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The Hundred Thousand Kingdoms, Book 1 (The Inheritance Trilogy, 1) Paperback – February 25, 2010
N.K. Jemisin (Author) Find all the books, read about the author, and more. See search results for this author |
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Yeine Darr is an outcast from the barbarian north. But when her mother dies under mysterious circumstances, she is summoned to the majestic city of Sky. There, to her shock, Yeine is named an heiress to the king. But the throne of the Hundred Thousand Kingdoms is not easily won, and Yeine is thrust into a vicious power struggle with cousins she never knew she had. As she fights for her life, she draws ever closer to the secrets of her mother's death and her family's bloody history.
With the fate of the world hanging in the balance, Yeine will learn how perilous it can be when love and hate -- and gods and mortals -- are bound inseparably together.
- Print length432 pages
- LanguageEnglish
- Publication dateFebruary 25, 2010
- Dimensions5.5 x 1.25 x 8.25 inches
- ISBN-100316043915
- ISBN-13978-0316043915
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"THE HUNDRED THOUSAND KINGDOMS is the provocative and exciting debut novel by a writer whose work I hope to be reading for a long time to come."
―Kate Elliott, author of Shadow Gate
"In THE HUNDRED THOUSAND KINGDOMS, N.K. Jemisin has created a smart, passionate heroine and an extraordinary world. Marvelous work from a marvelous storyteller!"―Carol Berg, author of Breath and Bone
"Many books are good, some are great, but few are truly important. Add to this last category The Hundred Thousand Kingdoms, N.K. Jemisin's debut novel... This is the must-read fantasy of the year."―Booklist
About the Author
Excerpt. © Reprinted by permission. All rights reserved.
The Hundred Thousand Kingdoms
By Jemisin, N.K.Orbit
Copyright © 2010Jemisin, N.K.All right reserved.
ISBN: 9780316043915
1
Grandfather
I AM NOT AS I ONCE WAS. They have done this to me, broken me open and torn out my heart. I do not know who I am anymore.
I must try to remember.
* * *
My people tell stories of the night I was born. They say my mother crossed her legs in the middle of labor and fought with all her strength not to release me into the world. I was born anyhow, of course; nature cannot be denied. Yet it does not surprise me that she tried.
* * *
My mother was an heiress of the Arameri. There was a ball for the lesser nobility—the sort of thing that happens once a decade as a backhanded sop to their self-esteem. My father dared ask my mother to dance; she deigned to consent. I have often wondered what he said and did that night to make her fall in love with him so powerfully, for she eventually abdicated her position to be with him. It is the stuff of great tales, yes? Very romantic. In the tales, such a couple lives happily ever after. The tales do not say what happens when the most powerful family in the world is offended in the process.
* * *
But I forget myself. Who was I, again? Ah, yes.
My name is Yeine. In my people’s way I am Yeine dau she Kinneth tai wer Somem kanna Darre, which means that I am the daughter of Kinneth, and that my tribe within the Darre people is called Somem. Tribes mean little to us these days, though before the Gods’ War they were more important.
I am nineteen years old. I also am, or was, the chieftain of my people, called ennu. In the Arameri way, which is the way of the Amn race from whom they originated, I am the Baroness Yeine Darr.
One month after my mother died, I received a message from my grandfather Dekarta Arameri, inviting me to visit the family seat. Because one does not refuse an invitation from the Arameri, I set forth. It took the better part of three months to travel from the High North continent to Senm, across the Repentance Sea. Despite Darr’s relative poverty, I traveled in style the whole way, first by palanquin and ocean vessel, and finally by chauffeured horse-coach. This was not my choice. The Darre Warriors’ Council, which rather desperately hoped that I might restore us to the Arameri’s good graces, thought that this extravagance would help. It is well known that Amn respect displays of wealth.
Thus arrayed, I arrived at my destination on the cusp of the winter solstice. And as the driver stopped the coach on a hill outside the city, ostensibly to water the horses but more likely because he was a local and liked to watch foreigners gawk, I got my first glimpse of the Hundred Thousand Kingdoms’ heart.
There is a rose that is famous in High North. (This is not a digression.) It is called the altarskirt rose. Not only do its petals unfold in a radiance of pearled white, but frequently it grows an incomplete secondary flower about the base of its stem. In its most prized form, the altarskirt grows a layer of overlarge petals that drape the ground. The two bloom in tandem, seedbearing head and skirt, glory above and below.
