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Ilium Mass Market Paperback – June 28, 2005
Dan Simmons (Author) Find all the books, read about the author, and more. See search results for this author |
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The Trojan War rages at the foot of Olympos Mons on Mars -- observed and influenced from on high by Zeus and his immortal family -- and twenty-first-century professor Thomas Hockenberry is there to play a role in the insidious private wars of vengeful gods and goddesses. On Earth, a small band of the few remaining humans pursues a lost past and devastating truth -- as four sentient machines depart from Jovian space to investigate, perhaps terminate, the potentially catastrophic emissions emanating from a mountaintop miles above the terraformed surface of the Red Planet.
- Print length752 pages
- LanguageEnglish
- PublisherHarperTorch
- Publication dateJune 28, 2005
- Dimensions4.19 x 1.5 x 6.75 inches
- ISBN-109780380817924
- ISBN-13978-0380817924
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Review
“[Ilium] will leave most readers waiting breathlessly for the next installment...utterly addictive.” — Kirkus Reviews
About the Author
Dan Simmons is the Hugo Award-winning author of Hyperion and The Fall of Hyperion, and their sequels, Endymion and The Rise of Endymion. He has written the critically acclaimed suspense novels Darwin's Blade and The Crook Factory, as well as other highly respected works, including Summer of Night and its sequel A Winter Haunting, Song of Kali, Carrion Comfort, and Worlds Enough & Time. Simmons makes his home in Colorado.
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Product details
- ASIN : 0380817926
- Publisher : HarperTorch (June 28, 2005)
- Language : English
- Mass Market Paperback : 752 pages
- ISBN-10 : 9780380817924
- ISBN-13 : 978-0380817924
- Item Weight : 12.5 ounces
- Dimensions : 4.19 x 1.5 x 6.75 inches
- Best Sellers Rank: #154,137 in Books (See Top 100 in Books)
- #766 in Time Travel Fiction
- #1,564 in Space Fleet Science Fiction
- #3,065 in Contemporary Literature & Fiction
- Customer Reviews:
About the author

Dan Simmons was born in Peoria, Illinois, in 1948, and grew up in various cities and small towns in the Midwest, including Brimfield, Illinois, which was the source of his fictional "Elm Haven" in 1991's SUMMER OF NIGHT and 2002's A WINTER HAUNTING. Dan received a B.A. in English from Wabash College in 1970, winning a national Phi Beta Kappa Award during his senior year for excellence in fiction, journalism and art.
Dan received his Masters in Education from Washington University in St. Louis in 1971. He then worked in elementary education for 18 years -- 2 years in Missouri, 2 years in Buffalo, New York -- one year as a specially trained BOCES "resource teacher" and another as a sixth-grade teacher -- and 14 years in Colorado.
His last four years in teaching were spent creating, coordinating, and teaching in APEX, an extensive gifted/talented program serving 19 elementary schools and some 15,000 potential students. During his years of teaching, he won awards from the Colorado Education Association and was a finalist for the Colorado Teacher of the Year. He also worked as a national language-arts consultant, sharing his own "Writing Well" curriculum which he had created for his own classroom. Eleven and twelve-year-old students in Simmons' regular 6th-grade class averaged junior-year in high school writing ability according to annual standardized and holistic writing assessments. Whenever someone says "writing can't be taught," Dan begs to differ and has the track record to prove it. Since becoming a full-time writer, Dan likes to visit college writing classes, has taught in New Hampshire's Odyssey writing program for adults, and is considering hosting his own Windwalker Writers' Workshop.
Dan's first published story appeared on Feb. 15, 1982, the day his daughter, Jane Kathryn, was born. He's always attributed that coincidence to "helping in keeping things in perspective when it comes to the relative importance of writing and life."
Dan has been a full-time writer since 1987 and lives along the Front Range of Colorado -- in the same town where he taught for 14 years -- with his wife, Karen. He sometimes writes at Windwalker -- their mountain property and cabin at 8,400 feet of altitude at the base of the Continental Divide, just south of Rocky Mountain National Park. An 8-ft.-tall sculpture of the Shrike -- a thorned and frightening character from the four Hyperion/Endymion novels -- was sculpted by an ex-student and friend, Clee Richeson, and the sculpture now stands guard near the isolated cabin.
Dan is one of the few novelists whose work spans the genres of fantasy, science fiction, horror, suspense, historical fiction, noir crime fiction, and mainstream literary fiction . His books are published in 27 foreign counties as well as the U.S. and Canada.
Many of Dan's books and stories have been optioned for film, including SONG OF KALI, DROOD, THE CROOK FACTORY, and others. Some, such as the four HYPERION novels and single Hyperion-universe novella "Orphans of the Helix", and CARRION COMFORT have been purchased (the Hyperion books by Warner Brothers and Graham King Films, CARRION COMFORT by European filmmaker Casta Gavras's company) and are in pre-production. Director Scott Derrickson ("The Day the Earth Stood Stood Still") has been announced as the director for the Hyperion movie and Casta Gavras's son has been put at the helm of the French production of Carrion Comfort. Current discussions for other possible options include THE TERROR. Dan's hardboiled Joe Kurtz novels are currently being looked as the basis for a possible cable TV series.
In 1995, Dan's alma mater, Wabash College, awarded him an honorary doctorate for his contributions in education and writing.
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Reviewed in the United States on January 14, 2019
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Why? Because the book is a beautiful chore. The kind of task that you love while you are doing it but glad when it's over. The peaks of action in the book come at a woeful price of pages and pages of exposition, imagery, and meaningful but boring rising action. Upon finishing it I read reviews of Olympos which basically stated that they felt cheated in the payoff and that was it for me. I couldn't bring myself to do another 800+ pages and feel disappointed at the conclusion.
And so Ilium sits in my collection, one of the greatest reads of my life, and all I feel about it is a sort of anxious regret.
The simple truth is, Simmons writes about a million checks in Ilium (which makes it seem like a great book building to something cool) ... but he can't cash *any* of them in the sequel Olympos. Without spoiling the ending, after both books finish up ... EVERYTHING IS RESOLVED BY DEUS EX MACHINA!
Basically you read Ilium, you get attached to the characters, and everything they do seems to matter ... but it doesn't! Nothing they do matters, and the entire plot is resolved without any actions of any of the characters in Illium mattering.
Save yourself time and money and don't start this book. It will *seem* like it's building something great, but it's a house of cards that will leave you bitter and sad at its resolution. Go read other works by Simmons' (eg. the Hyperion Cantos) and I promise you'll be much happier.
One problem I had is Simmons' scientific references, which were too far-fetched to be called 'scientific'. He seemed to over-interpret physical notions, to the extent of them getting more mystics than physics.
This did not live up to that promise.
I want to give it three, maybe four stars because it was a great concept, because some of the storylines did make me long for the next chapter. But... others really put me off, and the slow story development did not increase my enjoyment.
Mild spoiler here. I like the concept of sentient robots obsessing over human culture as a way to humanize them, but Simmons went too deep with it. Having the moravacs spend so much time talking about classic literature did not make them more "human" to me. In fact, it did the opposite. Humans, even those who are obsessed with a topic, do not go into this level of depth on it. If Dan Simmons wanted to demonstrate he is a scholar of classical literature, how about writing a book focused on that, and not trying to cram it down the throats of his Sci-fi audience.
The other human characters are not much better. Seriously, it took about 80% of the book before one stopped talking about how much he wanted to sleep with his cousin. The list goes on.
I see this as an opportunity squandered. This could have been a fantastic book about how in the future a re-creation of the Trojan war turned out different, but Dan Simmons tried to turn it into an epic saga. The book would have been much better if it was about 250 pages shorter.
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I read this book (and the sequel Olympos) and really enjoyed both; I thought they were excellent sci-fi with a very different twist to generic space opera we get a lot of. Though it's probably poor manners to mention it, previously I had read Gareth Powel Embers of War series, and while that was fine, these books are in a different league.
I felt that there were a few loose ends left over, though maybe I'm just not clever enough to get it all (ie, without spoiling it, just what was the purpose in having a main character find an object in the Atlantic, only for other characters to then find it independently later?).

