About the authors
Edward J. McFadden III’s recent novels include Dogs Get Ten Lives, Quick Sands – A Theo Ramage Thriller, Drop Off, Jurassic Ark, Keepers of the Flame, Throwback, Sea Tremors, Primeval Valley, Shadow of the Abyss (#1 Amazon Bestseller), Awake, and The Breach (#1 Amazon Bestseller, Amazon #1 Hot New Audio Release), The Black Death of Babylon and HOAXERS. Ed is also the author/editor of: Anywhere But Here, Lucky 13, Jigsaw Nation, Deconstructing Tolkien: A Fundamental Analysis of The Lord of the Rings (re-released in eBook format Fall 2012 – Amazon Bestseller), Time Capsule, Epitaphs (W/ Tom Piccirilli), The Second Coming, Thoughts of Christmas, and The Best of Pirate Writings. His short stories have appeared in over 75 magazines and anthologies. He lives on Long Island with his wife Dawn, and their daughter Samantha.
(1906-1936) Robert Erwin Howard was born and rasied in rural Texas, where he lived all his life. The son of a pioneer physician, he began writing professionally at the age of fifteen. Howard killed himself in June 1936 when he learned that his beloved mother had fallen into a coma.
Photo by English: Studio photograph commisioned by Robert E. Howard [Public domain], via Wikimedia Commons.
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I like stories that have a narrative arc, that build tension and then resolve it at the end, more than the currently-fashionable type of story that just stops at a thematic moment (or, I often suspect, when the author runs out of ideas). Based on this collection, this editor also likes the narrative-arc kind of story. Some of the stories had fairly predictable endings, I found, one or two fluffed about for a while before getting to the ending, and there were comparitively few twists (though there were a couple), but usually the tension was well maintained and satisfactorily resolved.
The editor is also clearly fond of the old Weird Tales style, and the Cthulhu Mythos in particular. This may account for the appearance of what I consider the one bad story in the bunch, Colleen Douglas's "Beyond Kadath", an almost plotless piece of amateurish Lovecraft fanfiction.
Especially for the price, this is an excellent anthology, almost a quarter of a million words and, in my opinion, only one really bad story in the bunch.
This isn't just a fantasy collection. There are science fiction stories, and, as I mentioned, horror of the Weird Tales kind, mostly ghost stories and Mythos. There's sword and sorcery (Robert E. Howard's "Red Nails", for example, a Conan story with the trademark adolescent wish-fulfilment of the all-powerful, muscular barbarian picking up busty women, but the man could certainly write action). There's humour. Several of the stories involve time travel, while others deal in one way or another with the Fae, and might be called urban fantasy. There are a couple of post-apocalyptics, some of what I call "fantastica" (more or less surreal stories where the magic isn't rational), even a couple where the fantastical element is arguably in the mind of the viewpoint character. These disparate elements form a rich gumbo in which no two consecutive stories are alike. The more so since older stories are intermingled with more recent ones (in strict alternation, at first, though that pattern later breaks down); the most common decades represented are the 1950s, the 1930s, the 1990s and the 2000s, but every decade since 1910, except for the 1970s and 1980s, has at least one story. There's one original story in the volume, the rest are reprints. There's a mix, too, of famous writers like James Blish, Frederik Pohl, Philip K. Dick, Fritz Leiber, Stanley Weinbaum, Clifford Simak, Philip Jose Farmer, August Derleth, Clark Ashton Smith, Lester Del Rey and, of course, H.P. Lovecraft, alongside writers I hadn't heard of, but whose stories mostly stood up to the high company they kept.
Older stories, of course, tend to be about straight white men, so it's not a big surprise to find a lot of those. Some of the newer stories feature more women or non-white characters, but I didn't spot any gay characters, if that's something you look for in your stories.
Inevitably, the older stories in particular sometimes fall into classic trope patterns: the deal with the devil that goes wrong ("No Strings Attached"), the equivalent of the Connecticut Yankee in King Arthur's court ("A Knyght Ther Was"), comic trouble with fantasy critters ("Pest Control"). The authors usually do something interesting and different with the trope, though, and in a few cases I suspect that the trope became popular originally because of the story represented here, such as "Worlds of If" (1935), an alternate-worlds tale by Stanley Weinbaum.
Overall, a varied and enjoyable collection, which makes me want to subscribe to Fantastic Stories of the Imagination. I suspect that's part of the point; if so, mission accomplished.
Quality of the stories were very uneven. Lots of great authors. The Conan and Lovecraft stories really didn't age well from a misogyny and racism standpoint. The cat name in the lovecraft story was cringe. I had read already at least a half dozen of the stories but with such a big anthology that isn't that much of a surprise. The only one I skimmed because it bore me was the twin sailor ghost tale.
Good deal for the price. Doesn't seem to have any sort of theme or reason for why a story is next to the other stories. Basically it is like someone got a ton of short stories and randomly put the fantasy types here in no purposeful order.
Now, mind, these are all reprints, some are classics, and all have been, I'm sure, reviewed individually more than once, so I'm going to try to review the whole book. A bit like drinking from the proverbial fire hydrant, I fear.
The stories contained herein go from very short to a couple of novelette or novellas. They range from laugh-out-loud funny (I'll never tell her dad where the unicorns went), to thoughtful, and sometimes even a bit horrific. I've read some of them before, but when I found The Moon Is Green by Fritz Leiber, I felt like I'd found an old friend who's phone number had been lost years ago. I remembered the story, and by the end of the first two sentences I was once again lost in his post-apocalyptic world. I remembered the story, almost as he wrote it, but had forgotten the title and the author's name. For years the images of the gardens he described have haunted me--in a nice sort of way.
Many of your favorite fantasy authors are in this book from Alma Alexander to Robert F. Young. There are almost as many nebulas (nebuli?) between the covers of this book than there are in the universe.
Normally, when I read a collection like this there is a certain number, say ten percent, of the stories that don't work for me, for whatever reason. Not so in this case. The whole book gels, the stories are all marvelous, and though they may not 'fit' their neighbors with straight seams, they go together as a whole into a bright and beautiful quilt of exquisite velvets and brocades embellished with gold thread. This is a book you will enjoy having in your library, to open and read straight through as I did, and later to open at random for a delightful surprise visit from an old friend.
I was furnished a copy of this book in trade for an honest review.
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