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In the Heart of the Valley of Love (California Fiction) Paperback – April 14, 1997
Cynthia Kadohata (Author) Find all the books, read about the author, and more. See search results for this author |
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Cynthia Kadohata explores human relationships in a Los Angeles of the future, where rich and poor are deeply polarized and where water, food, and gas, not to mention education, cannot be taken for granted. There is an intimate, understated, even gentle quality to Kadohata's writing—this is not an apocalyptic dystopia—that makes it difficult to shrug off the version of the future embodied in her book.
- Print length224 pages
- LanguageEnglish
- PublisherUniversity of California Press
- Publication dateApril 14, 1997
- Dimensions6 x 0.6 x 9 inches
- ISBN-100520207289
- ISBN-13978-0520207288
"A Splendid Ruin: A Novel" by Megan Chance
“This is a spellbinding page-turner of a book.” ―Kristin Hannah, New York Times bestselling author of The Nightingale.| Learn more
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Editorial Reviews
Review
""Kadohata's finely wrought prose creates haunting pictures." ― Washington Post
"A chilling vision of the 21st century, conceived with prescient imagination and rendered in lean, evocative prose that blossoms into stunning images. ,. . . As timely as this week's news, yet with the enduring value of literature, this novel speaks simply but eloquently of the human spirit's capacity to survive. ― Publishers Weekly
"Kadohata is masterful in her evocation of physical, spiritual, and cultural displacement. . . . The message of this marvelous though often painful book is that our capacity to feel deep emotion—our own and others's—just might bind us together, and save us from ourselves." ― Los Angeles Times
"Kadohata manages with lean, uncomplicated prose to tell a remarkable story of love and redemption, with characters who are credible and sympathetic." ― Chicago Tribune
"Recommended as an effective depiction of what the future might hold." ― Library Journal
"A beautifully crafted novel that warns and hurts and delights." ― Kirkus Reviews
"This remarkable novel, set in 2052, imagines a Los Angeles in which class and economic inequities are heightened and resources have grown scarce. It’s not dystopia that interests Kadohata, however, but survival: the various ways we get along." ― Alta: Journal of Alta California
About the Author
From The Washington Post
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Product details
- Publisher : University of California Press; First edition (April 14, 1997)
- Language : English
- Paperback : 224 pages
- ISBN-10 : 0520207289
- ISBN-13 : 978-0520207288
- Item Weight : 11.2 ounces
- Dimensions : 6 x 0.6 x 9 inches
- Best Sellers Rank: #2,029,278 in Books (See Top 100 in Books)
- #2,498 in Asian Myth & Legend
- #10,039 in Coming of Age Fantasy (Books)
- #13,712 in Literary Criticism & Theory
- Customer Reviews:
About the author

As a child, Cynthia Kadohata’s biggest life goal was not to be a writer. It was to own a dog. Since then, she has had six rescue dogs as her best friends. And, she has been extremely fortunate to have mostly worked as a writer during her adult life. She is the author of ten children’s books, including Kira-Kira, winner of the Newbery Medal; The Thing About Luck, winner of the National Book Award; Weedflower, winner of the Jane Addams Peace Award; Cracker, winner of six state awards as voted on by kids; A Place to Belong, longlisted for the National Book Award; and the upcoming Saucy, about a piglet like millions of others, yet also TOTALLY herself.
Customer reviews
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This isn't your usual post-disaster novel. I wouldn't even call it science fiction. There's no enabling device or novum or whatever Darko Suvin calls it. I suppose it is what I would term 'speculative' fiction. What I would call it is beautiful.
Francie is a Japanese-American girl drifting pretty aimlessly in 2052. She lives in Los Angeles, quite frequently she goes out into the desert with her aunt's boyfriend on a semi-legit trading trip.
The government sounds like it's in trouble, there are rich parts of town where life is continuing pretty much as normal, but most people live in cramped apartments and make do with semi-legit work and collecting and selling whatever they can find: sliding doors, clothes, plants. Someone's going to want it. You are allocated water and gas chits, anyone can go to college, it's something that you do more to give you something to do than anything else, a community center of sorts.
Everyone feels aimless, like something's just happened or someone's just died and you're in shock and don't know what to do about it. The thing that makes this book so wonderful is the depth of Francies voice and the observations she makes. Francie's narrative is detached... but she and the reader both know that she's looking for something, that there must be something that means something, for her to find.
I devoured this book because I loved the simplicity and subjectivity of Francie's voice... such an quiet and individual view of the destination our century is taking us toward is rare. Most speculative fiction that deals with a post-distaster or post-government theme is fairly didactic. There are things to be said and points to be made and people to be convinced. Kadahota's not interested in any of that. She's just written a story about a young woman in the city and the desert who's trying to make sense of her life, but the subjectivity of the narrative reveals the political and social upheaval of Francie's world in such a subtle and believable way that this book convinced me of many things when other, more didactic fiction has failed me.
If there are three things I'm interested in they are: People's responses to their landscapes, coming of age stories and post-disaster fiction. This book fulfullied all those needs as if I'd written it myself, or willed it into existence upon the shelf of my local library. The book is tied together well with a more central purpose for Francie than just finding 'meaning'. Her uncle goes missing in the desert, perhaps he has been arrested maybe he just disappeared, and Francie's narrative and coming of age experience seem to have been sparked by this event, it becomes a central concern.
The thing that made me laugh and cry the most in this book was how superstitious Francie is, she thinks plants have feelings, she carries a twig and stone around in her pocket to represent her dead parents, she writes her name on pieces of paper and throws them into the wind on the side of the highway. Just to let the world know she's there.
We all find ways of coping. But few are as telling and touching as Francie's in In the Heart Of the Valley of Love. I've only just found it and already, it's out of print.
"In the Heart of the Valley of Love" falls into none of these traps. It's really much more of a regular novel than anything you'd find sitting in the Science Fiction/Fantasy rack. It's set in LA in the second half of the 21st century-- a "dystopian" LA if you really want-- but even though this may sound a lot like Blade Runner and it's many clones, the author avoids stocking her LA with flying cars, androids, or spaceships. The technology isn't really any further along than it is today actually, and because of this Cynthia Kadohata earns my eternal respect. I don't know why it's so hard for sci-fi authors to restrain themselves when they try to imagine what we'll all be using in the future, but I guess that's what the customers pay for. Everyone wants the flying cars and warp travel, but here we are in 2001 and I still drive to work.
Maybe it's closer to the Mad Max movies than anything else, but instead of a world blasted back into the Stone Age, it's more of a portrait of a society that's going downhill. Her understated style of prose brings far more of a sense of dread and paranoia than anything Stephen King tries to shock you with. It really feels like the main character is a product of her decaying society, that she keeps her sentences short and to the point so as not to make any trouble, to keep a low profile. Most of the characters talk and act like they have a protective wall around them, that they've been dulled to the misery around them, too scared to show any true feelings. One of the best parts of the book are these people sarcastically referred to as "chirps" who try to compensate by trying to be sunshine happy all the time.
I highly recommend giving "In the Heart of the Valley of Love" a look.