J. K. Rowling:
Harry Potter's magic has touched a huge audience of all ages all over the world. In America, there are nearly 80 million books in print, and each title has been on the New York Times, USA Today, and Wall Street Journal bestseller lists. The fifth title, Harry Potter and the Order of the Phoenix, has already broken records with its first print run of 6.8 million copies and a second print run of an additional 1.7 million copies, a figure unprecedented for any book.
J. K. Rowling has won the Hugo Award, the Bram Stoker Award, the Whitbread Award for Best Children's Book, a special commendation for the Anne Spencer Lindbergh Prize, and a special certificate for being a three-year winner of the Smarties Prize, as well as many other honors. She has been a featured guest on "60 Minutes," "The Today Show," and "Larry King Live." Rowling has also been named an Officer of the British Empire.
Rowling first thought of Harry while riding a train back in 1990. "Harry just strolled into my head fully formed." She worked on the book for several years, finding quiet moments while her daughter napped. Several publishers turned down the finished manuscript before one took interest.
In 1998, Harry Potter and the Sorcerer's Stone was published in the United States, kicking off Harry-mania. Suddenly, kids were reading again, and their parents wanted to read the same books! The second and third books were published in the spring and fall of 1999.
On July 8, 2000, the release of Harry Potter and the Goblet of Fire became a major celebration, with bookstore events occurring at midnight nationwide. The book sold an unprecedented three million copies in the first 48 hours of release and according to Publishers Weekly is "the fastest-selling book in history."
Warner Bros. enjoys certain rights in respect to all the Harry Potter books and has exercised its option to create films on all of those that have been published to date; Harry Potter and the Sorcerer's Stone and Harry Potter and the Chamber of Secrets have each been released to critical praise and record-setting box-office success. With over 170 million books sold, the books have been translated into 55 languages and distributed in over 200 countries. Each of the first four books are currently on bestseller lists in the United States, Britain, and around the globe.
Joanne Rowling was born in Chipping Sodbury near Bristol, England. After she graduated from Exeter University, she found work as a secretary, and later spent time teaching English in Portugal before moving to Edinburgh, Scotland, with her daughter. She currently resides in Scotland with her husband and two children.
Mary GrandPre:
Educated at the Minneapolis College of Art and Design, Mary GrandPre began her career as a conceptual illustrator for local editorial clients. Continually experimenting with media, Mary underwent many artistic changes in her expressive visual form. Her concerns for light, color, drawing, and design came together in evocative, ethereal pastel paintings evolving toward a style she now calls "soft geometry".
Mary's new work attracted corporate advertising and editorial clients. Some of the include: Ogilvy & Mather, BBD&O, Whittle Communications, The Richards Group, Neenah Paper, Atlantic Monthly Magazine, Random House, Berkley, Penguin, Dell and McGraw Hill publishers. Recently, she was featured on the cover of Time Magazine for her work with the Harry Potter Series and also worked as a visionary in the environment/scenery development in Dreamworks animated film Antz.
Mary's work has received national recognition through awards received from: The Society of Illustrators, Communication Arts, Graphis, Print and Art Direction. Her work was chosen among thousands of illustrators to be on the cover of Showcase 16, and an article was written about her "conceptual editorial assignments" in Step-by-Step Graphics. Communications Arts Magazine has also done a "career retrospective" article in their January/Febuary 200 edition.
Additionally, Mary has now illustrated six beautiful children's books and is at work on the seventh. Her book illustration possesses highly personalized lyrical story interpretations and has received very favorable reviews in the national press.
It is unusual for an illustrator to work successfully in so many genres of illustration at one time, from advertising and corporate to editorial and children's books. Her reputation is now world renown for her delightfully stunning illustrations.