This was the city called Sky. On the ground, sprawling over a small mountain or an oversize hill: a circle of high walls, mounting tiers of buildings, all resplendent in white, per Arameri decree. Above the city, smaller but brighter, the pearl of its tiers occasionally obscured by scuds of cloud, was the palace—also called Sky, and perhaps more deserving of the name. I knew the column was there, the impossibly thin column that supported such a massive structure, but from that distance I couldn’t see it. Palace floated above city, linked in spirit, both so unearthly in their beauty that I held my breath at the sight.
The altarskirt rose is priceless because of the difficulty of producing it. The most famous lines are heavily inbred; it originated as a deformity that some savvy breeder deemed useful. The primary flower’s scent, sweet to us, is apparently repugnant to insects; these roses must be pollinated by hand. The secondary flower saps nutrients crucial for the plant’s fertility. Seeds are rare, and for every one that grows into a perfect altarskirt, ten others become plants that must be destroyed for their hideousness.
* * *
At the gates of Sky (the palace) I was turned away, though not for the reasons I’d expected. My grandfather was not present, it seemed. He had left instructions in the event of my arrival.
Sky is the Arameri’s home; business is never done there. This is because, officially, they do not rule the world. The Nobles’ Consortium does, with the benevolent assistance of the Order of Itempas. The Consortium meets in the Salon, a huge, stately building—white-walled, of course—that sits among a cluster of official buildings at the foot of the palace. It is very impressive, and would be more so if it did not sit squarely in Sky’s elegant shadow.
I went inside and announced myself to the Consortium staff, whereupon they all looked very surprised, though politely so. One of them—a very junior aide, I gathered—was dispatched to escort me to the central chamber, where the day’s session was well under way.
As a lesser noble, I had always been welcome to attend a Consortium gathering, but there had never seemed any point. Besides the expense and months of travel time required to attend, Darr was simply too small, poor, and ill-favored to have any clout, even without my mother’s abdication adding to our collective stain. Most of High North is regarded as a backwater, and only the largest nations there have enough prestige or money to make their voices heard among our noble peers. So I was not surprised to find that the seat reserved for me on the Consortium floor—in a shadowed area, behind a pillar—was currently occupied by an excess delegate from one of the Senm-continent nations. It would be terribly rude, the aide stammered anxiously, to dislodge this man, who was elderly and had bad knees. Perhaps I would not mind standing? Since I had just spent many long hours cramped in a carriage, I was happy to agree.
So the aide positioned me at the side of the Consortium floor, where I actually had a good view of the goings-on. The Consortium chamber was magnificently apportioned, with white marble and rich, dark wood that had probably come from Darr’s forests in better days. The nobles—three hundred or so in total—sat in comfortable chairs on the chamber’s floor or along elevated tiers above. Aides, pages, and scribes occupied the periphery with me, ready to fetch documents or run errands as needed. At the head of the chamber, the Consortium Overseer stood atop an elaborate podium, pointing to members as they indicated a desire to speak. Apparently there was a dispute over water rights in a desert somewhere; five countries were involved. None of the conversation’s participants spoke out of turn; no tempers were lost; there were no snide comments or veiled insults. It was all very orderly and polite, despite the size of the gathering and the fact that most of those present were accustomed to speaking however they pleased among their own people.
One reason for this extraordinary good behavior stood on a plinth behind the Overseer’s podium: a life-size statue of the Skyfather in one of His most famous poses, the Appeal to Mortal Reason. Hard to speak out of turn under that stern gaze. But more repressive, I suspected, was the stern gaze of the man who sat behind the Overseer in an elevated box. I could not see him well from where I stood, but he was elderly, richly dressed, and flanked by a younger blond man and a dark-haired woman, as well as a handful of retainers.
It did not take much to guess this man’s identity, though he wore no crown, had no visible guards, and neither he nor anyone in his entourage spoke throughout the meeting.
“Hello, Grandfather,” I murmured to myself, and smiled at him across the chamber, though I knew he could not see me. The pages and scribes gave me the oddest looks for the rest of the afternoon.
* * *
I knelt before my grandfather with my head bowed, hearing titters of laughter.
No, wait.
