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Gooney Bird Is So Absurd (Gooney Bird Greene Book 4) by [Lois Lowry, Middy Thomas]

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Gooney Bird Is So Absurd (Gooney Bird Greene Book 4) Kindle Edition

4.8 out of 5 stars 106 ratings

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Editorial Reviews

Review

"The story unfolds with fresh humor that keeps readers interested. Thomas’s pencil drawings bring life to the characters. A fine selection for beginning chapter-book readers and as a read-aloud."--School Library Journal

"Thomas’s illustrations help the new reader see the final “poem” and imagine Mrs. Pidgeon’s reaction to their heartfelt offering of sadness for their teacher. Few books for early readers address such a difficult issue, but Lowry’s capable storytelling does it with grace—much like Mrs. Pidgeon herself."--Horn Book "Few beginning chapter books have the range of this one, from hilarity to sadness, from outrage to compassion, and few writers could manage it with such finesse. Often amusing and sometimes subtly instructive, the fourth book in the Gooney Bird Greene series is well suited to reading aloud."--Booklist

From School Library Journal

Grade 2–4—Gooney Bird Greene is back with her classmates for more fun. It's January, and the second grader has begun wearing a "two-ponytail hat" fashioned out of a pair of ruffled green underpants to keep her brain warm. Her outrageous behavior is endearing, and the support of her classmates is heartwarming. Throughout the winter the students of Mrs. Pidgeon's class think about poetry, and their teacher reminds them, "Poetry is not to be judged. You just savor it." She shares poems written by her own mother, Mrs. X. As the children learn the difference between haiku, limericks, and couplets, Mrs. Pidgeon is dealing with more personal issues. When her mother dies, the students, led by Gooney Bird, create the most memorable poem ever. The story unfolds with fresh humor that keeps readers interested. Thomas's pencil drawings bring life to the characters. A fine selection for beginning chapter-book readers and as a read-aloud.—Bethany A. Lafferty, Las Vegas-Clark County Library, NV
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
--This text refers to an alternate kindle_edition edition.

Product details

  • ASIN ‏ : ‎ B003SNKBZU
  • Publisher ‏ : ‎ Clarion Books; Illustrated edition (March 23, 2009)
  • Publication date ‏ : ‎ March 23, 2009
  • Language ‏ : ‎ English
  • File size ‏ : ‎ 9477 KB
  • Text-to-Speech ‏ : ‎ Enabled
  • Screen Reader ‏ : ‎ Supported
  • Enhanced typesetting ‏ : ‎ Enabled
  • X-Ray ‏ : ‎ Not Enabled
  • Word Wise ‏ : ‎ Enabled
  • Print length ‏ : ‎ 117 pages
  • Lending ‏ : ‎ Not Enabled
  • Customer Reviews:
    4.8 out of 5 stars 106 ratings

About the author

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Lois Lowry is known for her versatility and invention as a writer. She was born in Hawaii and grew up in New York, Pennsylvania, and Japan. After studying at Brown University, she married, started a family, and turned her attention to writing. She is the author of more than forty books for young adults, including the popular Anastasia Krupnik series. She has received countless honors, among them the Boston Globe-Horn Book Award, the Dorothy Canfield Fisher Award, the California Young Reader's Medal, and the Mark Twain Award. She received Newbery Medals for two of her novels, NUMBER THE STARS and THE GIVER. Her first novel, A SUMMER TO DIE, was awarded the International Reading Association's Children's Book Award. Several books have been adapted to film and stage, and THE GIVER has become an opera. Her newest book, ON THE HORIZON, is a collection of memories and images from Pearl Harbor, Hiroshima, and post-war Japan. A mother and grandmother, Ms. Lowry divides her time between Maine and Florida. To learn more about Lois Lowry, see her website at www.loislowry.com

author interview

A CONVERSATION WITH LOIS LOWRY ABOUT THE GIVER

Q. When did you know you wanted to become a writer?

A. I cannot remember ever not wanting to be a writer.

Q. What inspired you to write The Giver?

A. Kids always ask what inspired me to write a particular book or how did I get an idea for a particular book, and often it’s very easy to answer that because books like the Anastasia books come from a specific thing; some little event triggers an idea. And some, like Number the Stars, rely on real history. But a book like The Giver is a much more complicated book, and therefore it comes from much more complicated places—and many of them are probably things that I don’t even recognize myself anymore, if I ever did. So it’s not an easy question to answer.

I will say that the whole concept of memory is one that interests me a great deal. I’m not sure why that is, but I’ve always been fascinated by the thought of what memory is and what it does and how it works and what we learn from it. And so I think probably that interest of my own and that particular subject was the origin, one of many, of The Giver.

Q. How did you decide what Jonas should take on his journey?

A. Why does Jonas take what he does on his journey? He doesn’t have much time when he sets out. He originally plans to make the trip farther along in time, and he plans to prepare for it better. But then, because of circumstances, he has to set out in a very hasty fashion. So what he chooses is out of necessity. He takes food because he needs to survive. He takes the bicycle because he needs to hurry and the bike is faster than legs. And he takes the baby because he is going out to create a future. Babies—and children—always represent the future. Jonas takes the baby, Gabriel, because he loves him and wants to save him, but he takes the baby also in order to begin again with a new life.

Q. When you wrote the ending, were you afraid some readers would want more details or did you want to leave the ending open to individual interpretation?

A. Many kids want a more specific ending to The Giver. Some write, or ask me when they see me, to spell it out exactly. And I don’t do that. And the reason is because The Giver is many things to many different people. People bring to it their own complicated beliefs and hopes and dreams and fears and all of that. So I don’t want to put my own feelings into it, my own beliefs, and ruin that for people who create their own endings in their minds.

Q. Is it an optimistic ending? Does Jonas survive?

A. I will say that I find it an optimistic ending. How could it not be an optimistic ending, a happy ending, when that house is there with its lights on and music is playing? So I’m always kind of surprised and disappointed when some people tell me that they think the boy and the baby just die. I don’t think they die. What form their new life takes is something I like people to figure out for themselves. And each person will give it a different ending. I think they’re out there somewhere and I think that their life has changed and their life is happy, and I would like to think that’s true for the people they left behind as well.

Q. In what way is your book Gathering Blue a companion to The Giver?

A. Gathering Blue postulates a world of the future, as The Giver does. I simply created a different kind of world, one that had regressed instead of leaping forward technologically as the world of The Giver has. It was fascinating to explore the savagery of such a world. I began to feel that maybe it coexisted with Jonas’s world . . . and that therefore Jonas could be a part of it in a tangential way. So there is a reference to a boy with light eyes at the end of Gathering Blue. Originally I thought he could be either Jonas or not, as the reader chose. But since then I have published two more books—Messenger, and Son—which complete The Giver Quartet and make clear that the light-eyed boy is, indeed. Jonas. In the book Son readers will find out what became of all their favorite characters: Jonas, Gabe, and Kira as well, from Gathering Blue. And there are some new characters—most especially Claire, who is fourteen at the beginning of Son— whom I hope they will grow to love.

Customer reviews

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4.8 out of 5
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4 star
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1 star
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