Grade 5 Up–Opening just a few weeks after the previous book left off, the penultimate entry in the series is, as the author foretold, the darkest and most unsettling yet. The deeds of Voldemort's Death Eaters are spreading even to the Muggle world, which is enshrouded in a mist caused by Dementors draining hope and happiness. Harry, turning 16, leaves for Hogwarts with the promise of private lessons with Dumbledore. No longer a fearful boy living under the stairs, he is clearly a leader and increasingly isolated as rumors spread that he is the Chosen One, the only individual capable of defeating Voldemort. Two attempts on students' lives, Harry's conviction that Draco Malfoy has become a Death Eater, and Snape's usual slimy behavior add to the increasing tension. Yet through it all, Harry and his friends are typical teens, sharing homework and messy rooms, rushing to classes and sports practices, and flirting. Ron and Hermione realize their attraction, as do Harry and Ginny. Dozens of plot strands are pulled together as the author positions Harry for the final book. Much information is cleverly conveyed through Dumbledore's use of a Pensieve, a device that allows bottled memories to be shared by Harry and his beloved professor as they apparate to various locations that help explain Voldemort's past. The ending is heart wrenching. Once again, Rowling capably blends literature, mythology, folklore, and religion into a delectable stew. This sixth book may be darker and more difficult, but Potter fans will devour it and begin the long and bittersweet wait for the final installment.–Connie Tyrrell Burns, Mahoney Middle School, South Portland, ME
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*Starred Review* With the Harry Potter Express chugging closer to its final destination, the sixth book in the series gets down to business. No more diversions about the welfare of house elves or the intricacies of Quidditch. This penultimate offering is more about tying up loose ends and fleshing out the backstory. Harry and the gang are back at Hogwarts, but the mood is grim. The wizard community is now fully aware that evil has returned, and the citizenry is afraid. Harry has been left bereft by the death of Sirius Black, and there are more killings to come. In a powerful early scene, readers learn that a pivotal figure is seemingly not to be trusted, yet throughout there are hints that he or she is a double agent. Later Harry becomes entangled with a former student known as the Half-Blood Prince, having accidentally acquired the prince's Potions textbook, but this turns out to be a mixed blessing. Rowling also devotes time to a carefully crafted telling of the story of Lord Voldemort's early life, which Harry and Dumbledore piece together by plucking other people's memories. Rowling is at the top of her game here. For those able to reach just beyond the engrossing tale, there is commentary relevant to today: how governments offer false security about perilous situations and how being in a constant state of war affects people's behavior. Harry is almost 17 now, and this is a book for older readers, who will best understand the moral implications of his choices. Ilene Cooper
Copyright © American Library Association. All rights reserved
From the Publisher
In the fifth and most recent book,
Harry Potter and the Order of the Phoenix, the last chapter, titled "The Second War Begins," started:
'In a brief statement Friday night, Minister of Magic Cornelius Fudge confirmed that He-Who-Must-Not-Be-Named has returned to this country and is active once more.
"It is with great regret that I must confirm that the wizard styling himself Lord - well, you know who I mean - is alive among us again," said Fudge.'
Harry Potter and the Half-Blood Prince takes up the story of Harry Potter's sixth year at Hogwarts School of Witchcraft and Wizardry at this point in the midst of the storm of this battle of good and evil.
The author has already said that the Half-Blood Prince is neither Harry nor Voldemort. And most importantly, the opening chapter of Harry Potter and the Half-Blood Prince has been brewing in J.K. Rowling's mind for 13 years.
Review
July 25, 2005
'Harry Potter And The Half-Blood Prince': The Kirkus Review
Review Date: JULY 25, 2005
Category: NONE
Classification: ONLINE EXCLUSIVE
Revealed at last–now that the fog of whipped-up anticipation, secrecy, hints, threats, news stories of legal action, wild speculation, midnight-oil-burning and marketing smoke is thinning–the penultimate Potter sequel delivers, as have its predecessors, a tale worth the wait. Readers who felt a bit hammered by the adolescent rage coloring Harry Potter and the Order of the Phoenix (2003) will be relieved to find that Rowling has returned to the lighter tone of earlier episodes, though properly portentous events do swirl in the background, and, as promised: There Is a Death.
