Seems many of the women who appear in a certain men's magazine have the same aspiration, to make it big as an actress in the movies...some have made the transition (to some degree), but for most, their dreams remain unfulfilled, most likely due to an actual lack of talent. As I said, some did manage to cross over, one in particular being Miss Claudia Jennings, Playmate of the year for 1970. She had a great many qualities, including and easygoing naturalness is front of the camera, attractive features, and a willingness to shed her clothes, this last one particularly handy given the roles offered to her in such exploitive B films like Deathsport (1978), Moonshine County Express (1977), 'Gator Bait (1974), Truck Stop Women (1974), Unholy Rollers (1972), and this film titled The Great Texas Dynamite Chase (1976) aka Dynamite Women. Sad thing is, right about the time when she seemed to be rising above her exploitive beginnings (and getting her life back under control from substance abuse issues), her career was cut short after she fell asleep behind the wheel of her car and an accident ensued. Directed by Michael Pressman (The Bad News Bears in Breaking Training, Doctor Detroit), the film stars, as I've mentioned, Claudia Jennings, along with Jocelyn Jones (The Other Side of the Mountain, Tourist Trap). Also appearing is former Mouseketeer Johnny Crawford ("The Rifleman", Village of the Giants), Christopher Pennock ("Dark Shadows", "General Hospital"), Tara Strohmeier (The Student Teachers, Candy Stripe Nurses), and Oliver Clark (A Star Is Born, Doctor Detroit, Ernest Saves Christmas).
Jennings is Candy Morgan, a recent escapee from a Texas federal women's penitentiary, whose first act upon self parole is to rob a local bank by threatening to blow the place up with some dynamite (seems Candy learned how to use dynamite in a prison work/reform program, and subsequently used it to aide in her `early' release). After successfully liberating some funds, she passes the dough on to her family who were in peril of losing their dirt farm, and then takes it on the lam. Soon she runs into Ellie-Jo Turner (Jones), recently fired bank teller (the manager didn't like her modern i.e. loose lifestyle), the two become friends, and decide to team up and pull off more jobs together. After a botched robbery attempt and a brief stop at a nearby mining operation to get more boom boom sticks (giving Candy a chance to get her groove on with a strapping, shirtless workman), the girls take their show on the road. The begin hitting podunk banks all throughout southern Texas, eventually picking up a hostage named Slim (Crawford) who ends up throwing in the girls and the threesome continue on their merry way. By now their antics are widely known (they're labeled by the media as the `dynamite women'), and the authorities are mounting a full scale manhunt (or womanhunt, whichever you prefer), taking a `shoot first, shoot again, ask question later' attitude, so what does our thieving trio do? They get themselves a fancy white Rolls Royce...romance blooms between Ellie-Jo and Slim, the latter beginning to worry about the very likely possibility of getting shot dead, but the girls want to make one, last giant haul before heading south, that is if the Candy and Ellie-Jo can only manage to keep it in their pants long enough...
Originally released through Roger Corman's New Concorde company, the film has all his signature markings in that it's cheap, fast, and slightly sleazy. But that's not to say it isn't any fun, because it is...hey, any movie where I get to see two sets of bazooms in the first three minutes ain't all bad (one should set their expectations accordingly to the material). Corman may not have won any Oscars for his films, but few directors/producers knew their audiences better than he, and were able to give them what they wanted so consistently. The film is pure drive-in hokum, released at a time when there was no such thing as a home video market...there's a seemingly female empowerment quality to the story, but it was really just `faux' feminism perpetrated by the filmmakers to allow for the ladies to run around braless, pop their tops, and bed male characters at any given opportunity, as also seen in other films of the time like The Student Teachers (1973) and Candy Stripe Nurses (1974). The women audience members were supposed to identify with the strong female characters, while the male audience members got to gawk at jooblies...something for everyone. The story moves along at a pretty good clip and features some decent, but not stellar, car chase sequences, along with silly hi-jinks and what not...the movie's listed as a drama/thriller, but there's a comedic undertone throughout much of the story, a breezy attitude highlighted by a whole lot of twangy, good old boy music, whose repetitiveness got old as the movie progressed. Picture the Dukes of Hazzard with nekkidness and a bit more violence, with the main characters being women instead of men. It did seem very odd that the girls should go out and purchase a big, old, white Rolls with their ill gotten booty, as it was conspicuous as hell, but whatever...if you're looking for some slick, high quality action, stick to the recommended releases on the shelves of the local video store, but if you're looking for some cheap thrills, the kind produced exclusively for indiscriminate drive-in audiences, then you're in the right place.
The picture, presented in fullscreen, is decent, but does feature quite a few noticeable flaws. The DVD case claims to present a `digitally remastered' print, but I'm guessing that means using whatever copy they utilized in the past for VHS releases for the DVD release. It is watchable, and after awhile I tuned out all the little imperfections on the picture and enjoyed the film. I'm unsure what format the audio is in, but it does sound good and come through clearly. Special features include an original trailer, along with various bios. Also included are previews for other DVD releases like Caged Heat (1974), The Big Doll House (1971), The Big Bird Cage (1972), and The Arena (1974).