Your Memberships & Subscriptions
Download the free Kindle app and start reading Kindle books instantly on your smartphone, tablet, or computer - no Kindle device required. Learn more
Read instantly on your browser with Kindle Cloud Reader.
Using your mobile phone camera - scan the code below and download the Kindle app.
Enter your mobile phone or email address
By pressing "Send link," you agree to Amazon's Conditions of Use.
You consent to receive an automated text message from or on behalf of Amazon about the Kindle App at your mobile number above. Consent is not a condition of any purchase. Message & data rates may apply.
The Handmaid's Tale Kindle Edition
|New from||Used from|
The Handmaid's Tale is a novel of such power that the reader will be unable to forget its images and its forecast. Set in the near future, it describes life in what was once the United States and is now called the Republic of Gilead, a monotheocracy that has reacted to social unrest and a sharply declining birthrate by reverting to, and going beyond, the repressive intolerance of the original Puritans. The regime takes the Book of Genesis absolutely at its word, with bizarre consequences for the women and men in its population.
The story is told through the eyes of Offred, one of the unfortunate Handmaids under the new social order. In condensed but eloquent prose, by turns cool-eyed, tender, despairing, passionate, and wry, she reveals to us the dark corners behind the establishment’s calm facade, as certain tendencies now in existence are carried to their logical conclusions. The Handmaid's Tale is funny, unexpected, horrifying, and altogether convincing. It is at once scathing satire, dire warning, and a tour de force. It is Margaret Atwood at her best.
From Library Journal
Copyright 1986 Reed Business Information, Inc. --This text refers to an alternate kindle_edition edition.
About the Author
Margaret Atwood is the author of more than forty volumes of poetry, children’s literature, fiction, and non-fiction, but is best known for her novels, which include The Edible Woman (1969), The Handmaid’s Tale (1985), The Robber Bride (1994), Alias Grace (1996), and The Blind Assassin, which won the prestigious Booker Prize in 2000. A book of short stories called Stone Mattress: Nine Tales was published in 2014. Her novel, MaddAddam (2013), is the final volume in a three-book series that began with the Man-Booker prize-nominated Oryx and Crake (2003) and continued with The Year of the Flood (2009). The Tent (mini-fictions) and Moral Disorder (short fiction) both appeared in 2006. A volume of poetry, The Door, was published in 2007. In Other Worlds: SF and the Human Imagination, a collection of non-fiction essays appeared in 2011. Her non-fiction book, Payback: Debt and the Shadow Side of Wealth was adapted for the screen in 2012. Ms. Atwood’s work has been published in more than forty languages, including Farsi, Japanese, Turkish, Finnish, Korean, Icelandic and Estonian.
Margaret Atwood lives in Toronto with writer Graeme Gibson.
- ASIN : B003JFJHTS
- Publisher : Mariner Books (February 17, 1986)
- Publication date : February 17, 1986
- Language : English
- File size : 2746 KB
- Text-to-Speech : Enabled
- Screen Reader : Supported
- Enhanced typesetting : Enabled
- X-Ray : Enabled
- Word Wise : Enabled
- Print length : 325 pages
- Lending : Not Enabled
- Best Sellers Rank: #779 in Kindle Store (See Top 100 in Kindle Store)
- Customer Reviews:
About the author
Reviews with images
Top reviews from the United States
There was a problem filtering reviews right now. Please try again later.
I confess, I couldn’t finish the book. I couldn’t force myself to endure more than 115 pages peppered with complete and unnecessary gibberish. ‘If I have an egg, what more can I want?’ There are tons of this fluff.
Atwood’s view of the future, and I assume that’s what I think we must consider that she intends, is poppycock. A nightmare with no beginning, middle or end. If this is what is in store for us, count me out.
I was interested in a storyline or two along the way, but the author refused to develop them, instead droning on and on about meaningless details in the heroine’s life, or existence.