Harry enters his sixth year at Hogwarts knowing that he has a pivotal role to play in the now-open war against Voldemort, sure that Draco Malfoy is up to something, and more than a little conflicted by his attraction to Ginny Weasley, sidekick Ron's suddenly not-so-little sister. Harry's relationship to Dumbledore is entering a new phase, too, as under the kindly old wizard's direct guidance, he begins taking trips through a series of magically preserved memories to explore his archenemy's parentage and character.
Meanwhile, Harry's glee at getting a leg up in Potions class thanks to a heavily annotated old textbook that once belonged to a mysterious “Half-Blood Prince” rivals his discomfort at being caught between Ron and Hermione, who are going through a rocky patch, and the horror of discovering that his new Defense Against the Dark Arts instructor is none other than hated, hateful Severus Snape. How could Dumbledore possibly insist, as he repeatedly does, that Snape is a trustworthy ally?
While charting teenage infatuations and friendships with a wry wit that occasionally tumbles into outright merriment, Rowling tucks in several revelations (notably, the secret to Voldemort's seeming immortality), adds a dash of sympathy for Malfoy (of all people!), who does indeed turn out to be part of an ugly scheme, and further develops Snape's role as a pivotal character. Then, after a heartrending test of Harry's loyalty to Dumbledore, Rowling propels the plot to a climax that is–thanks to artful pre-pub preparation–tragic, but not uncomfortably shocking. This newest excursion into the Potterverse will leave readers pleased, amused, excited, scared, infuriated, delighted, sad, surprised, thoughtful–and likely wondering where Voldemort has got to, since he appears only in flashbacks. There's no doubt, however, that he'll figure prominently in what promises to be a spectacular finish.
SLJ 8-05
ROWLING, J. K. Harry Potter and the Half-Blood Prince. illus. by Mary GrandPré. 672p. Scholastic/Arthur A. Levine Bks. 2005. Tr $29.99. ISBN 0-439-78454-9; PLB $34.99. ISBN 0-439-78677-0. LC 2005921149.
Gr 5 Up–Opening just a few weeks after the previous book left off, the penultimate entry in the series is, as the author foretold, the darkest and most unsettling yet. The deeds of Voldemort's Death Eaters are spreading even to the Muggle world, which is enshrouded in a mist caused by Dementors draining hope and happiness. Harry, turning 16, leaves for Hogwarts with the promise of private lessons with Dumbledore. No longer a fearful boy living under the stairs, he is clearly a leader and increasingly isolated as rumors spread that he is the “Chosen One,” the only individual capable of defeating Voldemort. Two attempts on students' lives, Harry's conviction that Draco Malfoy has become a Death Eater, and Snape's usual slimy behavior add to the increasing tension. Yet through it all, Harry and his friends are typical teens, sharing homework and messy rooms, rushing to classes and sports practices, and flirting. Ron and Hermione realize their attraction, as do Harry and Ginny. Dozens of plot strands are p
Art imitates life in the newest, darkest Harry Potter adventure as England--Muggles and Magickers alike--comes under attack from the forces of evil. Once again, Jim Dale's performance casts its spell, bewitching listeners with every nuance. His voice aches with appropriate adolescent longing as Harry, in his sixth year at Hogwarts, deals with Quidditch, love potions, and heartache, and he positively slithers with serpentine menace whenever Severus Snape's around. Dale has developed over one hundred new, fresh, and individual character voices in this Harry Potter series, making it perfect for audio. As Harry faces some of his most difficult challenges and the stage is set for the inevitable confrontation between Harry and He-who-must-not-be-named, Jim Dale's astonishing performance keeps hearts pounding and pulses racing right up to the final words. S.J.H. Winner of AudioFile Earphones Award © AudioFile 2005, Portland, Maine-- Copyright © AudioFile, Portland, Maine
Amazon.com Review
The long-awaited, eagerly anticipated, arguably over-hyped
Harry Potter and the Half-Blood Prince has arrived, and the question on the minds of kids, adults, fans, and skeptics alike is, "Is it worth the hype?" The answer, luckily, is simple: yep. A magnificent spectacle more than worth the price of admission,
Harry Potter and the Half-Blood Prince will blow you away. However, given that so much has gone into protecting the secrets of the book (including armored trucks and injunctions), don't expect any spoilers in this review. It's much more fun not knowing what's coming--and in the case of Rowling's delicious sixth book, you don't want to know. Just sit tight, despite the earth-shattering revelations that will have your head in your hands as you hope the words will rearrange themselves into a different story. But take one warning to heart: do not open
Harry Potter and the Half-Blood Prince until you have first found a secluded spot, safe from curious eyes, where you can tuck in for a good long read. Because once you start, you won't stop until you reach the very last page.
