Similar authors to follow
Manage your follows
About Grace Burrowes
I started writing as an antidote to empty nest and soon found it an antidote to life in general. I am the sixth out of seven children, and was raised in the rural surrounds of central Pennsylvania. Early in life I spent a lot of time reading romance novels and practicing the piano. My first career was as a technical writer and editor in the Washington, DC, area, a busy profession that nonetheless left enough time to read a lot of romance novels.
It also left enough time to grab a law degree through an evening program, produce Beloved Offspring (only one, but she is a lion), and eventually move to the lovely Maryland countryside.
While reading yet still more romance novels (there is a trend here) I opened a law practice, acquired a master's degree in Conflict Transformation (I had a teenage daughter by then) and started thinking about writing.... romance novels. This aim was realized when Beloved Offspring struck out into the Big World. ("Mom, why doesn't anybody tell you being a grown-up is hard?")
I eventually got up the courage to start pitching manuscripts to agents and editors. The query letter that resulted in "the call" started out: "I am the buffoon in the bar at the writer's retreat who could not keep her heroines straight, could not look you in the eye, and could not stop blushing--and if that doesn't narrow down the possibilities, your job is even harder than I thought." (The dear lady bought the book anyway.)
You can contact me though email at email@example.com or through my website at graceburrowes.com
Customers Also Bought Items By
Alasdhair MacKay did not storm hell with Wellington's army just so he could drink, swive, and flirt his way through life after Waterloo. He's serious, intelligent, and passionate about his causes--also passionate in his regard for Dorcas. He's the man of her dreams and a paragon in plaid, but looming scandal means Dorcas will have to choose between love and the honor Alasdhair so relentlessly values.
Lydia Lovelace has taken the housekeeper’s post in the London home of Captain Dylan Powell. The captain is short on charm, but he’s known for his rapport with, and support of, former soldiers trying to make a peacetime life in London. Unbeknownst to the captain, Lydia is searching for a brother who never came home after Waterloo, a brother whose birthright, along with Lydia’s settlements, is being frittered away by scheming family members.
Dylan has never viewed his home as much more than a place to take meals and sleep out of the wet while he finds paying work and good positions for his former subordinates. The new housekeeper is changing all of that, bringing comfort and tranquility to Dylan’s domicile and to his days. When Dylan and Lydia begin to explore pleasures shared in the night, Lydia realizes she will have to choose between loyalty to her long-lost brother and a future with the captain who has stolen her heart.
Lingering scandal has taught Orion to make his way along the fringes of polite society without allies or entanglements. Then he meets Ann, who is fierce, passionate, and warm-hearted, and also worth fighting for. If Orion and Ann are to forge a new love, they must first learn to trust each other, and find the courage to overcome old enemies who will do anything to keep the cook and colonel apart.
The lady is on her way to charm a titled nitwit into offering her marriage, lest her family face financial ruin. Pietr has accepted a prestigious post closer to civilization, though he hasn't quite found a way to tell his congregation he's leaving early in the New Year. Will Pietr and Joy steal some holiday comfort beneath the mistletoe, or find the love of a lifetime on a bleak mid-winter night?
Two PREVIOUSLY PUBLISHED Regency novellas. A is for Amorous (originally published in Love by the Letters) and Architect of My Dreams (originally published in No Dukes Allowed.)
A is for Amorous
Adalicia Beauvais has no use for children, and even less use for most men. Plato wasn’t a bad sort, and Euclid was bright enough, but the modern variety of male holds no appeal for her. To earn ownership of a lovely country estate with a delightfully well stocked library, Ada must raise funds for an orphanage full of noisy, malodorous urchins.
As if that isn’t challenge enough, her only ally in this endeavor, is the headmaster, Lord John, who loves children, referees cricket matches, and plucks Ada’s very, very last nerve, even though she knows his devotion to the children is genuine, as is the orphanage’s need for funds. Opposites don’t always attract, but in this case, they must work together for thirty days, or neither Ada’s nor John’s dreams will ever come true.
Architect of My Dreams
Eugenia, Dowager Duchess of Tindale, travels to the Brighton shore for a respite from London’s din and crowding. She is both dismayed and curious to find that Adam Morecambe, the very architect whose building project has rendered her London street unbearably noisy, has also journeyed to Brighton. Adam is traveling on business–he’s always on business–though he’s also pleased to bump into the duchess who has the loveliest smile he’s ever seen.
Genie has no intention of ever remarrying–once was bad enough–and Adam would never allow a romantic frolic to interfere with his busy schedule, but then he learns that Genie’s kisses are as sweet as her smiles, and all of his fixed notions about what the future might hold go flying out the nearest bedroom window.
Three PREVIOUSLY PUBLISHED Regency Novellas
His Grace of Lesser Puddlebury (from Dukes in Disguise) — Connor, Duke of Mowne, has been injured in a most delicate location, and needs a place to heal far from the curious eyes of Polite Society. When he takes refuge with the independent and impecunious Julianna St. Bellan, he suspects his wound was in truth caused by Cupid’s arrow!