* * *
There were three gods once.
Only three, I mean. Now there are dozens, perhaps hundreds. They breed like rabbits. But once there were only three, most powerful and glorious of all: the god of day, the god of night, and the goddess of twilight and dawn. Or light and darkness and the shades between. Or order, chaos, and balance. None of that is important because one of them died, the other might as well have, and the last is the only one who matters anymore.
The Arameri get their power from this remaining god. He is called the Skyfather, Bright Itempas, and the ancestors of the Arameri were His most devoted priests. He rewarded them by giving them a weapon so mighty that no army could stand against it. They used this weapon—weapons, really—to make themselves rulers of the world.
That’s better. Now.
* * *
I knelt before my grandfather with my head bowed and my knife laid on the floor.
We were in Sky, having transferred there following the Consortium session, via the magic of the Vertical Gate. Immediately upon arrival I had been summoned to my grandfather’s audience chamber, which felt much like a throne room. The chamber was roughly circular because circles are sacred to Itempas. The vaulted ceiling made the members of the court look taller—unnecessarily, since Amn are a tall people compared to my own. Tall and pale and endlessly poised, like statues of human beings rather than real flesh and blood.
“Most high Lord Arameri,” I said. “I am honored to be in your presence.”
I had heard titters of laughter when I entered the room. Now they sounded again, muffled by hands and kerchiefs and fans. I was reminded of bird flocks roosting in a forest canopy.
Before me sat Dekarta Arameri, uncrowned king of the world. He was old; perhaps the oldest man I have ever seen, though Amn usually live longer than my people, so this was not surprising. His thin hair had gone completely white, and he was so gaunt and stooped that the elevated stone chair on which he sat—it was never called a throne—seemed to swallow him whole.
“Granddaughter,” he said, and the titters stopped. The silence was heavy enough to hold in my hand. He was head of the Arameri family, and his word was law. No one had expected him to acknowledge me as kin, least of all myself.
“Stand,” he said. “Let me have a look at you.”
I did, reclaiming my knife since no one had taken it. There was more silence. I am not very interesting to look at. It might have been different if I had gotten the traits of my two peoples in a better combination—Amn height with Darre curves, perhaps, or thick straight Darre hair colored Amn-pale. I have Amn eyes: faded green in color, more unnerving than pretty. Otherwise, I am short and flat and brown as forestwood, and my hair is a curled mess. Because I find it unmanageable otherwise, I wear it short. I am sometimes mistaken for a boy.
As the silence wore on, I saw Dekarta frown. There was an odd sort of marking on his forehead, I noticed: a perfect circle of black, as if someone had dipped a coin in ink and pressed it to his flesh. On either side of this was a thick chevron, bracketing the circle.
“You look nothing like her,” he said at last. “But I suppose that is just as well. Viraine?”
This last was directed at a man who stood among the courtiers closest to the throne. For an instant I thought he was another elder, then I realized my error: though his hair was stark white, he was only somewhere in his fourth decade. He, too, bore a forehead mark, though his was less elaborate than Dekarta’s: just the black circle.
“She’s not hopeless,” he said, folding his arms. “Nothing to be done about her looks; I doubt even makeup will help. But put her in civilized attire and she can convey… nobility, at least.” His eyes narrowed, taking me apart by degrees. My best Darren clothing, a long vest of white civvetfur and calf-length leggings, earned me a sigh. (I had gotten the odd look for this outfit at the Salon, but I hadn’t realized it was that bad.) He examined my face so long that I wondered if I should show my teeth.
Instead he smiled, showing his. “Her mother has trained her. Look how she shows no fear or resentment, even now.”
“She will do, then,” said Dekarta.
“Do for what, Grandfather?” I asked. The weight in the room grew heavier, expectant, though he had already named me granddaughter. There was a certain risk involved in my daring to address him the same familiar way, of course—powerful men are touchy over odd things. But my mother had indeed trained me well, and I knew it was worth the risk to establish myself in the court’s eyes.
Dekarta Arameri’s face did not change; I could not read it. “For my heir, Granddaughter. I intend to name you to that position today.”
The silence turned to stone as hard as my grandfather’s chair.
I thought he might be joking, but no one laughed. That was what made me believe him at last: the utter shock and horror on the faces of the courtiers as they stared at their lord. Except the one called Viraine. He watched me.
