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About Fred Sokolow
Born in Los Angeles September 14, 1945, by the early 1960s Fred was well known in the California bluegrass scene, playing with Jody Stecher, Brantley Kearns, Sandy Rothman and Eric Thompson. Relocating to Berkeley, he toured and recorded with a hippie rock band throughout most of the 60s, the Bay Area-based Notes From the Underground (Vanguard Records). In the early 70s Fred performed with R&B, rock, country and bluegrass bands. By 1975 Fred had played with bluegrass luminaries like John Herald, Frank Wakefield and Jerry Garcia, had opened for the Dead, the Doors, B.B. King, Country Joe and the Fish and countless other acts, and he was playing in jazz combos with some of the Bay Areas best studio players.
In 1975 Fred returned to Los Angeles. He recorded two ground-breaking banjo albums for Kicking Mule Records and began touring with Bobbie Gentry and Jim Stafford, playing rock guitar, bluegrass banjo and lap steel. He also toured with the folk group the Limeliters, juggling seven different instruments. By the end of the 70s he had begun writing instructional books (methods, transcription books and arrangement books) for all the music print publishers: Mel Bay, Hal Leonard, Warner Brothers, Carl Fischer and more. He recorded a banjo video for Hot Licks, and several guitar videos for Stefan Grossman's Guitar Workshop. His transcription books became known for their accuracy, and his method books were lauded for their clarity and effectiveness in music magazines all over the world. He began teaching guitar and banjo seminars in music camps and stores, and he taught classes at the reknowned McCabes Music in Santa Monica.
Fred currently lives in Santa Monica and primarily performs retro jazz guitar with some of LA's finest musicians, playing and singing songs of the 30s and 40s. He often plays and records with British ex-rock star Ian Whitcomb. And he plays bluegrass, blues or rockabilly whenever the opportunity arises. He's active on the studio scene, playing on other people's albums and on numerous TV and movie soundtracks, and he was a musical advisor on Michael Mann's latest film, Public Enemies. Fred also records and performs with children's artists like Dan Crow, Greg & Steve, KPFK's Uncle Ruthie and Paul Stookey. He relishes the diversity of his portfolio: he played lap steel on the Tonight Show, mandolin on Rick James' last CD, played Dobro with Chubby Checker and won on the Gong Show (playing bluegrass banjo), jammed at the House of Blues with Junior Brown...and he performs with the legendary folksinger Tom Paxton whenever Tom comes to California.
Fred holds the title of official banjo player for the TV show Survivor. His music has graced many television shows and commercials, as well as recent movies like Peter Bogdanovitch's "The Cat's Meow." His recent "Fred Sokolow Jazz Quartet" and "Fred Sokolow Sings & Plays Fats Waller" CDs showcase his unique style of playing and singing jazz standards. A performance video of his jazz quartet was released recently, featuring guest stars Lawrence Juber, Ian Whitcomb and Junior Brown. Fred's recent bluegrass/old-timey CD "One More River to Cross," spans generations, as it features his long-time friend & musical partner Brantley Kearns, with whom he has played since they were teenagers, and it also introduces Zachary Sokolow, Fred's son, with whom he has been gigging for the last few years.
Fred's "Fretboard Roadmaps" series is an international best-seller. He conducts seminars up and down the West Coast and recently taught a week-long blues class for the National Guitar Workshop and a Dobro class for Steve Kaufman's Akoustic Kamp in Knoxville, Tennessee. Fred continues to perform and create instructional material, and is regarded as an authority on many musical genres, particularly what is now called "Americana."
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Please note: The eBook does not include the accompanying CD.
This book will show you how to play lead and rhythm anywhere on the fretboard, in any key; play a variety of lead guitar styles; play chords and progressions anywhere on the fretboard; expand your chord vocabulary; and learn to think musically the way the pros do. Each chapter presents a pattern and shows how to use it, along with playing tips and guitar insights. Absolute beginners can follow the diagrams and instruction, and intermediate and advanced players can use the chapters non-sequentially to increase their understanding of the guitar.