I couldn’t go any further. My mind kept drifting to all the really entertaining stories out there, waiting to be read and enjoyed. Why was I wasting precious time reading tripe?
The surprising part, despite it's lack of quotation marks and zero structure, I read this quite fast. I'm incredibly surprised this was written by a woman. I get she wanted to make this a creepy tale of what if and get all gritty and scary with this patriarchy having taken over, but why write this and go through this entire thing to not have the women rise up? Why not show the resistance, why not have them at least hint at the end that there was hope of them gaining freedom again? Why write this at all without an ending. Anyone who has read any of my other reviews or knows me at all knows that what I hate more than anything in any work of literature is no ending. To leave an open ended book is to say you want the reader to do your work for you. It's a cop out to me. Why invest so much , build this whole story up and then not finish it? Drives me insane. Also I'm sorry but the quickness in which the terrorist attack and the new reign took over is a bit hard to swallow. Seems the author enjoyed trying to write the most cruel and unusual scenes in order to shock and terrify the reader instead of focusing more on the true story at hand. Just a big meh from me.
I’ve just added this title to my list of ‘extra special’ books, but somehow that label doesn’t fit right for The Handmaid’s Tale. Don’t get me wrong. It is without a doubt a fabulous work of fiction, superbly written, and with an unforgettable storyline. But ‘extra-special’ to me indicates something wonderful, pleasant. And nothing about this book can be described as pleasant. The words stark, horrific, prophetic, terrifying and too-close-for-comfort spring to mind.
I read this book before. I think it may have been fifteen years ago. The story, for the most part, stuck with me. But, I have to admit that it could almost have been two different books—they certainly were two very different reading experiences. All those years ago I read a fascinating piece of speculative, dystopian fiction. Even then it felt all too plausible, but not in an immediate way.
Re-reading the book now, given the political climate we now find ourselves living with, the story feels less speculative, almost less fictional. It doesn’t take a huge stretch of the imagination anymore to visualize a scenario as we encounter in this book, unfolding around us in real time.
“Ordinary is what you are used to. This may not seem ordinary to you now, but after a time it will. It will become ordinary.”
There is so much in this book to scare a person witless. You read this book and you can imagine how it might happen, and worse, how it might swallow you up too. There’s an insidious quality to this story, making the outrageous borderline logical, acceptable even. I found myself reading certain sections several times, knowing that what I’d read was wrong, but having a hard time pinpointing exactly why or where. I’m not sure whether I’m impressed or horrified that this book made me understand how people get drawn in to, and learn to live with, a situation that’s against their personal best interest.
“We lived, as usual, by ignoring. Ignoring isn’t the same as ignorance, you have to work at it. Nothing changes instantaneously.”
But, think about it. In a time when humanity is threatened because fertility is down, doesn’t it make sense to mobalize those women who are still able to give birth? Just as countries have for centuries mobilized men (and more recently women) in times of war?
“Already we were losing the taste for freedom, already we were finding these walls secure.”
And that’s of course another worrying truth. While people may say they value their freedom, far too many seem to find comfort in being told what to do, think, and say. Humanity is supposed to stand out among mammals because of our capacity for independent thought, but all too often and all too many of us prefer to live without thinking too hard, happy to ‘follow orders’ without contemplating the consequences—for ourselves and for others.
There was so very much in this story that horrified me and made me angry. But there was only one section that truly broke my heart: when Offred apologies, near the end of the book. Apologizes for acting on the need to connect with another.
While I’m sad that the story doesn’t reveal what really happened to Offred, or even whether the end of her story is positive or negative, I do appreciate it was the perfect way to conclude the tale. An answer to the ‘what happened next’ question, regardless of what that answer would have been, would have robbed this story of much of its power. It is because the story ends the way it does that I found myself going over what I’d read and what I hoped/feared/imagined followed Offred’s tale.
This is, without a doubt, one of the best books I’ve ever read. It is also among those stories that stay with me forever, because it is too unique, too shocking, and/or too thought-provoking to ever fade.