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Jambalaya: The Natural Woman's Book of Personal Charms and Practical Rituals Paperback – June 15, 2021
Luisah Teish (Author) Find all the books, read about the author, and more. See search results for this author |
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A refreshed edition of Jambalaya: The Natural Woman’s Book of Personal Charms and Practical Rituals—updated with a note from the author sharing the changes that have occurred in the 30 years since its original publication.
"A book of startling remembrances, revelations, directives, and imperatives, filled with the mysticism, wisdom, and common sense of the African religion of the Mother. It should be read with the same open-minded love with which it was written."—Alice Walker, author of The Color Purple
Since its original publication in 1985, Jambalaya has become a classic among Women’s Spirituality Educators, practitioners of traditional Africana religions, environmental activists, and cultural creatives. A mix of memoir, spiritual teachings, and practices from Afro-American traditions such as Ifa/Orisha, and New Orleans Voudou, it offers a fascinating introduction to the world of nature-based spirituality, Goddess worship, and rituals from the African diaspora. More relevant today than it was 36 years ago, the wisdom of Jambalaya reconnects us to the natural and spiritual world, and the centuries-old traditions of African ancestors, whose voices echo through time, guiding us and blending with our own.
- Print length288 pages
- LanguageEnglish
- PublisherHarperOne
- Publication dateJune 15, 2021
- Dimensions5.31 x 0.76 x 8 inches
- ISBN-100062508598
- ISBN-13978-0062508591
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Editorial Reviews
Review
"A book of startling remembrances, revelations, directives, and imperatives, filled with the mysticism, wisdom, and common sense of the African religion of the Mother. It should be read with the same open-minded love with which it was written." — Alice Walker, author of The Color Purple
"Jambalaya is a gift, open to all people, a gift of an ancient tradition, a gift of stories and celebrations, a gift of Teish's own history and voice, the voice of a strong, knowledgeable, and wise black woman." — Starhawk, author of The Spiral Dance and The Fifth Sacred Thing
"Teish reveals a wealth of new visions and ancient wisdom from a cultural heritage unknown to most readers. To a style of writing that is friendly and relaxed, Teish adds the spice of her wonderful sense of humor. This is a book that sharpens the intuitive sense in each of us and encourages us to that inner knowledge." — Merlin Stone, author of When God Was a Woman
From the Back Cover
A Marvelous Blend
of Memoir, Folk Wisdom,
and Afro-American Beliefs.
Actress, storyteller, and priestess Luisah Teish dramatically re-creates centuries-old African-American traditions with music, memoir, and folk wisdom.
About the Author
Born and raised in New Orleans, Luisah Teish is a priestess of Oshun in the Yoruba Lucumi tradition. She teaches classes on African goddesses, shamanism, and the Tambala tradition. She lives in Oakland, California. Visit her at yeyeluisahteish.com.
Excerpt. © Reprinted by permission. All rights reserved.
Growing Up Tipsy
Somehow I knew that there was much more going on than was apparent on the surface. My existence and that of the things going on around me caused me to question everything, always looking for the deeper meanings.
I was born in the city of the Voudoun--New Orleans, Louisiana. My paternal grandmother's shotgun house stands at 1018 St. Ann Street. The Maison Blanche, the former home of Mam'-zelle Marie La Veau, the voudou priestess for three generations, is recorded as being 1022 St. Ann Street. To this day my grandmother's house carries a sign that reads, "The Marie La Veau Apartments."
New Orleans-like the San Francisco Bay Area, where I now live-is a psychic seaport. The psychic energies of many people living and dead hovers over the city of New Orleans, possibly because of the water. Visitors to the city become "tipsy" after being there only a short time. "Tipsy" is the name given to that state of mind that precedes possession. (It is also used to mean slightly drunk.) I grew up tipsy.
I spent many days and nights in the dark, mysterious house of my grandmother, Maw-Maw Catherine Mason Allen, while my mother and father were at work.
Due to the limited perceptions of a child and the nature of memory, I can only describe it vaguely. I remember a big, toosoft, and bulky double bed in the middle room. This is the place where my cousin Frank Jr., took refuge from the whippings he seems always to have earned. He used to hide under this bed to smoke cigarettes; but for me smoke and Frank were not the only things hiding under that bed.
Perhaps I had eaten too many pickles that night and overindulged in the delicious teacakes and sweet potato turnovers my Maw-Maw used to bake in the woodstove. Whatever the external cause, when I laid my head on the duck-down pillow covered with an immaculate muslin pillowcase, I just couldn't sleep. Everything was so still and quiet that I could not tell whether the numerous and barely distinguishable adult relatives of mine were asleep in the front room or out for a night of church. I could have been there alone without concern because everybody on the block was somehow kin to me and would have come running at the slightest disturbance.
But tonight as Wind slipped slowly through the cracks in the wooden fence that enclosed the backyard, no one seemed to be afoot. At least, no one human. I could hear only the wind and the irregular tapping of Maw-Maw's white dog, who was born with only three legs. I was always afraid of that dog and kept a safe distance between us, not because he was in any ways vicious but because his eyes were always red and I had been told that he knew when somebody was going to die.
I lay there listening to his tapdance against the wind and stared at the ceiling thoughtlessly. After a period of time that I cannot judge, a feeling of apprehension began to creep over me. Somebody or something was moving snakelike and slowly under the bed.
Was it Frank? Had he crawled under it to avoid a whipping and fallen asleep? Had Maw-Maw's creepy dog gotten under the house and situated himself directly beneath the bed? When I asked myself these questions, Wind told me, "No, Cher." As my fear mounted, I became aware of a sensation of lifting subtly. My back seemed not to touch the buttons of the mattress. I kept rising and rising until I seemed to be five feet above the bed. I remember thinking that if I kept rising like this I was going to bump into the ceiling and smash my already flat nose. "I wanna go down," I said nervously inside my head, and at that moment my face seemed to sink through the back of my head so that my chest and feet were still facing the ceiling but my face was looking down at the bed. And what a sight it saw!
There under the bed was an undulating, sinewy, mass of matter as brown as the waters of the muddy Mississippi River. It was squeezing out from under the bed on all sides like a toothpaste tube with pin holes in it. The brown was taking forms, humanoid but undistinguishable by gender. They were getting higher, showing heads with eyes, bellies, legs, outstretched arms, and I was getting closer to the bed. My face, now only a few inches from the sheet returned to the other side of my head, and as my body descended I looked at these brown humanoids towering over me. I seemed to shake uncontrollably, my muscles moved about as if I had no bones. I opened my mouth, screamed but the sound was made only inside my head. The brown-folk seemed to take a deep breath as my body settled on the mattress. They touched me and their matter slipped into my muscles and ran through my veins. The floodgates opened and as a warm astringent liquid sank into the mattress, I sank into sleep.
I remember telling my mother about this dream. She laughed, stroked my head and asked me if I recognized any of the people who had come from under the bed. I told her, "No, Ma'am," and the matter was forgotten.
This happened when I was about five years old. Twenty-three years later I got a piece of an explanation of its meaning. A Puerto Rican woman water-gazed for me, and-without knowing my story--told me to make two dolls for my unknown ancestors and keep them under my bed.
Across the street from Maw-Maw's house was a classic French Quarter home complete with veranda and cast-iron lattice work. I used to sit on the steps of my grandmother's house and stare at the balcony. There was a little girl, brown-skinned . . .
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Product details
- Publisher : HarperOne; Reprint edition (June 15, 2021)
- Language : English
- Paperback : 288 pages
- ISBN-10 : 0062508598
- ISBN-13 : 978-0062508591
- Item Weight : 7.9 ounces
- Dimensions : 5.31 x 0.76 x 8 inches
- Best Sellers Rank: #13,215 in Books (See Top 100 in Books)
- Customer Reviews:
About the author