A darker book than any in the series thus far with a level of sophistication belying its genre, Harry Potter and the Half-Blood Prince moves the series into murkier waters and marks the arrival of Rowling onto the adult literary scene. While she has long been praised for her cleverness and wit, the strength of Book 6 lies in her subtle development of key characters, as well as her carefully nuanced depiction of a community at war. In Harry Potter and the Half-Blood Prince, no one and nothing is safe, including preconceived notions of good and evil and of right and wrong. With each book in her increasingly remarkable series, fans have nervously watched J.K. Rowling raise the stakes; gone are the simple delights of butterbeer and enchanted candy, and days when the worst ailment could be cured by a bite of chocolate. A series that began as a colorful lark full of magic and discovery has become a dark and deadly war zone. But this should not come as a shock to loyal readers. Rowling readied fans with Harry Potter and the Goblet of Fire and Harry Potter and the Order of the Phoenix by killing off popular characters and engaging the young students in battle. Still, there is an unexpected bleakness from the start of Book 6 that casts a mean shadow over Quidditch games, silly flirtations, and mountains of homework. Ready or not, the tremendous ending of Harry Potter and the Half-Blood Prince will leave stunned fans wondering what great and terrible events await in Book 7 if this sinister darkness is meant to light the way. --Daphne Durham
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Begin at the Beginning
Why We Love Harry Favorite Moments from the SeriesThere are plenty of reasons to love Rowling's wildly popular series--no doubt you have several dozen of your own. Our list features favorite moments, characters, and artifacts from the first five books. Keep in mind that this list is by no means exhaustive (what we love about Harry could fill ten books!) and does not include any of the spectacular revelatory moments that would spoil the books for those (few) who have not read them. Enjoy.
Harry Potter and the Sorcerer's Stone
 | * Harry's first trip to the zoo with the Dursleys, when a boa constrictor winks at him.
* When the Dursleys' house is suddenly besieged by letters for Harry from Hogwarts. Readers learn how much the Dursleys have been keeping from Harry. Rowling does a wonderful job in displaying the lengths to which Uncle Vernon will go to deny that magic exists.
* Harry's first visit to Diagon Alley with Hagrid. Full of curiosities and rich with magic and marvel, Harry's first trip includes a trip to Gringotts and Ollivanders, where Harry gets his wand (holly and phoenix feather) and discovers yet another connection to He-Who-Must-No-Be-Named. This moment is the reader's first full introduction to Rowling's world of witchcraft and wizards.
* Harry's experience with the Sorting Hat. |
Harry Potter and the Chamber of Secrets
 | * The de-gnoming of the Weasleys' garden. Harry discovers that even wizards have chores--gnomes must be grabbed (ignoring angry protests "Gerroff me! Gerroff me!"), swung about (to make them too dizzy to come back), and tossed out of the garden--this delightful scene highlights Rowling's clever and witty genius.
* Harry's first experience with a Howler, sent to Ron by his mother.
