Fyodor Dostoyevsky

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About Fyodor Dostoyevsky
Fyodor Mikhailovich Dostoyevsky (/ˌdɒstəˈjɛfski, ˌdʌs-/; Russian: Фёдор Миха́йлович Достое́вский; IPA: [ˈfʲɵdər mʲɪˈxajləvʲɪtɕ dəstɐˈjɛfskʲɪj]; 11 November 1821 – 9 February 1881), sometimes transliterated Dostoevsky, was a Russian novelist, short story writer, essayist, journalist and philosopher. Dostoyevsky's literary works explore human psychology in the troubled political, social, and spiritual atmosphere of 19th-century Russia. Many of his works are marked by a preoccupation with Christianity, explored through the prism of the individual confronted with life's hardships and beauty.
He began writing in his 20s, and his first novel, Poor Folk, was published in 1846 when he was 25. His major works include Crime and Punishment (1866), The Idiot (1869), Demons (1872) and The Brothers Karamazov (1880). His output consists of 11 novels, three novellas, 17 short novels and numerous other works. Many literary critics rate him as one of the greatest psychologists in world literature. His 1864 novella Notes from Underground is considered to be one of the first works of existentialist literature.
Born in Moscow in 1821, Dostoyevsky was introduced to literature at an early age through fairy tales and legends, and through books by Russian and foreign authors. His mother died in 1837, when he was 15, and around the same time he left school to enter the Nikolayev Military Engineering Institute. After graduating, he worked as an engineer and briefly enjoyed a lavish lifestyle, translating books to earn extra money. In the mid-1840s he wrote his first novel, Poor Folk, which gained him entry into St. Petersburg's literary circles.
In the following years, Dostoyevsky worked as a journalist, publishing and editing several magazines of his own and later A Writer's Diary, a collection of his writings. He began to travel around western Europe and developed a gambling addiction, which led to financial hardship. For a time, he had to beg for money, but he eventually became one of the most widely read and highly regarded Russian writers. His books have been translated into more than 170 languages. Dostoyevsky influenced a multitude of writers and philosophers, from Anton Chekhov and Ernest Hemingway to Friedrich Nietzsche and Jean-Paul Sartre.
Bio from Wikipedia, the free encyclopedia.
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Titles By Fyodor Dostoyevsky
Alcott, Louisa May: Little Women
Austen, Jane: Pride and Prejudice
Austen, Jane: Emma
Balzac, Honoré de: Father Goriot
Barbusse, Henri: The Inferno
Brontë, Anne: The Tenant of Wildfell Hall
Brontë, Charlotte: Jane Eyre
Brontë, Emily: Wuthering Heights
Burroughs, Edgar Rice: Tarzan of the Apes
Butler, Samuel: The Way of All Flesh
Carroll, Lewis: Alice’s Adventures in Wonderland
Cather, Willa: My Ántonia
Cervantes, Miguel de: Don Quixote
Chopin, Kate: The Awakening
Cleland, John: Fanny Hill
Collins, Wilkie: The Moonstone
Conrad, Joseph: Heart of Darkness
Conrad, Joseph: Nostromo
Cooper, James Fenimore: The Last of the Mohicans
Crane, Stephen: The Red Badge of Courage
Cummings, E. E.: The Enormous Room
Defoe, Daniel: Robinson Crusoe
Defoe, Daniel: Moll Flanders
Dickens, Charles: Bleak House
Dickens, Charles: Great Expectations
Dostoyevsky, Fyodor: Crime and Punishment
Dostoyevsky, Fyodor: The Idiot
Doyle, Arthur Conan: The Hound of the Baskervilles
Dreiser, Theodore: Sister Carrie
Dumas, Alexandre: The Three Musketeers
Dumas, Alexandre: The Count of Monte Cristo
Eliot, George: Middlemarch
Fielding, Henry: Tom Jones
Flaubert, Gustave: Madame Bovary
Flaubert, Gustave: Sentimental Education
Ford, Ford Madox: The Good Soldier
Forster, E. M.: A Room With a View
Forster, E. M.: Howards End
Gaskell, Elizabeth: North and South
Goethe, Johann Wolfgang von: The Sorrows of Young Werther
Gogol, Nikolai: Dead Souls
Gorky, Maxim: The Mother
Haggard, H. Rider: King Solomon’s Mines
Hardy, Thomas: Tess of the D’Urbervilles
Hawthorne, Nathaniel: The Scarlet Letter
Homer: The Odyssey
Hugo, Victor: The Hunchback of Notre Dame
Hugo, Victor: Les Misérables
Huxley, Aldous: Crome Yellow
James, Henry: The Portrait of a Lady
With the same suppleness, energy, and range of voices that won their translation of The Brothers Karamazov the PEN/Book-of-the-Month Club Prize, Richard Pevear and Larissa Volokhonsky offer a brilliant translation of Dostoevsky's astounding pyschological thriller, newly revised for his bicentenniel.