Duchess in the Wild (from Duchesses in Disguise) — Intrepid scientist Sir Greyville Trent accepts a friend’s offer of a quiet respite in the countryside where Grey can prepare years’ worth of field notes for publication. The task goes poorly until Francesca Pomponio and her two friends join the household while they await repairs to their carriage. Francesca doesn’t care much for tropical jungles, but she’s willing to help Grey get his notes organized. Collaboration turns to fascination, and the focus of the investigation from exotic flora and fauna to true love!
The Governess and the Norse God (from Marquesses at the Masquerade) — Darien, Marquess of Tyne, dutifully takes up his hammer and dons his trews to impersonate a Norse god for the duration of one interminable masquerade ball. He’s by nature the most reserved and retiring of men, and the only lady to catch his mortal eye is Miss Lucy Fletcher, governess to his two daughters. A gentleman would never importune a lady in his employ–and Tyne is every inch a gentleman–but a Norse god is subject to different, and far more dashing rules!
"I have come to ask you to kill me, my lord."
Miss Abigail Abbott desperately needs to disappear—permanently—and the only person she trusts to help her do that is Lord Stephen Wentworth, heir to the Duke of Walden. Stephen is brilliant, charming, and—when he needs to be—absolutely ruthless. So ruthless that he proposes marriage instead of "murder" to keep Abigail safe.
Stephen was smitten the instant his sister introduced him to Abigail, a woman with the dignity and determination of a duchess and the courage of a lioness. When she accepts his courtship of convenience, he also discovers she kisses like his most intimate wish come true. For Abigail, their arrangement is a sham to escape her dangerous enemies. For Stephen, it's his one chance to share a lifetime with the lady of his dreams—if only he can convince her his love is real.
And the duke, for entirely pragmatic reasons, would catch her.
Noah Winters, Duke of Anselm, needs a wife, and Lady Thea should make a good, obedient duchess. Noah prides himself on his practicality, so he's dismayed when his engagement to Lady Thea embroils him in nothing but trouble. Is he courting a duchess of convenience or a ducal disaster?
Lady Thea has fallen on hard times, and accepts His Grace's proposal because he shows every indication of being a distant and manageable husband. When the duke intrudes into every aspect of Thea's life, and adds humor, tenderness, and passionate kisses to their bargain, Thea must take His Grace firmly in hand...
"Grace Burrowes is terrific!"—Julia Quinn
"Smart, sexy, and oh-so-romantic"—Mary Balogh
"Exquisitely crafted, intensely memorable."—Library Journal STARRED REVIEW
Morgan and Archer
Morgan James, sister-by-marriage to the Windham ducal heir, has spent several Seasons dutifully trooping with her in-laws to every ball and musicale in Mayfair. The glittering London society she never thought she’d be part of has begun to pale, while solitude and quiet have grown enormously attractive.
Morgan’s longing to withdraw from society is cut short when she crosses paths with Archer Portmaine, a distant family connection who is is investigating a plot against the Crown. Archer must foil a dangerous scheme, and Morgan, with her quick wits and unusual ability to blend into any crowd, has the perfect skills to help him capture the villain–and to capture Archer’s heart!
Jonathan and Amy
Jonathan Dolan, a wealthy Irish quarry nabob, has done the unthinkable for an otherwise sensible widower and fallen in love with his daughter’s governess. If he’s to win the heart of proper, pretty Miss Amy Ingraham, Jonathan must turn to his former brother-in-law, the Marquess of Deene, to help him woo the lady. Despite Deene’s willingness to aid the course of true love, Jonathan must be clever, determined, and– above all else–honorable if he’s to win not only Amy’s hand, but also the respect of a society only too willing to judge him harshly.
Robert Rothmere is hiding a past no duke should have endured, but he's not hiding it well enough. Sooner or later, his enemies will learn that he spent years locked away at a private asylum. To get their hands on his wealth, they'll try to send him right back to his worst nightmares. If Robert is to foil their schemes, he needs to marry a perfectly proper, blessedly boring, deadly dull duchess, immediately -- and he knows exactly which quietly delightful lady he'd love to entrust with that role.
Lady Constance Wentworth has cultivated a reputation for utter forgettability. She never speaks out of turn (in public), never has a daring thought (that she admits aloud), and never comes close to courting scandal . . . as far as anybody knows. Her path crossed Robert's years ago, though, and she's never forgotten the extraordinary lengths he traveled to keep her safe when she hadn't a friend in the world. She longs to be his demure duchess . . . but little does he know that to marry her would be utter madness.
Jeanette, Marchioness of Tavistock, endured six years of wedded purgatory before earning the independence of widowhood. She's admittedly attracted to Sycamore. He's refreshingly blunt, unconventional, and loyal to those he cares about. When trouble stalks her, she turns to Sycamore for help, because she would trust him with her life. But will she trust him with her heart?