* The Dueling Club battle between Harry and Malfoy. Gilderoy Lockhart starts the Dueling Club to help students practice spells on each other, but he is not prepared for the intensity of the animosity between Harry and Draco. Since they are still young, their minibattle is innocent enough, including tickling and dancing charms. |
Harry Potter and the Prisoner of Azkaban
 | * Ron's attempt to use a telephone to call Harry at the Dursleys'.
* Harry's first encounter with a Dementor on the train (and just about any other encounter with Dementors). Harry's brush with the Dementors is terrifying and prepares Potter fans for a darker, scarier book.
* Harry, Ron, and Hermione's behavior in Professor Trelawney's Divination class. Some of the best moments in Rowling's books occur when she reminds us that the wizards-in-training at Hogwarts are, after all, just children. Clearly, even at a school of witchcraft and wizardry, classes can be boring and seem pointless to children.
* The Boggart lesson in Professor Lupin's classroom.
* Harry, Ron, and Hermione's knock-down confrontation with Snape. |
Harry Potter and the Goblet of Fire
 | * Hermione's disgust at the reception for the veela (Bulgarian National Team Mascots) at the Quidditch World Cup. Rowling's fourth book addresses issues about growing up--the dynamic between the boys and girls at Hogwarts starts to change. Nowhere is this more plain than the hilarious scene in which magical cheerleaders nearly convince Harry and Ron to jump from the stands to impress them.
* Viktor Krum's crush on Hermione--and Ron's objection to it.
* Malfoy's "Potter Stinks" badge.
* Hermione's creation of S.P.E.W., the intolerant bigotry of the Death Eaters, and the danger of the Triwizard Tournament. Add in the changing dynamics between girls and boys at Hogwarts, and suddenly Rowling's fourth book has a weight and seriousness not as present in early books in the series. Candy and tickle spells are left behind as the students tackle darker, more serious issues and take on larger responsibilities, including the knowledge of illegal curses. |
Harry Potter and the Order of the Phoenix
 | * Harry's outburst to his friends at No. 12 Grimmauld Place. A combination of frustration over being kept in the dark and fear that he will be expelled fuels much of Harry's anger, and it all comes out at once, directly aimed at Ron and Hermione. Rowling perfectly portrays Harry's frustration at being too old to shirk responsibility, but too young to be accepted as part of the fight that he knows is coming.
* Harry's detention with Professor Umbridge. Rowling shows her darker side, leading readers to believe that Hogwarts is no longer a safe haven for young wizards. Dolores represents a bureaucratic tyrant capable of real evil, and Harry is forced to endure their private battle of wills alone.
* Harry and Cho's painfully awkward interactions. Rowling clearly remembers what it was like to be a teenager.
* Harry's Occlumency lessons with Snape.
* Dumbledore's confession to Harry. |
Magic, Mystery, and Mayhem: A Conversation with J.K. Rowling
"I am an extraordinarily lucky person, doing what I love best in the world. I’m sure that I will always be a writer. It was wonderful enough just to be published. The greatest reward is the enthusiasm of the readers." --J.K. Rowling
Find out more about Harry's creator in our exclusive interview with J.K. Rowling.
Did You Know?
A Few Words from Mary GrandPré
"When I illustrate a cover or a book, I draw upon what the author tells me; that's how I see my responsibility as an illustrator. J.K. Rowling is very descriptive in her writing--she gives an illustrator a lot to work with. Each story is packed full of rich visual descriptions of the atmosphere, the mood, the setting, and all the different creatures and people. She makes it easy for me. The images just develop as I sketch and retrace until it feels right and matches her vision." Check out more Harry Potter art from illustrator Mary GrandPré.
Review
'For her success in creating what will undoubtedly be a highly literate generation Rowling deserves great praise' The Spectator
![Harry Potter and the Half-Blood Prince by [J.K. Rowling, Mary GrandPré]](https://m.media-amazon.com/images/I/51myHyjJsyL._SY346_.jpg)