When Raskolnikov, an impoverished student living in the St. Petersburg of the tsars, commits an act of murder and theft, he sets into motion a story that is almost unequalled in world literature for its excruciating suspense, its atmospheric vividness, and its depth of characterization and vision. Dostoevsky’s drama of sin, guilt, and redemption transforms the sordid story of an old woman’s murder into the nineteenth century’s profoundest and most compelling philosophical novel.
Winner of the Pen/Book-of-the-Month Club Translation Prize
The award-winning translation of Fyodor Dostoevsky's classic novel of psychological realism.
The Brothers Karamasov is a murder mystery, a courtroom drama, and an exploration of erotic rivalry in a series of triangular love affairs involving the “wicked and sentimental” Fyodor Pavlovich Karamazov and his three sons—the impulsive and sensual Dmitri; the coldly rational Ivan; and the healthy, red-cheeked young novice Alyosha. Through the gripping events of their story, Dostoevsky portrays the whole of Russian life, is social and spiritual striving, in what was both the golden age and a tragic turning point in Russian culture.
This award-winning translation by Richard Pevear and Larissa Volokhonsky remains true to the verbal
inventiveness of Dostoevsky’s prose, preserving the multiple voices, the humor, and the surprising modernity of the original. It is an achievement worthy of Dostoevsky’s last and greatest novel.
The poverty-stricken Raskolnikov, a talented student, devises a theory about extraordinary men being above the law, since in their brilliance they think “new thoughts” and so contribute to society. He then sets out to prove his theory by murdering a vile, cynical old pawnbroker and her sister. The act brings Raskolnikov into contact with his own buried conscience and with two characters — the deeply religious Sonia, who has endured great suffering, and Porfiry, the intelligent and discerning official who is charged with investigating the murder — both of whom compel Raskolnikov to feel the split in his nature. Dostoyevsky provides readers with a suspenseful, penetrating psychological analysis that goes beyond the crime — which in the course of the novel demands drastic punishment — to reveal something about the human condition: The more we intellectualize, the more imprisoned we become.
After his great portrayal of a guilty man in Crime and Punishment, Dostoevsky set out in The Idiot to portray a man of pure innocence. The twenty-six-year-old Prince Myshkin, following a stay of several years in a Swiss sanatorium, returns to Russia to collect an inheritance and “be among people.” Even before he reaches home he meets the dark Rogozhin, a rich merchant’s son whose obsession with the beautiful Nastasya Filippovna eventually draws all three of them into a tragic denouement. In Petersburg the prince finds himself a stranger in a society obsessed with money, power, and manipulation. Scandal escalates to murder as Dostoevsky traces the surprising effect of this “positively beautiful man” on the people around him, leading to a final scene that is one of the most powerful in all of world literature.
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'Dostoyevsky's finest masterpiece' John Bayley
Dostoyevsky's great novel of damnation and redemption evokes a world where the lines between innocence and corruption, good and evil, blur. It tells the story of Raskolnikov, a destitute and desperate former student, who wanders through the slums of St Petersburg and commits a random murder without remorse or regret. He imagines himself to be beyond conventional moral laws. But as he embarks on a dangerous game of cat and mouse with a police investigator, Raskolnikov is pursued by the growing voice of his conscience and finds the noose of his own guilt tightening around his neck.
Translated with an Introduction and notes by DAVID McDUFF
Dostoevsky’s most revolutionary novel, Notes from Underground marks the dividing line between nineteenth- and twentieth-century fiction, and between the visions of self each century embodied. One of the most remarkable characters in literature, the unnamed narrator is a former official who has defiantly withdrawn into an underground existence. In full retreat from society, he scrawls a passionate, obsessive, self-contradictory narrative that serves as a devastating attack on social utopianism and an assertion of man’s essentially irrational nature.
Richard Pevear and Larissa Volokhonsky, whose Dostoevsky translations have become the standard, give us a brilliantly faithful edition of this classic novel, conveying all the tragedy and tormented comedy of the original.
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