Luisah Teish is a writer, performer and ritual priestess.
She is the author of “Jambalaya: The Natural Woman’s Book of Personal Charms and Practical Rituals” a women’s spirituality classic, “ Carnival of the Spirit: Seasonal Celebrations and Rites of Passage “; Jump Up: Good Times Throughout the Seasons with Celebrations from Around the World”. and “What Don’t Kill Is Fattening Revisited: Twenty Years of Poetry, Prose, and Myth. Her works have been translated into German, French and Spanish.
Other writing credits include contributions to fifteen anthologies and articles in Essence, Ms., Shaman’s Drum, and the Yoga Journal.
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Reviewed in the United States on June 12, 2019
Top reviews from the United States
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This is a must for anyone's book shelf--Luisah Teish is a major voice for women of color within the women's spirituality movement, and (as you'll know if you watched The Goddess Remembered) she did a lot of work to make this movement (which sprang from "second wave" feminism) intersectional. Jambalaya should also be included in any library of African diasporic spirituality--you're sure to find practical rituals for the contemporary American, usable by anyone. I would even recommend it as a book to give to a person exploring these forms of spirituality for the first time.

Reviewed in the United States on June 12, 2019



I finished this book years ago and now recommend it to any Black woman newly on their spiritual path. I also recommend it to women who have been in the game for a minute. Not everything in the book may resonate with you but take what works and leave the rest.
Previous Review:
I love this book. I had seen people talking about this book for quite a while now, and I get why people think it is oh so special. I haven't finished reading the book, but I started it last night and can't put it down. The personal stories and charms are just too wonderful to pass up. I feel like this is one of those books where if I had the time, I would finish it in one sitting.
This book is a staple. It's beautifully written, it calls out something older within you, it reconnects you with history, and opens you to the pulse of African Diaspora faiths many of may not have been aware of. I could hear the voice of "She Who Whispers". I could feel myself dancing. See myself working roots. If you're magically inclined in any sense this book speaks a little louder than most. If you're interested in spirituality, this book will definitely open your eyes in a sense. Buy it. Read it. Research. Apply.




Top reviews from other countries



The problem with that is she comes across as whiny + self-centred. She is also an abuse apologist.