The narrator of the Glorious Illian conflict is a temporally misplaced American classicist ( surely an oxymoron?).
There are many mysteries, none are resolved. Personally I rooted for the robots.

There are several groups of characters. First, the population of future earth (post humans) that only numbers about 300,000; they have lost all knowledge - they cannot even read, and are looked after by the voynix - robot-like constructs - and servitors that are not of earth. They are able to move instantaneously (fax) between faxnode pads that are scattered over the earth. Second, the scientifically advanced moravecs; these are part organic part mechanical and occupy and study the outer solar system. In their spare time, one has become an expert on Shakespeare, especially his sonnets, and another on Proust. They were created by humans and seeded in the solar system during the "Lost Age". Third, there are the Gods who inhabit Olympos Mons on Mars; they possess all the powers of the ancient Greek Gods, and more. They come from the far future but I am unclear whether they were originally human or have arrived from a parallel universe. Fourth, there are the Greeks (Acheans) and the defenders of Ilium, the Trojans that have been fighting for 10 years; they are based on Homer's Iliad but unfortunately the Gods have their favorites and keep on interfering with and hence prolonging the fighting. A fifth important character is the scholar Hockenberry; he was an academic on the current earth who was an expert on Homer's Iliad and other contemporary Greek literature and who was "resurrected" by the Gods who use him for their own nefarious dealing with the Greeks and Trojans. He has the fortune to become the lover of Helen of Troy! Finally, there is a group of other characters that play more important roles in the sequence to Ilium - Olympos - but a few of whom are to be found on the rings orbiting earth and who play a critical role in the story.
I am not going to attempt to describe the plot as it is too complex but it contains sex, violence, love, horror and erudition - I am now planning to read the Iliad! The author cleverly intertwines Greek legend with hard SF in an epic that covers centuries and entails creatures that are sub-human, human and post-human. Although over 600 pages long the story has pace and verve. Initially, each group of characters is dealt with individually but as the story progresses their tales all gradually converge to produce an exciting climax. A list of the Dramatis Personae provided at the end of the book is extremely useful in helping the reader follow the various characters and the twists and turns of the story.
I have only given 4 stars to this novel as I feel it is not up to the standard of Hyperion - it is a little too complex and contrived; nevertheless, a compulsive read and it is thoroughly recommended.

I enjoyed the read even more the second time. Simmons is very good at melding fact and highly imaginative fiction, so I usually come away from one of his books both educated and entertained.
I will never be able to think of Helen of Troy again without Simmons' image of her coming to mind. I feel I know her better than many of my own friends. Also, I did laugh out loud more than once.
I know that not everyone finds Dan Simmons' work as enthralling as I do, and that ten years sitting on a beach besieging a city can sometimes seem like it is taking ten years to read about, but I am of the opinion that Simmons is a great genius who requires some effort from his readers, but rewards them richly for that effort.
