In 2000, the "Hellraiser" series made the direct-to-video transition following the disappointing commercial performance of [[ASIN:B004P7CMPK Bloodline]]. This may have been cause for many fans to grieve, and sure enough, "Inferno" doesn't seem to be among the more popular additions to the series, but personally, I consider this entry to be a revival for the franchise. However briefly, "Inferno" returns the series to a pure horror standard by abandoning the sci-fi blend of the last two features. While the trademark gore has been toned down, you're still looking at a violent, scary movie here.
The story: Corrupt detective Joseph Thorne (Craig Sheffer, [[ASIN:0767836359 A River Runs Through It]]) sees the sleazy, cushy life he's created for himself turn into a nightmare when a brutal crime scene leads him to the Lament Configuration - opening the door to a mind-bending case regarding a mysterious "Engineer" and terrifying apparitions.
"Inferno" is a stand-alone story in the "Hellraiser" universe: it's the first movie which neither follows the plot laid in the original film nor attempts to significantly develop any existing character. The movie plays from the protagonist's perspective, hardly referencing any past canon and making every new discovery about the Cenobites scarier. What I love most about this is that it throws a new shroud of mystery over Pinhead & Co.: after seeing the Cenobites thoroughly deconstructed in the last two movies, it's great to have them presented as enigmatic monsters again.
Director Scott Derrickson would eventually find mainstream success with movies like [[ASIN:B00AJLHUA8 Sinister]], but he shows off his ability to create a very chilling atmosphere in the low-budget realm. Personally, I think this is the most frightening of the series since the first movie. There are some moments which disengage you - the CGI inserts are noticeably dated, and there's a totally incomprehensible scene wherein Thorne is accosted and beaten up by two karate cowboys - but by and large, a consistent mood of dread and foreboding persists. The scares themselves exist within this mood: there are very few jump-shocks, and most of the truly scary moments come from the creepy imagery (e.g. the old man in the wheelchair) and the macabre revelations (e.g. the mattress). There's a definite [[ASIN:B003TRMLQM Jacob's Ladder]] influence, here.
"Inferno" is one of only a handful of movies I've seen use audio to convey its most brutal scenes. There are three instances wherein a Cenobite (Ray Miceli) tortures his victims to death off-screen, and I'll admit to needing to mute the DVD for those parts. Fair enough, this isn't an even trade-off for the almost artful bloodletting seen in the past flicks, but there's still some of that to be seen and I like to think that it makes an impression. The initial scene featuring the female Cenobites is relatively stomach-churning.
The acting is pretty good. Craig Sheffer plays his role better and better the most anxious the character gets, and James Remar ([[ASIN:B005LAIIJY Django Unchained]]) has a few atmospheric scenes as a psychiatrist-priest. Doug Bradley's Pinhead speeches steal the show.
You must decide for yourself whether you want to watch this one. Fans of the originals can let it be and not worry about missing any pertinent story bits, but general horror fans can hop right in. Despite my squeamishness, I like it a lot and would recommend it to viewers looking for a chill.