It came to me that some response was expected.
“You already have heirs,” I said.
“Not as diplomatic as she could be,” Viraine said in a dry tone.
Dekarta ignored this. “It is true, there are two other candidates,” he said to me. “My niece and nephew, Scimina and Relad. Your cousins, once removed.”
I had heard of them, of course; everyone had. Rumor constantly made one or the other heir, though no one knew for certain which. Both was something that had not occurred to me.
“If I may suggest, Grandfather,” I said carefully, though it was impossible to be careful in this conversation, “I would make two heirs too many.”
It was the eyes that made Dekarta seem so old, I would realize much later. I had no idea what color they had originally been; age had bleached and filmed them to near-white. There were lifetimes in those eyes, none of them happy.
“Indeed,” he said. “But just enough for an interesting competition, I think.”
“I don’t understand, Grandfather.”
He lifted his hand in a gesture that would have been graceful, once. Now his hand shook badly. “It is very simple. I have named three heirs. One of you will actually manage to succeed me. The other two will doubtless kill each other or be killed by the victor. As for which lives, and which die—” He shrugged. “That is for you to decide.”
My mother had taught me never to show fear, but emotions will not be stilled so easily. I began to sweat. I have been the target of an assassination attempt only once in my life—the benefit of being heir to such a tiny, impoverished nation. No one wanted my job. But now there would be two others who did. Lord Relad and Lady Scimina were wealthy and powerful beyond my wildest dreams. They had spent their whole lives striving against each other toward the goal of ruling the world. And here came I, unknown, with no resources and few friends, into the fray.
“There will be no decision,” I said. To my credit, my voice did not shake. “And no contest. They will kill me at once and turn their attention back to each other.”
“That is possible,” said my grandfather.
I could think of nothing to say that would save me. He was insane; that was obvious. Why else turn rulership of the world into a contest prize? If he died tomorrow, Relad and Scimina would rip the earth asunder between them. The killing might not end for decades. And for all he knew, I was an idiot. If by some impossible chance I managed to gain the throne, I could plunge the Hundred Thousand Kingdoms into a spiral of mismanagement and suffering. He had to know that.
One cannot argue with madness. But sometimes, with luck and the Skyfather’s blessing, one can understand it. “Why?”
He nodded as if he had expected my question. “Your mother deprived me of an heir when she left our family. You will pay her debt.”
“She is four months in the grave,” I snapped. “Do you honestly want revenge against a dead woman?”
“This has nothing to do with revenge, Granddaughter. It is a matter of duty.” He made a gesture with his left hand, and another courtier detached himself from the throng. Unlike the first man—indeed, unlike most of the courtiers whose faces I could see—the mark on this man’s forehead was a downturned half-moon, like an exaggerated frown. He knelt before the dais that held Dekarta’s chair, his waist-length red braid falling over one shoulder to curl on the floor.
“I cannot hope that your mother has taught you duty,” Dekarta said to me over this man’s back. “She abandoned hers to dally with her sweet-tongued savage. I allowed this—an indulgence I have often regretted. So I will assuage that regret by bringing you back into the fold, Granddaughter. Whether you live or die is irrelevant. You are Arameri, and like all of us, you will serve.”
Then he waved to the red-haired man. “Prepare her as best you can.”
There was nothing more. The red-haired man rose and came to me, murmuring that I should follow him. I did. Thus ended my first meeting with my grandfather, and thus began my first day as an Arameri. It was not the worst of the days to come.
Continues...
Excerpted from The Hundred Thousand Kingdoms by Jemisin, N.K. Copyright © 2010 by Jemisin, N.K.. Excerpted by permission.
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Product details
- Publisher : Orbit; Original edition (February 25, 2010)
- Language : English
- Paperback : 432 pages
- ISBN-10 : 0316043915
- ISBN-13 : 978-0316043915
- Item Weight : 12.8 ounces
- Dimensions : 5.5 x 1.25 x 8.25 inches
- Best Sellers Rank: #73,496 in Books (See Top 100 in Books)
- #3,038 in Fantasy Action & Adventure
- #4,158 in Fantasy Romance (Books)
- #4,979 in Epic Fantasy (Books)
- Customer Reviews:
About the author

N. K. Jemisin is a Brooklyn author who won the Hugo Award for Best Novel for The Fifth Season, which was also a New York Times Notable Book of 2015. She previously won the Locus Award for her first novel, The Hundred Thousand Kingdoms, and her short fiction and novels have been nominated multiple times for Hugo, World Fantasy, and Nebula awards, and shortlisted for the Crawford and the James Tiptree, Jr. awards. She is a science fiction and fantasy reviewer for the New York Times, and you can find her online at nkjemisin.com.
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She is soon proven right: the Arameri plan to only use her as cannon-fodder in the succession ceremony, a sacrifice she is prepared to make if it will mean the survival or her simple, yet immensely brave people, the matriarchal Darre. As she starts a precarious relationship with unpredictable captive god Nahadoth, sentenced to serve the Arameri after losing a war against his brother, Itempas, and as she gradually learns her way around the Machiavellian politics of the palace, Yeine may, after all, turn out to have a couple of tricks up her sleeve as well as a fleeting chance to survive the dynastic struggle.
Being Nora Jemisin's debut novel, The Hundred Thousand Kingdoms does have some teething trouble, yet also shows more than just an inkling of her immense potential. The biggest strengths of the novel are its tightly-woven, involving plot and an immensely original theology and cosmology.
The origin of the world and the depiction of its deities are a good enough reason to read the book alone. Gone is the clichéd Abrahamic dualism of good and evil, of God and Satan. The opposition here is between light and darkness: Itempas is the god of day and order, Nahadoth of night and chaos. Neither of them is immanently good or evil (both of them demonstrate to be quite capable of both throughout the novel actually), they are quite simply different. The third major deity, Enefa, is, in turn, a goddess of all transitional states between the two, i.e. dawn and twilight, creation and destruction, life, but also death. Also of note is that the first god to come to being was Nahadoth, i.e. night and chaos predate day and order (which is also very logical when you think of it).
The world-building and writing are several notches down from the standards set by The Broken Earth, but are still extraordinarily good for a debut novel. The style is straightforward and unadorned, while the plot is a breathless roller coaster of twists and turns, with strong sexual undertones and cut-throat politics that can make House of Cards pale in comparison. The characters and, in particular, Yeine are extremely full-blooded and engaging, and the deities themselves are immensely interesting, even if not necessarily likeable. There are plenty of sexual allusions and scenes throughout the book, which are all rather explicit, but this ties in very well with the characters and the idiosyncratic theology. I am convinced the book would have suffered in their absence.
Finally a word about the other two instalments: Even if The Hundred Thousand Kingdoms is part of a trilogy, all three instalments are rather self-contained, have different main characters, lack immediate connection and common conclusion and can be read more or less on their own. The Hundred Thousand Kingdoms is the ‘gem’ in the trilogy, the sequels are readable, but hardly as involving or interesting.
I *really* loved book 1 (and had read it earlier). It is political (not in our world, but in theirs) which is an unusual element in the YA books I read and I liked what the author did with it.
I didn't so much care for books 2 & 3 but I got really invested in the characters and besides, I'd already purchased all 3 and so I wanted to complete the set. Books 2 & 3 were OK, book 1 I really liked.
The author has a way of not specifying exactly *who* is speaking for, sometimes, quite a long time. Which god is it? Which mortal is it? In book 1 I found that intriguing but it seemed to me less so in books 2 & 3.
I love how this book takes a familiar trope (heroine is brought into an unfamiliar court and coerced into being a contender in a competition for a throne she doesn't necessarily want) and twists it into something new. There are multiple layers to this story, which are fun to pick apart. The captured gods make for interesting characters, and I loved reading about Yeine's growing relationships with them. Definitely another amazing series - I've already started the sequel!
Top reviews from other countries

“It is very simple. I have named three heirs. One of you will actually manage to succeed me. The other two will doubtless kill each other or be killed by the victor. As for which lives, and which die—” He shrugged. “That is for you to decide.”
The Hundred Thousand Kingdoms is presented in the first-person perspective and follows events over a couple of weeks after Yeine arrives in Sky. As a new addition, she has to figure out how things work in Sky, try to make friends and allies, whilst also trying to uncover how and why her mother was murdered which happened prior to her arrival. In addition, she has started having frequent strange dreams and visions.
My favourite aspect of this story was the Gods and the way they mingle with and converse with the inhabitants of Sky. There are four of these Gods and they are essentially prisoners of a great God War. They could be considered slaves or weapons and have to abide by the demands and requests of the ruling family. Yeine included. The way these Gods are presented is similar to the Gods in Malazan Book of the Fallen. I adore it in stories when the Gods have human qualities and characteristics all whilst being much more powerful, intimidating, mysterious and even mischievous. It's interesting here that the Gods, although still formidable beings, are restrained by mortals. My favourite scenes involved Nahadoth (the Nightlord) and his son Seih. The lore and history surrounding the Gods was a joy to read. This is presented to readers through Yeine discussing what she learnt in history books or from the mouths of the Gods themselves in conversations with her.
“We can never be gods, after all--but we can become something less than human with frightening ease.”
The Hundred Thousand Kingdoms is an enchanting and majestic fantasy read. The novel is written in an eloquent manner and is engaging in the way that it focuses on Yeine's relationships with her family, the people of Sky, and the Gods. Her cousins make fine characters although I didn't see as much of her drunken cousin Relad as I'd have hoped, but I do have a soft spot for drunks in fiction. With a title as grandiose as The Hundred Thousand Kingdoms, it was surprising that the majority of the events take place in Sky alone and we are witness to little that happens elsewhere. As Sky is the centre and controlling nation of these Kingdoms though, the title does make sense yet I do hope that in the following books of the series we do visit other cities and sections of Jemisin's crafted world. Overall, I had an extremely positive experience with this book, my first time reading Jemisin. The Hundred Thousand Kingdoms was an addictive tale that I devoured within four days and I am definitely planning to continue this series and to check out more of the author's back catalogue.
“In a child's eyes, a mother is a goddess. She can be glorious or terrible, benevolent or filled with wrath, but she commands love either way. I am convinced that this is the greatest power in the universe.”

The basics are fairly standard: young women from a barbaric kingdom is unexpectedly summoned to the capital of the Empire where she finds herself one of the potential heirs to supreme power and must quickly find her way through the complex and vicious palace politics if she is to survive.
But this scenario is played out in an original and vividly realised world where captive gods are the weapons by which the ruling family control the world. Yet the power games played by the mortals are just a veneer over the much deeper and darker machinations of those gods, involved in a struggle that goes back to the beginning of creation.
Jemisin's writing holds this all together brilliantly well, with a perfectly paced flow of words. She demonstrates clearly that there are no rules in writing, only guidelines, and if you're good enough and know what you're doing you can ignore them. Thus the the narrative includes unexpected and apparently random inserts of a different POV, occasional info dumps and sudden backtracks that in many books would totally ruin the flow and confuse the reader. Literary disasters, but Jemisin makes these just another part of the plot, another element of mystery, and far from being put off by them I found they added new depths to the writing.
So 'The Hundred Thousand Kingdoms' is a remarkably skilful piece of literary workmanship - and a wonderful story. I certainly want to read more from this writer.

Despite some interesting ideas, this felt like a much more standard fantasy plot and the structure was far more straightforward. The main character was likable but a bit bland, and the villains were pretty one-dimensional. There were some really dark aspects, with references to paedophilia, cannibalism, and seriously grim torture, alongside a general backdrop of cruelty, oppression, and a touch of racism. I guess all that’s true in Jemisin’s better known work, but it felt more jarring here, perhaps because it didn’t particularly serve to illustrate any particular point.
The best aspect were the gods who had been trapped in human bodies, which was dealt with in an interesting and thoughtful way. Romance and sex played a big part in the story, with the focus on the main character and the god of night, who’s a bit of a devil figure. There’s basically nothing I love more than a good villain romance, and I loved the idea of finding one in a proper adult fantasy (as opposed to YA fantasy or adult fantasy romance). While there were some good moments, the romance didn’t quite capture my heart or my imagination.
Reading this book, I could see flashes of the imagination and writing style that came to the fore in future works, but this didn’t quite work for me. I’ll definitely by picking up Jemisin’s future works, but I probably won’t be bothering with the sequel to this.

One point to note is that although it is the first volume in a trilogy it does also stand alone with a clear resolution at the end, so if you are not sure where to start with Jemisin, this is probably a good one to go for. (bearing in mind that there are better books to come)
